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1000 tulosta hakusanalla BRANDER MATTHEWS

Honoring the Self

Honoring the Self

Nathaniel Branden

Bantam Dell Publishing Group, Div of Random House, Inc
1985
pokkari
What is the most important judgement you will ever make? The judgement you pass on yourself. Self-esteem is the key to success or failure."Tell me how a person judges his or her self-esteem," says pioneering psychologist Nathaniel Branden, "and I will tell you how that person operates at work, in love, in sex, in parenting, in every important aspect of existence—and how high he or she is likely to rise. The reputation you have with yourself—your self-esteem—is the single most important factor for a fulfilling life."• How to grow in self-confidence and self-respect.• How to nurture self-esteem in children.• How to break free of guilt and fear of others' disapproval.• How to honor the self—the ethics of rational self-interest.
Six Pillars of Self-Esteem

Six Pillars of Self-Esteem

Nathaniel Branden

Random House USA Inc
1995
pokkari
Nathaniel Branden's book is the culmination of a lifetime of clinical practice and study, already hailed in its hardcover edition as a classic and the most significant work on the topic. Immense in scope and vision and filled with insight into human motivation and behavior, The Six Pillars Of Self-Esteem is essential reading for anyone with a personal or professional interest in self-esteem. The book demonstrates compellingly why self-esteem is basic to psychological health, achievement, personal happiness, and positive relationships. Branden introduces the six pillars-six action-based practices for daily living that provide the foundation for self-esteem-and explores the central importance of self-esteem in five areas: the workplace, parenting, education, psychotherapy, and the culture at large. The work provides concrete guidelines for teachers, parents, managers, and therapists who are responsible for developing the self-esteem of others. And it shows why-in today's chaotic and competitive world-self-esteem is fundamental to our personal and professional power.
Ferdinand Lassalle

Ferdinand Lassalle

George Brandes

Trieste Publishing
2018
nidottu
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
Taleetha Koomee, Or, the Gospel Prophecy of Our Blessed Lady's Assumption
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
Taking Responsibility

Taking Responsibility

Nathaniel Branden

Touchstone
1997
pokkari
From Simon & Schuster, Taking Responsibility is Nathaniel Branden's guide to self-reliance and the accountable life, including self-realization through that self-reliance, offering a vision of society transformed by a new ethical individualism.The bestselling author of The Psychology of Self-Esteem presents an illuminating guide to self-realization through self-reliance and a vision of a society transformed by a new ethical individualism.
Refiguring the Real

Refiguring the Real

Christopher Braider

Princeton University Press
2015
pokkari
In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture--particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understanding of how both painted and written cultural texts shape our perceptions of the world at large. Throughout Braider draws on works by such painters as van der Weyden, Bruegel the Elder, Steen, Vermeer, Rembrandt, and Poussin, and addresses such topics as the Incarnation of the Word in Christ, the elegiac foundations of Enlightenment aesthetics, and the rivalry between northern and southern art. His goal is not only to reexamine important aesthetic issues but also to offer a new perspective on the general intellectual and cultural history of the modern West. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Refiguring the Real

Refiguring the Real

Christopher Braider

Princeton University Press
2016
sidottu
In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture--particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understanding of how both painted and written cultural texts shape our perceptions of the world at large. Throughout Braider draws on works by such painters as van der Weyden, Bruegel the Elder, Steen, Vermeer, Rembrandt, and Poussin, and addresses such topics as the Incarnation of the Word in Christ, the elegiac foundations of Enlightenment aesthetics, and the rivalry between northern and southern art. His goal is not only to reexamine important aesthetic issues but also to offer a new perspective on the general intellectual and cultural history of the modern West. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How to become who you are

How to become who you are

Ratziel Bander

Leiztarco, Inc.
2018
pokkari
Our conceptual reality is held in place by the subconscious, which exists on the periphery of our conscious experience. The conscious mind did not establish these conceptual constructions. They were gathered from experience by the subconscious and constructed to keep us safe.The ancient Greeks of the mystery schools called the result of this construction the meta-identity. That means it is the identity that comes after the original identity with which we were born. The construction starts as early as when we cry for our first food. We realize in that very moment that when we cry, somebody hears us and they bring food to our lips. That action and dynamic is quickly put into place by the subconscious to help us survive in the world. All internal dynamics that we piece together unconsciously throughout our formative years are handled and set in place by the subconscious to keep the conscious being safe.The subconscious, using the brain, constructs the world around us at every moment. Without this interface between the subconscious and the brain, you would not be able to tell what is what, and the world might be a very confusing place; indeed it could be dangerous and difficult to navigate. According to the mystery schools, by the time we are seven many of these internal concepts have been constructed and established, the conglomeration of which form a personality. All future internal conceptual constructions will be built on these.The problem we face as we grow older is that what was a relevant concept when we were ten years old is no longer appropriate when we are forty-five. But because these concepts were established by the subconscious, the conscious mind has no real ability to make fundamental changes.The subconscious constructed this conceptual reality. And according to the blueprint it has established, the conscious mind will view and react to the world from a particular and unique perspective. Since the subconscious is the author and keeper of the concepts that lead us to react to the world, it must also be the agent of changeTo the subconscious, an event that took place thirty years ago maintains exactly the same emotional and intellectual impact as it did on the day it originally happened. That is why people can mentally go back to events of the past and re-traumatize themselves. The subconscious experiences the event from the past as if it is happening now.Like the quantum physicist, the subconscious sees the reality behind time--it sees 'slices' of events that mysteriously seem to fit together in an artificially constructed, conscious experience of time. So, even though the conscious mind does not have access through memory to an event from the past, that same event, (happening now to the subconscious), may be influencing all present behavior with an intensity that the conscious mind cannot really fathom.But no concept embedded in the subconscious is really a part of the self. They are only constructs that help us navigate the world in which we find ourselves. Useful, and often necessary, but they are also disposable and replaceable with concepts that are more appropriate to our present circumstances and accumulated life knowledge.More interesting is that we don't need to go back to or identify the event and relive the story from that time. We can simply allow the subconscious to show us the feeling. By accepting the validity of that feeling impartially (in other words, without reacting to it), we give it an opportunity to mysteriously reconstruct the pattern of behavior or the concept that drives that pattern. Without any participation of the conscious mind, the subconscious can let go of the embedded concept and replace it with another that is more appropriate to the conscious adult now.
Baroque Self-Invention and Historical Truth

Baroque Self-Invention and Historical Truth

Christopher Braider

Ashgate Publishing Limited
2004
sidottu
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
Romanov

Romanov

Nadine Brandes

Thomas Nelson Publishers
2020
nidottu
My name is Anastasia. The history books say I died. They don’t know the half of it.Anastasia “Nastya” Romanov was given a single mission: to smuggle an ancient spell into her suitcase on her way to exile in Siberia. It might be her family’s only salvation. But the leader of the Bolshevik army is after them, and he’s hunted Romanov before.Nastya’s only chances of saving herself and her family are either to release the spell and deal with the consequences, or to enlist help from Zash, the handsome soldier who doesn’t act like the average Bolshevik. Nastya has only dabbled in magic, but it doesn’t frighten her half as much as her growing attraction to Zash. She likes him. She thinks he might even like her.That is, until she’s on one side of a firing squad . . . and he’s on the other.Praise for Romanov:"I am obsessed with this book! A magical twist on history that will have Anastasia fans wishing for more. I loved every detail Brandes wrote. If you love magic and Imperial Russia, you want Romanov on your shelf!" —Evelyn Skye"Romanov will cast a spell on readers and immerse them in a history anyone would long to be a part of." —Sasha Alsberg"If you think you know the story behind Anastasia Romanov, think again! The perfect blend of history and fantasy, Romanov takes a deeper look at the days leading up to the family’s tragedy, while also exploring the possibilities behind the mysteries that have long intrigued history buffs everywhere. Brandes weaves a brilliant and intricate saga of love, loss, and the power of forgiveness. Prepare to have your breath stolen by this gorgeous novel of brilliant prose and epic enchantment." —Sara EllaFull-length historical fantasyIncludes discussion questions for book clubsPaperback contains special bonus chapter
Wishtress

Wishtress

Nadine Brandes

Thomas Nelson Publishers
2022
sidottu
Her tears grant wishes. Her next tear will end her life.She didn't ask to be the Wishtress.Myrthe was born with the ability to turn her tears into wishes. But when a granted wish goes wrong, she is cursed: the next tear she sheds will kill her. She must travel to the Well to break the curse before it can claim her life--and before the king's militairen find her. To survive the journey, Myrthe must harden her heart to keep herself from crying even a single tear.He can stop time with a snap of his fingers.Bastiaan's powerful--and rare--talent came in handy when he kidnapped the old king. Now the new king has a job for him: find the Wishtress and deliver her to the schloss. But Bastiaan needs a wish of his own. He gains Myrthe's trust by promising to take her to the Well, but once he gets what he needs, he'll turn her in. As long as his growing feelings for the girl with a stone heart don't compromise him.Their quest can end only one way: with her death.Everyone seems to need a wish--the king, Myrthe's cousin, the boy she thinks she loves. And they're ready to bully, beg, and betray her for it. No one knows that to grant even one wish, Myrthe would pay with her life. And if she tells them about the curse . . . they'll just kill her anyway."A beautiful tale about self-worth, second chances, and mysterious enchantment." --Kathryn Purdie, #1 New York Times bestselling authorExciting, low-spice YA romantasyStand-alone novelBook length: approximately 125,000 wordsIncludes discussion questions for book clubs
My Years with Ayn Rand

My Years with Ayn Rand

Nathaniel Branden

Jossey-Bass Inc.,U.S.
1999
nidottu
Previous Praise for Nathaniel Branden "Relentlessly revealing. . . the myth of Ayn Rand gives way to a full-sized portrait in contrasting colors, appealing and appalling, potent and paradoxical. . . . it takes a special kind of nerve to write such a book."--Norman Cousins, author of Head First and The Healing Heart Ayn Rand's Atlas Shrugged is one of the most influential books of the twentieth century-its popular impact ranked second only to the Bible in a major poll. Millions know Rand as one of this century's great thinkers, writers, and philosophers, yet much about the private Ayn Rand remains shrouded in mystery. Who was Ayn Rand? My Years with Ayn Rand charts the course of the clandestine, tempestuous relationship between the enigmatic author of Atlas Shrugged and The Fountainhead and Nathaniel Branden-her young disciple and future pioneer of the self-esteem movement. In this book, discover the real Ayn Rand through the eyes of the man who became her soul mate and shared her passions and philosophical ideals. Their tragic and tumultuous love story began with a letter written by Branden as an admiring teenage fan and Anded, more than twenty years later, with accusations of betrayal and bitter recriminations. My Years with Ayn Rand paints an unforgettable portrait of Ayn Rand-whose ideas, even today, can generate a maelstrom of controversy.
No Fear in Love

No Fear in Love

Andy Braner

Baker Academic, Div of Baker Publishing Group
2015
nidottu
In an age when we are as connected as we are contentious, an astounding number of opportunities exist that might compel us into an attitude of Us versus Them. In fact, Christians are getting the reputation of being "against" just about everything. But is this the best way to bear witness to the love of God before an unbelieving world? Or does it simply serve to push others further and further away from the life-giving power of Jesus?Story-driven and biblically based, No Fear in Love encourages readers to trade condemnation for compassion. Author Andy Braner challenges us to love others the way God loves us--unconditionally, brokenness and all--and to trust that God is truly in control.
Power and Persuasion

Power and Persuasion

Stanley Brandes

University of Pennsylvania Press
1988
pokkari
Demonstrates how the annual fiesta cycle reflects political dependency of local communities on the nation-state, helps maintain formal authority, and perpetuates behavioral norms and social values.