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1000 tulosta hakusanalla Edith E Cuthell
Teaching Edith Wharton’s Major Novels and Short Fiction
Springer Nature Switzerland AG
2021
sidottu
This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and European cultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.
Teaching Edith Wharton’s Major Novels and Short Fiction
Springer Nature Switzerland AG
2022
nidottu
This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and European cultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.
«Egentlig krever vi at pionerkvinnen ikke bare skal bryte barrierer, men i tillegg overgå sine mannlige kolleger» Edith Carlmar var Norges første kvinnelige filmregissør. Gjennom 1950-tallet produserte hun flere filmer som gjorde stor suksess i sin samtid. Disse har siden blitt stemplet som B-filmer, og Carlmar er i ferd med å bli glemt. Har hun blitt dømt for hardt, og på hvilket grunnlag? Toril Moi drøfter filmene og reflekterer rundt filmkunst og filmhåndverk, kultursnobberi og urimelige forventninger. Dette essayet er del av en foredragsserie om kultur og liv i 1950-tallets Norge. På jakt etter forståelse av landet og tiåret hun selv ble født i, undersøker Toril Moi kulturuttrykk fra perioden. Prosjektet er både personlig og historisk. Uten å forstå Norge kan hun heller ikke forstå seg selv.
Rocky & Edith är historien om hur Martin Kellerman blir kär och lämnar sin lycka i en annan persons galna händer. Det är en berättelse om kärlek, svartsjuka, längtan och ensamhet. Men framför allt är det en väldigt rolig bok om ganska allvarliga saker.”Den här historien, som är hämtad från Kellermans eget liv, berättas genom några hundra seriesidor, som inte bara står på egna ben med fantastiska oneliners, utan också målar upp en bild om oss och om vår tid, vad som händer just nu, som vilken författare som helst skulle skära av sig ena handen för att åstadkomma, för det är det som är så jäkla svårt att få tag på: tonen vi pratar i, sakerna vi är upptagna av, kunskapen om världen vi har. Kellermans öra för den tonen är absolut.” Ur Karl Ove Knausgårds förordMartin Kellerman (f. 1972) är serietecknare som i tjugo år ritade serien Rocky. En generationsskildring som samlats i drygt trettio album i Sverige och runt om i världen.
Remembering Edith Alice Müller
Springer
2012
nidottu
Edith Alicia Müller (1918-1995) was the IAU General Secretary from 1976 to 1979, the first woman to have this responsibility. Many friends, students and colleagues, and others who have met Edith at different occasions, give in this book their memories of her. Her fundamental work in solar physics concerned the chemical composition of the Sun, the time variation of its infra-red spectrum, and its thermal structure. Her interests were, however, far broader than that. She was heavily involved in international work for the teaching of astronomy and for the exchange program of young astronomers.
Saints Edith and ?Thelthryth - Princesses, Miracle Workers, and Their Late Medieval Audience
Mary Dockray-Miller
Brepols N.V.
2010
sidottu
The remarkable true story of a young girl named Edith and the French village of Moissac that helped her and many other children during the Holocaust. The town's mayor and citizens concealed the presence of hundreds of Jewish children who lived in a safe house, risking their own safety by hiding the children from the Nazis in plain site, saving them from being captured and detained and most certainly saving their lives.
A Historical Guide to Edith Wharton
Oxford University Press Inc
2003
sidottu
A Historical Guide to Edith Wharton provides scholarly and general readers with historical contexts that illuminate Wharton's life and writing in new, exciting ways. The essays in this volume expand our sense of Wharton as a novelist of manners and reflect the latest developments in new historicism and cultural studies. Like many other literary women, Edith Wharton overcame prejudice to enter the world of letters. Wharton stood at the historical crossroads between the literary models of sentimental lady writer and modern professional author, and her work navigates accordingly between Victorian and modern sensibilities. Writing at a time of great social and economic change, Wharton records the changes brought about by Darwinism, urbanization, capitalism, feminism, world war, and eugenics, converying these cultural transformations with unforgettable detail and realism. This compelling collection of original essays illuminates Edith Wharton's vivid and incisive fiction against the backdrop of old New York, bringing one of our most important American novelists to life within the context of the society she so memorably chronicled and confronted.
A Historical Guide to Edith Wharton
Oxford University Press Inc
2003
nidottu
Edith Wharton, arguably the most important American female novelist, stands at a particular historical crossroads between sentimental lady writer and modern professional author. Her ability to cope with this collision of Victorian and modern sensibilities makes her work especially interesting. Wharton also writes of American subjects at a time of great social and economic change-Darwinism, urbanization, capitalism, feminism, world war, and eugenics. She not only chronicles these changes in memorable detail, she sets them in perspective through her prodigious knowledge of history, philosophy, and religion. A Historical Guide to Edith Wharton provides scholarly and general readers with historical contexts that illuminate Wharton's life and writing in new, exciting ways. Essays in the volume expand our sense of Wharton as a novelist of manners and demonstrate her engagement with issues of her day.
The Correspondence of Edith Wharton and Macmillan, 1901-1930
Palgrave Macmillan
2007
sidottu
This book publishes, for the first time, some 400 letters between Edith Wharton and her chief London publisher, Macmillan. The correspondence highlights Wharton's well developed understanding of the 'sociology of text' in the early twentieth century, casting new light on Wharton's working practices which will be of crucial importance for scholars.
Sui Sin Far / Edith Maude Eaton
Annette White-Parks; Roger Daniels
University of Illinois Press
1995
sidottu
The eldest daughter of a Chinese mother and British father, Edith Maude Eaton was born in the United Kingdom in 1865. Her family moved to Quebec, where she was removed from school at age ten to help support her parents and twelve siblings. In the 1880s and 1890s, Eaton worked as a stenographer, journalist, and fiction writer in Montreal, often writing under the name Sui Sin Far (Water Lily). She lived briefly in Jamaica and then settled in the United States, where she published her one book, Mrs. Spring Fragrance. Annette White-Parks offers the first full-length biography of the woman now remembered as North America's first published Asian writer. White-Parks reveals an author who defied the in vogue style of "yellow peril" literature to show Chinatowns and their inhabitants as complex, feeling human beings. Her insider's sympathy focused in particular on Chinese American women and children. Confronted with social divisions and discrimination, Sui Sin Far experimented with trickster characters and irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization forced on them because of their race, gender, or class.
A major new biography of Edith Tudor Hart, the photographer and Soviet agent who recruited Kim Philby Edith Tudor Hart has long evaded biographers. A Jewish-Austrian exile in 1930s London, she was a talented professional photographer, anti-fascist activist—and Soviet secret agent. Daria Santini provides the first full biography of this elusive figure. She traces Tudor Hart’s life from her early years in the socialist intellectual circles of Vienna through her training at the Bauhaus to her work as a Soviet agent in Britain. Tudor Hart played a vital role in the Cambridge Spies network, including recruiting Kim Philby. Throughout her life, Tudor Hart was deeply committed to the ideals of communism. But despite being watched by the British Secret Service for decades, she was never caught and never confessed. In this moving account, Santini pieces together the story of Edith’s life, revealing a woman of great energy, determination, and creativity.
Critiques such stories as "The House of Mirth" and "Ethan Frome," while providing biographical information about this talented author.
Starting with the tensions in the early family constellation, Gloria C. Erlich traces Edith Wharton's erotic evolution--from her early repression of sexuality and her celibate marriage to her discovery of passion in a rapturous midlife love affair with the bisexual Morton Fullerton. Analyzing the novelist's life, letters, and fiction, Erlich reveals several interrelated identity systems--the filial, the sexual, and the creative--that evolved together over the course of Wharton's lifetime.
The Cambridge Companion to Edith Wharton
Cambridge University Press
1995
sidottu
The Cambridge Companion to Edith Wharton offers a series of fresh examinations of Edith Wharton’s fiction written both to meet the interest of the student or general reader who encounters this major American writer for the first time and to be valuable to advanced scholars looking for new insights into her creative achievement. The essays cover Wharton’s most important novels as well as some of her shorter fiction, and utilise both traditional and innovative critical techniques, applying the perspectives of literary history, feminist theory, psychology or biography, sociology or anthropology, or social history. The Introduction supplies a valuable review of the history of Wharton criticism which shows how her writing has provoked varying responses from its first publication, and how current interests have emerged from earlier ones. A detailed chronology of Wharton’s life and publications and a useful bibliography are also provided.
The Cambridge Companion to Edith Wharton
Cambridge University Press
1995
pokkari
The Cambridge Companion to Edith Wharton offers a series of fresh examinations of Edith Wharton’s fiction written both to meet the interest of the student or general reader who encounters this major American writer for the first time and to be valuable to advanced scholars looking for new insights into her creative achievement. The essays cover Wharton’s most important novels as well as some of her shorter fiction, and utilise both traditional and innovative critical techniques, applying the perspectives of literary history, feminist theory, psychology or biography, sociology or anthropology, or social history. The Introduction supplies a valuable review of the history of Wharton criticism which shows how her writing has provoked varying responses from its first publication, and how current interests have emerged from earlier ones. A detailed chronology of Wharton’s life and publications and a useful bibliography are also provided.
Born in New York into a world of wealth and privilege, and writing with unique insight into the lives of the rich and fashionable, Edith Wharton was a best-seller in her time, and is now, again, one of the most widely read American authors. This book provides an accessible and stimulating introduction to Wharton's life and writings, to help map her work for new readers, and to encourage more detailed exploration of her texts and contexts. Suggesting a range of perspectives on her most famous novels - The House of Mirth (1905), Ethan Frome (1911), The Custom of the Country (1913) and The Age of Innocence (1920) - it stimulates fresh lines of inquiry, examining these alongside other writings that are now attracting lively critical interest. With its clear structure, illustrations, and guide to further study, this book will form the ideal starting-point for students and for general readers.