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1000 tulosta hakusanalla Robert L Short

Essential Elements of Operational Surprise

Essential Elements of Operational Surprise

Robert L. Clark

BiblioScholar
2012
nidottu
This monograph examines operational surprise by answering the question, "What are the essential elements for producing operational surprise?" This issue is important because very little has been written about operational surprise despite the re-emergence of interest in the operational level of war. Surprise remains a basic and essential element in battle. The monograph first examines the theoretical foundation for surprise. Next, both historical and contemporary evidence are examined to derive the elements that are necessary for achieving operational surprise. The four historical campaigns discussed are: France 1940, Normandy, Ardennes, and Sinai 1973. Conclusions and implications are drawn from the analysis of these four campaigns. This monograph concludes that operational surprise may be attained by deceiving the enemy as to the exact time, location, and strength of a desired action, and by using new methods, techniques, and technology. Surprise is also achieved by reinforcing the enemy's false assumptions and expectations to one's advantage. Several factors that make these means so unique from those used to achieve surprise at the other levels of war are also discussed. The importance of "pre-conception" to the operational planner is highlighted. Finally, several implications are discussed. Specifically, the need to take advantage of operational surprise while on the defense is emphasized. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Marry an Agent! (Or...How to Get an Agent Without Even Dating One.)

Marry an Agent! (Or...How to Get an Agent Without Even Dating One.)

Robert L McCullough; Suzanne Herrera-McCullough

Lulu.com
2024
pokkari
"How do I get an agent?" is the most asked question in Hollywood. Are you ready to SELL yourself as a screenwriter? Then you need an agent...or a manager...or both. This is the comprehensive, step-by-step guide that will reveal the truth about: The difference between a screenwriting agent and a screenwriting manager. Why you need an agent...or manager...or both. How to choose the right agent or manager for you. When and how to reach out and make that first contact. When and how to sign your first agency or management contract. How to be the client agents and managers want to work for. This book will explain the realities of the industry...because screenwriting is not like any other career. It takes the right connections...and the first connection you need is professional representationin the marketplace. Nobody makes a movie without the help of other professionals. The right help from the right professionals can quickly promote your career and sell your work. That help only comes from agents and managers. This is the only book written by WGA writer-producers with more than 300 produced IMDB.com credits whose careers have been guided by nearly a dozen representatives ranging from "boutique" agencies to the industry's most powerful lawyers and mega-agents. This is the book that answers the question "How do I get an agent?"...and so much more. Writing marketable screenplays is difficult. But the incredible rewards are there for you when you understand the business and have the right professionals working for you. Put the world of agents and manager to work for you. Move beyond writing screenplays and into the world of selling screenplays. What this book includes: The authors' contact information for your further questions. "Agent advice" from leading screenwriters. Discount codes to submit your work to leading screenplay competitions. Discounts for Live Screenplay & Career Consultations with the authors. It's time to stop "hoping" to sell your scripts. It's time to put the right people to work selling them for you. The steps and strategies for getting agents and managers to work for you are all here.