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1000 tulosta hakusanalla Lawrence Woods
Genealogy of the Descendants of Lawrence and Cassandra Southwick
James Moore Caller; Maria A Ober
Hansebooks
2017
pokkari
Genealogy of the Descendants of Lawrence and Cassandra Southwick - Of Salem, Mass. is an unchanged, high-quality reprint of the original edition of 1881. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Free Indirect Discourse in D H Lawrence's Lady Chatterley's Lover
Khalil Al-Sayyid
LAP Lambert Academic Publishing
2019
pokkari
The study examines the narrative style free indirect discourse in Lawrence's Lady Chatterley's lover. It scrutinises particularly the FID passages that represent Constance Chatterley (Connie)'s consciousness. Hence, the linguistic markers of the style are outlined to serve as a checklist for FID. This research paper demonstrates a thorough examination of the style FID and its applicability to the novel. The notion of Lawrence's manipulation of the neuter pronoun 'it' is highlighted and I argue that the appearance of 'it' in Connie's FID sentences signals her resentment of Mrs Flint's baby as well as her jealousy of the mother. I further challenge Millett's (2000) notion of Lawrence being sexist in the novel. I argue that Connie's FID sentences present her as the thinking subject and the attitude illustrated in the passages is of a female experience. In conclusion, I apply Sotirova's (2011) model of dialogism in order to account for the connectives in FID sentences which help dismantle some problematic passages in the novel
Discurso Indirecto Gratuito em D H H Lawrence's Lady Chatterley's Amante
Khalil Al-Sayyid
Edições Nosso Conhecimento
2022
nidottu
Donne in amore ha attirato ampiamente l'attenzione della critica. Sebbene i critici abbiano parlato di vari aspetti del romanzo Donne in amore nei loro libri su D.H. Lawrence, non stato fatto alcuno studio indipendente per evidenziare i temi principali di questo romanzo e la struttura poetica interna che rappresenta la logica poetica del romanziere per rafforzare tali temi. Questo ricercatore si propone di intraprendere quest'area di ricerca in modo pi integrato e olistico in vista degli obiettivi dichiarati in precedenza in questa tesi.
I Have Longed to Move Away – Lawrence Carroll, Works 1985–2017
Gianna A. Mina; Roberto Borghi; Lara Conte
Five Continents Editions
2017
sidottu
This catalogue accompanies the monographic exhibition that Museo Vincenzo Vela, in Mendrisio-Ligornetto, has dedicated to the works of Lawrence Carroll (b. 1954). Born in Melbourne, Carroll moved to California with his family in 1958. Some twenty-five years later, in 1984 he moved once again, to New York, where he pursued his artistic development, having little concern for the fashions of the moment but a profound sense of personal commitment and dedication to the language and practice of painting. As he understands it, painting abuts on many other art forms: in his hands it becomes the slow stratification of colour, materials, and objects, in which the surface of the painting interacts with the surrounding environment, blurring the borders between painting, sculpture, and installation. Moving from place to place, Carroll has always been most at home in the quiet of his studio, which provides him with the intimacy he requires to express himself. Here he explores duration as the fragility of time and space, placing memory at the heart of his poetics. Old remembrances emerge on the surface, overlaying each other layer upon layer, like an accumulation of light, dust and matter in pale colour tones as close to the colour of the canvas as possible. Inherently porous as the surface is, one can make out graphemes and underlying traces, while objects are applied directly onto it. The result is a poetics of rarefied references, narratives that gradually form and are at the same time swathed in a metaphysical atmosphere of suspension, a sort of 'metaphysics of the quotidian'. Designed like an autobiography installed in the rooms of the museum-house, the exhibition provides an overview of Carroll's artistic development, from his earliest works to the present day, highlighting the subtle recurring themes as well as the fresh departures that have taken him on wholly new artistic journeys. The catalogue offers the first ever overall assessment of the artist's work as it has evolved during his life. The book is lavishly illustrated, and includes a full biography and comprehensive bibliography, as well as providing an engaging interview with the artist. Text in English and Italian.
Twenty-Fourth Annual Report of the Lawrence City Mission, Presented at the Anniversary Meeting, Sunday Evening, November 25th, 1883
Anonymous
Antigonos Verlag
2025
nidottu
Benjamin Zephaniah's What Stephen Lawrence Has Taught Us
Benjamin Zephaniah
Hachette Children's Group
2026
sidottu
An illustrated edition of Benjamin Zephaniah's ground-breaking poem on the legacy of Stephen Lawrence - with thought-provoking illustrations and informative context provided alongside the poem, this is an essential conversation starter for discussing and understanding racism in the UK for children, teens and adults alike.
Freedom of Thought in Jerome Lawrence and Robert Edwin Lee's Inherit the Wind
Greenhaven Press
2010
sidottu
Showers of Blessing: The Story of Myrtle Lawrence, Sharecropper and Social Activist, Photographed by Louise Boyle
Janet Allured; Elizabeth Anne Payne
UNIVERSITY OF GEORGIA PRESS
2026
nidottu
In 1937, at the invitation of Myrtle Lawrence, a white sharecropper and organizer for the biracial Southern Tenant Farmers' Union (STFU), two Vassar graduates visited Poinsett County, Arkansas, to document the lives of sharecroppers and tenant farmers. Louise Boyle, photographer, and Priscilla Robertson, scribe, lived with the Lawrences for ten days and photographed the Lawrence family in their sharecropper shack, at STFU meetings, and in their jobs as cotton pickers. The pair took side trips to document two cooperative farming communities in the Mississippi delta, Dyess and the Delta Cooperative Farm. Unlike the famous photographs that emanated from the New Deal's Farm Security Administration, Louise Boyle was not a government employee. Far from being a propagandist for the New Deal, Boyle's images demonstrate a social conscience aimed at raising public awareness of the catastrophic effects of New Deal farm programs on Black and white sharecroppers and tenant farmers. In the eighty images reproduced here, Boyle represented Arkansas sharecroppers as dynamic, multifaceted, eager for upward mobility, and curious about the outside world. Boyle and Robertson created a body of work based on a woman-centered feminist ethic that forms the core of this book. Authors Elizabeth Payne and Janet Allured use STFU records, letters of and interviews with the three women, correspondence and interviews with STFU organizers, and newspaper accounts to provide the context and interpretation for Myrtle Lawrence's stint as an agricultural labor organizer and Boyle's remarkable photography.
Report on Strike of Textile Workers in Lawrence, Mass., in 1912
BIBLIOLIFE, LLC
2010
pokkari
D.H. Lawrence's Women in Love
Oxford University Press Inc
2006
nidottu
Although D. H. Lawrence's stock has fallen in recent times there are now signs of a revival. Of all his works, Women in Love is widely regarded as the most complex and rewarding. Apart from the classic essay by Joyce Carol Oates, all the items collected in this volume were published after 1990. Written by scholars from the United Kingdom, France, Australia and Canada, as well as the United States, they illustrate both the way recent theoretical developments in literary studies can be made relevant to readings of Lawrence and the healthy persistence of traditional methods of analysis. They also reveal Women in Love as a twentieth century classic that continues to challenge its readers and refuses to be pigeonholed. College students will find this collection an invaluable aid in their efforts to come to terms with the novel and for those of their elders who admire Lawrence it will provide a convenient and interesting way of discovering the kind of reactions he has provoked in the last fifteen years. The collection also contains a photograph of the statuette that was quite clearly the inspiration of Lawrence's description of Loerke's Lady Godiva, along with a note from the scholar who has only very recently announced its discovery.
Vast watercourse, boundary, and the gateway to North America-the St. Lawrence River has been an integral player in the formation of Canada as we know it today. But as writer and naturalist Henry Beston reminds us, this great passageway carries much more than historical significance to the wildlife of its waters and banks. Travelling along the river more than 70 years ago, Beston expertly observed its natural environment as he researched the greatest survey of the land and its people that had yet been written. Illustrated with sketches from the Group of Seven's A.Y. Jackson, The St. Lawrence quickly became one of the most beloved titles in the Rivers of America series when it was first published in 1942. The Wynford edition restores to print this classic work of non-fiction, with a new introduction by Beston's biographer, Daniel Payne, to situate the book within its historical context for the modern reader.
Though we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have.Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory.The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.
Though we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have.Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory.The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.