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1000 tulosta hakusanalla Virginia Woolf
Full text.The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, a sensitive young man, and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms.Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.Virginia Woolf's first original and distinguished work, Jacob's Room established Woolf's reputation as a highly poetic and symbolic writer who places emphasis not on plot or action but on the psychological realm of occupied by her characters.
The Voyage Out is the first novel by Virginia Woolf, published in 1915 by Duckworth; and published in the US in 1920 by Doran. Woolf began work on The Voyage Out in 1910 and had finished an early draft by 1912. The novel had a long and difficult gestation and was not published until 1915. It was written during a period in which Woolf was especially psychologically vulnerable. She suffered from periods of depression and at one point attempted suicide. The resultant work contained the seeds of all that would blossom in her later work: the innovative narrative style, the focus on feminine consciousness, sexuality and death. In 1981, Louise DeSalvo published an alternate version of The Voyage Out featuring its original title, Melymbrosia. Professor DeSalvo worked for seven years on the project of reconstructing the text of the novel as it might have appeared in 1912, before Woolf had begun serious revisions. She reviewed more than 1,000 manuscript pages from Woolf's private papers, dating the earlier versions of the work by small organizational clues such as the color of ink used or noticing where a pen had last left off writing. DeSalvo's Melymbrosia attempts to restore the text of the novel as Woolf had originally conceived it, which contained more candid political commentary on such issues as homosexuality, women's suffrage, and colonialism. According to DeSalvo, Woolf was "warned by colleagues that publishing such an outspoken indictment of Britain could prove disastrous to her fledgling career". The work was heavily revised until it became the novel now known as The Voyage Out, which omits much of the political candour of the original. DeSalvo's edition was reissued by Cleis Press in 2002.
Monday or Tuesday: A Short Story Collection
Virginia Woolf
Createspace Independent Publishing Platform
2017
nidottu
Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not somehow become consoling to believe that death ended absolutely? But that somehow in the streets of London, on the ebb and flow of things, here, there, she survived.Virginia Woolf (1882-1941) is now generally recognised as the author of two of the twentieth century's greatest literary works, To the Lighthouse and Mrs. Dalloway, both of which employ a style of narration that has come to be known as ""stream of consciousness,"" which focuses on the interior-and not always logical-movement of thoughts that make up the better part of most people's psyches.Woolf's 1925 novel, Mrs. Dalloway, is about the casualties of early twentieth-century life, and she explores the gendered forms of mental illness, and the social repercussions of feminism, homosexuality, and colonialism. The central consciousness is that of the title character, Clarissa Dalloway, on the day of a dinner party that she is giving. Moving through the relatively uneventful preparations, the arrival of the guests, and the rituals of hosting a party, Clarissa's thoughts wander across past, present, and into the future. Throughout the relatively mundane actions through which the book follows her, she is slowly revealed by means of her interior monologues of memory and reflection to be a most interesting person who has been squeezed by society into a rather ordinary role. The narrative broadens to include others in her life, most notably Septimus Warren Smith, a shell-shock victim whose life has had no direct connection to Clarissa's, but who in many ways can be read as a male parallel.This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices or introduction.
