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1000 tulosta hakusanalla Mary Edwards-Porter
Mary Kubica 3-Book Boxed Set: Local Woman Missing, Just the Nicest Couple, She's Not Sorry
Mary Kubica
Park Row
2024
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A whole box full of twists you won't see comingCollected in this box set are three pulse-pounding thrillers by the bestselling queen of suspense, Mary KubicaLocal Woman Missing Eleven years ago, Meredith Dickey and her daughter, Delilah, vanished without a trace. Now Delilah has returned and the whole town wants to know what happened. But are they prepared for what they'll find out?"Dark and twisty, with white-knuckle tension and jaw-dropping surprises." --Riley Sager, New York Times bestselling author of Middle of the NightJust the Nicest Couple When Jake Hayes goes missing, his wife's friend Lily Scott thinks she may have been the last person to see him. How far will Lily go to keep the truth hidden?"Grabs you on the first page and doesn't let go until you reach the end." --Laura Dave, New York Times bestselling author of The Last Thing He Told MeShe's Not SorryWhen a patient arrives at the hospital in a coma after plunging from a pedestrian bridge, ICU nurse Meghan Michaels becomes entangled in the case. Was it a suicide attempt? An accident? A crime? Nobody could have guessed what really happened. "Completely gasp-worthy." --Nita Prose, #1 New York Times bestselling author of The Maid
An important figure in the development of crime fiction, Mary Elizabeth Braddon (1835-1915) wrote more than 80 novels, numerous plays, poems, essays and short stories, and edited two magazines during her 55-year literary career. Her bestselling Lady Audley's Secret secured her reputation as a leading "sensation novelist." Though critics called her work immoral, Braddon's novels influenced the detective fiction of the late Victorian period. With entries on all her published writing, characters, relationships and influences, and themes and contexts, as well as numerous illustrations, a career chronology, and a chronological and alphabetical listing of all of her works, this companion to Braddon's mystery fiction is the definitive reference on this provocative but overlooked writer.
Mary of Nazareth lived a dangerously demanding, yet holy life, She knew loneliness and poverty and endured extreme hardships of faith while maintaining a close relationship with God. During the crucifixion she knew raging and numbed pain that challenged her sanity. But her joy was overflowing after the Resurrection. Her story provides powerful information about God's sovereignty in the universe toward those who believe in Him and seek Him. Based primarily on the gospel of Luke, the sole New Testament writer to interview and consider the female point of view, this dramatic monologue comes complete with an Order of Worship. It provides powerful insight into Mary's suffering and, likewise, the joy she felt from her conquering on. The presentation is divided into five sections, making it possible to use as a five week series allowing five different women to participate instead of just one. It also provides hymn suggestions that help to amplify the monologue. This easily yet effectively prepared service offers a profound experience any time during the Lenten season. Lynda Pujado, a graduate of the University of Minnesota, the Moody Bible Institute and Trinity Evangelical Divinity School, has been writing Christian poetry, music, and drama for children and adults for years. Her work has been published by Standard Publishing Company, Leadership magazine, the National Christian Reporter, Lutheran Digest and Educational Ministries, Inc.
Mary Weatherford: The Flaying of Marsyas
Francine Prose
RIZZOLI INTERNATIONAL PUBLICATIONS
2024
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This catalog documents an exhibition of paintings from 2021 22 by Mary Weatherford, a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian s late painting, The Flaying of Marsyas (c. 1570 76), reecting the artist s enduring fascinationwith this work. Alluding to the Renaissance painter s subdued palette, while paying tribute to the distinctive light of Venice, Weatherford uses Flashe paint and neon tubing to distill the earlier canvas s aect. She responds to Titian s composition by translating the violent character of its mythological theme into a format that, while more improvisational, also alludes to fate, hubris, and the relationship between the human and the divine. Francine Prose s essay traces the history of depictions of the myth of Apollo and Marsyas in paintings, and places Weatherford s interpretation of the story in the context of contemporary life.
Mary Poppins
Hal Leonard Corporation
1997
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Easy Piano Vocal SelectionsA delightful collection of 11 songs complete with a synopsis with color photos from the film. Songs include: Chim Chim Cher-ee * Supercalifragilisticexpialidocious * A Spoonful of Sugar * and more.
Seeking "to discover whether Jesus' message of liberation had a word to say to me as a woman, " Carla Ricci found the key in Luke 8:1-3, which mentions the women with Jesus at the outset of his public activity in Galilee, listed after the Twelve. This, she discovered, is a text the (male) exegetes have systematically ignored for 1900 years. She found a group of women who unswervingly followed Jesus - the only ones, when the male apostles and disciples fled - from Galilee to Jerusalem, through his passion and death, to be the messengers of the resurrection. In all lists of women with Jesus, Mary Magdalene is placed first. She is one woman whom it has been impossible to ignore. And what has commentary made of her? A prostitute, by falsely associating her with the "sinful woman" of the previous episode in Luke. Ricci examines how and why this happened, in a fascinating inquiry into history and culture. So this is an inquiry into the real nature of Jesus' relationship with women, shown to be truly radical in the context of his time - and truly liberative. It rediscovers Mary Magdalene, and the "many others" who deserve to be remembered with her, as an essential component of the original "Jesus movement" and the early church.
Mary Magdalene – A Novel
Diana Wallis Taylor
Revell, a division of Baker Publishing Group
2012
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Long maligned as a prostitute or a woman of questionable reputation, Mary Magdalene's murky story seems lost to the sands of time. Now a portrait of this enigmatic woman comes to life in the hands of an imaginative master storyteller. Diana Wallis Taylor's Mary is a woman devastated by circumstances beyond her control and plagued with terrifying dreams--until she has a life-changing confrontation with the Savior.Lovers of historical and biblical fiction will find this creative telling of Mary's story utterly original and respectful as it opens their eyes to the redeeming work of Christ in the lives of those who follow him.
Mary Shelley
Johns Hopkins University Press
1990
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"Beyond question Shelley scholars and 19th-century specialists will value this usefully annotated and carefully produced edition; it may also be that anyone would enjoy the stories themselves...and the accompanying original engravings."--Diane Johnson, 'Washington Post.'
"Recognition of Mary Shelley's systemic dual focus on public and domestic power as the means to interrogate traditional norms and propose alternatives materially alters parochial perceptions of her objectives and her achievements. Her novels, outside of Frankenstein, and recently, The Last Man, have been dismissed as simple, mutual dissociated "romances" or experiments in genre solely to intersect with a market niche; they are neither. Rather, they and all of Mary Shelley's major works voice a cosmopolitan, socio-political reformist ideology that evolved as their author's acute awareness of world events enabled her to calibrate her literary voice to deal with unfolding rather than past societal issues. Her multidisciplinary fusion of literature, political philosophy, and history calls for a commensurate multidisciplinary reading in order to understand the complexities of both the author and her works." -Betty T. Bennett In this book, Betty T. Bennett offers an extensively expanded version of the introduction she wrote for Pickering and Chatto's eight volume set, The Novels and Selected Works of Mary Shelley. Along with her insightful retelling of Mary Shelley's eventful life story, Bennett gives us a fresh reading of Frankenstein in the context of its author's full career. She also discusses a variety of Mary Shelley's lesser known works, including Matilda, Valperga, The Last Man, Perkin Warbeck, Lodore, Falkner, and her travel books. The result is a compelling portrait of Mary Shelley as she saw herself-an inventive, irreverent writer whose desire for political and social reform was at the heart of her literary expression for three decades.
Mary Shelley in Her Times
Johns Hopkins University Press
2003
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Author of six novels, five volumes of biographical lives, two travel books, and numerous short stories, essays, and reviews, Mary Shelley is largely remembered as the author of Frankenstein, as the wife of Percy Bysshe Shelley, and as the daughter of William Godwin and Mary Wollstonecraft. This collection of essays, edited by Betty T. Bennett and Stuart Curran, offers a more complete and complex picture of Mary Shelley, emphasizing the full range and significance of her writings in terms of her own era and ours. Mary Shelley in Her Times brings fresh insight to the life and work of an often neglected or misunderstood writer who, the editors remind us, spent nearly three decades at the center of England's literary world during the country's profound transition between the Romantic and Victorian eras. The essays in this volume demonstrate the importance of Mary Shelley's neglected novels, including Matilda, Valperga, The Last Man, and Falkner. Other topics include Mary Shelley's work in various literary genres, her editing of her husband's poetry and prose, her politics, and her trajectory as a female writer. This volume advances Mary Shelley studies to a new level of discourse and raises important issues for English Romanticism and women's studies.
Mary Elizabeth Garrett was one of the most influential philanthropists and women activists of the Gilded Age. With Mary's legacy all but forgotten, Kathleen Waters Sander recounts in impressive detail the life and times of this remarkable woman, through the turbulent years of the Civil War to the early twentieth century. At once a captivating biography of Garrett and an epic account of the rise of commerce, railroading, and women's rights, Sander's work re-examines the great social and political movements of the age. As the youngest child and only daughter of the B&O Railroad mogul John Work Garrett, Mary was bright and capable, well suited to become her father's heir apparent. But social convention prohibited her from following in his footsteps, a source of great frustration for the brilliant and strong-willed woman. Mary turned her attentions instead to promoting women's rights, using her status and massive wealth to advance her uncompromising vision for women's place in the expanding United States. She contributed the endowment to establish the Johns Hopkins School of Medicine with two unprecedented conditions: that women be admitted on the same terms as men and that the school be graduate level, thereby forcing revolutionary policy changes at the male-run institution. Believing that advanced education was the key to women's betterment, she helped found and sustain the prestigious girl's preparatory school in Baltimore, the Bryn Mawr School. Her philanthropic gifts to Bryn Mawr College helped tranform the modest Quaker school into a renowned women's college. Mary was also a great supporter of women's suffrage, working tirelessly to gain equal rights for women. Suffragist, friend of charitable causes, and champion of women's education, Mary Elizabeth Garrett both improved the status of women and ushered in modern standards of American medicine and philanthropy. Sander's thoughtful and informed study of this pioneering philanthropist is the first to recognize Garrett and her monumental contributions to equality in America.
An evocative portrait of Mary Shelley captures the turbulent and dramatic life of a woman who, at the age of sixteen, eloped with poet Percy Bysshe Shelley, dealt with the loss of four children and tragic drowning of her husband, and created the world's most imaginative literary monster in Frankenstein. Reprint.
Since the Council of Ephesus (a.d. 431), orthodox Christianity has confessed Mary as Theotokos, "Mother of God." Yet neither this title nor Mary's significance has fared well in Protestant Christianity. In the wake of new interest in Mary following Vatican II and recent ecumenical dialogues, this volume seeks to makes clear that Mariology is properly related to Christ and his church in ways that can and should be meaningful for all Christians. Written with insight and sensitivity by Orthodox, Catholic, and Protestant scholars, these seven studies inquire into Mary's place in the story of salvation, in personal devotion, and in public worship. Contributors: Carl E. Braaten, Lawrence S. Cunningham, Kyriaki Karidoyanes FitzGerald, Beverly Roberts Gaventa, Timothy George, Robert W. Jenson, Jaroslav Pelikan, David S. Yeago.
Mary Wilkins Freeman (1852–1930), born in Randolph, Massachusetts, began to publish stories about New England in the early 1880s. In the following decades, Freeman drew widespread praise for her intimate portraits of women and her realistic depictions of rural New England life. She published short stories, essays, novels, plays, and children's books. Her stories, written in a clear and direct prose, are remarkable for their unpretentious, sympathetic portrayals of the lives of ordinary New Englanders of Freeman's era. Many of the stories depict rebellion against oppressive social and private conditions. Others describe conflicting desires for independence and lasting relationships. This volume of twenty-eight stories is the first to provide a representative sample of Freeman's finest work, from all phases of her career. It makes plain why Freeman (in the words of editor Mary R. Reichardt) is widely recognized as an important figure "in the history of American women's fiction . . . and the development of the American short story."
The protagonist, Mary Emma Moody, widowed mother of six, has taken her family east in 1912 to begin a new life. Her son, Ralph, then thirteen, recalls how the Moodys survive that first bleak winter in a Massachusetts town. Money and prospects are lacking, but not so faith and resourcefulness. "Mother" in Little Britches and Man of the Family, Mary Emma emerges fully as a character in this book, and Ralph, no longer called "Little Britches," comes into his own. The family’s run-ins with authority and with broken furnaces in winter are evocative of a full and warm family life. Mary Emma & Company continues the Moody saga that started in Colorado with Little Britches and runs through Man of the Family and The Home Ranch. All these titles have been reprinted as Bison Books, as has The Fields of Home, in which Ralph leaves the Massachusetts town for his grandfather's farm in Maine.
Devoted wife and mother. Acclaimed novelist, illustrator, and interpreter of the American West. At a time when society expected women to concentrate on family and hearth, Mary Hallock Foote (1847-1938) published twelve novels, four short story collections, almost two dozen stories and essays, and innumerable illustrations. In Mary Hallock Foote, Darlis A. Willer examines the life of this gifted and spirited woman from the East as she adapted herself and her artistic vision to the West.Foote's images of the American West differed sharply from those offered by male artists and writers of the time. She depicted a more gentle West, a domestic West of families and settlements rather than a Wild West of soldiers, American Indians, and cowboys. Miller examines how Foote's career was molded by the East-West tensions she experienced throughout her adult life and by society's expectations of womanhood and motherhood.This biography recounts Foote's Quaker upbringing; her education at the School of Design for Women at Cooper Union, New York; her marriage to Arthur De Wint Foote, including his alcohol problems; her life in Boise, Idaho, and later Grass Valley, California; her grief over the early death of daughter Agnes Foote; and the previously unexplored last two decades of her life.Miller has made extensive use of every major archive of letters and documents by and about Foote. She sheds light on Foote's numerous stories, essays, and novels. And examines all pertinent sources on Foote's life and works.Anyone interested in the American West, women's history, or life histories in general will find Miller's biography of Mary Hallock Foote fascinating,
The first book-length biography of a theater iconSouth Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin's own 1976 memoir to provide a complete picture of her life and career.Lively and engaging, Davis's biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships - as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan.Born in Weatherford, Texas, and mother to the future actor Larry Hagman, Martin went to California after the failure of her first marriage. There, she auditioned for every studio without success. ""Audition Mary"" finally had her big break when she won a talent contest, leading to her breakthrough 1938 performance in Leave It to Me - in which she wowed audiences singing ""My Heart Belongs to Daddy."" Davis traces Martin's numerous appearances on Broadway, in touring productions, and on television, showing how - through hard work and persistent optimism - she built a career that lasted nearly fifty years and earned her the adoration and respect of fans and colleagues alike.Because Martin's life was entwined with many luminaries of the stage, this biography offers rich insights into theater history, including accounts of how various productions were developed. No other book tells her story in such detail - it is must reading for fans and an essential resource for theater aficionados everywhere.
Devoted wife and mother. Acclaimed novelist, illustrator, and interpreter of the American West. At a time when society expected women to concentrate on family and hearth, Mary Hallock Foote (1847-1938) published twelve novels, four short story collections, almost two dozen stories and essays, and innumerable illustrations. In Mary Hallock Foote, Darlis A. Miller examines the life of this gifted and spirited woman from the East as she adapted herself and her artistic vision to the West.Foote's images of the American West differed sharply from those offered by male artists and writers of the time. She depicted a more gentle West, a domestic West of families and settlements rather than a Wild West of soldiers, American Indians, and cowboys. Miller examines how Foote's career was molded by the East-West tensions she experienced throughout her adult life and by society's expectations of womanhood and motherhood.This biography recounts Foote’s Quaker upbringing; her education at the School of Design for Women at Cooper Union, New York; her marriage to Arthur De Wint Foote, including his alcohol problems; her life in Boise, Idaho, and later Grass Valley, California; her grief over the early death of daughter Agnes Foote; and the previously unexplored last two decades of her life.Miller has made extensive use of every major archive of letters and documents by and about Foote. She sheds light on Foote's numerous stories, essays, and novels. And examines all pertinent sources on Foote's life and works.Anyone interested in the American West, women's history, or life histories in general will find Miller's biography of Mary Hallock Foote fascinating.