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Mailing May

Mailing May

Michael O Tunnell

HARPERCOLLINS PUBLISHERS INC
2000
pokkari
Nowadays it's no big deal or a girl to travel seventy-five miles. But when Charlotte May Pierstorff wanted to cross seventy-five miles of Idaho mountains to see her grandma in 1914, it was a very big deal indeed. There was no highway except the railroad, and a train ticket would have cost her parents a full day's pay. Here is the true story of how May got to visit her grandma, thanks to her won spunk, her father's ingenuity, and the U.S. mail. 00-01 CA Young Reader Medal Masterlist and 01 Colorado Children's Book Award (Pic. Bk Cat.)
Ina May's Guide to Childbirth

Ina May's Guide to Childbirth

Ina May Gaskin

Ebury Press
2008
pokkari
The international bestseller that has helped millions of women trust in their body - and their baby - and give birth without fearDrawing on over 40 years' experience, internationally acclaimed midwife Ina May Gaskin shows you how to use the mind-body connection to help labour progress calmly and safely.
The Portable Louisa May Alcott

The Portable Louisa May Alcott

Louisa May Alcott

Penguin Books Australia
2000
pokkari
Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered--at best--a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why.The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and journals. Presenting her more daring works, such as Moods and Behind a Mask (both reprinted in their entirety), alongside the familiar heroines of Little Women, this singular collection offers readers a rich and wide-ranging portrait of this talented, prolific, and influential writer.Louisa May Alcott was born in Germantown, Pennsylvania, and raised in Concord and Boston, Massachusetts. The precocious second of four daughters born to Utopian philosopher Bronson Alcott, she started supporting the family through her writing as a teenager.Elizabeth Lennox Keyser is a professor of English at Hollins University and editor of the journal Children's Literature. Her book Whispers in the Dark: The Fiction of Louisa May Alcott won the 1993 Children's Literature Association Book Award.
Devil May Care

Devil May Care

Sebastian Faulks

Penguin Books Ltd
2009
pokkari
Bond is back. With a vengeance.1960s London.M has summoned agent 007. It's the swinging Sixties and a flood of narcotics is pouring into Britain. Sinister industrialist Dr Julius Gorner is identified as the source and James Bond is dispatched to investigate.The trail takes Bond to Paris and then Persia - where the beautiful and enigmatic twins Scarlett and Poppy lead him to Gorner's secret desert headquarters. Here, Bond uncovers Gorner's cold-blooded plans for world domination.Only by playing Gorner's twisted game can Bond stop him . . .
Sheep may safely graze

Sheep may safely graze

Oxford University Press
1935
muu
Duet for 2 pianos This arrangement has been made from a Soprano recitative and Aria from the Birthday Cantata by Bach. The piece has a fresh and pastoral character and the arrangement for two pianos stays true to Bach's balance between the beautiful melody and tone-painting in the harmonies.
You May Never See Us Again

You May Never See Us Again

Jane Martinson

PENGUIN BOOKS LTD
2023
sidottu
'A tour de force' - Guardian'Forensic ... Strong on financial detail' - Financial TimesA Financial Times Book of the Year 2023The untold story of post-war Britain. Told through the lives of the two men who helped shape it: Sir David Barclay and Sir Frederick Barclay.You May Never See Us Again is the only definitive story of David and Frederick Barclay - commonly known as the Barclay brothers. Born poor, these enigmatic twins built one of the biggest fortunes in Britain together from scratch and spent six decades at the epicentre of British business, media and politics. Their empire, said to be worth £7bn at its height, included Littlewoods, the Ritz Hotel, The Daily Telegraph and the channel island of Brecqhou. They were major advocates for Brexit and well-connected with influential politicians including Margaret Thatcher, Boris Johnson and Nigel Farage.And yet despite their fortune and influence, their fiercely guarded desire for privacy has meant that their story remained largely unknown - until a very public family dispute pitched Barclay against Barclay in the High Court.Journalist Jane Martinson unravels the fascinating story of these once inseparable billionaire brothers. Through their lives she offers compelling insights into post-war Britain, from the conditions that enabled their way of doing business to thrive through to the tightly enmeshed webs of influence between capitalism, politics and the media that shape Britain today.
Elaine May

Elaine May

Elizabeth Alsop

UNIVERSITY OF ILLINOIS PRESS
2025
sidottu
A master of subverting tropes with surgical precision, Elaine May forged a career in 1970s Hollywood with films like The Heartbreak Kid and Mikey and Nicky. Elizabeth Alsop explores the director’s non-conformist and uncompromising vision while looking at May’s films against trends in classic and post-classical Hollywood. Shaped by her background and success in the theater, May brought the biting humor of her improv comedy to her filmmaking. But unfriendly media and a system hostile to both her methods and sensibility consigned her to “director’s jail” after the failure of Ishtar. As Alsop moves through the filmmaker’s four movies, she tracks May’s inventive treatment of favorite themes like hapless male characters and the inanities of American culture. She also considers May’s work in relation to her multifaceted career as a writer and performer. A compelling reconsideration of an iconoclast and original, Elaine May reveals how a surprisingly radical auteur created her trademark cinema of discomfort.
Elaine May

Elaine May

Elizabeth Alsop

UNIVERSITY OF ILLINOIS PRESS
2025
nidottu
A master of subverting tropes with surgical precision, Elaine May forged a career in 1970s Hollywood with films like The Heartbreak Kid and Mikey and Nicky. Elizabeth Alsop explores the director’s non-conformist and uncompromising vision while looking at May’s films against trends in classic and post-classical Hollywood. Shaped by her background and success in the theater, May brought the biting humor of her improv comedy to her filmmaking. But unfriendly media and a system hostile to both her methods and sensibility consigned her to “director’s jail” after the failure of Ishtar. As Alsop moves through the filmmaker’s four movies, she tracks May’s inventive treatment of favorite themes like hapless male characters and the inanities of American culture. She also considers May’s work in relation to her multifaceted career as a writer and performer. A compelling reconsideration of an iconoclast and original, Elaine May reveals how a surprisingly radical auteur created her trademark cinema of discomfort.
You May Take the Witness

You May Take the Witness

Clinton Giddings Brown

University of Texas Press
1955
nidottu
When Clinton Giddings Brown (1882–1964) retired from a long and successful career as a trial lawyer in San Antonio, Texas, fishing on the Gulf Coast was out-by doctor’s orders. So he sat on the front gallery of his house in San Antonio and fished with a lead pencil in the richly stocked memories of his professional life. “Some days I didn’t get a nibble, but some mornings they were biting fine.” The resultant and delightful catch is the story of a full, merry, and successful life. From the day in 1906 when “Mr. Clint” hung out his shingle in a little office over his father’s bank, through the long succession of “fine scraps, rough and tumble, no holds barred,” which were the jury cases he tried for defendant corporations in personal-injury damage suits, there was not much about the law and about human nature that he did not have the opportunity to learn. The first client in the little office was Charlie Ross, a Pullman porter who wanted to make sure that the title on his new house was clear. The fee was $15, and Charlie was his friend for life. In the pages that follow the reader will meet many other unforgettable characters, including Dr. John Brinkley, the man who made a million dollars a year from his goat-gland operation until Dr. Morris Fishbein called him a “quack”; old Jim Wheat, who killed a white man, and Jim’s little grandson Lige, who knew what God would do to him if he told lies in court; Bosco, who forgot his complete paralysis when the lady lure came into the picture; and pretty little Mary, whom the jury loved. Brown was elected district attorney for Bexar County, Texas, in 1913 and became mayor of San Antonio the following year; in the latter office he served two terms, resigning to join the Army in the First World War. On his return from France he was invited to work with a law firm that represented many large corporations, among them the Public Service Company, which ran San Antonio’s streetcar and bus lines, and the Southern Pacific Railroad. Soon made a partner, he remained with the firm until his retirement, and through a quarter of a century tried about as many jury cases as any other attorney in the city. You May Take the Witness is a book for anyone who has ever felt the fascination of courtrooms and trials, and who has not? It is also a book in which lawyers will find an excellent refresher course for both mind and spirit. Here are invaluable tips on all the ins-and-outs of jury trial, not from the flat dimensions of a law-school text but from the full, real world of actual trials and the men and women involved. Brown tells how to handle witnesses and to pick juries, when to object and when not to object. The most important lesson of all, he says, is to value the jury and be an honest person before them. “The jury is decent, so you be decent, and ‘be yourself.’” It is clear that Clinton Giddings Brown succeeded as a lawyer because he succeeded as a human being, just as it is clear that he knows how to tell story after fine story because he enjoyed living each episode of his life to its fullest.
Alligators May Be Present

Alligators May Be Present

Andrew Furman

University of Wisconsin Press
2005
sidottu
While many Jews pick Florida as the perfect place to retire, Matt Glassman has chosen it as the place to begin his adulthood. Perhaps that's because the pressures of life have always reminded him of his grandfather, who mysteriously disappeared from the family twenty years ago. Now, while he tries to begin a family of his own, Glassman also builds a relationship with the one person, his grandmother, who might know the truth about his grandfather's disappearance. She's remained stubbornly reticent on the topic all these years, but when a familiar old man shows up at Glassman's office he thinks he may finally get some answers.
Lin May Saeed

Lin May Saeed

Robert Wiesenberger

Yale University Press
2020
pokkari
A contemporary artist explores relationships among humans and animals, real and mythical German artist Lin May Saeed (b. 1973) grapples with the complex entanglements of humans and animals. Her work centers on the nonhuman animal and revisits, revises, or outright invents stories of animal subjugation, liberation, and harmonious cohabitation with humans, combining historical, mythical, and theological narratives with materials such as paper, steel, and Styrofoam. This last material—easy to acquire and work, yet environmentally destructive—receives particularly sustained attention. Empathy, humor, and lightness of touch combine with a radical reimagining of everyday life and a sense of how animality is intertwined with otherness. The catalogue surveys Saeed’s work and thinking, positioning them within a broader discourse on animals and animality in art and culture. Its title suggests the appearance of animals in humans’ modern moral consciousness, simultaneous with their departure in the current era of mass extinction; and its design places special emphasis on typography and lush close-up photography.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (July 21–October 25, 2020)
Devil May Care: A James Bond Novel

Devil May Care: A James Bond Novel

Sebastian Faulks

VINTAGE
2009
nidottu
NEW YORK TIMES BESTSELLER - Bond is back in this electrifying novel of intrigue and suspense. A masterful continuation of the James Bond legacy, Devil May Care picks up right where Ian Fleming left off--at the height of the Cold War, with a story of almost unbearable tension. An Algerian drug runner is brutally executed on the desolate outskirts of Paris and Bond is assigned a new task; to shadow the mysterious Dr. Julius Gorner, a power-crazed pharmaceutical magnate. Gorner has lately taken a disquieting interest in opiate derivatives, both legal and illegal. After finding a willing accomplice in the shape of a glamorous Parisian named Scarlett Papava, Bond must stop a chain of events that could lead to global catastrophe. Charged with adrenaline, deception, and Bond's signature wit, Faulks brings us this exhilarating new chapter in the life of the world's most iconic spy.
I May Be Some Time

I May Be Some Time

Spufford Francis

St. Martin's Griffin
1999
pokkari
Francis Spufford explores the British obsession with polar exploration in a book that Jan Morris, writing in "The Times, " called, "A truly majestic work of scholarship, thought and literary imagination . . ." The title, a last quote from one explorer to his party as he left their tent never to return, embodies the danger and mystery that fueled the romantic allure of the poles and, subsequently, the British imagination. Far from being a conventional history of polar exploration, "I May Be Some Time" attempts to understand what was going on in the minds of the polar explorers as they headed toward destinies like Terra Nova. Serving up a heady brew of Captain Perry, Jane Eyre, gastronomic obsessions with iced desserts, and the daily lives of Eskimos, Spufford treats the reader to one of the most satisfying and imaginative contemporary works dealing with exploration and human need.
Louisa May Alcott

Louisa May Alcott

Harriet Reisen

Picador USA
2010
nidottu
In a fresh, modern take on the remarkable Louisa May Alcott, Harriet Reisen's vivid biography explores the author's life in the context of her works, many of which are to some extent autobiographical. Although Alcott secretly wrote pulp fiction, harbored radical abolitionist views, and served as a Civil War nurse, her novels went on to sell more copies than those of Herman Melville and Henry James. Stories and details culled from Alcott's journals, together with revealing letters to family, friends, and publishers, plus recollections of her famous contemporaries provide the basis for this lively account of the author's classic rags-to-riches tale. In Louisa May Alcott, the extraordinary woman behind the beloved American classic Little Women is revealed as never before.
DEVIL MAY CRY

DEVIL MAY CRY

St Martin's Press
2008
nidottu
Stripped of his godhood by Artemis, Sin seeks revenge by kidnapping a woman he believes to be the deceitful goddess, only to discover instead that he has abducted her servant, Katra, an irresistible and compassionate young woman who persuades him to save Artemis from an enemy who threatens all human life. Reprint.
The May 1968 Events in France

The May 1968 Events in France

Keith A. Reader; Khursheed Wadia

Palgrave Macmillan
1993
sidottu
The multiple impact of the May 1968 events in France is here reviewed and analysed, initially through a narrative account of the events themselves and then through a systematic survey of the various manners in which they have been interpreted and reproduced in France. This covers successively political, social/sociological, and cultural texts - first-hand accounts along with works by political activists and academic social scientists - before moving to a consideration of fictional works (novels and feature films) dealing with or set during the events.