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1000 tulosta hakusanalla A.J. Levin
This famous study of the planning, financing and building of the New Town in Edinburgh brings to life one of the most remarkable urban expansion programmes ever undertaken. A. J. Youngson brings to life the vigour of the planning debates, the fundraising schemes, the administrative and legislative infrastructure of planning, the construction of public buildings as poles of attraction for speculative building, and all the hopes, quarrels, victories and civic bankruptcy that went into this great experiment.Superbly illustrated with photographs by acclaimed photographer Edwin Smith, along with a selection of contemporary images and a preface by Colin McLean, this book is a classic work of economic and social history, and a fascinating account of the shaping of one of the most beautiful cities in the world.
distinctions in abundance between what is known, remains speculative, or may well be inherently unknowable.' From the Foreword by George Stolnitz
Mythology for centuries has served as humanity's window into understanding its distant past. In our modern world, storytelling creates its own myths and legends, in media ranging from the world of television and cinema to literature and comic books, that help us make sense of the world we live in today. What is the "Mytharc"? How did it arise? How does it inform modern long-form storytelling? How does the classical hero's journey intersect with modern myths and narratives? And where might the storytelling of tomorrow take readers and viewers as we imagine our future? From The X-Files to H.P. Lovecraft, from Lost to the Marvel cinematic universe and many worlds beyond, this study explores our modern storytelling mythology and where it may lead us.
Since 1966, the Star Trek television franchise has used outer space and the thrilling adventures of the crews of the U.S.S. Enterprise to reflect our own world and culture. Kirk and Spock face civil rights issues and Vietnam war allegories while Picard, Data, and the next generation seek an ordered, post-Cold War stability in the Reagan era. The crews of Deep Space Nine, Voyager and Enterprise must come to terms with our real life of war, manifest destiny in the 21st century, and the shadow of 9/11. Now, as the modern era of the franchise attempts to portray a utopia amidst a world spinning out of control, Star Trek remains about more than just the future. It is about our present. It is about us. This book charts the history of Gene Roddenberry's creation across five decades alongside the cultural development of the United States and asks: are we heading for the utopian Federation future, or is it slipping ever further away from reality?
