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1000 tulosta hakusanalla Croft Stuart

Craft Beer Snob: 100 Beer Tasting Sheets for Rating, Reviewing, and Taking Notes
Use this beer tasting journal to record your notes, ratings, pairings and more. Whether you're on a craft brewery tour, at a beer tasting party, or just at home pouring out a new growler this beer tasting notebook is a must have companion. 100 beer tasting sheets to guide your notetaking Includes a beer list index so you can easily reference your favorite beverages later 6x9 inch size provides ample space to take notes, while also being portable
Craft Verses Inspiration

Craft Verses Inspiration

New Haven Poetry

Independently Published
2019
nidottu
Craft Verses Inspiration is a collection from poets of the New Haven Chapter of the Connecticut Poetry Society and the Erato Poetry group. The Connecticut Poetry Society New Haven Chapter meets at the Miller Memorial Central Public Library in Hamden Connecticut. The group meets on a monthly basis to share and workshop poetry of its members.This anthology is a way for members to share their accomplishments and love of the genre with fellow poetry lovers and members of the general community. The New Haven Chapter meets on the third Saturday of the month from September to June at 10:15 am until Noon. Beginners as well as long-time poets are welcome, for more information contact The Miller Library or the Connecticut Poetry Society. Some poems in this book contain adult language and themes.The Connecticut Poetry Society was founded in 1974. For information concerning the organization, events, contests and membership please visit their website .
Craft and the Creative Economy

Craft and the Creative Economy

S. Luckman

Palgrave Macmillan
2015
sidottu
Craft and the Creative Economy examines the place of craft and making in the contemporary cultural economy, with a distinctive focus on the ways in which this creative sector is growing exponentially as a result of online shopfronts and home-based micro-enterprise, 'mumpreneurialism' and downshifting, and renewed demand for the handmade.
Craft in Biomedical Research

Craft in Biomedical Research

Mianna Meskus

Palgrave Macmillan
2018
sidottu
This book explores the new ways in which biology is becoming technology. The revolutionary iPS cell technology has made it possible to turn human skin and blood cells into pluripotent stem cells, thus providing an unprecedented opportunity to study the pathophysiology of diseases, understand human developmental biology, and generate new therapies. Drawing from a rich ethnographic study, Meskus traces the making of the iPS cell technology through the perspectives of clinical translation, laboratory experimentation, and tissue donation by voluntary patients. Discussing non-human agency, the embodied and affective basis of knowledge production, and the material politics of science, the book develops the idea of an instrumentality-care continuum as a fundamental dynamic of biomedical craft. This continuum, Meskus argues, opens up a novel perspective to the commercialization and industrial-scale appropriation of human biology, and thereby to the future of ethical biomedical research.
Craft and Spirit

Craft and Spirit

Joseph D. Lichtenberg

Routledge
2014
nidottu
In Craft and Spirit, Joseph Lichtenberg writes of the craft of exploratory psychotherapy, by which he means the creative skill — even artistry — that mobilizes the spirit of inquiry in therapist and patient and sustains it over the course of psychotherapy. He expatiates on this craft as it pertains to patients of our time — patients who typically bring to therapy backgrounds of insecure attachment and serious concerns about safety and retraumatization. In each of ten chapters, Lichtenberg formulates a different guideline for technique, keyed to the broad domain of exploratory psychotherapies and are accompanied by numerous clinical illustrations. These guidelines seek to foster greater therapist involvement without compromising an openness to psychological exploration. They seek to sensitize therapists to the two interlacing tracks of communication that unfold in treatment: those of verbal exchange and of enactive messages. And they help guide therapist attention among interpenetrating domains of the patient’s subjectivity, the therapist’s subjectivity, and the intersubjective realm that emerges from their collaborative experience. Fusing the humanist tradition of therapeutic inquiry with knowledge gained from recent infancy and child research, Lichtenberg develops guidelines suitable to exploratory therapy with patients who communicate not only verbally but also through diverse affect states and altered cognitions. Consistently illuminating on the parallels and disjunctions between caregiver–child and therapist–patient relationships, Lichtenberg is clear about the adult-to-adult dimension of exploratory work in which “provision” is necessarily subordinate to “inquiry.” Craft and Spirit is aimed equally at prospective patients, therapists, and analysts, all of whom will be edified by this masterful demonstration of the ways in which a spirit of inquiry imbues the craft of psychotherapy, in Lichtenberg’s words, “with its liveliness of sustained purpose.”
Craft of Use

Craft of Use

Kate Fletcher

Routledge
2016
sidottu
This book explores the ‘craft of use’, the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector. Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market’s purpose and reveals fashion provision and expression in a world not dependent on continuous consumption. Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.
Craft of Use

Craft of Use

Kate Fletcher

Routledge
2016
nidottu
This book explores the ‘craft of use’, the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector. Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market’s purpose and reveals fashion provision and expression in a world not dependent on continuous consumption. Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.
Craft Guilds in the Early Modern Low Countries

Craft Guilds in the Early Modern Low Countries

Catharina Lis; Hugo Soly

Routledge
2019
nidottu
In the half millennium of their existence, guilds in the Low Countries played a highly significant role in shaping the societies of which they were a part. One key aspect that has been identified in recent historical research to explain the survival of the guilds for such a long time is the guilds' continued adaptability to changing circumstances. This idea of flexibility is the point of departure for the essays in this volume, which sheds new light on the corporate system and identifies its various features and regional variances. The contributors explore the interrelations between economic organisations and political power in late medieval and early modern towns, and address issues of gender, religion and social welfare in the context of the guilds. This cohesive and focussed volume will provide a stimulus for renewed interest and further research in this area. It will appeal to scholars and students with an interest in early modern economic, social and cultural history in particular, but will also be valuable to those researching into political, religious and gender history.
Craft, Community and the Material Culture of Place and Politics, 19th-20th Century
Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls’ Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.
Craft Notes for Animators

Craft Notes for Animators

Ed Hooks

Routledge
2016
sidottu
If Disney’s Snow White and the Seven Dwarfs represented the Animation industry’s infancy, Ed Hooks thinks that the current production line of big-budget features is its artistically awkward adolescence. While a well-funded marketing machine can conceal structural flaws, uneven performances and superfluous characters, the importance of crafted storytelling will only grow in importance as animation becomes a broader, more accessible art form. Craft Notes for Animators analyses specific films – including Frozen and Despicable Me – to explain the secrets of creating truthful stories and believable characters. It is an essential primer for the for tomorrow’s industry leaders and animation artists.
Craft Notes for Animators

Craft Notes for Animators

Ed Hooks

Routledge
2016
nidottu
If Disney’s Snow White and the Seven Dwarfs represented the Animation industry’s infancy, Ed Hooks thinks that the current production line of big-budget features is its artistically awkward adolescence. While a well-funded marketing machine can conceal structural flaws, uneven performances and superfluous characters, the importance of crafted storytelling will only grow in importance as animation becomes a broader, more accessible art form. Craft Notes for Animators analyses specific films – including Frozen and Despicable Me – to explain the secrets of creating truthful stories and believable characters. It is an essential primer for the for tomorrow’s industry leaders and animation artists.
Craft

Craft

Ananda Lima

St Martin's Press
2024
sidottu
At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes him stories about beautiful and impossible things. Craft: Stories I Wrote for the Devil is an intoxicating and unsettling linked collection that lures readers into surreal pockets of the United States and Brazil where they’ll find bite-size Americans in vending machines and the ghosts of people who are not dead. With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences - of ambition, fear, heartbreak, and home - with equal parts warmth and agitation. Strange, intimate, haunted, and hungry - Craft: Stories I Wrote for the Devil is a powerful experience: once read, you’re as much a part of the stories as they’re a part of you. The collection includes: “Rapture,” “Ghost Story,” “Tropicália,” “Antropógaga,” “Idle Hands,” “Rent,” “Porcelain,” “Heaven, Hell, and Purgatory,” and “Hasselblad.”
Craft

Craft

Ananda Lima

St Martin's Press
2025
nidottu
At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes stories for him about things that are both impossible and true. Lima lures readers into surreal pockets of the United States and Brazil where they’ll find bite-size Americans in vending machines and the ghosts of people who are not dead. Once there, she speaks to modern Brazilian-American immigrant experiences of ambition, fear, longing, and belonging - and reveals the porousness of storytelling and of the places we call home. With humour, an exquisite imagination, and a voice praised as “singular and wise and fresh” (Cathy Park Hong), Lima joins the literary lineage of Bulgakov and Lispector and the company of writers today like Ted Chiang, Carmen Maria Machado, and Nana Kwame Adjei-Brenyah. Craft: Stories I Wrote for the Devil includes: “Rapture,” “Ghost Story,” “Tropicália,” “Antropógaga,” “Idle Hands,” “Rent,” “Porcelain,” “Heaven, Hell, and Purgatory,” and “Hasselblad.” A great next read for fans of Carmen Maria Machado's Her Body and Other Parties and V. E. Schwab's The Invisible Life of Addie LaRue. Recommended reading by Chicago Review of Books, Electric Literature, The Kenyon Review, and more!
Craft & Snuggle: My Pet Unicorn (Klutz Junior)
Cuddle and dress-up your new unicorn plush with Craft & Snuggle: My Pet Unicorn by Klutz Junior! Make a pretty flower crown for your unicorn and dress it up with hair accessories and more! The kit comes with an adoption certificate so make sure you fill it in to name your unicorn. After, colour in the super-cute storybook about your unicorn's first ballet class! Included in the kit: Klutz-designed unicorn plush a pre-made tutu a storybook pipe cleaners pre-cut felt pieces stickers. What is Klutz? Klutz is a premium brand of book-based activity kits, designed to inspire creativity in every child. Our unique combination of crystal-clear instructions, custom tools and materials and hearty helpings of humour is 100% guaranteed to kick-start creativity. Super-clear instructions Open-ended Creativity Rewarding Reading Skills to Build On Everything You Need