Volume IX contains three of Dryden's Plays, along with accompanying scholarly appartus: Indian Emperour, Secret Love, and Sir Martin Mar-All.
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Volume X contains three of Dryden's Plays, along with accompanying scholarly appartus: The Tempest, Tyrannick Love, and An Evening's Love.
This volume contains the poems of Dryden extending from1685 to 1692. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
This collection of prose writing from the pen of Dryden dates from 1668 to 1691, and contains work that the editors describe as "a sampler of Dryden as biographer-historian, political commentator, religious controversialist, literary polemicist, literary theorist, and practical critic. Among the works contained here is his "Essay of Dramatick Poesie."
This volume contains the poems of Dryden extending from 1681 to 1684. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
This volume contains the poems of Dryden extending from 1693 to 1696. Mostly these are translations of Roman poetry, specifically the satires of Juvenal and Persius, sections of Ovid's Metamorphoses, Amours, and Art of Love, passages from Homer and Virgil--as well as some elegies of contemporaries composed in his later years. Also included is Dryden's influential essay on the nature of satire entitled "A Discourse Concerning the Original and Progress of Satire."
Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume V contains The Pastorals and The Georgics in their entirety; the first six books of The Aeneid is contained as well.
Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.
Volume XI contains three of Dryden's Plays, along with accompanying scholarly appartus: The Conquest of Granada, Marriage A-la-Mode, and The Assignation.
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: "All for Love", "Oedipus", and "Troilus and Cressida".
Volume XV contains three of Dryden's Plays, along with accompanying scholarly appartus: Albion and Albanius, Don Sebastian, and Amphitryon.
This volume contains Dryden's 1684 translation of Louis Maimbourg's "The History of the League," a work relating to the religious wars of France in the preceding century, and which Dryden used as a commentary on the religious persecutions of his own time in England.
This volume contains Dryden's 1688 translation of Dominiques Bouhours "The Life of St. Francis Xavier," a sixteenth century Jesuit and missionary to the Far East.
For the first time since 1695, a complete text of De Arte Graphica as Dryden himself wrote it is available to readers. In all, Volume XX presents six pieces written during Dryden's final decade, each of them either requested by a friend or commissioned by a publisher. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends. The most recent version of De Arte Graphica, Saintsbury's late nineteenth-century reissue of Scott's edition, based the text of the translated matter on an edition that was heavily revised by someone other than Dryden. In fact, only one of the pieces offered here, the brief Character of Saint-Evremond, has appeared complete in a twentieth-century edition. The commentary in this volume supplies biographical and bibliographical contexts for these pieces and draws attention to the views on history and historians, poetry and painting, Virgil and translation, which Dryden expresses in them. Many other volumes of prose, poetry, and plays are available in the California Edition of The Works of John Dryden.
John Ford, Revised and Enlarged Edition
Peter Bogdanovich
University of California Press
1978
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This book provides an intimate and affectionate view of one of Hollywood's most admired directors. The fifty-year career of John Ford (1895-1973) included six Academy Awards, four New York Film Critics' Awards, and some of our most memorable films, among them The Informer (1934), The Grapes of Wrath (1940), The Quiet Man (1952), The Long Gray Line (1955), and The Wings of Eagles (1957). In addition, the name John Ford was practically synonymous with the great Westerns that came out of Hollywood for many years-- Stagecoach (1939), She Wore a Yellow Ribbon (1949), Rio Grande (1950), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), for example. After his death a European newspaper mourned ford as "the creator of the Western," although many of his finest films were far removed from that genre. Combining interviews with John Ford with his own reflections, director Peter Bogdanovich captures both the artist and the man in a highly readable, compact book that will please film lovers and Ford admirers alike. Over a hundred stills are included, along wit hthe most completed filmography yet compiled for John Ford.
This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture.
Kept women, comic clerics, and political schemers enliven the four plays in this volume of the California Dryden. Dryden asserted that The Kind Keeper was a moral play, dedicated to exposing the "crying sin" of keeping a mistress. The production was closed after three nights, but whether because of the play's success in moralizing, or in exposing, is hard to know.
The three plays in this volume, composed between 1672 or 1673 and 1675, demonstrate Dryden's versatility and inventiveness as a dramatist. "Amboyna", a tragedy written to stir the English to prosecute the Third Dutch War, describes the destruction by the Dutch of English trading posts on two Indonesian islands. Regarded in its time as sensationalist, it is really a dignified drama that decries violence. "The State of Innocence", termed an opera, is a rhymed version of Milton's "Paradise Lost". Though never performed or set to music, it became one of Dryden's most widely read dramas. "Aureng-Zebe", the last and generally considered the best of Dryden's rhymed heroic plays, portrays the rise to power of Mogul emperor Aureng-Zebe (1618-1707).
In the last decade of Dryden's life, he brought four new works before the theatre-going public: a dramatic opera, a tragedy, a tragicomedy, and a number of appendages to an old comedy by John Fletcher, which was revived partly so that Dryden might have the author's third-night profits. He died that night, but his family received the money. The dramatic opera, King Arthur, benefited from a fine score by Henry Purcell and has remained in the operatic repertoire to this day. Cleomenes, the tragedy, was banned until Dryden was able to convince Queen Mary that it did not reflect any seditious sympathy with the exiled James II, after which it was successful. The fate of Love Triumphant, the tragicomedy, was different; possibly because of a growing swell of moral reform, the play was universally damned, even though its themes of incest and miscellaneous fornication had never brought rejection to Dryden in the past. The Secular Masque, Dryden's principal contribution to The Pilgrim by Fletcher, had undistinguished music, but its lively verse and broad review of the previous century kept the piece on the stage for the next fifty years, and in anthologies up to the present.
John Donne's Sermons on the Psalms and Gospels
John Donne
University of California Press
2003
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The glory of John Donne's prose at its best is very different from that of his verse, but is equal to it; and there can be no question that his best prose is in his sermons. His sense of form and arrangement, his psychological insight, his differences of mood and emphasis, and his religious fervor will make this selection of ten sermons particularly interesting to the attentive reader familiar with Donne's poetry.