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Craft and the Creative Economy

Craft and the Creative Economy

S. Luckman

Palgrave Macmillan
2015
nidottu
Craft and the Creative Economy examines the place of craft and making in the contemporary cultural economy, with a distinctive focus on the ways in which this creative sector is growing exponentially as a result of online shopfronts and home-based micro-enterprise, 'mumpreneurialism' and downshifting, and renewed demand for the handmade.
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Craft and Heritage

Craft and Heritage

Bloomsbury Visual Arts
2021
sidottu
This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage.The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations.Examples range from an Irish village at the 1893 Chicago World’s Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.
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Craft Consciousness and Artistic Practice in Creative Writing

Craft Consciousness and Artistic Practice in Creative Writing

Ben Ristow

Bloomsbury Academic
2022
sidottu
Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word.For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.
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Craft is Political

Craft is Political

D Wood

Bloomsbury Visual Arts
2021
sidottu
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue.A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicised craft.
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Craft Consciousness and Artistic Practice in Creative Writing

Craft Consciousness and Artistic Practice in Creative Writing

Ben Ristow

BLOOMSBURY PUBLISHING PLC
2023
nidottu
Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word.For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.
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Craft Economies

Craft Economies

BLOOMSBURY PUBLISHING PLC
2023
nidottu
Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customization, on-demand production, and the possibilities of 3D printing and digital manufacturing.
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Craft is Political

Craft is Political

D Wood

BLOOMSBURY PUBLISHING PLC
2023
nidottu
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.Just as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalization, is overdue.A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicized craft.
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Craft of the Inland Waterways

Craft of the Inland Waterways

Anthony Burton

PEN SWORD BOOKS LTD
2023
sidottu
The book traces the history of the various craft that have been used for transport on Britain's rivers and canals from the earliest times to the present day. The first section deals with the long history of the development of river craft, from prehistoric log boats to the whole range of sailing barges, such as the Humber keel and the Thames barge. By the middle of the 18th century, canal construction brought in a new generation of craft, not just the familiar narrow boats, but the wide boats such as the Leeds & Liverpool short boats, maintenance craft and even passenger boats. Steam power was introduced in the 19th century for a variety of crafts from tugs to pleasure steamers, while the 20th century brought in the diesel motors for boats and barges of all kinds. Today, there is still some commercial traffic, but an ever-increasing demand for boats for pleasure. Much of this story is told in terms of preserved craft and is also based on the author's own experience aboard many of these craft, whether crewing a Thames barge or working in the engine room of a Clyde puffer.
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Craft Your Own Cosy Scandi Christmas

Craft Your Own Cosy Scandi Christmas

Becci Coombes

PEN SWORD BOOKS LTD
2022
nidottu
Christmas is the most hyggelig of seasons, and in this book Becci shares over fifty ideas to bring a touch of Scandinavian cosiness to your home this winter. The chapters cover everything from sumptuous edible gifts and home-made presents with a Nordic flavour, to traditional Danish crafts with which to decorate your space. Projects include a wild winter birch wreath, woven julestjerner star chandelier, five-minute sock gnomes and even a Christmas tree bath scrub! Try your hand at a quick finger-crochet scarf, scented white clay ornaments, or make bangles, cushions and baubles from a pre-loved sweater. Becci's favourite recipes for the ultimate in Danish festive comfort food cover both baking and the all-important Christmas Eve feast, plus there are traditional after-dinner games for all the family to enjoy.
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Craft Production in the Western Zhou Dynasty (1046-771BC)

Craft Production in the Western Zhou Dynasty (1046-771BC)

Zhouyong Sun

BAR Publishing
2008
nidottu
This work investigates the craft production system in the Western Zhou (China), through a case study of a jue-earring workshop at Qijia in the predynastic capital site of Zhouyuan, excavated in 2002-2003. Conclusions are drawn from several lines of evidence, including spatial relationships of material remains in archaeological context, various stages of jue production wasters, the authors experimental replication of jue manufacture, and written texts and bronze inscriptions.
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Craft From Natural Materials

Craft From Natural Materials

Jane Bevan

Bloomsbury Visual Arts
2013
nidottu
Tree bark, pine needles, driftwood, acorns, seeds, shells and feathers - these natural materials are formed of beautiful shapes, textures and colours, easily and freely sourced in our surrounding environment, but are often overlooked or discarded. In Craft from Natural Materials, artist Jane Bevan explains how, with just a few simple tools and techniques, these natural, raw materials can be transformed into beautiful craft objects. Through 12 easy projects, including a basket, a driftwood sculpture, a brooch and a tea-light holder, the potential of collected material for craft makers is revealed. She also explains key principles of foraging, storing and organising natural craft materials, including the best locations in which to source specific items, and exciting ways to display your finds. Helpful how-to images accompany each project and a photo gallery showcases the extraordinary work of contemporary makers. For nature-lovers and crafty makers, this book will serve as an inspiration, as well as an essential and practical resource.
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Craft, Community and the Material Culture of Place and Politics, 19th-20th Century

Craft, Community and the Material Culture of Place and Politics, 19th-20th Century

Ashgate Publishing Limited
2014
sidottu
Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls’ Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.
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Craft a Life You Love

Craft a Life You Love

Amy Tangerine

Abrams
2018
nidottu
In Craft a Life You Love, readers will learn how to focus their creative energy and make things (and make things happen) by implementing small—yet powerful— changes in their everyday lives. In this memoir and hardworking handbook, creativity and craft maven Amy Tangerine, shows readers how to find their flow, maintain a positive mindset, and cultivate a rich and fulfilling life by focusing on what truly matters. Chapters explore how to craft the soul, craft the right mindset, craft the right environment, craft good habits, rediscover your creative mojo, and maintain momentum, with each section offering exercises for taking your creative practice to the next level. For anyone who has felt disconnected from their creativity or has had trouble saving a space for their passions, Craft a Life You Love will teach you how to make time for creativity each and every day.
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Craft Class

Craft Class

Christopher Kempf

Johns Hopkins University Press
2022
sidottu
The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor.In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term "workshop" for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model.In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism.Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in?
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Craft Class

Craft Class

Christopher Kempf

Johns Hopkins University Press
2022
pokkari
The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor.In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term "workshop" for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model.In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism.Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in?
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Craft It

Craft It

Madison Spielman

Teacher Created Materials, Inc
2011
pokkari
The art of glass blowing has been around for over 4,000 years! Readers explore the history of blown glass, the tools and equipment that is used, and how it is still practiced today in this engaging nonfiction reader that features vibrant images and informational text.
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Craft of the Essay

Craft of the Essay

Roy Bearden-White

Lulu.com
2022
pokkari
This textbook on academic writing and rhetoric, with selected readings, has been designed especially for Dr. Roy Bearden-White's English 1301 & English 1302 classes at South Plains College. Based upon seventeen years of teaching College Composition, Bearden-White's Craft of the Essay provides a streamlined, no-nonsense approach to college writing. Focusing upon argumentation and rhetoric, students learn about the recursive nature of writing, from idea creation to drafting, expanding, researching, and revising. Emphasis is placed upon students gaining the skills to understand and analyze the type of arguments they will be confronted with in college, and learning how they can present their own ideas in response. The textbook covers a variety of essay formats, such as Narrative, Definition, Cause & Effect, Compare & Contrast, Argumentative, Reflective, Analytical, and Research Essays. Students are shown, step-by-step, various approaches towards textual interpretation through close readings, analyses, and critical thinking. Readings include short stories and poems from the English Literary Canon that are ideal for student interpretations.
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