Ten years ago, Hans Strupp and Jeffrey Binder's Psychotherapy in a New Key introduced a powerful, empirically tested model of brief psychotherapy that has proven highly successful and changed the practice of psychotherapy forever. But until now, there has been no follow-up publication to make the model come alive. With this book, Hanna Levenson draws on her extensive experience with time-limited dynamic psychotherapy to let readers see the therapy in action.In this era of managed care and limited insurance reimbursement for therapy, many clients are receiving brief therapy treatment. can therapists adjust to these new pressures for efficiency without feeling as if they have to choose between good therapy and brief therapy? Time-limited dynamic psychotherapy provides a state-of-the-art model of treatment that incorporates current developments in psychoanalytic, interpersonal, object-relations, and self psychology theories, as well as cognitive-behavioural and systems approaches. This flexible approach to brief therapy is designed to treat people with long-standing dysfunctional relationships. This book emphasizes identification of interpersonal difficulties and teaches a method of focusing therapy that is behaviourally based and explicit.In a highly original approach, Levenson presents detailed transcripts not only of model cases but also for students discussing those cases with her, taken from a videotape of her class. A spirited forum on the techniques and aims of time-limited dynamic psychotherapy emerges, adding a depth and richness not usually found in casebooks. This thoughtful, important companion volume to Strupp and Binder's book will gain a broad following as therapists seek to practice therapy that is effective, efficient, and empirically based.
What are the cultural and structural mechanisms that exclude women from politics in general and from local politics in particular? What meaning is ascribed to women's political activity?Gendering Politics explores the place of women in democratic politics by means of a detailed study of women in Israeli politics who were elected to municipal councils from 1950 to 1989. Drawing from a variety of sources, including questionnaires, interviews, newspaper coverage, and existing statistical data, as well as examinations of studies of the role of women in politics in other democracies, Herzog analyzes the extent of success and failure of women in Israeli elections. She then explores reasons why female participation in Israeli politics has been relatively slight, despite historical precedents and social circumstances that would indicate otherwise.The author examines the gendered bias of the power structure as it is shaped by basic cultural organizing principles. She exposes hidden assumptions--and notes the overt assumptions--which by definition exclude women from politics. The author also looks at the structure of opportunities within the prevailing political system, uncovering the relevant blocking and facilitating elements.Gendering Politics will be of interest to students and scholars of women's studies, Israeli studies, political sociology, and political science.Hanna Herzog is Associate Professor of Sociology, Tel Aviv University.
Being concerned with representation, this book is about an idea, a concept, a word. It is primarily a conceptual analysis, not a historical study of the way in which representative government has evolved, nor yet an empirical investigation of the behavior of contemporary representatives or the expectations voters have about them. Yet, although the book is about a word, it is not about mere words, not merely about words. For the social philosopher, for the social scientist, words are not "mere"; they are the tools of his trade and a vital part of his subject matter. Since human beings are not merely political animals but also language-using animals, their behavior is shaped by their ideas. What they do and how they do it depends upon how they see themselves and their world, and this in turn depends upon the concepts through which they see. Learning what "representation" means and learning how to represent are intimately connected. But even beyond this, the social theorist sees the world through a network of concepts. Our words define and delimit our world in important ways, and this is particularly true of the world of human and social things. For a zoologist may capture a rare specimen and simply observe it; but who can capture an instance of representation (or of power, or of interest)? Such things, too, can be observed, but the observation always presupposes at least a rudimentary conception of what representation (or power, or interest) is, what counts as representation, where it leaves off and some other phenomenon begins. Questions about what representation is, or is like, are not fully separable from the question of what "representation" means. This book approaches the former questions by way of the latter.
Hanna Pitkin argues that Wittgenstein's later philosophy offers a revolutionary new conception of language, and hence a new and deeper understanding of ourselves and the world of human institutions and action.
From the Foreword: 'this "Concordance of the Qur'an in English" satisfies a paramount need of those - and there are millions of them - who have no command of the Arabic language and yet desire to understand the Qur'an. The benefit derivable from English translations of the Sacred Book is, in principle, limited because, first, the Qur'an is not a 'book' but a collection of passages revealed to Muhammad over a period of about twenty-three years and, second, because the Qur'an is not really translatable. This does not mean that the Qur'an should not be translated. It does mean that translations lose much in tone and nuance, let alone the incommunicable beauty, grandeur, and grace of the original...The main distinction of Hana Kassis' concordance, in my view, is that it utilizes the semantic structure of Arabic vocabulary itself in revealing the meaning of the Qur'an on any given issue, point or concept. A reader who looks in the index of this concordance for a word which he has encountered in reading an English translation of the Qur'an - the word pride, for example - is directed immediately to the roots of the Arabic, Qur'anic terms for pride. At tne entries for these Arabic roots, all the derivative forms are shown, and the verses of the Qur'an in which they appear are there listed in translation...I am confident that any person who is sincerely interested in understanding the Qur'an and appreciating the nuances of its diction and shades of its meaning can satisfy his need more fully with this book than in any way short of developing a real command over the Arabic language itself' - Fazlur Rahman, Professor of Islamic Thought, University of Chicago.
Buchenwald survivors Ilona and Henia Karmel were seventeen and twenty years old when they entered the Nazi labor camps from the Krakow ghetto. These remarkable poems were written during that time. The sisters wrote the poems on worksheets stolen from the factories where they worked by day and hid them in their clothing. During what she thought were the last days of her life, Henia entrusted the poems to a cousin who happened to pass her in the forced march at the end of the war. The cousin gave them to Henia's husband in Krakow, who would not locate and reunite with his wife for another six months. This is the first English publication of these extraordinary poems. Fanny Howe's deft adaptations preserve their freshness and innocence while making them entirely compelling. They are presented with a biographical introduction that conveys the powerful story of the sisters' survival from capture to freedom in 1946.
In "Searching for Utopia", Hanna Holborn Gray reflects on the nature of the university from the perspective of today's research institutions. In particular, she examines the ideas of former University of California president Clark Kerr as expressed in "The Uses of the University", written during the tumultuous 1960s. She contrasts Kerr's vision of the research-driven "multiveristy" with the traditional liberal educational philosophy espoused by Kerr's contemporary, former University of Chicago president Robert Maynard Hutchins. Gray's insightful analysis shows that both Kerr, widely considered a realist, and Hutchins, seen as an oppositional idealist, were utopians. She then surveys the liberal arts tradition and the current state of liberal learning in the undergraduate curriculum within research universities. As Gray reflects on major trends and debates since the 1960s, she illuminates the continuum of utopian thinking about higher education over time, revealing how it applies even in today's climate of challenge.
In Paik's Virtual Archive, Hanna B. Holling contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. In Holling's discussion of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, she explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration, as well as the parts these elements play in the conceptualization of multimedia artworks. Holling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality, not just in Paik's work but in contemporary art in general. Ultimately, she proposes that the archive-the physical and virtual realm that encompasses all that is known about an artwork-is the foundation for the identity and continuity of every work of art.
Breaks open the privilege and promise of food justice to envision a radical liberatory future. Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways. Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future.
Breaks open the privilege and promise of food justice to envision a radical liberatory future. Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways. Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future.
In this book Hanna Scolnicov examines the configuration of the theatrical space as an icon of the problem of woman. Through her historical and comparative study, Scolnicov reveals the changing conventions of the theatrical space as faithful expressions of the changing attitudes to woman and her sexuality. The theatrical space has shifted accordingly from the front of the palace, to the street, the piazza, and then, progressively, into the drawing-room, the kitchen, the bedroom, narrowing down the scope and infringing on the privacy of intimate relations. Some contemporary playwrights have gone further, deconstructing the familiar naturalistic room to form a non-mimetic interior. From this unusual vantage point, Scolnicov looks at plays by a wide range of authors, including, among others, Aeschylus, Aristophanes, Plautus, Shakespeare, Jonson, Molière, Ibsen, Chekhov and Pinter, relating them to contemporary pictorial and architectural evidence. The book will be of interest to scholars and students of theatre and theatre history, comparative literature, and women’s studies.
Students of evolutionary and behavioural ecology are often unfamiliar with mathematical techniques, though much of biology relies on mathematics. Evolutionary ideas are often complex, meaning that the logic of hypotheses proposed should not only be tested empirically but also mathematically. There are numerous different modelling tools used by ecologists, ranging from population genetic 'bookkeeping', to game theory and individual-based computer simulations. Due to the many different modelling options available, it is often difficult to know where to start. Hanna Kokko has designed this 2007 book to help with these decisions. Each method described is illustrated with one or two biologically interesting examples that have been chosen to help overcome fears of many biologists when faced with mathematical work, whilst also providing the programming code (Matlab) for each problem. Aimed primarily at students of evolutionary and behavioural ecology, this book will be of interest to any biologist interested in mathematical modelling.
This long-awaited graduate textbook, written by two pioneers of the field, is the first to provide a comprehensive introduction to the observations, theories and consequences of stellar winds. The rates of mass loss and the wind velocities are explained from basic physical principles. This book also includes chapters clearly explaining the formation and evolution of interstellar bubbles, and the effects of mass loss on the evolution of high- and low-mass stars. Each topic is introduced simply to explain the basic processes and then developed to provide a solid foundation for understanding current research. This authoritative textbook is designed for advanced undergraduate and graduate students and researchers seeking an understanding of stellar winds and, more generally, supersonic flows from astrophysical objects. It is based on courses taught in Europe and the US over the past twenty years and includes seventy problems (with answers) for coursework or self-study.
This long-awaited graduate textbook, written by two pioneers of the field, is the first to provide a comprehensive introduction to the observations, theories and consequences of stellar winds. The rates of mass loss and the wind velocities are explained from basic physical principles. This book also includes chapters clearly explaining the formation and evolution of interstellar bubbles, and the effects of mass loss on the evolution of high- and low-mass stars. Each topic is introduced simply to explain the basic processes and then developed to provide a solid foundation for understanding current research. This authoritative textbook is designed for advanced undergraduate and graduate students and researchers seeking an understanding of stellar winds and, more generally, supersonic flows from astrophysical objects. It is based on courses taught in Europe and the US over the past twenty years and includes seventy problems (with answers) for coursework or self-study.
In this book Hanna Scolnicov examines the configuration of the theatrical space as an icon of the problem of woman. Through her historical and comparative study, Scolnicov reveals the changing conventions of the theatrical space as faithful expressions of the changing attitudes to woman and her sexuality. The theatrical space has shifted accordingly from the front of the palace, to the street, the piazza, and then, progressively, into the drawing-room, the kitchen, the bedroom, narrowing down the scope and infringing on the privacy of intimate relations. Some contemporary playwrights have gone further, deconstructing the familiar naturalistic room to form a non-mimetic interior. From this unusual vantage point, Scolnicov looks at plays by a wide range of authors, including, among others, Aeschylus, Aristophanes, Plautus, Shakespeare, Jonson, Molière, Ibsen, Chekhov and Pinter, relating them to contemporary pictorial and architectural evidence. The book will be of interest to scholars and students of theatre and theatre history, comparative literature, and women’s studies.
Are you a hero or a villain? Pick your path in Super You!, this action-packed, illustrated origin story where the reader – yes, that means YOU! – gets the power of flight and must decide, choice by choice, whether to use their abilities for good or evil.You thought you were in for an ordinary summer at science camp – that is, until you sneak into an off-limits area of the Center for Avian Science, get your hand scratched by a weird bird, and suddenly gain the power of flight! Now it's up to you to decide how to use the power: Will you fly out at night to save the day? Will you team up with the villainous Dr. Zeus, who bred the mutant bird and wants to take over the world with its powers? Or will you make the wrong choice and meet an ill-fated end?Follow the choices, pick your path, and fly toward your fate. This looks like a job for Super You!
