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1000 tulosta hakusanalla F Wayne Mac Leod
A personal celebration of female friendships - the good, the bad and the complicated - by lifestyle content creator, Lily Pebbles.
This is the first study of a Victorian churchman and biblical scholar whose name is well known but whose significance is generally misunderstood. One of his contemporaries described Hort as 'the greatest of all our names', not primarily for his work as a textual scholar but for the quality of his theological thought on the controversies of the day, like Christian socialism, the question of eternal punishment and the Darwinian Controversy. The book makes an important and interesting addition to our knowledge of the Victorian church and the intellectual circle in Cambridge in the late nineteenth century and is a sympathetic but not uncritical portrait of a late-flowering Renaissance man, who was philosopher, scientist and historian as well as biblical scholar and theologian.
A revisionist reading of Fitzgerald's short stories through the lens of popular culture from the 1910s to the 1930sF. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. These are vividly infused with the new popular culture of the early twentieth century, from jazz to motion pictures. By exploring Fitzgerald's fascination with the intertwined spheres of dance, music, theatre and film, this book demonstrates how Fitzgerald innovatively imported practices from other popular cultural media into his short stories, showing how jazz age culture served as more than mere period detail in his work. Key FeaturesInterdisciplinary formal and thematic analysis of popular cultural references in Fitzgerald's short fictionOffers fresh readings of longstanding concepts in Fitzgerald studies, such as his 'double vision'Contributes to the growing field of popular cultural studies of modernist authors
A revisionist reading of Fitzgerald's short stories through the lens of popular culture from the 1910s to the 1930sF. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. These are vividly infused with the new popular culture of the early twentieth century, from jazz to motion pictures. By exploring Fitzgerald's fascination with the intertwined spheres of dance, music, theatre and film, this book demonstrates how Fitzgerald innovatively imported practices from other popular cultural media into his short stories, showing how jazz age culture served as more than mere period detail in his work. Key FeaturesInterdisciplinary formal and thematic analysis of popular cultural references in Fitzgerald's short fictionOffers fresh readings of longstanding concepts in Fitzgerald studies, such as his 'double vision'Contributes to the growing field of popular cultural studies of modernist authors
F COMPANY 8th BATTALION THE RIFLE BRIGADE
NAVAL MILITARY PRESS
2025
pokkari
F*ck Feelings: One Shrink's Practical Advice for Managing All Life's Impossible Problems
Michael Bennett MD; Sarah Bennett
SIMON SCHUSTER
2015
sidottu
New York Times Bestseller The only self-help book you'll ever need, from a psychiatrist and his comedy writer daughter, who will help you put aside your unrealistic wishes, stop trying to change things you can't change, and do the best with what you can control--the first steps to managing all of life's impossible problems. Here is the cut-to-the-chase therapy session you've been looking for Need to stop screwing up? Want to become a more positive person? Do you work with an ass? Think you can rescue an addicted person? Looking for closure after abuse? Have you realized that your parent is an asshole? Feel compelled to clear your name? Hope to salvage a lost love? Want to get a lover to commit? Plagued by a bully? Afraid of ruining your kid? Ready to vent your anger? In this brilliantly sensible and funny book, a Harvard-educated shrink and his comedy-writing daughter reveal that the real f-words in life are "feelings" and "fairness." While most self-help books are about your feelings and fulfilling your wildest dreams, F*ck Feelings will show you how to find a new kind of freedom by getting your head out of your ass and yourself onto the right path toward realistic goals and feasible results. F*ck Feelings is the last self-help book you will ever need
Reveals the theatrical dimensions of civilian support for the revolutionary GI Movement of the 1960s-70s Performance played a role both crucial and complicated in the antiwar activism of the 1960s and 1970s. As soldiers and civilian actors, activists, and celebrities worked together to end the Vietnam War, their theatrical acts of solidarity and resistance connected liberation struggles across the lines of race, gender, enlisted status, and nationality. F*ck The Army! offers the first, fully narrated history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over the course of nine months in 1971. From its very conception, the civilian-led show was directed towards the project of making visible the growing antiwar movement organized by GIs, inspired by but also acting as a rebuttal to the increasingly out-of-touch USO tours presented by Bob Hope. Through an analysis of the FTA's tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement's subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse. The author's deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. At its core, F*ck The Army! reveals the fundamentally theatrical character of radical activism when it seeks to challenge the status quo.
Reveals the theatrical dimensions of civilian support for the revolutionary GI Movement of the 1960s-70s Performance played a role both crucial and complicated in the antiwar activism of the 1960s and 1970s. As soldiers and civilian actors, activists, and celebrities worked together to end the Vietnam War, their theatrical acts of solidarity and resistance connected liberation struggles across the lines of race, gender, enlisted status, and nationality. F*ck The Army! offers the first, fully narrated history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over the course of nine months in 1971. From its very conception, the civilian-led show was directed towards the project of making visible the growing antiwar movement organized by GIs, inspired by but also acting as a rebuttal to the increasingly out-of-touch USO tours presented by Bob Hope. Through an analysis of the FTA's tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement's subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse. The author's deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. At its core, F*ck The Army! reveals the fundamentally theatrical character of radical activism when it seeks to challenge the status quo.
F.U.B.A.R II: Fouled Up Beyond All Recognition
William Joseph Kramer
Createspace Independent Publishing Platform
2014
nidottu
F.U.B.A.R.: Fouled Up Beyond All Recognition
William Joseph Kramer
Createspace Independent Publishing Platform
2014
nidottu
F.O.I. (Flying Objects Identified)
M. Frederic Jennings
Createspace Independent Publishing Platform
2015
nidottu
I was just one of the countless crew chiefs working F-4 Phantoms on the flight line in Thailand during the intensive action packed latter part of the Vietnam War. This is my exciting life's story with focus on my tour at Udorn RTAFB. There are numerous books written by various fighter pilots of their missions over Vietnam with exciting aerial combat. The support level on the flight line was also grueling, but in a very different role. This is my everyday life at the typical crew chief's level keeping our fighters combat ready 24 hrs a day. Each new day brought a different challenge, dealing with sapper attacks, support for Operation Linebacker II, venomous snakes on the flight line, and living with the tropical heat and humidity. It was busy and it was noisy. Walk with me and experience what it was like in the crew chief's everyday life on the line. - Sam Lassiter
Really inspirational, this story shows us how the power of love and determination mix with faith can truly move mountains.