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The Prose Poem As a (Non)Genre

The Prose Poem As a (Non)Genre

Agnieszka Kluba

Peter Lang AG
2021
sidottu
Is the prose poem revolutionary and subversive, or marginal and lyrical? What makes a piece of prose a prose poem? Is its identity vague or precisely defined? Can every poem written in prose be considered a prose poem, a form influenced by the brilliant invention of French literature and by authors such as Baudelaire or Rimbaud? Agnieszka Kluba discusses the prose poem by providing a comprehensive summary of the existing approaches to it, but also by proposing an original conception of this form of writing. Kluba does not limit herself to considerations within literary genre theory and remains close to the poetic texts she considers. Following the intricate line of the prose poem, in Polish and European literature, she carefully assigns to prose poetry a place in Modern literary history.
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Milnor Fiber Boundary of a Non-isolated Surface Singularity

Milnor Fiber Boundary of a Non-isolated Surface Singularity

András Némethi; Ágnes Szilárd

Springer-Verlag Berlin and Heidelberg GmbH Co. K
2012
nidottu
In the study of algebraic/analytic varieties a key aspect is the description of the invariants of their singularities. This book targets the challenging non-isolated case. Let f be a complex analytic hypersurface germ in three variables whose zero set has a 1-dimensional singular locus. We develop an explicit procedure and algorithm that describe the boundary M of the Milnor fiber of f as an oriented plumbed 3-manifold. This method also provides the characteristic polynomial of the algebraic monodromy. We then determine the multiplicity system of the open book decomposition of M cut out by the argument of g for any complex analytic germ g such that the pair (f,g) is an ICIS. Moreover, the horizontal and vertical monodromies of the transversal type singularities associated with the singular locus of f and of the ICIS (f,g) are also described. The theory is supported by a substantial amount of examples, including homogeneous and composed singularities and suspensions. The properties peculiar to M are also emphasized.
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Balalaika in a non-serious light. Collection of transcriptions for balalaika and piano. Volume 2

Balalaika in a non-serious light. Collection of transcriptions for balalaika and piano. Volume 2

Allegro
2020
muu
Dorogie druzja! Pered vami dve tetradi transkriptsij dlja balalajki i fortepiano. Eto rezultat priblizitelno desjatiletnej razroznennoj i sovsem ne sistemnoj raboty. Prakticheski vse voshedshie v eti sborniki proizvedenija pojavljalis blagodarja detjam-uchenikam, odnazhdy prikhodivshim na zanjatie s voprosom: "A mozhno li mne poigrat vot etu melodiju?" I poskolku, vo-pervykh, u nikh v rabote vsegda imelsja dostatochnyj objom akademicheskogo repertuara, i, vo-vtorykh, po moemu ubezhdeniju, v uchebnykh i razvlekatelnykh tseljakh na balalajke ispolnima prakticheski ljubaja muzyka, ja delal interesujuschie ikh perelozhenija. Nado li govorit, chto motivatsija k zanjatijam na instrumente srazu povyshalas.Ja ochen blagodaren moim kollegam, prepodavateljam GBUDO g. Moskvy "DSHI im. S.I. Mamontova" Ile Jakovlevichu Rejbarkhu i Glebu Nikolaevichu Dobarskomu, kotorye vdokhnovili menja na sistematizatsiju moej mnogoletnej raboty. Takzhe khochu vyskazat blagodarnost kontsertmejsteru DMSh im. L.N. Vlasenko, strukturnogo podrazdelenija GBUDO g. Moskvy "MGODSHI "Izmajlovo" Irine Viktorovne Galkinoj, okazavshej bolshuju pomosch v redaktsii partii fortepiano.Proizvedenija v tetradjakh raspolozheny po printsipu uslozhnenija muzykalnogo materiala. Nesmotrja na to, chto sborniki nazyvajutsja "Balalajka v neserjoznom svete", i repertuar, sobrannyj v nikh, dostatochno raznoplanovyj, ja nadejus, oni budut khoroshim podsporem v obuchenii junykh balalaechnikov.Transkriptsija i ispolnitelskaja redaktsija - Kirill Aleksandrovich Gorjachkin (1-4, 7-17), Ilja Jakovlevich Rejbarkh (5,6)Redaktsija partii fortepiano - Irina Viktorovna Galkina (1-4, 7-17), Ilja Jakovlevich Rejbarkh (17)
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Balalaika in a non-serious light. Collection of transcriptions for balalaika and piano. Volume 1

Balalaika in a non-serious light. Collection of transcriptions for balalaika and piano. Volume 1

Allegro
2020
muu
Dorogie druzja! Pered vami dve tetradi transkriptsij dlja balalajki i fortepiano. Eto rezultat priblizitelno desjatiletnej razroznennoj i sovsem ne sistemnoj raboty. Prakticheski vse voshedshie v eti sborniki proizvedenija pojavljalis blagodarja detjam-uchenikam, odnazhdy prikhodivshim na zanjatie s voprosom: "A mozhno li mne poigrat vot etu melodiju?" I poskolku, vo-pervykh, u nikh v rabote vsegda imelsja dostatochnyj objom akademicheskogo repertuara, i, vo-vtorykh, po moemu ubezhdeniju, v uchebnykh i razvlekatelnykh tseljakh na balalajke ispolnima prakticheski ljubaja muzyka, ja delal interesujuschie ikh perelozhenija. Nado li govorit, chto motivatsija k zanjatijam na instrumente srazu povyshalas.Ja ochen blagodaren moim kollegam, prepodavateljam GBUDO g. Moskvy "DSHI im. S.I. Mamontova" Ile Jakovlevichu Rejbarkhu i Glebu Nikolaevichu Dobarskomu, kotorye vdokhnovili menja na sistematizatsiju moej mnogoletnej raboty. Takzhe khochu vyskazat blagodarnost kontsertmejsteru DMSh im. L.N. Vlasenko, strukturnogo podrazdelenija GBUDO g. Moskvy "MGODSHI "Izmajlovo" Irine Viktorovne Galkinoj, okazavshej bolshuju pomosch v redaktsii partii fortepiano.Proizvedenija v tetradjakh raspolozheny po printsipu uslozhnenija muzykalnogo materiala. Nesmotrja na to, chto sborniki nazyvajutsja "Balalajka v neserjoznom svete", i repertuar, sobrannyj v nikh, dostatochno raznoplanovyj, ja nadejus, oni budut khoroshim podsporem v obuchenii junykh balalaechnikov.Transkriptsija i ispolnitelskaja redaktsija - Kirill Aleksandrovich GorjachkinRedaktsija partii fortepiano - Irina Viktorovna Galkina (1-17), Ilja Jakovlevich Rejbarkh (17)
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