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1000 tulosta hakusanalla John Perry Miller

John Keats: Major Works

John Keats: Major Works

John Keats

Oxford University Press
2008
nidottu
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Keats's poetry and prose - all the major poems, complemented by a generous selection of Keats's letters - to give the essence of his work and thinking. In his tragically short life Keats wrote an astonishing number of superb poems; his stature as one of the foremost poets of the Romantic movement remains unassailable. This volume contains all the poetry published during his lifetime, including Endymion in its entirety, the Odes, 'Lamia', and both versions of 'Hyperion'. The poetry is presented in chronological sequence, illustrating the staggering speed with which Keats's work matured. Further insight into his creative process is given by reproducing, in their original form, a number of poems that were published posthumously. Keats's letters are admired almost as much as his poetry and were described by T. S. Eliot as 'certainly the most notable and most important ever written by any English poet'. They provide the best biographical detail available and shed invaluable light on Keats's poems. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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John Barleycorn

John Barleycorn

Jack London

Oxford University Press
2009
nidottu
Published in 1913, this harrowing, autobiographical 'A to Z' of drinking shattered London's reputation as a clean-living adventurer and massively successful author of such books as White Fang and The Call of the Wild. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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John Locke: Correspondence

John Locke: Correspondence

Oxford University Press
2010
sidottu
E. S. de Beer's eight-volume edition of the correspondence of John Locke is a classic of modern scholarship. The intellectual range of the correspondence is universal, covering philosophy, theology, medicine, history, geography, economics, law, politics, travel and botany. This first volume covers the years 1650 to 1679. 'When the eight volumes of correspondence have appeared they will be recognized as one of the great scholarly achievements of their day.' K. H. D. Haley, Times Literary Supplement
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John Locke: An Essay concerning Toleration

John Locke: An Essay concerning Toleration

Oxford University Press
2010
nidottu
J. R. and Philip Milton present the first critical edition of John Locke's Essay concerning Toleration and a number of other writings on law and politics composed between 1667 and 1683. Although Locke never published any of these works himself they are of very great interest for students of his intellectual development because they are markedly different from the early works he wrote while at Oxford and show him working out ideas that were to appear in his mature political writings, the Two Treatises of Government and the Epistola de Tolerantia. The Essay concerning Toleration was written in 1667, shortly after Locke had taken up residence in the household of his patron Lord Ashley, subsequently Earl of Shaftesbury. It has been in print since the nineteenth century, but this volume contains the first critical edition based on all the extant manuscripts; it also contains a detailed account of Locke's arguments and of the contemporary debates on comprehension and toleration. Also included are a number of shorter writings on church and state, including a short set of queries on Scottish church government (1668), Locke's notes on Samuel Parker (1669), and 'Excommunication' (1674). The other two main works contained in this volume are rather different in character . One is a short tract on jury selection which was written at the time of Shaftesbury's imprisonment in 1681. The other is 'A Letter from a Person of Quality', a political pamphlet written by or for Shaftesbury in 1675 as part of his campaign against the Earl of Danby. This was published anonymously and is of disputed authorship; it was first attributed to Locke in 1720 and since then has occupied an uncertain position in the Locke canon. This volume contains the first critical edition based on contemporary printed editions and manuscripts and it includes a detailed account of the Letter's composition, authorship, and subsequent history. This volume will be an invaluable resource for all historians of early modern philosophy, of legal, political, and religious thought, and of 17th century Britain.
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John Locke and Natural Philosophy

John Locke and Natural Philosophy

Peter R. Anstey

Oxford University Press
2011
sidottu
Peter Anstey presents a thorough and innovative study of John Locke's views on the method and content of natural philosophy. Focusing on Locke's Essay concerning Human Understanding, but also drawing extensively from his other writings and manuscript remains, Anstey argues that Locke was an advocate of the Experimental Philosophy: the new approach to natural philosophy championed by Robert Boyle and the early Royal Society who were opposed to speculative philosophy. On the question of method, Anstey shows how Locke's pessimism about the prospects for a demonstrative science of nature led him, in the Essay, to promote Francis Bacon's method of natural history, and to downplay the value of hypotheses and analogical reasoning in science. But, according to Anstey, Locke never abandoned the ideal of a demonstrative natural philosophy, for he believed that if we could discover the primary qualities of the tiny corpuscles that constitute material bodies, we could then establish a kind of corpuscular metric that would allow us a genuine science of nature. It was only after the publication of the Essay, however, that Locke came to realize that Newton's Principia provided a model for the role of demonstrative reasoning in science based on principles established upon observation, and this led him to make significant revisions to his views in the 1690s. On the content of Locke's natural philosophy, it is argued that even though Locke adhered to the Experimental Philosophy, he was not averse to speculation about the corpuscular nature of matter. Anstey takes us into new terrain and new interpretations of Locke's thought in his explorations of his mercurialist transmutational chymistry, his theory of generation by seminal principles, and his conventionalism about species.
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John Mirk's Festial

John Mirk's Festial

Oxford University Press
2011
sidottu
The Festial, most probably composed in the late 1380s by the Augustinian canon, John Mirk, of Lilleshall Abbey, Shropshire, was the most popular and influential collection of sermons in English in the late medieval and early Tudor period, surviving in many copies, and printed by Caxton and his successors. The collection was designed to be accessible and entertaining, as well as orthodox, to counter the success of Lollard preaching, and taught both the priests who used the sermons, as well as their audiences, the fundamentals of the Christian faith and doctrine, illustrated by many stories. The Festial is the only English sermon collection to be printed in England before the Reformation and is probably the most frequently printed work of its time before religious change made it unacceptable.
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John Milton

John Milton

Campbell; Corns

Oxford University Press
2010
nidottu
This book re-examines scrupulously the writings and the life records of John Milton, in the context of a proper understanding of the recent developments in seventeenth-century historiography. Milton's thought has often been too simply described. The approach here is to interrogate more sceptically notions like puritanism, republicanism, radicalism, and dissent. A more complex story emerges, of Milton's culturally rich but ideologically conformist early decades, and of his radicalisation during the later years of Laudianism. We track the internal dynamics of English puritanism in the 1640s and the impact that has on his own convictions. In the 1650s Milton's thought and beliefs were reconciled to the role as public servant. In the 1660s a renewed confidence carried him towards the completion of his greatest project, Paradise Lost, and his final years were ones of creative fulfilment and renewed political engagement. Amid the discontinuities occasioned by shifting political circumstance, by the exigencies of polemical context, and the diversity of genres in which he wrote, Milton emerged as a major political thinker and significant systematic theologian, as well as the most eloquent prose writer and most accomplished poet of the age. A more human Milton appears in these pages, flawed, self-contractory, self-serving, arrogant, passionate, ruthless, ambitious, and cunning, as well as the literary genius who achieved so much.
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John Donne

John Donne

Oxford University Press
2015
sidottu
The John Donne volume in the 21st-Century Oxford Authors series offers a wholly new edition of Donne's verse and prose. It consists of a selection of the compositions that circulated in manuscript or in print form during Donne's lifetime. In keeping with the approach of the series, the texts are presented in chronological order and the text chosen is, wherever possible, the text of the first published version. Each text is paired with a generous complement of historical and textual annotation, which enables the present day reader to access the excitement with which Donne's contemporaries, his first readers, discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that are foregrounded in the 21st-Century Oxford Authors series, such as the history of readership and the history of texts as material objects.
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John Henry Newman

John Henry Newman

Oxford University Press
2015
sidottu
John Henry Newman was one of the most eminent of Victorians and an intellectual pioneer for an age of doubt and unsettlement. His teaching transformed the Victorian Church of England, yet many still want to know more of Newman's personal life. Newman's printed correspondence runs to 32 volumes, and John Henry Newman: A Portrait in Letters offers a way through the maze. Roderick Strange has chosen letters that illustrate not only the well-known aspects of Newman's personality, but also those in which elements that may be less familiar are on display. There are letters to family and friends, and also terse letters laced with anger and sarcasm. The portrait has not been airbrushed. This selection of letters presents a rounded picture, one in which readers will meet Newman as he really was and enjoy the pleasure of his company. As Newman himself noted, 'the true life of a man is in his letters'.
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John Dryden

John Dryden

Oxford University Press
2020
sidottu
This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of John Dryden, the most important poet, dramatist, translator, and literary theorist of the later seventeenth century. He wrote across the tumultuous decades of political and cultural revolution — years stretching from the end of the Cromwellian Protectorate in 1659 through the reign of William III — and he addressed the crucial events of those decades. These were years of unprecedented political revolution, and of a remarkable transformation of English literary culture, with John Dryden at the literary centre. He invented new literary modes including the theatre of spectacle known as heroic drama; he perfected the heroic couplet, a form that became the chief instrument of public poetry; he adapted works of Shakespeare and Milton; he wrote excoriating satire; he brought the translation of classical poetry to new levels of perfection; and throughout his career he wrote works of literary theory that defined his own practices and the literary ethos of his age. By the time that Dryden died in 1700 he had redefined English literary culture; his work recalled and embodied all the genres and modes of early modern literature and anticipated the brilliance of eighteenth-century satire. This edition represents the span of a long career in its remarkable variety. All the genres in which Dryden wrote are represented: panegyrics, lyrics, odes, epigrams, verse epistles, historical poems, commendatory verse, commemorative poems, religious poems, satires, plays, prologues and epilogues, translations, critical prose, dedications, prefaces, biography, and letters. Explanatory notes and commentary enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Dryden, a Chronology and a Biographical Appendix.
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The Discourse of John Selden, Esq. (Table Talk)

The Discourse of John Selden, Esq. (Table Talk)

John Selden

Oxford University Press
2025
sidottu
This is the first fully annotated edition of The Discourse of John Selden, Esq. (previously known as Table Talk) since 1892, the very first based on a critical scrutiny of twenty-one surviving manuscripts, fifteen more than any previous editor knew existed. This expanded census of manuscripts demonstrates robust scribal publication. Selden's extraordinary talent for lucidly expressed analogy and his mordant wit and wise opinions on 155 topics earned him praise from Dr. Johnson and Coleridge. The work, composed in the 1650s, was considered so irreverent that it remained in manuscript for more than thirty years before it could be printed. A long-serving member of Parliament and a minority lay member of the Westminster Assembly of Divines, Selden provides intimate access to the political and religious debates of mid-seventeenth-century England, but he also addresses its high and low culture. Some of the topics are complex and require extensive contextual annotation, but the paragraphs that provide the greatest pleasure are the timeless and still timely ones that require only light annotation or none at all.
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John Keats

John Keats

Oxford University Press
2017
sidottu
This new edition in the 21st-Century Oxford Authors series presents a substantial selection of Keats's writings arranged chronologically as his contemporary readers first encountered them. Its backbone is provided by the poems published in Keats's lifetime--the three volumes, Poems (1817), Endymion (1818), and Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), together with the small number of poems he published elsewhere. But a much larger body of Keats's writing was seen only in manuscript, if at all, by Keats's friends and family-the unpublished poems which include the dream vision, The Fall of Hyperion, his annotations of Shakespeare and Milton, and, above all, his extraordinary letters. These are placed at the date on which they were written or at their probable date. This selection of poems, prose, and letters therefore creates a double time scheme. It places the poetry by which Keats was known to a frequently antagonistic reading public in his lifetime within the extensive biographical context provided by his unpublished poems and letters. This substantial body of manuscript evidence, some of it not discovered until the twentieth-century and none of it known to Keats's reading public, is now part of our understanding of his life and work, and allows us to follow his extraordinary intellectual, emotional, and artistic self-making in the three short years between Poems (1817) and 1820.
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John Duns Scotus

John Duns Scotus

Oxford University Press
2017
sidottu
Thomas Williams presents the most extensive collection of John Duns Scotus's work on ethics and moral psychology available in English. John Duns Scotus: Selected Writings on Ethics includes extended discussions-and as far as possible, complete questions-on divine and human freedom, the moral attributes of God, the relationship between will and intellect, moral and intellectual virtue, practical reasoning, charity, the metaphysics of goodness and rightness, the various acts, affections, and passions of the will, justice, the natural law, sin, marriage and divorce, the justification for private property, and lying and perjury. Relying on the recently completed critical edition of the Ordinatio and other critically edited texts, this collection presents the most reliable and up-to-date versions of Scotus's work in an accessible and philosophically informed translation.
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John Duns Scotus

John Duns Scotus

Oxford University Press
2017
nidottu
Thomas Williams presents the most extensive collection of John Duns Scotus's work on ethics and moral psychology available in English. John Duns Scotus: Selected Writings on Ethics includes extended discussions-and as far as possible, complete questions-on divine and human freedom, the moral attributes of God, the relationship between will and intellect, moral and intellectual virtue, practical reasoning, charity, the metaphysics of goodness and rightness, the various acts, affections, and passions of the will, justice, the natural law, sin, marriage and divorce, the justification for private property, and lying and perjury. Relying on the recently completed critical edition of the Ordinatio and other critically edited texts, this collection presents the most reliable and up-to-date versions of Scotus's work in an accessible and philosophically informed translation.
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John Donne and the Conway Papers

John Donne and the Conway Papers

Daniel Starza Smith

Oxford University Press
2014
sidottu
How and why did men and women send handwritten poetry, drama, and literary prose to their friends and social superiors in the seventeenth century-and what were the consequences of these communications? Within this culture of manuscript publication, why did John Donne (1572-1631), an author who attempted to limit the circulation of his works, become the most transcribed writer of his age? John Donne and the Conway Papers examines these questions in great detail. Daniel Starza Smith investigates a seventeenth-century archive, the Conway Papers, in order to explain the relationship between Donne and the archive's owners, the Conway family. Drawing on an enormous amount of primary material, he situates Donne's writings within the broader workings of manuscript circulation, from the moment a scribe identified a source text, through the process of transcription and onwards to the social ramifications of this literary circulation. John Donne and the Conway Papers offers the first full-length analysis of three generations of the Conway family between Elizabeth's succession and the end of the Civil War, explaining what the Conway Papers are and how they were amassed, how the archive came to contain a concentration of manuscript poetry by Donne, and what the significance of this fact is, in terms of seventeenth-century politics, patronage, and culture. Answers to these questions cast new light on the early transmission of Donne's verse and prose. Throughout, John Donne and the Conway Papers emphasizes the importance of Donne's closest friends and earliest readers--such as George Garrard, Rowland Woodward, and Sir Henry Goodere--in the dissemination of his poetry. Goodere in particular emerges as a key agent in the early circulation of Donne's verse, and this book offers the first sustained account of his literary activities.
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John Locke and Natural Philosophy

John Locke and Natural Philosophy

Peter R. Anstey

Oxford University Press
2013
nidottu
Peter Anstey presents a thorough and innovative study of John Locke's views on the method and content of natural philosophy. Focusing on Locke's Essay concerning Human Understanding, but also drawing extensively from his other writings and manuscript remains, Anstey argues that Locke was an advocate of the Experimental Philosophy: the new approach to natural philosophy championed by Robert Boyle and the early Royal Society who were opposed to speculative philosophy. On the question of method, Anstey shows how Locke's pessimism about the prospects for a demonstrative science of nature led him, in the Essay, to promote Francis Bacon's method of natural history, and to downplay the value of hypotheses and analogical reasoning in science. But, according to Anstey, Locke never abandoned the ideal of a demonstrative natural philosophy, for he believed that if we could discover the primary qualities of the tiny corpuscles that constitute material bodies, we could then establish a kind of corpuscular metric that would allow us a genuine science of nature. It was only after the publication of the Essay, however, that Locke came to realize that Newton's Principia provided a model for the role of demonstrative reasoning in science based on principles established upon observation, and this led him to make significant revisions to his views in the 1690s. On the content of Locke's natural philosophy, it is argued that even though Locke adhered to the Experimental Philosophy, he was not averse to speculation about the corpuscular nature of matter. Anstey takes us into new terrain and new interpretations of Locke's thought in his explorations of his mercurialist transmutational chymistry, his theory of generation by seminal principles, and his conventionalism about species.
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