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1000 tulosta hakusanalla Mitchell J. Rycus

Where Old Bones Lie (Mitchell & Markby 5)

Where Old Bones Lie (Mitchell & Markby 5)

Ann Granger

Headline Book Publishing
1994
pokkari
A tangle of conflicting clues, suspects and possible witnesses... Meredith Mitchell is involved in yet another murder case with Cotswold Chief Inspector Markby in Where Old Bones Lie, the fifth whodunit in Ann Granger's Mitchell & Markby series. The perfect read for fans of M.C. Beaton, Agatha Christie and ITV's Midsomer Murders.'A tidy, inventive and intricate plot graced with lovely scenic descriptions' - Publishers WeeklyWhat do you do when you think your ex-lover has murdered his wife? That's the question Ursula Gretton, an archeologist working on the Saxon burial ground on Bamford Hill, puts to Meredith Mitchell in the hope that Meredith's friendship with Cotswold Chief Inspector Markby might cast some light on her dilemma. But Markby is dismissive of Ursula's suspicions concerning the disappearance of Dan Woollard's wife - until a body is found in the rubbish dump near the site Woollard and Ursula have been excavating. Woollard's team of archeologists aren't the only ones to disturb the peace of the windswept hill. Much to the fury of a taciturn pair of local landowners, a band of New Age travellers has set up camp on the hill, only to disappear the day the body's discovered. Markby is faced with a tangle of conflicting clues, suspects and possible witnesses - amongst the latter Meredith Mitchell - and when a second body is found it is clear the web is growing even more complex, and destructive.What readers are saying about Where Old Bones Lie:'Ann Granger peppers her stories with plenty of characters, twists and turns and motives, keeping the reader guessing as to who the actual killer could be''You'll hang on each and every page until you come to the amazing conclusion''A well written mystery with an interesting archaeological background and well-drawn characters'
Flowers for his Funeral (Mitchell & Markby 7)

Flowers for his Funeral (Mitchell & Markby 7)

Ann Granger

Headline Book Publishing
1995
pokkari
A face from the past has stoked many jealous fires...Meredith Mitchell and Chief Inspector Markby set out to find the killer with the poisoned thorn in Flowers for his Funeral, the seventh compelling mystery from Ann Granger's Mitchell & Markby series. This thrilling whodunit will enthral fans of LJ Ross, Agatha Christie and ITV's Midsomer Murders.'To be savoured' - Publishers Weekly When Meredith Mitchell bumps into her old school friend Rachel Hunter at the Chelsea Flower Show, it doesn't take Meredith long to realise that she and the effortlessly self-confident blonde have even less in common now than they had as teenagers. Apart from one thing - Meredith's companion, Chief Inspector Markby. For to the embarrassment of all concerned, except of course the self-possessed Rachel, Meredith's old school friend turns out to have been Markby's former wife, from whom he was divorced years before in less than friendly circumstances. The meeting with Rachel is not the only surprise the Flower Show has in store for Markby - before the afternoon is out he has a death on his hands. All too quickly he and Meredith find themselves drawn into the plush, apparently well-run world Rachel and her second husband created for themselves in their Cotswold home, Malefis Abbey, a world which Markby becomes increasingly convinced harbours a highly skilled murderer ...What readers are saying about Flowers for his Funeral:'What a twist in the tale! Completely unexpected''A typical whodunit book, but written in such a wonderful way, you can't put these books down''One of the best Mitchell & Markby books'
Candle for a Corpse (Mitchell & Markby 8)

Candle for a Corpse (Mitchell & Markby 8)

Ann Granger

Headline Book Publishing
1996
pokkari
Secrets won't stay buried... Only now, twelve years after the mysterious disappearance of a teenage girl, will Mitchell & Markby begin to unravel the mystery in Candle for a Corpse, Ann Granger's eighth cosy Cotwolds crime novel in the Mitchell & Markby series. The perfect read for fans of Hamish McBeth, Agatha Christie and ITV's Midsomer Murders.'Enjoyable crime featuring credible characters in a recognisably real world' - Belfast Telegraph On an unseasonably chilly summer's day a macabre discovery is made in Bamford's ancient churchyard. A body, dead some twelve years, is unearthed in the Gresham family plot, too shallowly buried to be a legitimate interment, too recent to be the last Gresham officially laid to rest. Superintendent Alan Markby cannot resist the challenge to solve this twelve-year-old crime and suddenly his long-planned canal-barge holiday with Meredith Mitchell is in serious jeopardy. When the remains are identified as those of a local teenager, Kimberley Oates, reported missing at the time of the mysterious burial, his mind is made up. Her holiday postponed, to her secret relief, Meredith finds herself with more time than usual for village chat - and for a dinner party with the local MP that reveals more than either he or his formidable mother would like about his connection with the dead girl...What readers are saying about Candle for a Corpse:'If you like low key crime with plenty of humour and interesting characters and plot then you will enjoy this series!''Brilliant writer and a brilliant book''I feel like I know the heroine personally'
A Touch of Mortality (Mitchell & Markby 9)

A Touch of Mortality (Mitchell & Markby 9)

Ann Granger

Headline Book Publishing
1996
pokkari
Village life can be deadly... A move to rural Oxfordshire is not the peaceful existence the London couple are looking for in A Touch of Morality, Ann Granger's ninth English village crime novel in the Mitchell & Markby series. The perfect read for fans of Agatha Raisin, Agatha Christie and ITV's Midsomer Murders.'To be savoured' - Publishers Weekly When Sally Caswell persuaded her scientist husband Liam to move from London to the quiet of rural Oxfordshire it was in the hope of a more peaceful existence. But so far the move has led to nothing but discord. Liam's sabbatical book project is not going well so, frustrated and isolated, he quarrels incessantly both with Sally and with their next-door neighbour, the crotchety pensioner Bodicote whose unruly goats are a constant source of contention. But then a mysterious package arrives that gives the couple real cause for anxiety. It appears that Liam is being targeted by animal rights activists, though Superintendent Markby, in charge of the investigation, is not entirely convinced. Liam has many enemies, Bodicote among them, and it seems to Markby that Liam's cantankerous old neighbour is hiding something. The more Markby investigates, the more his unease grows - as does that of Meredith Mitchell, Markby's girlfriend and an old friend of Sally Caswell, for Meredith suspects Sally is far from well. Then a body is found ...What readers are saying about A Touch of Mortality:'Simply wonderful. She [Ann Granger] will always throw in a lovely little twist''The author piles up detail on detail with plenty of clues, suspects and undercurrents''Ann Granger is definitely one of the best out there that pens English village cosies'
A Word After Dying (Mitchell & Markby 10)

A Word After Dying (Mitchell & Markby 10)

Ann Granger

Headline Book Publishing
1997
pokkari
A holiday becomes work for Mitchell and Markby as a crime unravels... Mitchell and Markby find themselves drawn into a murder enquiry whilst holiday in a country cottage in A Word After Dying, the tenth cosy English village crime novel in Ann Granger's captivating Mitchell & Markby series. The perfect read for fans of Rebecca Tope, Agatha Christie and ITV's Midsomer Murders.'Probably the best current example of a crime writer who has taken the classic English village detective story and brought it up to date' - Birmingham Post Superintendent Alan Markby and Meredith Mitchell are in desperate need of a holiday - and the Cotswold village of Parsloe St John seems the perfect choice. Their neighbour, retired journalist Wynne Carter, is as convivial as the village itself and, over a glass of blackberry wine, indulges in her latest obsession, Olivia Smeaton, a racy old lady whose life - and death - she is convinced are not all they seem. Markby is more interested in buying Olivia's house than the circumstances of her vacating it, but Meredith is intrigued: by the old lady, the death of a cherished horse and a dusty junk shop run by a white witch.When another fatality - of a very grisly nature - is discovered, it seems her suspicion is justified. Clearly Olivia isn't the only enigma in Parsloe St John - and her death might be the first of many unless Meredith Mitchell and Alan Markby can make sense of some very secret lives to reach the truth...What readers are saying about A Word After Dying:'If you like your crime novels written in a low key style with plenty of amusing moments and not too much graphic violence then this is the series for you''Yet another great Mitchell & Markby whodunit''An invigorating novel!'
Call the Dead Again (Mitchell & Markby 11)

Call the Dead Again (Mitchell & Markby 11)

Ann Granger

Headline Book Publishing
1998
pokkari
Leading a double life can be deadly...Lawyer Penhallow is found murdered in his garden the morning after Mitchell drops off a secretive hitchhiker to the property in Call the Dead Again, the eleventh compelling English village mystery in the Mitchell & Markby series by Ann Granger. The perfect read for fans of Colin Dexter, Agatha Christie and ITV's Midsomer Murders.'A really good read - this novel comes highly recommended' - Crime Time When Meredith Mitchell picks up a hitchhiker on a lonely road outside Bamford one evening she is left feeling distinctly uneasy. What business can this confident, yet secretive, young woman have at Tudor Lodge, the beautiful old home of Brussels-based lawyer Andrew Penhallow, where she asks to be dropped? Penhallow is constantly toing and froing from the Continent, but that night, unusually, he is at home, and - with his son away and his wife Carla in bed with a migraine - alone. Which is unfortunate, for the next morning he is found murdered in the garden. To the vicarious delight of the locals, who are quick to recall old disputes, Penhallow's death results in some spectacular revelations about his double life - developments which make the murder investigation all the more delicate for Superintendent Markby, who knew the dead man as a young body. Andrew Penhallow certainly had ghosts in his past - has one come back to claim him?What readers are saying about Call the Dead Again:'So many twists and turns - kept me guessing until the very end''The mystery unravels nicely. Ann Granger provides genre fans with a fine entry to the Mitchell and Markby Cotswolds series''Ann Granger is an excellent mystery writer'
That Way Murder Lies (Mitchell & Markby 15)

That Way Murder Lies (Mitchell & Markby 15)

Ann Granger

Headline Book Publishing
2004
pokkari
A chilling secret from the past leads to a violent murder in the present... Mitchell and Markby must put their wedding plans on hold when an old friend seeks their help in That Way Murder Lies, the fifteenth English village murder mystery in Ann Granger's Mitchell & Markby series. The perfect read for fans of Kathy Cranston, Agatha Christie and ITV's Midsomer Murders.When Meredith Mitchell's old friend Toby Smythe turns up on leave, she is delighted to see him. But Toby has a problem - or rather his relative Alison Jenner has - and he wants to enlist the help of Meredith's fiance, Detective Superintendent Alan Markby. Alison has been receiving anonymous hate mail which alludes to the murder of her aunt, Freda Kemp, of which Alison was acquitted when she was just twenty. Who is the writer, and how does he or she know about this secret in Alison's past? Markby is at first reluctant to become involved, especially as he and Meredith are busy planning their wedding, but enquiries into a poison pen campaign soon turn into a murder hunt. With the help of Inspector Jessica Campbell, a new member of Markby's team, the investigation unravels a twenty-five-year-old mystery and its dreadful legacy of violence.What readers are saying about That Way Murder Lies:'Enjoyable, clever, incredibly entertaining and interesting book''Anyone who enjoys a delightful English cosy that is a clever blending of amateur sleuth and police procedural will enjoy this series!''Quite a mystery right up to the very end'
The Theatre of Katie Mitchell
This first volume in the 4x45 series investigates the work of theatre director Katie Mitchell. Pausing to reconsider a career in progress, it engages with some of Mitchell’s most recent work in the UK and Europe across theatre, opera, and Live Cinema. It also takes a longer view, considering the early turns that Mitchell took at the start of her career in the late 1980s.This volume gives full scope to the voice of the practitioner, alongside scholarly perspectives, in order to understand the work from within. Interviews with Mitchell’s collaborators get inside her process – and inside the thinking of key artists who help craft the distinctive visual, aesthetic and technological forms of Mitchell’s productions. Three major concerns criss-cross these contributions: the political implications of aesthetic form; the meaning of Mitchell’s interest in the radical project of early Naturalism; and the influence of Europe on Mitchell’s avant-garde experimentalism, which often draws on technology to open up new modes of perception and experience. An accessible and encompassing examination of one of Europe's most celebrated theatrical talents, 4x45 | The Theatre of Katie Mitchell is a unique resource for scholars,students and practitioners of Theatre Studies, Performance and Directing.
The Theatre of Katie Mitchell
This first volume in the 4x45 series investigates the work of theatre director Katie Mitchell. Pausing to reconsider a career in progress, it engages with some of Mitchell’s most recent work in the UK and Europe across theatre, opera, and Live Cinema. It also takes a longer view, considering the early turns that Mitchell took at the start of her career in the late 1980s.This volume gives full scope to the voice of the practitioner, alongside scholarly perspectives, in order to understand the work from within. Interviews with Mitchell’s collaborators get inside her process – and inside the thinking of key artists who help craft the distinctive visual, aesthetic and technological forms of Mitchell’s productions. Three major concerns criss-cross these contributions: the political implications of aesthetic form; the meaning of Mitchell’s interest in the radical project of early Naturalism; and the influence of Europe on Mitchell’s avant-garde experimentalism, which often draws on technology to open up new modes of perception and experience. An accessible and encompassing examination of one of Europe's most celebrated theatrical talents, 4x45 | The Theatre of Katie Mitchell is a unique resource for scholars,students and practitioners of Theatre Studies, Performance and Directing.
Journal of the Elisha Mitchell Scientific Society, Volumes 24-26
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of The Mitchells vs. The Machines
The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines The Mitchells vs. The Machines is a comedy about an everyday family's struggle to relate while technology rises up around the world! When Katie Mitchell, a creative outsider, is accepted into the film school of her dreams, her plans to meet “her people” at college are upended when her nature-loving dad Rick determines the whole family should drive Katie to school together and bond as a family one last time. Katie and Rick are joined by the rest of the family, including Katie’s wildly positive mom Linda, her quirky little brother Aaron, and the family’s delightfully chubby pug Monchi for the ultimate family road trip. Suddenly, the Mitchells’ plans are interrupted by a tech uprising: All around the world, the electronic devices people love—from phones to appliances to an innovative new line of personal robots—decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world! The Art of The Mitchells vs. The Machines gives insight into how the filmmakers were able to bring this fresh, new vision to the screen through concept art, sketches, and early character designs, accompanied by exclusive commentary from director/co-writer Michael Rianda and co-director/co-writer Jeff Rowe, alumni of the team behind Emmy Award–winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The Lego Movie and the Academy Award–winning Spider-Man: Into the Spider-Verse.
North American B-25 Mitchell Bomber Pilot's Flight Operating Manual
In April of 1942, sixteen American bombers raided Tokyo, Japan. The planes were land-based B-25 Mitchells, audaciously launched from the aircraft carrier USS Hornet, and led by Lt. Col. Jimmy Doolittle. The attack caused little actual damage, but dealt a serious blow to Japanese morale. More importantly, it gave hope to an American public still reeling from Pearl Harbor. Manufactured by North American Aviation, the B-25 saw service in every theatre of WWII. It carried a crew of six, and could loft a maximum load of 6,000 pounds of bombs. Originally printed by North American and the U.S. Army Air Force, this Flight Operating Handbook taught pilots everything they needed to know before entering the cockpit. Classified "Restricted", the manual was declassified and is here reprinted in book form. This affordable facsimile has been slightly reformatted. Care has been taken however to preserve the integrity of the text.
The Odyssey: (The Stephen Mitchell Translation)
From Stephen Mitchell, the renowned translator whose Iliad was named one of The New Yorker's Favorite Books of 2011, comes a vivid new translation of the Odyssey, complete with textual notes and an illuminating introductory essay. The hardcover publication of the Odyssey received glowing reviews: The New York Times praised "Mitchell's fresh, elegant diction and the care he lavishes on meter, which] brought me closer to the transfigurative experience Keats describes on reading Chapman's Homer"; Booklist, in a starred review, said that "Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force"; and John Banville, author of The Sea, called this translation "a masterpiece." The Odyssey is the original hero's journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart's desire--to return to his home and family after ten years of war--the Odyssey now speaks to us again across 2,600 years. In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell's language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this Odyssey carries you along in a fast stream of action and imagery. Just as Mitchell "re-energised the Iliad for a new generation" (The Sunday Telegraph), his Odyssey is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.
At Random: A Willie Mitchell Banks Novel

At Random: A Willie Mitchell Banks Novel

Michael Henry

Createspace Independent Publishing Platform
2010
nidottu
Narco-terrorist Adolfo Zegarra G lvan, a.k.a. El Moro, kills a deputy sheriff in Yaloquena County, Mississippi, and District Attorney Willie Mitchell Banks seeks the death penalty. The U.S. Justice Department battles Willie Mitchell to take control of the case to get information about El Cartel de Campeche from Zegarra, but Willie Mitchell refuses to turn over the defendant to the feds-he wants capital punishment for the murder of his friend. In the midst of the jurisdictional battle, the powerful drug cartel fights to free Zegarra, but so does another ultraviolent, shadowy group driven by a hatred of America and its culture-a group willing to kill as many Mississippians as necessary to prevent Willie Mitchell's trial of Zegarra-a group dedicated to bringing the criminal justice system to a halt in Mississippi and the entire United States. There's a serious question whether Willie Mitchell can win the murder case against Zegarra-and whether the D.A. will survive the devastating attack on the legal system.
The Songs of Joni Mitchell

The Songs of Joni Mitchell

Anne Karppinen

Routledge
2016
sidottu
An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why?Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life. Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.