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1000 tulosta hakusanalla Elliot S. Valenstein

A situação hermenêutica na poesia de T. S. Eliot e W. B. Yeats
Este estudo, composto por tr s cap tulos, trabalha no mbito da Hermen utica filos fica do fil sofo alem o Hans-Georg Gadamer, centrando-se mais particularmente no primado da situa o hermen utica na compreens o da poesia de Thomas Stearns Eliot e de William Butler Yeats. Esta afinidade o que contribui substancialmente para a realiza o de uma compreens o hermen utica significativa da poesia genu na de Eliot e Yeats; uma poesia que fala mais poderosamente situa o hermen utica atual e aponta para aspectos da nossa realidade de uma forma relevante. Isto deve-se ao seu poder dial gico inerente, que alcan ado atrav s do uso deliberado da m sica, do simbolismo, da poesia impessoal e do mito por parte de Eliot e Yeats. Esta poesia dial gica muito elogiada por Gadamer, na medida em que facilita a revela o de poss veis verdades. Esta edi o, no seu conjunto, uma leitura revigorante para todos os bibli filos.
Die hermeneutische Situation in der Dichtung von T. S. Eliot und W. B. Yeats
Diese Studie, die aus drei Kapiteln besteht, bewegt sich im Rahmen der philosophischen Hermeneutik des deutschen Philosophen Hans-Georg Gadamer und konzentriert sich insbesondere auf den Vorrang der hermeneutischen Situation beim Verst ndnis der Dichtung von Thomas Stearns Eliot und William Butler Yeats. Die in den drei Kapiteln durchgef hrte Untersuchung zeigt, dass sowohl Eliot als auch Yeats einen Ansatz vorschlagen, der in Gadamers philosophischer Hermeneutik erfahrbar ist. In gewisser Weise besteht eine Affinit t zwischen Gadamers Hermeneutik und der Poetik von Eliot und Yeats. Diese Affinit t tr gt wesentlich zur Verwirklichung eines sinnvollen hermeneutischen Verst ndnisses der genuinen Poesie von Eliot und Yeats bei; einer Poesie, die sich kraftvoll mit der aktuellen hermeneutischen Situation auseinandersetzt und Aspekte unserer Realit t auf relevante Weise aufzeigt. Dies ist auf ihre inh rente dialogische Kraft zur ckzuf hren, die durch Eltons und Yeats' bewussten Einsatz von Musik, Symbolik, unpers nlicher Poesie und Mythos erreicht wird. Eine solche dialogische Poesie wird von Gadamer insofern hoch gelobt, als sie die Offenlegung m glicher Wahrheiten erleichtert. Diese Ausgabe ist insgesamt eine anregende Lekt re f r alle Bibliophilen.
The Savage and the City in the Work of T. S. Eliot
The twin concerns of primitive and metropolitan life nourished T.S. Eliot's imagination through his childhood and student years and developed to mould and underpin his writing. Ranging from Dr Sweany of St Louis and Eliot's intense interest in anthropology to his interest in Victorian urban writing and popular American models, this book throws new light on Eliot's major works, particularly on The Waste Land and Sweeney Agonistes. In understanding how a great poet obsessively and continually brought together `savages' and the sophisticated as well as slum-dwelling members of modern urban society, we can see his work afresh as possessing remarkable and profound excitement as well as unusual integrity.
Rhythms of Feeling in Edward Lear, T. S. Eliot, and Stevie Smith
Rich with unpublished material and detailed insight, Rhythms of Feeling offers a new reading of three of the most celebrated poets: Edward Lear, T.S. Eliot, and Stevie Smith. Tracing exciting lines of interplay, affinity, and influence between these writers for the first time, the book shifts the terms of critical debate on Lear, Eliot, and Smith and subtly reorients the traditional account of the genealogies of Modernism. Going beyond a biographically-framed close reading or a more general analysis framed by affect theory, the volume traces these poets' 'affective rhythms' (fits, tears, nerves) to consider the way that poetics, the mental and physical process of writing and reading, and the ebbs and flows of their emotional weather might be in dialogue. Attentive, acute, and often forensic, the book broadens its reach to contemporary writers and medical accounts of creativity and cognition. Alongside deep critical study, this volume seeks to bring emotional intelligence to criticism, finding ways of speaking lucidly and humanely about emotional and physical states that defy lucidity and stretch our sense of the human.
Djuna Barnes, T. S. Eliot and the Gender Dynamics of Modernism
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
Djuna Barnes, T. S. Eliot and the Gender Dynamics of Modernism
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
An Analysis of the Prosodic Structure of Selected Poems of T. S. Eliot: Catholic University of America
This book, titled ""An Analysis Of The Prosodic Structure Of Selected Poems Of T. S. Eliot: Catholic University Of America"" by M. Martin Barry, is a detailed examination of the prosodic structure of a selection of poems written by T. S. Eliot. The author, Barry, is a scholar who has conducted extensive research on the subject of poetry and its various elements, including prosody.The book focuses on the works of T. S. Eliot, a renowned poet who is known for his complex and layered writing style. The selected poems that are analyzed in this book include some of Eliot's most famous works, such as ""The Waste Land"" and ""Four Quartets.""The analysis in this book is centered around the prosodic structure of the poems, which refers to the patterns of stress, rhythm, and intonation used in poetry. The author examines how Eliot uses these elements to create meaning and convey emotion in his poetry.Throughout the book, Barry employs a variety of analytical techniques to examine the prosodic structure of Eliot's poems. He also provides detailed explanations of the various elements of prosody and how they are used in poetry.Overall, this book is an in-depth exploration of the prosodic structure of T. S. Eliot's poetry, providing readers with a deeper understanding of the complex and layered nature of his writing. It is a valuable resource for scholars and students of poetry, as well as anyone interested in the works of T. S. Eliot.This is a new release of the original 1948 edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Joyce, T. S. Eliot, Auden, Beckett
The four writers featured in this volume represent different aspects of the modernist response to Shakespeare. James Joyce, T. S. Eliot, W. H. Auden and Samuel Beckett were all exceptionally learned and their art takes a delight in difficulty. But the scurrility, irreverence and playfulness they found in Shakespeare are essential features of what they themselves were to do with him. They were particularly drawn to Shakespeare’s outcasts, and to the experiences of marginality, estrangement, indigence and craziness. In return they have helped to shape the ways in which we now read Shakespeare himself.