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1000 tulosta hakusanalla Alessa Maynard
In the ninth installment of the glittering Gilded Newport Mystery series from Alyssa Maxwell, during the autumnal chill of Newport, Rhode Island at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of Wakehurst Mansion... Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan f te on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare's plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she's drawn by the barking of Van Alen's dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400's most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
Set among the landed gentry of post-WWI England and perfect for fans of Downton Abbey, Alyssa Maxwell's latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady's maid, Eva Huntford, hunting a killer after the decision to open Foxwood Hall for guided tours turns deadly... To make ends meet, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it--even to the point of committing murder... The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe's proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a "vulgar enterprise." Phoebe's grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity. Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It's a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her--only to find her in the library, strangled with a silken drapery cord. The schoolchildren are promptly sent home, but the members of the Historical Society--many of whom also wandered off at times--remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow's murder--before someone else becomes history...
Set in the Downton Abbey era of post-WW1 England, Alyssa Maxwell's latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady's maid, Eva Huntford, investigating a murder at a house party attended by fashion royalty. This evocative, well-crafted historical series appeals to fans of Rhys Bowen, Deanna Raybourn and Victoria Thompson. Amid the aftermath of the Great War and its hardships, it's no wonder that many wish to rediscover life's pleasures--parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe's sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle "Coco" Chanel, and Coco's current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe's fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives--career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect. "Agatha Christie meets Downton Abbey...exemplary." --Publishers Weekly on A Deadly Endowment
As Lady Phoebe and her betrothed say their vows of holy matrimony, a killer has vowed unholy vengeance on the town's chief inspector . . . June 1922: The blessed day has finally arrived. Phoebe Renshaw and Owen Seabright are to be wed, and lady's maid Eva Huntford could not be more delighted for her lady's happiness. But she is disturbed by one notable absence from the ceremony--her beau, Police Constable Miles Brannock. When Miles finally does appear, breathlessly running into the reception at Foxwood Hall, he brings grim news: he's found Chief Inspector Isaac Perkins murdered, shot in his home in his favorite parlor chair with his own gun. A policeman naturally makes enemies, especially those of questionable character. In charge of finding his former boss's killer, Miles reviews the details of the crime scene. The murder weapon has been wiped clean and left on the table next to the remnants of the chief inspector's breakfast: sausage pasty and coffee reeking of a bit of whiskey. No sign of forced entry. A seemingly peaceful scene--other than the bullet hole in the victim. Before Miles can make much progress in his investigation, a Scotland Yard detective arrives in Little Barlow to take over the case--and promptly focuses his suspicions on the constable himself, who he reasons had motive and opportunity. Coming to their maid's defense, Phoebe and Owen postpone their honeymoon to join Eva in clearing her beau's good name and unmasking the identity of the true killer . . .
The New York Yacht Club's exclusive gathering at Newport, Rhode Island's Beacon Rock mansion hits stormy seas in the summer of 1900 when reporter Emma Cross, a lesser Vanderbilt, discovers a drowned corpse in Alyssa Maxwell's tenth Gilded Newport Mystery... As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fianc , Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members--which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club--are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. Is it possible she fell from the Newport ferry and was carried by the tide? Or could she have drowned herself or fallen victim to foul play? After the woman is identified as the missing daughter of a yacht designer, the police--with the exception of Emma's friend Detective Jesse Whyte--hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .
For fans of HBO's The Gilded Age, the glorious mansions of Newport house many mysteries--murder, theft, scandal--and no one is more adept at solving them than reporter Emma Andrews . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind's newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind's own mines. And their servants--with a single exception--have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new "cottage." Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy--a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest's diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it's up to Emma to shine a light on the culprit . . .
Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . . August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior-inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings' first landfall in North America, but in this room today there is most assuredly no one to fear. Emma's observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly's houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes. Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .
As the Civil War rages between the states, a courageous pair of spies plunge fearlessly into a maelstrom of ignorance and danger, combining their unique skills to alter the course of history and break the chains of the past in New York Times bestselling Alyssa Cole's first installment in The Loyal League... Named a Best Book of the Year by Entertainment Weekly * Bookpage * Kirkus * Vulture * Publishers Weekly * Booklist 1861. Elle Burns is a former slave with a passion for justice. She also possesses a photographic memory. She has the rare fortune--a human right--to live a free life. But to spy for the Union Army, she is willing to risk the brutal indignity of the slave system deeply entrenched in the South. Malcolm McCall is a seasoned detective for Pinkerton's Secret Service. His latest mission is his riskiest yet: to infiltrate and embed himself within a Rebel Virginia enclave. Together with Elle, these two brave spies stumble across a plot that could turn the tide of the war in the Confederacy's favor. Caught in a tightening web of wartime intrigue, Malcolm and Elle must make their boldest move to preserve the Union at any cost--even if it means losing each other . . . "Blending the high stakes of history with convincing emotional connections, every installment in Cole's Civil War-set trilogy are must-reads." --Oprah Daily
From the award-winning author of the instant New York Times and USA Today bestseller, When No One Is Watching... The Civil War has turned neighbor against neighbor--but for one scientist spy and her philosopher soldier, the battle could bind them together as love war, and racial justice collide in Alyssa Cole's buzzworthy, sensual, and revelatory Civil War novel.Named a Best of the Year by Entertainment Weekly * Bookpage * Kirkus * Vulture * Publishers Weekly * Booklist For all of the War Between the States, Marlie Lynch has helped the cause in peace: with coded letters about anti-Rebel uprisings in her Carolina woods, tisanes and poultices for Union prisoners, and silent aid to fleeing slave and Freeman alike. Her formerly enslaved mother's traditions and the name of a white father she never knew have protected her--until the vicious Confederate Home Guard claims Marlie's home for their new base of operations in the guerilla war against Southern resistors of the Rebel cause. Unbeknowst to those under her roof, escaped prisoner Ewan McCall is sheltering in her laboratory. Seemingly a quiet philosopher, Ewan has his own history with the cruel captain of the Home Guard, and a thoughtful but unbending strength Marlie finds irresistible. When the revelation of a stunning family secret places Marlie's freedom on the line, she and Ewan have to run for their lives into the hostile Carolina night. Following the path of the Underground Railroad, they find themselves caught up in a vicious battle that could dash their hopes of love--and freedom--before they ever cross state lines.When the revelation of a stunning family secret places Marlie's freedom on the line, she and Ewan have to run for their lives into the hostile Carolina night. Following the path of the Underground Railroad, they find themselves caught up in a vicious battle that could dash their hopes of love--and freedom--before they ever cross state lines.
The New York Yacht Club's exclusive gathering at Newport, Rhode Island's Beacon Rock mansion hits stormy seas in the summer of 1900 when reporter Emma Cross, a lesser Vanderbilt, discovers a drowned corpse in Alyssa Maxwell's tenth Gilded Newport Mystery... As a reporter, Emma is used to covering Newport's social events. But this time she is appearing on the arm of her fianc , Derrick Andrews, at a small but exclusive gathering of the New York Yacht Club at Beacon Rock, the Grecian-inspired summer "cottage" of Edwin and Elizabeth Morgan. The members--which include cousin and Yacht Club Commodore John Pierpoint Morgan and widow Lucy Carnegie, the first woman to be admitted to the Club--are there to discuss their strategy for the next America's Cup Challenge, to be held in New York Harbor the following summer. But it's Emma who must come up with a strategy when she discovers a woman's body bobbing against one of the hulls of the boats moored at the base of Beacon Rock. After the woman is identified as the missing daughter of a yacht designer, the police--with the exception of Emma's friend Detective Jesse Whyte--hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .
For fans of HBO's The Gilded Age, the glorious mansions of Newport house many mysteries--murder, theft, scandal--and no one is more adept at solving them than reporter Emma Andrews . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind's newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind's own mines. And their servants--with a single exception--have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new "cottage." Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy--a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest's diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murder and the theft are connected. As the dark deeds cast a shadow over the blazing mansion, it's up to Emma to shine a light on the culprit . . .
Reporter, sleuth, and new mother Emma Cross Andrews comes to the aid of a distraught wife who's convinced her husband is trying to kill her . . . April 1903: Emma and Derrick Andrews have been invited to the wedding of her cousin Reggie Vanderbilt and heiress Cathleen Neilson at the Bellevue Mansion, Arleigh. Their hosts are a popular young couple who are leasing the home for the summer--Harry and Elizabeth "Bessie" Lehr. Known for his practical jokes, Harry is the toast of parties, earning a reputation as the court jester of the Gilded Age. However, as Emma soon learns, behind closed doors he is dead serious. Following the wedding, Bessie comes to Emma for help, insisting that her husband is cruel to her in private, telling her outright he married her only for her money and finds her repulsive. Divorce is unthinkable. Now she believes he is plotting to murder her and make it look like an accident: a broken balcony railing she might have leaned on, a loose stair runner that could have sent her tumbling down a staircase, faulty brakes in the car she uses . . . Some would say being trapped in a loveless marriage is a fate worse than death. Not Bessie--she wants to live Unsure if these situations are mere coincidences or add up to premeditated sabotage, Emma agrees to investigate and determine if Newport's merry prankster is engaged in a cold-blooded game of life or death . . .
In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791-1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known-and appears less often on screen-than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood's near-silence on this event, some films on the Revolution do exist-from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin's Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791-1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known-and appears less often on screen-than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood's near-silence on this event, some films on the Revolution do exist-from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin's Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
The Book of Life: The Spiritual and Physical Constitution of Man 1912
Alesha Sivartha
Literary Licensing, LLC
2014
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Search: Book 2 of the Empire Chronicles
Alyssa Rose Ivy
Createspace Independent Publishing Platform
2014
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