Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Dmitri Mereschkowski
Rescue from Evil, a CHAOS II, novella written about current events woven into a fictional narrative about a mission to rescue Hostages held by ISIS in Syria conducted by a clandestine organization, CHAOS, along with volunteers from U.S. Special Forces. The heroes of CHAOS, the Major, Sailor, Doc and the Commander risk their lives in this daring rescue.
Chaos Capers II: Rescue from Evil and Dealers of Evil
Dimitri Flynn
Createspace Independent Publishing Platform
2015
nidottu
CHAOS II is written in the same fictional narrative about real events, the rescue of various hostages held by ISIS in north east Syria, Rescue from Evil, and about the drug Cartels operating with impunity in Mexico, Dealers of Evil. In CHAOS II, the evil doers are the same, Radical Islam. Both stories involve a cooperative clandestine operation between the Intelligence Services of the United States and a private group operating clandestinely under the name of CHAOS. CHAOS is a spin off a group funded by the Templar wealth to fight socialism in the 21st Century.
Tolstoy As Man and Artist with an Essay on Dostoyevsky
Dmitry Merezhkovsky
West Margin Press
2022
sidottu
Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature’s most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist’s work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky’s view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.
Resurrection of the Gods (1900) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Resurrection of the Gods, the second work in the trilogy, is preceded by The Death of the Gods (1895) and followed by Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “This personage was already inspecting the Venus, with a cold, imperturbable composure, so different from Giovanni's personal agitation, that the lad could not but be struck with astonishment. He continued to gaze at the statue, but his consciousness now was entirely for the man by his side.” In Resurrection of the Gods, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Italian Renaissance. The novel captures a pivotal moment in the life of Leonardo da Vinci: invited as an expert to appraise a recently rediscovered statue of Venus, the artist embarks down a path of self-discovery whereby the humanist ideals of the ancient world will reinvigorate his faith in art. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Resurrection of the Gods is a classic of Russian literature reimagined for modern readers.
Peter and Alexis (1904) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Peter and Alexis, the final work in the trilogy, is preceded by The Death of the Gods (1895) and Resurrection of the Gods (1900). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Antichrist is coming. He, the last of devils, has not yet come himself; but the world is teeming with his progeny. The children are preparing the way for their father. They twist everything to suit the designs of Antichrist. He will appear in his own due time, when everywhere all is prepared and the way smoothed. He is already at the door. Soon will he enter!’” In Peter and Alexis, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Russian Empire. The novel portrays Peter the Great’s conflict with his son, the Tsarevich Alexei, as the inevitable confrontation between Antichrist and Christ for the soul of humanity. Rejecting the historical view of Peter as a powerful and honorable leader, Merezhkovsky suggests that he was a tyrant whose desire for progress and control came at the cost of countless lives. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Peter and Alexis is a classic of Russian literature reimagined for modern readers.
The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.
Peter and Alexis (1904) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Peter and Alexis, the final work in the trilogy, is preceded by The Death of the Gods (1895) and Resurrection of the Gods (1900). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Antichrist is coming. He, the last of devils, has not yet come himself; but the world is teeming with his progeny. The children are preparing the way for their father. They twist everything to suit the designs of Antichrist. He will appear in his own due time, when everywhere all is prepared and the way smoothed. He is already at the door. Soon will he enter!’” In Peter and Alexis, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Russian Empire. The novel portrays Peter the Great’s conflict with his son, the Tsarevich Alexei, as the inevitable confrontation between Antichrist and Christ for the soul of humanity. Rejecting the historical view of Peter as a powerful and honorable leader, Merezhkovsky suggests that he was a tyrant whose desire for progress and control came at the cost of countless lives. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Peter and Alexis is a classic of Russian literature reimagined for modern readers.
Resurrection of the Gods (1900) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. Resurrection of the Gods, the second work in the trilogy, is preceded by The Death of the Gods (1895) and followed by Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “This personage was already inspecting the Venus, with a cold, imperturbable composure, so different from Giovanni's personal agitation, that the lad could not but be struck with astonishment. He continued to gaze at the statue, but his consciousness now was entirely for the man by his side.” In Resurrection of the Gods, Merezhkovsky moves his groundbreaking vision of spiritual progress and the historical development of humanity to the world of the Italian Renaissance. The novel captures a pivotal moment in the life of Leonardo da Vinci: invited as an expert to appraise a recently rediscovered statue of Venus, the artist embarks down a path of self-discovery whereby the humanist ideals of the ancient world will reinvigorate his faith in art. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Resurrection of the Gods is a classic of Russian literature reimagined for modern readers.
The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.
Tolstoy As Man and Artist with an Essay on Dostoyevsky
Dmitry Merezhkovsky
Graphic Arts Books
2021
pokkari
Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature’s most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist’s work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky’s view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.
Personal Finance 101 Canada's Housing Market Analysis Buying vs Renting a Home
Dmitry Newman
Xlibris
2016
pokkari
Personal Finance 101 Canada's Housing Market Analysis Buying Vs Renting a Home
Dmitry Newman
Xlibris
2016
sidottu
How to beat alcoholism.: Russian approach 99% success rate.
Dmitry Lavrov
Createspace Independent Publishing Platform
2015
nidottu
The bloody confrontation. Kiev-Donetsk
Dmitry Lavrov
Createspace Independent Publishing Platform
2015
nidottu
Information Technologies in Hotel Business
Dmitry Kozlov
Createspace Independent Publishing Platform
2015
nidottu