Dominant women and their chastity-belted husbands in a small town
Kirjahaku
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1000 tulosta hakusanalla Justin Hall
What are dominant women like? How do they relate to their chastity-belted cuckolded husbands? What is the essence of bitchy cruelty to the submissive male?
Slave Abelard is tortured and teased by half-black Mistress Scalpel. You'd think she'd have compassion for the poor guy, being from a minority race...but she is crueler and crueler as the day goes long
The poor guy doesn't understand why he is punished constantly and forbidden to cum by his Mistress
Stories of dominant women who put submissive boys into chastity, and make them serve "real men" breakfast in bed, and do...other things In this collection you'll discover what it would be like to wear a lock on your genitals and take a whipping and torture from a beautiful Goddess
"Scary Gerry", expelled from many schools, moved in with his quiet landlady...and then she found out that they subscribed to the same BDSM magazines, and so she got out her whip and her chastity belt...and Gerry miraculously went on the honor roll And then, after he became a lawyer, he stayed with his beloved landlady, who gave him vicious whippings when she didn't like the way he wrote a brief, and he made partner fast Though it's so hard to be locked in endless chastity, and have those teasings with his wee-wee rubbed with Helen's lube-soaked dental floss...
Mistress Irene goes from being a quiet helpmate to punishing and cuckolding her husband, who she locks in chastity and transforms into a transvestite whore
Miles wanted Gretchen to play female domination games with him, but when she locked him in full time chastity, and put him in tranny makeup and made Miles suck off his old male friends, it was a little out of hand
A coming of age story, a love story, a dark story of madness.
He has been them all. Hero, Son, Friend, Husband ,Father, Lover, Soldier, Officer, Enemy, Fighter, Prisoner, Lost, Outlaw. He has felt them all. Love, Hate, Friendship, Torture, Loss, Joy, Regret, War, Peace. An old man at the end of his life is reminded of the events and the people that led him through war and through peace. Through torture and redemption. Through the stages of his youth the life and trials that have gotten him to where he stands now are relived. The tunes and melodies of his life are laid out before him as they join together to play his final song.The Swan Song
The Cybermen are back to terrorise time and space but luckily the Doctor and Rose are back to stop them. Picking up where Monsters and Villains left off, this fully illustrated guide documents the return of these metal menaces, as well as the Sycorax and other foes from the series, plus first series terrors like the Gelth and the Reapers. More classic baddies such as the dreaded Zarbi, Sutekh and the Robots of Death also make a welcome appearance.Featuring the Tenth Doctor as played by David Tennant in the hit Doctor Who BBC Television series.
This social history of earliest Christianity radically re-evaluates both the methods and models of other studies. Justin Meggitt draws on the most recent research in classical studies on the economy and society of the Roman Empire. He examines the economic experiences of the Pauline churches, and locates Paul and the members of his communities within the context of the first century Roman economy. He explores their experiences of employment, nutrition and housing. He uncovers and describes the unique responses that they made to such a harsh environment. And he questions whether, from the outset, Christianity included a number of affluent individuals.A thoroughly researched and ground-breaking study.
Why Bíos? On the Relationship Between Gospel Genre and Implied Audience
Justin Marc Smith
T. T.Clark Ltd
2014
sidottu
Justin Marc Smith argues that the gospels were intended to be addressed to a wide and varied audience. He does this by considering them to be works of ancient biography, comparative to the Greco-Roman biography. The earliest Christian interpreters of the Gospels did not understand their works to be sectarian documents. Rather, the wider context of Jesus literature in the second and third centuries points toward the broader Christian practice of writing and disseminating literary presentations of Jesus and Jesus traditions as widely as possible. Smith addresses the difficulty in reconstructing the various gospel communities that might lie behind the gospel texts and suggests that the ‘all nations’ motif present in all four of the canonical gospels suggests an ideal secondary audience beyond those who could be identified as Christian.
Why Bíos? On the Relationship Between Gospel Genre and Implied Audience
Justin Marc Smith
T. T.Clark Ltd
2016
nidottu
Justin Marc Smith argues that the gospels were intended to be addressed to a wide and varied audience. He does this by considering them to be works of ancient biography, comparative to the Greco-Roman biography. The earliest Christian interpreters of the Gospels did not understand their works to be sectarian documents. Rather, the wider context of Jesus literature in the second and third centuries points toward the broader Christian practice of writing and disseminating literary presentations of Jesus and Jesus traditions as widely as possible. Smith addresses the difficulty in reconstructing the various gospel communities that might lie behind the gospel texts and suggests that the ‘all nations’ motif present in all four of the canonical gospels suggests an ideal secondary audience beyond those who could be identified as Christian.
Justin Stratis explores the meaning of the biblical phrase ‘God is love’ through an examination of two quintessentially modern Protestant theologians: Friedrich Schleiermacher and Karl Barth. This book contains both a detailed engagement with Schleiermacher’s untranslated lectures on Dialektik and their relation to his more well-known work, as well as a new assessment of Barth’s doctrine of God which both respects his radical innovations and yet places him within the stream of traditional, catholic trinitarianism.After considering the complexities of theological predication, and comparing several classical and contemporary approaches to the implication of ‘love’, Stratis presents and ultimately commends the distinct approaches of Schleiermacher and Barth for their tendency to treat divine love as a ‘conclusion’ to the doctrine of God, rather than as a conceptual starting point. In contrast to many contemporary approaches, Stratis concludes with the suggestion that God’s love is best conceived as his being toward fellowship, rather than as the eminent instance of loving fellowship understood according to human experiences of love.
Justin Stratis explores the meaning of the biblical phrase ‘God is love’ through an examination of two quintessentially modern Protestant theologians: Friedrich Schleiermacher and Karl Barth. This book contains both a detailed engagement with Schleiermacher’s untranslated lectures on Dialektik and their relation to his more well-known work, as well as a new assessment of Barth’s doctrine of God which both respects his radical innovations and yet places him within the stream of traditional, catholic trinitarianism.After considering the complexities of theological predication, and comparing several classical and contemporary approaches to the implication of ‘love’, Stratis presents and ultimately commends the distinct approaches of Schleiermacher and Barth for their tendency to treat divine love as a ‘conclusion’ to the doctrine of God, rather than as a conceptual starting point. In contrast to many contemporary approaches, Stratis concludes with the suggestion that God’s love is best conceived as his being toward fellowship, rather than as the eminent instance of loving fellowship understood according to human experiences of love.
NOW A MAJOR SKY ATLANTIC SERIES'Unputdownable . . . fantastic and terrifying.' Nihal Arthanayake, RADIO 5The astonishing true story of 'one of the most startling police corruption scandals in a generation' (New York Times)Baltimore, 2015. Riots were erupting across the city. Drug and violent crime were surging, with homicides reaching their highest level in over two decades. For years, Sgt Wayne Jenkins and his elite team of plain-clothed officers - the Gun Trace Task Force - had been the city's lauded heroes, working to get drugs and guns off the streets. But all the while they had been stealing drugs and money and gaming the system. Because who would believe the dealers, the smugglers or the people who had simply been going about their daily business over the word of the city's elite task force?'A work of journalism that not only chronicles the rise and fall of a corrupt police unit, but can stand as the inevitable coda to the half-century of disaster that is the American drug war.' David Simon
The life we live.
