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1000 tulosta hakusanalla Angela Levin

Shaking a Leg: Collected Journalism and Writings
"An electrifying intellectual autobiography, with all the narrative expanse, drama, outrage, and high comedy of the author's fiction. Angela Carter is revealed here, anew, as one of the most important thinkers of twentieth-century world literature--and one of its most pungent voices."--Rick Moody One of contemporary literature's most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays and criticism, much of it collected for the first time. Carter's acute observations are spiked with her piercing matter-of-factness, her devastating wit, her penchant for mockery, and her passion for the absurd. Whether discussing films or food, feminism or fantasy, science fiction or sex, Carter consistently explores new territories and overturns old ideas. No cultural icon escapes her scrutiny; as in her fiction, Carter offers glorious evidence of the transforming power of the imagination. From delightfully wicked commentaries on Gone with the Wind, a Japanese fertility festival, and fellow writers, including Lawrence, Lovecraft, Borges, and Burroughs, to enchanting personal essays, Carter shares her thoughts and herself with glee. "What a wonderful collection--sharp, funny, too decent for sarcasm but great wit and humanity, an unusual combination. But it makes us miss her, miss laughing with her, that real, intelligent, tough writing woman."--Grace Paley
The Burning of Bridget Cleary: A True Story
In March 1895, twenty-six-year-old Bridget Cleary fell ill, then disappeared from her cottage in rural Tipperary. Even before she vanished, rumors circulated that she was a changeling, left behind by fairies or evil spirits. The "real" Bridget would return on a white horse. Then her badly burned body was discovered in a shallow grave, and her husband, father, aunt, and four cousins were arrested and charged with her murder." "This is an exquisite if disturbing book that takes no sides when it comes to judging whether a belief in the supernatural is foolish and dangerous superstition or a reality of life at the end of the nineteenth century, and which illustrates how the politicization of a crime is hardly a new product of the twentieth.
The Fairy Tales of Charles Perrault

The Fairy Tales of Charles Perrault

Angela Carter

Penguin Classics
2008
pokkari
In eighteenth century France, Charles Perrault rescued from the oral tradition fairy tales that are known and loved even today by virtually all children in the West. Angela Carter came across Perrault's work and set out to adapt the stories for modern readers of English. In breathing new life into these classic fables, she produced versions that live on as classics in their own right, marked as much by her signature wit, irony, and subversiveness as they are by the qualities that have made them universally appealing for centuries.
Heroes and Villains

Heroes and Villains

Angela Carter

Penguin Classics
2011
pokkari
A modern fable, a post-apocalyptic romance, a gothic horror story; Angela Carter's genre-defying fantasia Heroes and Villains includes an introduction by Robert Coover in Penguin Modern Classics.Sharp-eyed Marianne lives in a white tower made of steel and concrete with her father and the other Professors. Outside, where the land is thickly wooded and wild beasts roam, live the Barbarians, who raid and pillage in order to survive. Marianne is strictly forbidden to leave her civilized world but, fascinated by these savage outsiders, decides to escape. There, beyond the wire fences, she will discover a decaying paradise, encounter the tattooed Barbarian boy Jewel and go beyond the darkest limits of her imagination. Playful, sensuous, violent and gripping, Heroes and Villains is an ambiguous and deliriously rich blend of post-apocalyptic fiction, gothic fantasy, literary allusion and twisted romance.Angela Carter (1940-92) was born in Eastbourne and later evacuated to live with her grandmother in Yorkshire. She read English at Bristol University, and after escaping an early marriage went to live in Japan for a number of years. She wrote nine novels, which blend fantasy, science fiction and gothic, and is often referred to as a writer of magical realism. If you enjoyed Heroes and Villains, you might like Carter's The Infernal Desire Machines of Doctor Hoffman, also available in Penguin Modern Classics.'Angela Carter is a genius'Victoria Glendinning'An unashamed fantasist, a fabulist of daemonic energy'The Times
The Infernal Desire Machines of Doctor Hoffman
Desiderio, an employee of the city under a bizarre reality attack from Doctor Hoffman's mysterious machines, has fallen in love with Albertina, the Doctor's daughter. But Albertina, a beautiful woman made of glass, seems only to appear to him in his dreams. Meeting on his adventures a host of cannibals, centaurs and acrobats, Desiderio must battle against unreality and the warping of time and space to be with her, as the Doctor reduces Desiderio's city to a chaotic state of emergency - one ridden with madness, crime and sexual excess.A satirical tale of magic and sex, The Infernal Desire Machines of Doctor Hoffman is a dazzling quest for truth, love and identity.
A Cool Moonlight

A Cool Moonlight

Angela Johnson

Puffin Books
2005
nidottu
Born with a rare and dangerous allergy to sunlight, Lila's spent her life hidden from the daylight-staying covered up and indoors until dark, only venturing outside after the sun has set and the moon's cool light shines. Almost every night, she is visited by two young girls who wear tutus over their jeans and costume fairy wings, and the three of them dance and tell wonderful stories. But while Lila adores her family and her new friends, still she longs to feel the sun's touch. Lila's mysterious friends have promised to help her . . . but how?
Little Red Riding Hood, Cinderella, and Other Classic Fairy Tales of Charles Perrault
Ten beloved fairy tales, given new life by the one and only Angela Carter Little Red Riding Hood. Cinderella. Sleeping Beauty. Bluebeard. The Fairies. Many classic fairy tale characters might not have survived into the present were it not for Charles Perrault, a seventeenth-century French civil servant who rescued them from the oral tradition and committed them to paper. Three centuries later, Angela Carter, widely regarded as one of England's most imaginative writers, adapted them for contemporary readers. The result is a cornucopia of fantastic characters and timeless adventures, stylishly retold by a modern literary visionary. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Bloody Chamber: And Other Stories: 75th-Anniversary Edition (Penguin Classics Deluxe Edition)
For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural's most celebrated book--featuring a new introduction by Kelly Link, the author of the national bestseller The Book of Love and the Pulitzer Prize finalist Get in Trouble A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber--which includes the story that is the basis of Neil Jordan's 1984 movie The Company of Wolves--she spins subversively dark and sensual versions of familiar fairy tales and legends like "Little Red Riding Hood," "Bluebeard," "Puss in Boots," and "Beauty and the Beast," giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Lay It on My Heart

Lay It on My Heart

Angela Pneuman

HARPER PAPERBACKS
2014
nidottu
It's summer in Kentucky, the low ceiling of August pressing down on Charmaine Peake and the town of East Winder. Charmaine and her mother get along better with a room between them, but they've been forced by circumstances to relocate to a tiny trailer by the river. The last of a line of local holy men, Charmaine's father has turned from prophet to patient, his revelation lost in the clarifying haze of medication. Her sure-minded grandmother has suffered a stroke. At church, where she has always felt most certain, Charmaine is tested when she uncovers that her archrival, a sanctimonious missionary kid, carries a dark, confusing secret. Suddenly her life can be sorted into what she wishes she knew and what she wishes she didn't. A moving, hilarious portrait of mothers and daughters, Lay It on My Heart brings us into the heart of a family weathering the toughest patch of their lives. But most of all, it marks out the seemingly unbearable realities of growing up, the strength that comes from finding real friendship, and the power of discovering--and accepting--who you are.
Home Remedies

Home Remedies

Angela Pneuman

HARPER PAPERBACKS
2007
nidottu
Tonsillectomies should not be performed at home, cucumbers do not make good stand-ins, and golf clubs are not for hitting your mother.Angela Pneuman renders these unsettling truths, small and large, with blazing insight in Home Remedies. It is a startling collection of stories peopled by Christian fundamentalists traversing various stages and crises of belief, grappling with intimacies that feel like an anxious mix of longing and repulsion, relating to one another in an uneasy balance of eagerness and wariness.
André Bazin's Film Theory

André Bazin's Film Theory

Angela Dalle Vacche

Oxford University Press Inc
2020
sidottu
Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
André Bazin's Film Theory

André Bazin's Film Theory

Angela Dalle Vacche

Oxford University Press Inc
2020
nidottu
Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
Improvisation and Inventio in the Performance of Medieval Music
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Improvisation and Inventio in the Performance of Medieval Music
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Beyond Talent

Beyond Talent

Angela Myles Beeching

Oxford University Press Inc
2020
nidottu
Widely considered a classic, Beyond Talent is the "go to" guide for musicians. This newly revised and updated 3rd edition cracks the code of how to build a creatively fulfilling career in music. With key insights into the mindset issues that often plague musicians, veteran career coach Angela Myles Beeching provides a wealth of strategies, examples, and real-world solutions. Step-by-step instructions detail how to design promotional materials, book performances, fund your projects, and cultivate a community of support so you can manage your career like a pro-without losing your soul. And this edition goes further: it unpacks how to deal head on with the typical "inner" challenges musicians face. From getting past perfectionism and fear, to sustaining motivation, finding your artistic voice, managing projects, time, and money, and setting achievable goals. With her straight-shooting, energizing approach, Beeching presents a wealth of practical solutions to help musicians take charge of their careers and get past the obstacles that have held them back. Whether you're an emerging artist or a mid-career professional, this edition offers the inspiration to transform your music career journey so you can get more of your best work out into the world and finally become the artist you are meant to be. Includes a free downloadable companion workbook.
Documentary Resistance

Documentary Resistance

Angela J. Aguayo

Oxford University Press Inc
2019
sidottu
Documentary Resistance: Social Change and Participatory Media offers a new approach to understanding the networked capacity of documentary media to create public commons areas, crafting connections between unlikely interlocutors. In this process communities invest in the exchange of documentary moving image discourse around politics and social change. This book advances a new argument suggesting that documentary's capacity for social change is found in its ability to establish forms of collective identification and political agency capable of producing and sustaining activist media cultures. It advances the creation of a conceptual, theoretical, and historical space in which documentary and social change can be examined, drawing upon research in cinema, media, and communication studies as well as cultural theory to explore how political ideas move into participatory action. This book takes a distinctive approach, understanding how struggles for social justice are located, reflected, and represented on the documentary screen, but also in pre- and post-production processes. To address this living history, this project includes over sixty unpublished field interviews with documentary filmmakers, critics, funders, activists, and distributors.
Documentary Resistance

Documentary Resistance

Angela J. Aguayo

Oxford University Press Inc
2019
nidottu
Documentary Resistance: Social Change and Participatory Media offers a new approach to understanding the networked capacity of documentary media to create public commons areas, crafting connections between unlikely interlocutors. In this process communities invest in the exchange of documentary moving image discourse around politics and social change. This book advances a new argument suggesting that documentary's capacity for social change is found in its ability to establish forms of collective identification and political agency capable of producing and sustaining activist media cultures. It advances the creation of a conceptual, theoretical, and historical space in which documentary and social change can be examined, drawing upon research in cinema, media, and communication studies as well as cultural theory to explore how political ideas move into participatory action. This book takes a distinctive approach, understanding how struggles for social justice are located, reflected, and represented on the documentary screen, but also in pre- and post-production processes. To address this living history, this project includes over sixty unpublished field interviews with documentary filmmakers, critics, funders, activists, and distributors.
The Phenomenal Basis of Intentionality

The Phenomenal Basis of Intentionality

Angela Mendelovici

Oxford University Press Inc
2018
sidottu
Intentionality is the mind's ability to be "of," "about," or "directed" at things, or to "say" something. For example, a thought might "say" that grass is green or that Santa Claus is jolly, and a visual experience might be "of" a blue cup. While the existence of the phenomenon of intentionality is manifestly obvious, how exactly the mind gets to be "directed" at things, which may not even exist, is deeply mysterious and controversial. It has been long assumed that the best way to explain intentionality is in terms of tracking relations, information, functional roles, and similar notions. This book breaks from this tradition, arguing that the only empirically adequate and in principle viable theory of intentionality is one in terms of phenomenal consciousness, the felt, subjective, or qualitative feature of mental life. According to the theory advanced by Mendelovici, the phenomenal intentionality theory, there is a central kind of intentionality, phenomenal intentionality, that arises from phenomenal consciousness alone, and any other kind of intentionality derives from it. The phenomenal intentionality theory faces important challenges in accounting for the rich and sophisticated contents of thoughts, broad and object-involving contents, and nonconscious states. Mendelovici proposes a novel and particularly strong version of the theory that can meet these challenges. The end result is a radically internalistic picture of the mind, on which all phenomenally represented contents are literally in our heads, and any non-phenomenal contents we in some sense represent are expressly singled out by us.
Arbitrary Justice

Arbitrary Justice

Angela J. Davis

Oxford University Press Inc
2007
sidottu
Inscribed on the walls of the United States Department of Justice are the lofty words: "The United States wins its point whenever justice is done its citizens in the courts." Yet what happens when prosecutors, the most powerful officials in the criminal justice system, seek convictions instead of justice? Why are cases involving educated, well-to-do victims often prosecuted more vigorously than those involving poor, uneducated victims? Why do wealthy defendants frequently enjoy more lenient plea bargains than the disadvantaged? In this timely work, Angela J. Davis examines the expanding power of prosecutors, from mandatory minimum sentencing laws that enhance prosecutorial control over the outcome of cases to the increasing politicization of the office. Drawing on her dozen years of experience as a public defender, Davis demonstrates how the everyday, legal exercise of prosecutorial discretion is responsible for tremendous inequities in criminal justice. Davis uses powerful stories of individuals caught in the system to illustrate how the day-to-day practices and decisions of well-meaning prosecutors produce unfair and unequal treatment of both defendants and victims, often along race and class lines. These disparities are particularly evident in prosecutors' charging and plea-bargaining decisions and in their muddy relationships with victims. Prosecutors not only hold vast power, Davis argues, but they are also under-regulated and lack accountability. The current standards of practice for prosecutors are unenforceable, while the mechanisms that purport to hold prosecutors accountable are weak and ineffectual. Not only does lack of oversight result in injustices, it may even foster a climate tolerant of unfair practices and in some cases, misconduct. Offering a sensible agenda for comprehensive review and reform, Arbitrary Justice challenges the legal community and concerned citizens to pursue and enact meaningful standards of conduct and effective methods of accountability to help prosecutors serve their communities and the interests of justice.