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1000 tulosta hakusanalla ART WIEDERHOLD

Art et argent en France au temps des Premiers Modernes (XVII?-XVIII? siècles)

Art et argent en France au temps des Premiers Modernes (XVII?-XVIII? siècles)

Voltaire Foundation
2004
nidottu
Collectif et interdisciplinaire, ce volume vise à établir des ponts entre différents champs de recherche (histoire, littérature, économie, sociologie, droit, politique…), afin de mettre en évidence, à partir d’objets, de méthodes et d’approches autant alternatives que complémentaires, les multiples interactions, encore trop timidement prises en considération, entre art et argent, et en particulier entre littérature et économie, dans la société d’Ancien Régime.Tout à la fois réserve de valeur, instrument de mesure, moyen d’échange, convention sociale et représentation symbolique, l’argent investit réellement l’art dans le dernier tiers du dix-septième siècle, tendance qui se poursuit et s’accentue tout au long du dix-huitième siècle. Au point non seulement de devenir un motif récurrent, susceptible de supplanter l’ensemble des topoï traditionnels, mais encore de fournir un modèle privilégié de représentation de l’activité culturelle dans son ensemble.S’affranchissant progressivement de la philosophie morale au profit de l’économie politique alors émergeante; oscillant entre évocation tantôt fascinée, tantôt critique de la civilisation matérielle naissante (contrat, monnaie, finance, échange, capital…); exploitant les imaginaires sociaux et les représentations symboliques de la richesse, l’art ne cesse en effet de se référer à l’argent pour y puiser un ensemble de formes et de concepts nouveaux ou, pour le moins, rénovés: intérêt, valeur, individu, gloire, honneur, luxe, vertu…Trois axes essentiels structurent ce travail: d’abord, l’argent de l’art, à travers l’évocation des conditions matérielles de production et de diffusion des œuvres; ensuite, l’argent dans l’art, à travers l’ensemble de personnages, fictions, intrigues, mythes, imaginaires, et représentations esthétiques générés par la prise en compte de l’économie; enfin, l’argent comme art, à travers l’analogie non pas arbitraire mais intentionnelle entre l’économie et l’art. Le but est, par conséquent, en articulant l’histoire sociale et culturelle à l’interprétation des textes, via les procédures économiques et sociales qu’ils mobilisent, de motiver une métaphore souvent galvaudée par abus de langage: celle d’‘économie des textes’.
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Art Hour at the Duchess Hotel

Art Hour at the Duchess Hotel

Sophie Green

HACHETTE AUSTRALIA
2024
pokkari
A warm-hearted novel about friendship, fresh starts and finding yourself from Top Ten bestselling author Sophie GreenMornington Peninsula, 1999. All Joan ever wanted was to be a painter, but after thirty-five years of marriage, she finds she is simply a wife, mother and good citizen. On a whim, she escapes to the grand Duchess Hotel to find herself.At the Duchess, Frances drops by most days to escape her daughter, Alison, who seems intent on putting her in a home, while hotel maid Kirrily is struggling to balance work, family and her dreams.When Joan decides to pick up a brush and start painting again, she inspires Frances and Kirrily - and, eventually, Alison - to join her. Over canvas, conversation and creativity the women learn to hold onto their dreams and live life on their own terms.'A great book club pick [for] fans of Elizabeth Strout's Lucy by the Sea, Meg Bignell's The Angry Women's Choir and Joanna Nell's Mrs Winterbottom Takes a Gap Year' BOOKS+PUBLISHING 'Deftly crafted by an author who knows how to conjure her characters, where to put them and which stories they will tell to evince a swathe of emotions in each of us' LIVING ARTS CANBERRA
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Art of the Cheeseboard 1000 Piece Multi-Puzzle Puzzle

Art of the Cheeseboard 1000 Piece Multi-Puzzle Puzzle

Galison
2022
muu
The Art of the Cheeseboard 1000 Piece Multi-Puzzle Puzzle features a mouthwatering photograph by Julie Seabrook Ream of a beautifully prepared cheeseboard full of cheeses, bread, olives, figs and other delectable foods. This puzzle also includes 5 mini shaped puzzles within, including a bunch of grapes, a sliced pear and cheese wedges. Galison puzzles are packaged in matte-finish sturdy boxes, perfect for gifting, reuse, and storage. An insert of the full puzzle image is also included. • 1000 Pieces; Puzzle Size: 27 x 20”, 686 x 508 mm • Box: 11.25 x 8.25 x 2”, 286 x 210 x 51mm • Includes Color Puzzle Insert with Puzzle Image. • Special Feature: Includes 5 mini shaped puzzles within • Puzzle greyboard contains 90% recycled paper. Packaging contains 70% recycled paper and is made responsibly from FSC-certified material. Printed with nontoxic inks.
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Art of the Forest 100 Page Sticker Book

Art of the Forest 100 Page Sticker Book

Galison
2026
muu
STICKER BOOK – Bring the cozy magic of the forest into your creative projects with the Art of the Forest Sticker Book by Galison. This beautifully curated collection features over 1,000 stickers celebrating the charm and wonder of the autumn season. From curious woodland creatures like foxes, owls, and hedgehogs to vibrant leaves, pumpkins, mushrooms, and acorns, every page is brimming with fall inspiration. Whether you're embellishing your journal, decorating a planner, crafting homemade cards, or adding seasonal flair to a scrapbook, these stickers offer the perfect blend of whimsy and warmth to make every page feel like a walk through the woods. BRIGHT AND BOLD ARTWORK – Each sticker captures the rich, saturated hues of autumn, from burnt oranges and deep reds to soft browns and golden yellows. The illustrations are beautifully detailed, evoking the texture of bark, the flutter of falling leaves, and the quiet charm of forest animals nestled in their natural habitat. This sticker book turns ordinary moments into cozy, creative expressions of the season, making it a delightful tool for mindful crafting or relaxing weekend projects. PERFECT FOR GIFTING – With its thoughtful design and seasonal charm, the Art of the Forest Sticker Book makes a heartfelt gift for anyone who loves nature, art, or hands-on creativity. Whether you're shopping for a stationery lover, a nature enthusiast, a scrapbooker, or someone who simply enjoys a good cup of tea and a cozy project, this sticker book is a beautiful way to spark inspiration. It's great for birthdays, fall holidays, Thanksgiving hosts, back-to-school surprises, or simply as a treat-yourself moment for autumn lovers. HIGH QUALITY – Printed on durable, high-quality adhesive paper, each sticker features a smooth matte finish that’s easy to write on—perfect for labeling, note-taking, or personalizing gifts. The paper stock ensures a clean peel and strong stickiness, whether you're using them in a bullet journal or layering them into an elaborate craft. The artwork is meticulously reproduced for clarity and color richness, giving your projects a professional yet handmade feel. GALISON – Since 1979, Galison has been on a mission to bring art into everyday life. We collaborate with artists from around the world to create stationery, puzzles, games, and gifts that are both beautiful and functional. Whether you're organizing your life or expressing your creativity, Galison helps you do it with joy, elegance, and a touch of artistry.
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Art of Spiritual Healing

Art of Spiritual Healing

Keith Sherwood

Llewellyn Publications,U.S.
2016
nidottu
In this second edition, Keith Sherwood has expanded the scope beyond physical disease, adding chapters on healing energetic traumas and relationships, as well as maintaining wellness in a complex and stressful world. Many original healing techniques have also been streamlined and simplified, making it easier to enrich your body, soul, and spirit. The step-by-step directions in this chakra and energy handbook will teach you how to: * Develop attention, a key factor in energy work and healing * See and feel auras, and use them as a diagnostic tool * Open and balance the chakras * Use vibrational, polarization, and empathetic techniques * Channel energy from a distance
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Art Nouveau Lenormand Oracle

Art Nouveau Lenormand Oracle

Lunaea Weatherstone; Antonella Castelli

Llewellyn Publications
2016
muu
The nostalgic energy of Art Nouveau is captured in this Lenormand oracle in a way that provides advice and unique perspectives on any life issue you may be experiencing. With graceful figures and stylized motifs, this is a deck that invites breakthroughs into realms of knowledge and peace. Features the elegant forms of artist Antonella Castelli. The companion booklets for most Lo Scarabeo decks are in five languages: English, Spanish, French, Italian, and German.
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Art for Social Change and Cultural Awakening

Art for Social Change and Cultural Awakening

Wei Hsiu Tung

Lexington Books
2013
sidottu
Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity. Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency. The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.
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Art for Social Change and Cultural Awakening

Art for Social Change and Cultural Awakening

Wei Hsiu Tung

Lexington Books
2017
nidottu
Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity. Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency. The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.
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Art Year by Year: A Visual History, from Cave Paintings to Street Art

Art Year by Year: A Visual History, from Cave Paintings to Street Art

DK

DK Publishing (Dorling Kindersley)
2022
sidottu
Travel through time to discover the paintings, sculptures, and decorative objects that enrich our world.Are you seeking a lavishly illustrated timeline that showcases a glorious gallery of art from all around the world? Then SI Art Year By Year may be the book for you Over 500 images of art movements such as the Renaissance, Neoclassicism, Impressionism, and Pop Art are explored and explained, accompanied by striking visual detail that truly brings the artwork to life. Further featuring biographies of the key figures behind some of the world's best-known artworks, from Botticelli and Hiroshige to Goncharova and Morisot, SI Art Year By Year has something for everyone to admire. With passion in every page, you can explore: - Feature panels discussing artists, art movements, and techniques- Specific works of art analysed, with details pulled out and explained- Pages that explore a single theme through time and across different cultures- Inspiring quotes from artists add insight With every story plotted on a timeline, the pages give a snapshot of each era, and reveal the influences and connections behind the artworks and artistic movements that have reflected our world. With more than 500 images of paintings, drawings, photographs, and sculptures, SI Art Year by Year is the ultimate visual guide to the history of art, century by century, year by year A must-have art book for children and adults alike who are curious about art, whether you're an educator, an art enthusiast, or a lover of creativity seeking to explore some of the greatest known artworks throughout history, SI Art Year By Year is sure to delight.
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Art & Outrage

Art & Outrage

John A. Walker

Pluto Press
1998
pokkari
When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the post-war period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of post-war British art and attitudes.
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Art in the Age of Mass Media

Art in the Age of Mass Media

John A. Walker

Pluto Press
2001
pokkari
Can fine art survive in an age of mass media? If so, in what forms and to what purpose? And can radical art still play a critical role in today's divided world? These are the questions addressed in the Art in the Age of Mass Media, as John Walker examines the fascinating relationship between art and mass media, and the myriad interactions between high and low culture in a postmodern, culturally pluralistic world. Using a range of historic and contemporary works of art, Walker explores the variety of ways in which artists have responded to the arrival of new, mass media. He ranges from the socialist paintings of Courbet to the anti-Nazi photomontages of Heartfield, from community murals and Keith Haring's use of graffiti to the kitsch self-promotion associated with Jeff Koons. The new edition describes what happened during the 1990s, including Toscani's adverts for Benetton, the simulations of Leeds 13, art and cinema, Damien Hirst, and the cyberart currently being produced for the internet.
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Art in the Age of Mass Media

Art in the Age of Mass Media

John A. Walker

Pluto Press
2001
sidottu
Can fine art survive in an age of mass media? If so, in what forms and to what purpose? And can radical art still play a critical role in today's divided world? These are the questions addressed in the Art in the Age of Mass Media, as John Walker examines the fascinating relationship between art and mass media, and the myriad interactions between high and low culture in a postmodern, culturally pluralistic world. Using a range of historic and contemporary works of art, Walker explores the variety of ways in which artists have responded to the arrival of new, mass media. He ranges from the socialist paintings of Courbet to the anti-Nazi photomontages of Heartfield, from community murals and Keith Haring's use of graffiti to the kitsch self-promotion associated with Jeff Koons. The new edition describes what happened during the 1990s, including Toscani's adverts for Benetton, the simulations of Leeds 13, art and cinema, Damien Hirst, and the cyberart currently being produced for the internet.
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Art and Celebrity

Art and Celebrity

John A. Walker

Pluto Press
2002
pokkari
The growing cult of the celebrity in contemporary culture is throwing up paradoxical ideas about the contradictions between 'high' art and mass appeal and blurring the already unstable boundaries between art, commodity and popular culture. This is a lively and accessible study of the phenomenon, informed by a look at what happens when the 'serious' world of art collides with celebrity. Global culture is now dominated by celebrities, some of whom, like Madonna and Stallone, are art collectors and some, like Dennis Hopper and David Bowie, are part-time artists. Walker explains how artists such as Warhol, Gavin Turk, Jeff Koons, Elizabeth Peyton and Alison Jackson contribute to, but also critique, the cult of celebrity by depicting film celebrities, rock stars and royalty in paintings and statues. Celebritisation has overtaken the art world too: Walker surveys 14 art stars of the twentieth century from Dali to Tracey Emin. He also reviews alternatives: the left wing pantheon of figures such as Mao, Che Guevara and Rosa Luxemburg, and pictorial celebrations of the people.
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Art and Celebrity

Art and Celebrity

John A. Walker

Pluto Press
2002
sidottu
The growing cult of the celebrity in contemporary culture is throwing up paradoxical ideas about the contradictions between 'high' art and mass appeal and blurring the already unstable boundaries between art, commodity and popular culture. This is a lively and accessible study of the phenomenon, informed by a look at what happens when the 'serious' world of art collides with celebrity. Global culture is now dominated by celebrities, some of whom, like Madonna and Stallone, are art collectors and some, like Dennis Hopper and David Bowie, are part-time artists. Walker explains how artists such as Warhol, Gavin Turk, Jeff Koons, Elizabeth Peyton and Alison Jackson contribute to, but also critique, the cult of celebrity by depicting film celebrities, rock stars and royalty in paintings and statues. Celebritisation has overtaken the art world too: Walker surveys 14 art stars of the twentieth century from Dali to Tracey Emin. He also reviews alternatives: the left wing pantheon of figures such as Mao, Che Guevara and Rosa Luxemburg, and pictorial celebrations of the people.
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Art and Politics

Art and Politics

Walter A. Davis

Pluto Press
2006
pokkari
This book explores the complex relationship between art and politics. Walter Davis uses his extensive knowledge of psychoanalysis to develop a philosophical critique of the impact that the current political climate is having on all artistic endeavour. He uses examples from a wide variety of fields including the theatre and popular culture, to show how true artistic freedom of expression is under threat from the ideological constraints imposed by contemporary capitalism. Starting with an analysis of the censorship of the play 'My Name is Rachel Corrie', which was withdrawn from production by a major New York theatre due to political pressure, Davis shows how all art that challenges the mainstream is suppressed or distorted to suit the politics of our time - one that will not recognise the truth of human experience and the disorder at the heart of all civilization.
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Art and Politics

Art and Politics

Walter A. Davis

Pluto Press
2006
sidottu
This book explores the complex relationship between art and politics. Walter Davis uses his extensive knowledge of psychoanalysis to develop a philosophical critique of the impact that the current political climate is having on all artistic endeavour. He uses examples from a wide variety of fields including the theatre and popular culture, to show how true artistic freedom of expression is under threat from the ideological constraints imposed by contemporary capitalism. Starting with an analysis of the censorship of the play 'My Name is Rachel Corrie', which was withdrawn from production by a major New York theatre due to political pressure, Davis shows how all art that challenges the mainstream is suppressed or distorted to suit the politics of our time - one that will not recognise the truth of human experience and the disorder at the heart of all civilization.
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Art and Production

Art and Production

Boris Arvatov

Pluto Press
2017
pokkari
Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period. Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory. Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.
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