Distinguished French immunologist and physician Patrice Debre offers an extensive, balanced, and detailed account of Louis Pasteur's life, struggles, and contributions. Drawing heavily on Pasteur's own scientific notebooks and writings, Debre presents a complete critical account of his discoveries and the controversies they raised with other scientists and occasionally with his closest associates.
Louis Riel believed that on 8 December 1875 he received a divine commission authorizing him to save the Métis and reform the Catholic Church. He was a prophet, inspired by the Holy Spirit, and the Métis were the new chosen people. A new branch of the Catholic Church would be founded in North America, with its first Holy See in Montreal, and its second in Riel's birthplace of St. Vital. When Riel expressed these views in 1876, he was committed to a lunatic asylum. After his release, he suppressed his ideas for several years, only to reveal them again to his Métis followers during the North-West Rebellion. The Rebellion thus became as much a religious as a political movement; Riel believed himself a prophet to the end of his life, and he went to his death thinking that he, like Christ, would be resurrected on the third day. Earlier writers about Louis Riel have noted his religious beliefs but have not taken them seriously. They have usually dismissed Riel's attempt to found a new religion as the symptom of a deranged mind. Thomas Flanagan takes Riel's religion seriously and analyses it using categories developed in the literature about millenarian movements. He shows that Riel's religion, far from being simply individual madness, is typical of the nativistic and millenarian movements described by one author as the 'religions of the oppressed.' This is also a biography, tracing Riel's thinking on religious subjects from his childhood to the end of his life and paying particular attention to events in his life that influenced his thinking. This developmental approach is necessary because Riel's ideas changed frequently; he never arrived at a fixed 'system.' The research is based on primary sources throughout. Much new documentation has become available over the past thirty years and in the sixteen years since this volume was initially published. In particular, new information is presented about Riel's youth in Montreal, his time in insane asylums, his years in Montana, and the North-West Rebellion. Flanagan also re-interprets well-known documents. While this revised edition does not alter the fundamentals of his interpretation, it improves the historical backdrop against which it is presented through use of a wealth of new primary sources. Flanagan has updated his citings of Riel's manuscripts to current sources.
In paperback for the first time, this second volume of Louis L'Amour's collected stories showcases thirty more classic tales of the American frontier. Inside you will find the stories of heroism, honor and sacrifice that L'Amour made uniquely his own: like that of a young man sent out alone into a blizzard to face a deadly stampede, or a lawman who finds the bullet-riddled body of an infamous Mexican bandit and knows duty demands he track down a far more dangerous predator. Featuring L'Amour's signature stories of Texas Ranger Chick Bowdrie, this collection captures men and women at the crossroads of friendship and suspicion, loyalty or betrayal.
In paperback for the first time, this third volume of Louis L'Amour's collected stories gathers twenty-eight timeless tales of the American West. Whether following the exploits of a couple taking refuge in a cabin with a group of outlaws, a drifter who poses as a murdered man to solve a mystery, or the soft-spoken young suitor accused of cowardice who proves his courage when the guns are against him--without firing a shot--these gripping tales all have one thing in common: you won't be able to put them down until the last page. For lovers of great storytelling everywhere, this exciting collection features the unforgettable characters, heart-stopping drama, and careful attention to historical detail that have entertained readers for decades and earned Louis L'Amour a permanent place among our finest American writers.
The Collected Short Stories of Louis L'Amour, Volume 4, Part 1 kicks off this collection of L'Amour's classic adventures and includes his very first published short story. Here are timeless tales of danger and daring, wanderlust and heroism, filled with ordinary men and women facing often life-threatening challenges with courage, dignity, and honor. The first of two parts, this volume contains breathtaking thrills and dynamic characters: from the down-on-his-luck fortune hunter who risks everything to save a married couple in the wilds of Borneo to the mysterious hero aboard a downed airliner dangling six hundred feet above certain doom. This unique collection is guaranteed to delight readers again and again, proving why Louis L'Amour remains America's favorite storyteller.
Unsurpassed for sheer storytelling excitement, Louis L'Amour's tales of adventure continue in this new paperback series. Whether joining an American captain navigating a cargo ship through pirate-infested Japanese-controlled waters during World War II or marveling at the resourcefulness of a young woman pushed to the limits of endurance as she flees a killer through a primeval forest, these adrenaline-fueled tales of mystery, suspense, murder, and survival will keep your heart pounding long after their final pages. From stories numbering just a few intense pages to novella-length works, the tales in this action-packed anthology bear all the trademarks of the master's touch: the historical accuracy, memorable characters, and timeless themes that have earned L'Amour his unique place among American authors.
The stories of Louis L'Amour are built around the dramatic moments when men and women cast their fears, doubts, and pasts behind them and plunge into the unknown--into split-second decisions with life-and-death consequences. Nowhere is that more evident than in this quintessential collection of stories set on the American frontier. Here L'Amour takes us across a bold, beautifully rendered landscape where old scores haunt new lives, the wrong choice leaves unwitting victims, and strangers may come to trust--or kill--one another. Fugitives, visionaries, fortune seekers, drifters, and young women trying to build homes on a lawless frontier, the characters in these pulse-pounding stories are vintage L'Amour. Together in this vivid, rollicking collection, they bring to life the spirit of adventure and confirm Louis L'Amour's place in the pantheon of American writers.
The vibrant tales of adventure by Louis L'Amour, one of America's most beloved storytellers, have brought the American West to life. In The Collected Short Stories of Louis L'Amour, Volume 6, Part 1, L'Amour takes us beyond the frontier with gripping stories of crime, sports, and the murky world where the two often meet. These electrifying stories roam from the naked glare of boxing arenas rife with corruption, and freight docks where laborers toil to earn just enough to get by, to the penthouses of the rich and arrogant who calculate the odds of how to get even more. From suspenseful whodunits to rueful tales of fortunes gained and lost, this remarkable collection will enthrall and entertain L'Amour fans old and new.
Traversing a vivid landscape, from sunblasted hills and canyons to the nighttime streets of America's greatest cities, some of Louis L'Amour's most compelling fiction was set in his own time. Here are tales of innocents caught in the schemes of criminals, detectives hunting down truths that hide even more lies, gamblers and beauties, wiseguys and cops. Here is a world populated by the kinds of people who risk their lives to right a wrong, make a buck, or save a friend. Brimming with thought-provoking characters and situations--from a man who regains consciousness in a burning house surrounded by a fortune in cash, to an innocent in a seedy diner who meets a vicious killer who is supposed to be long dead--these thrilling, atmospheric stories course with authenticity and bear the mark of a timeless master.
There is no story more distinctly American than the western and no writer as great a master of the form as Louis L'Amour. In this seventh volume of L'Amour's collected short stories, you'll find some of his most popular characters, heroes who have become a part of our cultural legacy, as well as the ordinary men and women whose adventures are chronicled with an immediacy no reader can resist-or ever forget. In Louis L' Amour's frontier stories, the American West is the crucible in which character is tested, reputations are won or lost, and life always hangs in the balance. Struggling to survive against the elements, hostile Indians, or outlaws who prey upon the honest and hardworking, the men and women in these tales each come face-to-face with what they're made of-often in moments that explode with the violence of an avalanche or the speed of a drawn gun. Here L'Amour demonstrates the unerring touch for detail and keen insight into human nature that lend these stories the power to thrill, surprise, and entertain readers of every generation. A man driven by his faith in the woman he loves survives war, Indian massacre, and near starvation only to find his homecoming delayed by one last battle-under his own roof. To stop a range war, a ranch foreman stands up to his boss, his men, and conspirators who seem to have both right and might on their side. And in a town where fourteen men have already died under suspicious circumstances, a new sheriff by the name of Utah Blaine patiently sets a trap for a frontier serial killer. Here are stories of honest thieves and crooked lawmen, of dream chasers and treasure hunters, of men and women hoping for a second chance and others down to their last. This rich and varied cast embodies not only the spirit of the West but the timeless struggle of the best and worst in us all, on a stage as big as the frontier itself. Full of suspense, mystery, adventure, this remarkable collection has everything that's earned Louis L'Amour his well-deserved reputation as America's favorite storyteller.
As a young lawyer in the late nineteenth and early twentieth centuries, Louis Brandeis, born into a family of reformers who came to the United States to escape European anti-Semitism, established the way modern law is practiced. He was an early champion of the right to privacy and pioneer the idea of pro bono work by attorneys. Brandeis invented savings bank life insurance in Massachusetts and was a driving force in the development of the Clayton Antitrust Act, the Federal Reserve Act, and the law establishing the Federal Trade Commission. Brandeis witnessed and suffered from the anti-Semitism rampant in the United States in the early twentieth century, and with the outbreak of World War I, became at age fifty-eight the head of the American Zionist movement. During the brutal six-month congressional confirmation battle that ensued when Woodrow Wilson nominated him to the Supreme Court in 1916, Brandeis was described as "a disturbing element in any gentlemen's club." But once on the Court, he became one of its most influential members, developing the modern jurisprudence of free speech and the doctrine of a constitutionally protected right to privacy and suggesting what became known as the doctrine of incorporation, by which the Bill of Rights came to apply to the states. In this award-winning biography, Melvin Urofsky gives us a panoramic view of Brandeis's unprecedented impact on American society and law.
Louis Owens (1948-2002) achieved worldwide recognition with his humorous and fearless novels that explored themes close to Owens's own upbringing as a mixed-blood Choctaw, Cherokee, and Irish-American. His critical works were equally substantive. Readers of his criticism find his work challenging, and casual readers find his fiction highly enjoyable - a remarkable combination that speaks well of Owens's intellectual and creative abilities.In a new collection of essays, Louis Owens: Literary Reflections on His Life and Work, editor Jacquelyn Kilpatrick and eleven other contributors examine Owens's fiction and nonfiction from widely varying viewpoints to address issues such as identity, place, literary theory, trickster motifs, and the environment. This text aids the reader in understanding the theories Owens articulated and how he followed those theories in his own writing. Also included is the last interview Owens gave, appearing in print for the first time, which provides insights into this complex man's personal life.
Forbidden Planet is a product of the MGM studio, which at the time of the production of this film was hardly in the business of making science-fiction films. Originally planned as a "B" picture, the 1956 Forbidden Planet was praised for its spectacular special effects and brilliant color cinematography. The plot practically tingles with sexual innuendo and the dialogue is rich in references to Freudian psychology. However, in spite of all this, the film was marketed to a juvenile audience. Notwithstanding its uncommon look and "feel," perhaps the most unusual aspect of the film is the way it sounds. Never before had a major Hollywood effort utilized a score generated entirely by electronic means, yet seldom does one find commentary on how Louis and Bebe Barron's score again and again challenges Hollywood norms. In addition to placing the composers and film in historical context, James Wierzbicki's study offers a deep and thorough analysis of not only the music as used in the film, but also of the decontextualized music as presented by the Barrons on the 1977 "original soundtrack album." The text is generously illustrated with transcriptions and graphs, and can serve as a model for the examination of other extended works of electronic music for which no written score has ever existed.
Charlie Rose has called Louis C.K. "the philosopher-king of comedy," and many have detected philosophical profundity in his material. Twenty-five philosophers examine the wisdom of Louis C.K. from a variety of philosophical perspectives. The chapters draw upon C.K.'s standup comedy, the show Louie, and C.K.'s other writings. One writer looks at the different meanings of C.K.'s statement, "You're gonna be dead way longer than you were alive." One chapter shows the affinity of C.K.'s "sick of living this bullshit life" with Kierkegaard's "sickness unto death." Another pursues Louis's thought that we may by our lack of moral concern "live a really evil life without thinking about it." C.K.'s insistence that "things that are not can't be" points to the philosophical problem of nothingness in relation to being. His religion is "apathetic agnostic," conveyed in his thought experiment that God began work in 1982. Louis's argument that you can have the kind of body you want if you make yourself want a disgusting, shitty body, is the Stoic ethics of Epictetus. And, as C.K. has shown in so many ways, the fact that we're soon going to die has its funny side.
The man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country's built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty.Written by Carter Wiseman, one of Kahn's most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America's greatest architects. It traces the influence on Kahn's architecture of his immigrant origins, his upbringing in poverty, his education, and the impact of the Great Depression and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn's has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement.
At the beginning of the twentieth century, many perceived American Jewry to be in a state of crisis as traditions of faith faced modern sensibilities. Published beginning in 1909, Rabbi and Professor Louis Ginzberg’s seven-volume The Legends of the Jews appeared at this crucial time and offered a landmark synthesis of aggadah from classical Rabbinic literature and ancient folk legends from a number of cultures. It remains a hugely influential work of scholarship from a man who shaped American Conservative Judaism. In Louis Ginzberg’s Legends of the Jews: Ancient Jewish Folk Literature Reconsidered, editors Galit Hasan-Rokem and Ithamar Gruenwald present a range of reflections on the Legends, inspired by two plenary sessions devoted to its centennial at the Fifteenth Congress of the World Association of Jewish Studies in August 2009.In order to provide readers with the broadest possible view of Ginzberg’s colossal project and its repercussions in contemporary scholarship, the editors present leading scholars to address it from a variety of historical, philological, philosophical, and methodological perspectives. Contributors give special regard to the academic expertise and professional identity of the author of the Legends as a folklore scholar and include discussions on the folkloristic underpinnings of The Legends of the Jews. They also investigate, each according to her or his disciplinary framework, the uniqueness, strengths, and weakness of the project. An introduction by Rebecca Schorsch and a preface by Galit Hasan-Rokem further highlight the folk narrative aspects of the work in addition to the articles themselves.The present volume makes clear the historical and scholarly context of Ginzberg’s milestone work as well as the methodological and theoretical issues that emerge from studying it and other forms of aggadic literature. Scholars of Jewish folklore as well as of Talmudic-Midrashic literature will find this volume to be invaluable reading.Contributors Include: David Golinkin, Daniel Boyarin, Hillel I. Newman, Jacob Elbaum, Galit Hasan-Rokem, Johannes Sabel, Ithamar Gruenwald, Rebecca Schorsch.
Discover the extraordinary rise of the glamorous, competitive, and clever American banking titan. This fascinating biography recounts the life and legacy of a titan of American banking, Louis Graveraet Kaufman (1870-1942). Also known as LG, he was a Gatsbyesque figure born in Michigan's Upper Peninsula who married into great wealth and then amassed far more of his own. Under LG, New York's Chatham Phenix National Bank and Trust Company became one of the nation's largest banks and the first in New York to boast a network of branches. When he was denied entry into the exclusive, Protestant, old-money Huron Mountain Club, LG responded by building his own retreat: the world's largest log lodge, a 26,000-square-foot behemoth near Marquette, Michigan. Christened Granot Loma, it became the site of lavish Prohibition-era parties, attracting many celebrities who came in private rail cars to enjoy jazz and liquor chez Kaufman. A darling of the press, LG became a household name, making news by coordinating the famous takeover of General Motors in 1916, narrowly escaping death in the Wall Street Bombing of 1920, and financing the Empire State Building during the Great Depression. Author Ann Berman highlights Kaufman's remarkable journey from "barefoot boy" to trailblazing branch banking giant, proving LG was not just a man of his time but one worth reading about over a century later.
Louis Armstrong pioneered the jazz vocal. Based on dozens of interviews, this book provides a comprehensive overview of the diverse performers who inherited Satchmo's legacy and made it their own. They are Ethel Waters, Bing Crosby, Bobby McFerrin, Cab Calloway, Big Joe Turner, Billie Holiday, Nat "King" Cole, Joe Williams, Dinah Washington, Frank Sinatra, Sarah Vaughan, Ella Fitzgerald, Carmen McRae, Tony Bennett, and many others. This edition has been updated with a substantial new chapter that focuses on current artists like Cassandra Wilson and harry Connick, Jr.
A milestone in modern Jewish history and American ethnic history, the sweeping influence of Louis Marshall’s career through the 1920s is unprecedented. A tireless advocate for and leader of an array of notable American Jewish organisations and institutions, Marshall also spearheaded civil rights campaigns for other ethnic groups, blazing the trail for the NAACP, Native American groups, and environmental protection causes in the early twentieth century. No comprehensive biography has been published that does justice to Marshall’s richly diverse life as an impassioned defender of Jewish communal interests and as a prominent attorney who reportedly argued more cases before the Supreme Court than any other attorney of his era. Silver eloquently fills that gap, tracing Marshall’s career in detail to reveal how Jewish subgroups of Eastern European immigrants and established Central European elites interacted in New York City and elsewhere to fuse distinctive communal perspectives on specific Jewish issues and broad American affairs. Through the chronicle of Marshall’s life, Silver sheds light on immigration policies, Jewish organisational and social history, environmental activism, and minority politics during World War I, and he bears witness to the rise of American Jewish ethnicity in pre-Holocaust America.
