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1000 tulosta hakusanalla Gavin Mortimer
Perseverance: : Going For It All
Gavin J. Herber
Createspace Independent Publishing Platform
2015
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The Saga of the Volsungs and other stories
Gavin Chappell
Createspace Independent Publishing Platform
2014
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Understanding Andrew Marvell's Cromwell and Eulogy Poems: A-level Study Guide
Gavin Smithers
Createspace Independent Publishing Platform
2014
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Andrew Marvell. Diplomat. Treaty negotiator. Career politician. Tutor to the children of the rich and famous. Political commentator. Political scientist. Religious thinker. Satirist. Moralist. Oh, and I almost forgot- Poet. As a student, or perhaps a teacher of English Literature, it will be this element of the man that concerns and interests you most. But if, right now, you are feeling as concerned as interested - then take heart: this guide aims to help change all that Because of the line length of particular poems, and because of what may at first seem like challenging word choices, many people come reluctantly to Marvell. It is too difficult; his poems are 'too clever'; they are soaked in obscure literary traditions. It is all too old-hat. But In this short guide I aim to show you that the reverse is true. Marvell can be straightforward and rewarding to read, when we approach him in a disciplined way. The poetry of this clever man is filled with insights into his own times, tempered with irony. Both his insights and his irony are just as relevant to us and our times, too. Like my other Gavin's Guides, this book aims to help you come to admire the author AND raise your exam grade. Right now, Marvell is a chosen text for OCR A-Level. Exam questions ask candidates to compare Marvell with another text. This means you are free to choose which Marvell poems you study. However, examiners have inferred that the shorter, lyrical poems are not enough. So here I tackle some of the big guns The poems under the microscope in this volume are: Tom May's Death An Epitaph upon------ Upon the Death of the Lord Hastings An Elegy upon the Death of My Lord Francis Villiers An Horatian Ode upon Cromwell's Return from Ireland The First Anniversary of the Government under His Highness the Lord Protector A Poem upon the Death of His Late Highness the Lord Protector Come with me on the journey of exploring Marvell's methods and meanings, and you'll be fascinated, too. The First Anniversary of the Government under His Highness the Lord Protector A Poem upon the Death of His Late Highness the Lord Protector Together with my sections on 'Exam Technique' and 'What makes Marvell such a great poet' these poems will provide enough insight to answer exam questions fully. This is a Gavin's Guide Extra - it is aimed at able pupils and their teachers. About the author: Gavin Smithers is a private tutor, covering the north Cotswolds. He has an English degree from Oxford University and a passion for helping others to discover the joy and satisfaction of great literature. Gavin's Guides are short books packed with insight. Their key aim is to help you raise your grade Books such as this one, which are identified as Gavin's Guides Extra are aimed at the more able student and also at teachers.
Curious Chronicles from Sri Lanka
Gavin Anderson
Createspace Independent Publishing Platform
2014
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Legendary Cougar Magazine at the 2014 CCOA Western Regionals
Gavin Schlesinger; Richard Truesdell
Createspace Independent Publishing Platform
2014
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Lyrical G Fatta Ranks The Coyote I
Gavin Scott Hughes
Createspace Independent Publishing Platform
2014
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The Lyrical Great White Fatta Ranks The Coyote I
Gavin Scott Hughes
Createspace Independent Publishing Platform
2014
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Through The Eyes Of A Scizophrenic: Film Script By Coyote I Fatta Ranks
Gavin Scott Hughes
Createspace Independent Publishing Platform
2014
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We Are Addicts Too Our Own Minds Plus Philosophy: Fatta Ranks The Coyote I
Gavin Scott Hughes
Createspace Independent Publishing Platform
2014
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Understanding John Steinbeck's Of Mice and Men: GCSE Study Guide for Summer 2015 OCR and AQA students
Gavin Smithers
Createspace Independent Publishing Platform
2014
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Shortlisted for the R. Gapper Book Prize 2020Enchanted Ground is about the challenge to modernist criticism by Surrealist writers – mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others – who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism – Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh – became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Cities for Profit examines the phenomenon of urban real estate megaprojects in Asia—massive, privately built planned urban developments that have captured the imagination of politicians, policymakers, and citizens across the region. These controversial projects, embraced by elites, occasion massive displacement and have extensive social and economic impacts. Gavin Shatkin finds commonalities and similarities in dozens of such projects in Jakarta, Kolkata, and Chongqing. Shatkin is at the vanguard of urban studies in his focus on real estate. Just as cities are increasingly defined and remapped according to the value of the land under their residents' feet, the lives of city dwellers are shaped and constrained by their ability to keep up with rising costs of urban life. Scholars and policy and planning professionals alike will benefit from Shatkin's comprehensive research. Cities for Profit contains insights from more than 150 interviews, site visits to projects, and data from government and nongovernmental organization reports and data, urban plans, architectural renderings, annual reports and promotional materials of developers, and newspaper and other media accounts.
Cities for Profit examines the phenomenon of urban real estate megaprojects in Asia—massive, privately built planned urban developments that have captured the imagination of politicians, policymakers, and citizens across the region. These controversial projects, embraced by elites, occasion massive displacement and have extensive social and economic impacts. Gavin Shatkin finds commonalities and similarities in dozens of such projects in Jakarta, Kolkata, and Chongqing. Shatkin is at the vanguard of urban studies in his focus on real estate. Just as cities are increasingly defined and remapped according to the value of the land under their residents' feet, the lives of city dwellers are shaped and constrained by their ability to keep up with rising costs of urban life. Scholars and policy and planning professionals alike will benefit from Shatkin's comprehensive research. Cities for Profit contains insights from more than 150 interviews, site visits to projects, and data from government and nongovernmental organization reports and data, urban plans, architectural renderings, annual reports and promotional materials of developers, and newspaper and other media accounts.
CONQUISTADORS AT THE CENTRE OF THE EARTH 'So what did happen to this treasure' 'The Indians say that they first came to the city of Mexico from a place far to the north, in the desert, ' the friar said. 'Chicomoztoc it's called, the Place of the Seven Caves. They climbed up from a land beneath the ground and migrated by stages to the Valley of Mexico. The priest who Do a Isabella's father spoke to said that, before the final destruction of Tenochtitlan, seven temple priests took the treasure into the deserts of the north and concealed it deep within Chicomoztoc, in Tollan, the chief of their ancestors' subterranean cities.' 'My father searched the desert for the entrance to the caves, ' Do a Isabella added, 'but he never found them. It was his fruitless searching that bankrupted our family. He returned to Spain an impoverished man and soon our fortunes foundered. Now that we are destitute, my brother has taken up this foolish quest in his turn. We will wander the sands of the desert fruitlessly, until our bones bleach white in the sun '
