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1000 tulosta hakusanalla Michael Coren

Michael Gold

Michael Gold

Patrick Chura

State University of New York Press
2020
sidottu
An authoritative biography of the dean of American proletarian writers during the interwar years.Winner of the 2022 Literary Encyclopedia Book Prize presented by the Literary Encyclopedia Winner of the 2022 Paul Cowan Non-Fiction Award presented by the Peace Corps Worldwide Jewish American Communist writer and cultural figure Michael Gold (1893–1967) was a key progressive author of his generation, yet today his work is too often forgotten. A novelist, essayist, playwright, poet, journalist, and editor, Gold was the leading advocate of leftist, proletarian literature in the United States between the two world wars. His acclaimed autobiographical novel Jews without Money (1930) is a vivid account of early twentieth-century immigrant life in the tenements of Manhattan's Lower East Side. In this authoritative biography, Patrick Chura traces Gold's story from his impoverished youth, through the period of his fame during the "red decade" of the 1930s, and into the McCarthy era, when he was blacklisted and forced to work menial jobs to support his family. In his time as a radical writer-activist, Gold courageously helped strikes, protested against war and fascism, worked for the Unemployed Councils, walked in hunger marches and May Day parades, got arrested in support of Sacco and Vanzetti, raised money for workers' cooperatives and leftist journalism, and demonstrated against nuclear weapons and in support of fair housing, the Rosenbergs, and civil rights. This biography welcomes Gold back into cultural conversations about art, literature, politics, social change, and Jewish American life in the twentieth century.
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Michael Gold

Michael Gold

Patrick Chura

State University of New York Press
2021
pokkari
An authoritative biography of the dean of American proletarian writers during the interwar years.Winner of the 2022 Literary Encyclopedia Book Prize presented by the Literary Encyclopedia Winner of the 2022 Paul Cowan Non-Fiction Award presented by the Peace Corps Worldwide Jewish American Communist writer and cultural figure Michael Gold (1893–1967) was a key progressive author of his generation, yet today his work is too often forgotten. A novelist, essayist, playwright, poet, journalist, and editor, Gold was the leading advocate of leftist, proletarian literature in the United States between the two world wars. His acclaimed autobiographical novel Jews without Money (1930) is a vivid account of early twentieth-century immigrant life in the tenements of Manhattan's Lower East Side. In this authoritative biography, Patrick Chura traces Gold's story from his impoverished youth, through the period of his fame during the "red decade" of the 1930s, and into the McCarthy era, when he was blacklisted and forced to work menial jobs to support his family. In his time as a radical writer-activist, Gold courageously helped strikes, protested against war and fascism, worked for the Unemployed Councils, walked in hunger marches and May Day parades, got arrested in support of Sacco and Vanzetti, raised money for workers' cooperatives and leftist journalism, and demonstrated against nuclear weapons and in support of fair housing, the Rosenbergs, and civil rights. This biography welcomes Gold back into cultural conversations about art, literature, politics, social change, and Jewish American life in the twentieth century.
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Michael Jackson and the Quandary of a Black Identity

Michael Jackson and the Quandary of a Black Identity

Sherrow O. Pinder

State University of New York Press
2021
sidottu
A close examination of the complexity inherent in Michael Jackson's ambiguous racial identity.In Michael Jackson and the Quandary of a Black Identity, Sherrow O. Pinder explores the ways in which the late singer's racial identification process problematizes conceptualizations of race and the presentation of blackness that reduces blacks to a bodily mark. Pinder is particularly interested in how Michael Jackson simultaneously performs his racial identity and posits it against strict binary racial definitions, neither black nor white. While Jackson's self-fashioning deconstructs and challenges the corporeal notions of "natural bodies" and fixed identities, negative readings of the King of Pop fuel epithets such as "weird" or "freak," subjecting him to a form of antagonism that denies the black body its self-determination. Thus, for Jackson, racial identification becomes a deeply ambivalent process, which leads to the fragmentation of his identity into plural identities. Pinder shows how Jackson as a racialized subject is discursively confined to a "third space," a liminal space of ambivalence.
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