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1000 tulosta hakusanalla Gavin Edwards

3D Make & Print

3D Make & Print

Gavin Thomas

FOX CHAPEL PUBLISHING
2024
nidottu
This must-have beginner's guide will walk you through your first steps in 3D printing at home. Get started by discovering how 3D printing has changed the world in ways you probably didn't know was possible, how to get started with 3D printing, how 3D printers work, a comparison of the different types of 3D printers, and the pros and cons to each. Then get started with your own projects with additional chapters featuring ways to maintain your printer, software packages that you can use for modeling, making your own models and modeling tips, a guide to finishing your project, a great glossary of 3D terminology and workflow chart to help you create a successful project. This complete guide gives you all you need to know about getting started with 3D printing.
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Horsetales Long and Short

Horsetales Long and Short

Gavin Charles Moore

Createspace Independent Publishing Platform
2013
nidottu
Initially I began these tales with the idea of equine education and horse experiences and quickly galloped off into the dense forest of philosophy of the long winding road of gossip to eventually arrive at the stables of playful poetry.This is the long and short of it all and as the pace changed from a trot to full gallop I try to keep you glued to your saddle.True-tales in the infamous town of Vilcabamba in Ecuador.
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Understanding Andrew Marvell's Cromwell and Eulogy Poems: A-level Study Guide

Understanding Andrew Marvell's Cromwell and Eulogy Poems: A-level Study Guide

Gavin Smithers

Createspace Independent Publishing Platform
2014
nidottu
Andrew Marvell. Diplomat. Treaty negotiator. Career politician. Tutor to the children of the rich and famous. Political commentator. Political scientist. Religious thinker. Satirist. Moralist. Oh, and I almost forgot- Poet. As a student, or perhaps a teacher of English Literature, it will be this element of the man that concerns and interests you most. But if, right now, you are feeling as concerned as interested - then take heart: this guide aims to help change all that Because of the line length of particular poems, and because of what may at first seem like challenging word choices, many people come reluctantly to Marvell. It is too difficult; his poems are 'too clever'; they are soaked in obscure literary traditions. It is all too old-hat. But In this short guide I aim to show you that the reverse is true. Marvell can be straightforward and rewarding to read, when we approach him in a disciplined way. The poetry of this clever man is filled with insights into his own times, tempered with irony. Both his insights and his irony are just as relevant to us and our times, too. Like my other Gavin's Guides, this book aims to help you come to admire the author AND raise your exam grade. Right now, Marvell is a chosen text for OCR A-Level. Exam questions ask candidates to compare Marvell with another text. This means you are free to choose which Marvell poems you study. However, examiners have inferred that the shorter, lyrical poems are not enough. So here I tackle some of the big guns The poems under the microscope in this volume are: Tom May's Death An Epitaph upon------ Upon the Death of the Lord Hastings An Elegy upon the Death of My Lord Francis Villiers An Horatian Ode upon Cromwell's Return from Ireland The First Anniversary of the Government under His Highness the Lord Protector A Poem upon the Death of His Late Highness the Lord Protector Come with me on the journey of exploring Marvell's methods and meanings, and you'll be fascinated, too. The First Anniversary of the Government under His Highness the Lord Protector A Poem upon the Death of His Late Highness the Lord Protector Together with my sections on 'Exam Technique' and 'What makes Marvell such a great poet' these poems will provide enough insight to answer exam questions fully. This is a Gavin's Guide Extra - it is aimed at able pupils and their teachers. About the author: Gavin Smithers is a private tutor, covering the north Cotswolds. He has an English degree from Oxford University and a passion for helping others to discover the joy and satisfaction of great literature. Gavin's Guides are short books packed with insight. Their key aim is to help you raise your grade Books such as this one, which are identified as Gavin's Guides Extra are aimed at the more able student and also at teachers.
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Enchanted Ground

Enchanted Ground

Gavin Parkinson

Bloomsbury Visual Arts
2018
sidottu
Shortlisted for the R. Gapper Book Prize 2020Enchanted Ground is about the challenge to modernist criticism by Surrealist writers – mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others – who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism – Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh – became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
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Robert Rauschenberg and Surrealism

Robert Rauschenberg and Surrealism

Gavin Parkinson

Bloomsbury Visual Arts
2023
sidottu
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
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