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1000 tulosta hakusanalla Patricia R. Pessar

Alien Constructions

Alien Constructions

Patricia Melzer

University of Texas Press
2006
pokkari
Though set in other worlds populated by alien beings, science fiction is a site where humans can critique and re-imagine the paradigms that shape this world, from fundamentals such as the sex and gender of the body to global power relations among sexes, races, and nations. Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist theories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations-and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.
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Dallas

Dallas

Patricia Evridge Hill

University of Texas Press
1996
pokkari
From the ruthless deals of the Ewing clan on TV's "Dallas" to the impeccable customer service of Neiman-Marcus, doing business has long been the hallmark of Dallas. Beginning in the 1920s and 1930s, Dallas business leaders amassed unprecedented political power and civic influence, which remained largely unchallenged until the 1970s.In this innovative history, Patricia Evridge Hill explores the building of Dallas in the years before business interests rose to such prominence (1880 to 1940) and discovers that many groups contributed to the development of the modern city. In particular, she looks at the activities of organized labor, women's groups, racial minorities, Populist and socialist radicals, and progressive reformers-all of whom competed and compromised with local business leaders in the decades before the Great Depression.This research challenges the popular view that business interests have always run Dallas and offers a historically accurate picture of the city's development. The legacy of pluralism that Hill uncovers shows that Dallas can accommodate dissent and conflict as it moves toward a more inclusive public life. Dallas will be fascinating and important reading for all Texans, as well as for all students of urban development.
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Exports and Local Development

Exports and Local Development

Patricia A. Wilson

University of Texas Press
1992
nidottu
Mexico's export assembly industry has been the object of an intensely polarized debate. While some observers laud the maquiladora industry as a source of much-needed employment and foreign exchange for Mexico, others berate it as a vehicle for exploitation and pollution. Exports and Local Development attempts to transcend the dichotomy by taking a practical look at how this export industry could be better utilized to promote local development.Using data gathered from a field survey of more than seventy maquiladora plants, Patricia A. Wilson compares the Mexican industry with its more successful Asian counterparts to determine how policy initiatives might help Mexico use local linkages to tap the potential of both local and foreign-owned assembly plants.The study grounds its analysis of the maquiladora industry in leading-edge issues including the rise of free trade, changing corporate sourcing strategies, the competitiveness of U.S. manufacturing, the Japanese challenge, the spread of flexible technology and management methods, the impacts of export-led development strategies, the importance of business networking, and the role of small business. It will be of interest to a wide audience in international business, economic development planning, public policy, and economic geography.
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Transnational Testimonios

Transnational Testimonios

Patricia DeRocher

University of Washington Press
2018
sidottu
The activist storytelling practice of testimonio, long associated with Latin American struggles for justice, forges coalitions across social differences for the purpose of social change. Beyond Central and South America, Patricia DeRocher examines testimonios from a wide range of geopolitical sites, including Argentina, Egypt, Haiti, India, Jamaica, and Trinidad, as well as the United States, and suggests that feminist testimonios offer a model for cross-border feminist alliance building. Transnational Testimonios focuses on the questions of translation, knowledge, and power that characterize the creation and reception of these life writings. DeRocher demonstrates how these stories can mobilize social activism and intervene in epistemological impasses between the Global North and South, offering vital tools for reimagining transnational feminist politics.
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Transnational Testimonios

Transnational Testimonios

Patricia DeRocher

University of Washington Press
2018
pokkari
The activist storytelling practice of testimonio, long associated with Latin American struggles for justice, forges coalitions across social differences for the purpose of social change. Beyond Central and South America, Patricia DeRocher examines testimonios from a wide range of geopolitical sites, including Argentina, Egypt, Haiti, India, Jamaica, and Trinidad, as well as the United States, and suggests that feminist testimonios offer a model for cross-border feminist alliance building. Transnational Testimonios focuses on the questions of translation, knowledge, and power that characterize the creation and reception of these life writings. DeRocher demonstrates how these stories can mobilize social activism and intervene in epistemological impasses between the Global North and South, offering vital tools for reimagining transnational feminist politics.
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Doris Chase Artist in Motion

Doris Chase Artist in Motion

Patricia Failing

University of Washington Press
1991
sidottu
Doris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture.Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists' video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these productions, she uses the imtimacy of the video screen to achieve a new synthesis of visual and dramatic art. Her video theatre compositions present multicultural and social commentary, utilizing scripts by writers such as Lee Breuer, Thulani Davis, and Jessica Hagedorn in the "Concepts" series. Collaborating with actresses Geralding Page, Ann Jackson, Roberta Wallach, Joan Plowright, and Luise Riner in the "By Herself" series, she focuses on the viewpoints and experiences of older women. Today, coming full circle, Doris Chase in Seattle is exploring a renewed interest in painting and sculpture as well as in the modernist aesthetic she never really ceased pursuing, even during her most adventuresome multimedia years.This profile by art historian Patricia Failing is both a celebration of a distinguished artists and a historical summary of the development of video as an art form from the early seventies to the present day. The making of Chase's widely acclaimed filmdance, Circles II (1972), is discussed within the context of her own artists evolution and also as exemplary of an artistic milieu shaped by McLuhanism and a growing interest in multimedia experimentation. An entire chapter focuses on the institutional and theoretical working environment for video artists in the 1970s, outlining the circumstances under which New York became the best-endowed center for the production of artists' video. Attention is also paid to the specific manner in which Chase learned to employ video technology, the mechanisms of exhibition and distribution of independent video art, and the theoretical and practical issues raised in collaborations among artists from different art forms. Centering upon first-hand commentary by Chase and her colleagues, Doris Chase, Artist in Motion is an accessible introduction to a pioneering artist and her milieu.The Foreword by noted critic and teacher of video art Ann-Sargent Wooster adds a valuable dimension to the volume. Doris Chase, Artist in Motion is illustrated with representative examples of Chase's work and includes selected lists of her videotapes and films as well as her works in public collections. It will appeal to students of video art as well as to those intersted in women artists and feminist performance.
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The Pacific Muse

The Pacific Muse

Patricia O’Brien

University of Washington Press
2007
pokkari
The Pacific Muse offers a fresh perspective on a seductively familiar topic: the colonial stereotype of the exotic Pacific island woman. By tracing the evolution of female primitivism from Western antiquity to twentieth-century Hollywood images, the book sheds new light on our understanding of how and why this ideal has persisted and the major role it has played in the colonization of Pacific peoples.While examining colonial culture in its many manifestations, from art, literature, and film to the journals of explorers and missionaries, O'Brien rereads not only the canonical texts of Pacific imperialism, but also lesser-known remnants of this cultural heritage with an eye to what they reveal about gender, sexuality, race, and femininity. Over its long history – from the famous (and much romanticized) settlement of Tahitian women and mutineers from the Bounty on Pitcairn Island in 1789 to the South Seas romantic tradition, Gauguin, and beach culture – notions of female primitivism changed in response to the ideological watersheds of Christianity, Enlightenment science, and race theories, as well as the development of democratic nation-states, modernity, and colonialism. The Pacific Muse shows the continuities and differences in representing colonized women across geographical regions and historical epochs and highlights the importance of sexualization and feminization in imperial enterprises.Including 37 illustrations of Pacific women from early etchings by shipboard artists to recent photographs, this panoramic view of gendered Pacific history is enlightening reading for cultural anthropologists, women's and gender studies scholars, and historians of colonialism and the Pacific.
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Accumulating Culture

Accumulating Culture

Patricia Buckley Ebrey

University of Washington Press
2008
sidottu
Winner of the Shimada Prize for Outstanding Work of East Asian Art HistoryBy the end of the sixth century CE, both the royal courts and the educated elite in China were collecting works of art, particularly scrolls of calligraphy and paintings done by known artists. By the time of Emperor Huizong (1082-1135) of the Song dynasty (960-1279), both scholars and the imperial court were cataloguing their collections and also collecting ancient bronzes and rubbings of ancient inscriptions. The catalogues of Huizong's painting, calligraphy, and antiquities collections list over 9,000 items, and the tiny fraction of the listed items that survive today are all among the masterpieces of early Chinese art.Patricia Ebrey's study of Huizong's collections places them in both political and art historical context. The acts of adding to and cataloguing the imperial collections were political ones, among the strategies that the Song court used to demonstrate its patronage of the culture of the brush, and they need to be seen in the context of contemporary political divisions and controversies. At the same time, court intervention in the art market was both influenced by, and had an impact on, the production, circulation, and imagination of art outside the court.Accumulating Culture provides a rich context for interpreting the three book-length catalogues of Huizong's collection and specific objects that have survived. It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts, neither glorifying Huizong as a man of the arts nor castigating him as a megalomaniac, but rather taking a hardheaded look at the political and cultural ramifications of collecting and the reasons for choices made by Huizong and his curators. The reader is offered glimpses of the magnificence of the collections he formed and the disparate fates of the objects after they were seized as booty by the Jurchen invaders in 1127.The heart of the book examines in detail the primary fields of collecting -- antiquities, calligraphy, and painting. Chapters devoted to each of these use Huizong's catalogues to reconstruct what was in his collection and to probe choices made by the cataloguers. The acts of inclusion, exclusion, and sequencing that they performed allowed them to influence how people thought of the collection, and to attempt to promote or demote particular artists and styles.This book will be of interest to scholars and students of Chinese art history, social history, and culture, as well as art collectors.Published with the assistance of The Getty Foundation.
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A Home for Every Child

A Home for Every Child

Patricia Susan Hart

University of Washington Press
2010
pokkari
Adoption has been a politically charged subject since the Progressive Era, when it first became an established part of child welfare reform. In A Home for Every Child, Patricia Susan Hart looks at how, when, and why modern adoption practices became a part of child welfare policy.The Washington Children's Home Society (now the Children's Home Society of Washington) was founded in 1896 to place children into adoptive and foster homes as a means of dealing with child abuse, neglect, and homelessness. Hart reveals why birth parents relinquished their children to the Society, how adoptive parents embraced these vulnerable family members, and how the children adjusted to their new homes among strangers.Debates about nature versus nurture, fears about immigration, and anxieties about race and class informed child welfare policy during the Progressive Era. Hart sheds new light on that period of time and the social, cultural, and political factors that affected adopted children, their parents, and administrators of pioneering institutions like the Washington Children's Home Society.
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Calling in the Soul

Calling in the Soul

Patricia V. Symonds

University of Washington Press
2014
pokkari
"Calling in the Soul" (Hu Plig) is the chant the Hmong use to guide the soul of a newborn baby into its body on the third day after birth. Based on extensive original research conducted in the late 1980s in a village in northern Thailand, this ethnographic study examines Hmong cosmological beliefs about the cycle of life as expressed in practices surrounding birth, marriage, and death and considers the gender relationships evident in these practices. The Hmong (or Miao, as they are called in China, and Meo, in Thailand) have lived on the fringes of powerful Southeast Asian states for centuries. Their social framework is distinctly patrilineal, granting little direct power to women. Yet within the limits of that structure, Hmong women wield considerable influence in the spiritually critical realms of birth and death. Calling in the Soul will be of interest to sociocultural anthropologists, medical anthropologists, Southeast Asianists, and gender specialists.Replaces ISBN 9780295800424
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The Pacific Muse

The Pacific Muse

Patricia O’Brien

University of Washington Press
2015
sidottu
The Pacific Muse offers a fresh perspective on a seductively familiar topic: the colonial stereotype of the exotic Pacific island woman. By tracing the evolution of female primitivism from Western antiquity to twentieth-century Hollywood images, the book sheds new light on our understanding of how and why this ideal has persisted and the major role it has played in the colonization of Pacific peoples.While examining colonial culture in its many manifestations, from art, literature, and film to the journals of explorers and missionaries, O'Brien rereads not only the canonical texts of Pacific imperialism, but also lesser-known remnants of this cultural heritage with an eye to what they reveal about gender, sexuality, race, and femininity. Over its long history – from the famous (and much romanticized) settlement of Tahitian women and mutineers from the Bounty on Pitcairn Island in 1789 to the South Seas romantic tradition, Gauguin, and beach culture – notions of female primitivism changed in response to the ideological watersheds of Christianity, Enlightenment science, and race theories, as well as the development of democratic nation-states, modernity, and colonialism. The Pacific Muse shows the continuities and differences in representing colonized women across geographical regions and historical epochs and highlights the importance of sexualization and feminization in imperial enterprises.Including 37 illustrations of Pacific women from early etchings by shipboard artists to recent photographs, this panoramic view of gendered Pacific history is enlightening reading for cultural anthropologists, women's and gender studies scholars, and historians of colonialism and the Pacific.
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Calling in the Soul

Calling in the Soul

Patricia V. Symonds

University of Washington Press
2015
sidottu
"Calling in the Soul" (Hu Plig) is the chant the Hmong use to guide the soul of a newborn baby into its body on the third day after birth. Based on extensive original research conducted in the late 1980s in a village in northern Thailand, this ethnographic study examines Hmong cosmological beliefs about the cycle of life as expressed in practices surrounding birth, marriage, and death and considers the gender relationships evident in these practices. The Hmong (or Miao, as they are called in China, and Meo, in Thailand) have lived on the fringes of powerful Southeast Asian states for centuries. Their social framework is distinctly patrilineal, granting little direct power to women. Yet within the limits of that structure, Hmong women wield considerable influence in the spiritually critical realms of birth and death. Calling in the Soul will be of interest to sociocultural anthropologists, medical anthropologists, Southeast Asianists, and gender specialists.Replaces ISBN 9780295800424
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A Home for Every Child

A Home for Every Child

Patricia Susan Hart

University of Washington Press
2015
sidottu
Adoption has been a politically charged subject since the Progressive Era, when it first became an established part of child welfare reform. In A Home for Every Child, Patricia Susan Hart looks at how, when, and why modern adoption practices became a part of child welfare policy.The Washington Children's Home Society (now the Children's Home Society of Washington) was founded in 1896 to place children into adoptive and foster homes as a means of dealing with child abuse, neglect, and homelessness. Hart reveals why birth parents relinquished their children to the Society, how adoptive parents embraced these vulnerable family members, and how the children adjusted to their new homes among strangers.Debates about nature versus nurture, fears about immigration, and anxieties about race and class informed child welfare policy during the Progressive Era. Hart sheds new light on that period of time and the social, cultural, and political factors that affected adopted children, their parents, and administrators of pioneering institutions like the Washington Children's Home Society.
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Ovid Before Exile

Ovid Before Exile

Patricia J. Johnson

University of Wisconsin Press
2007
sidottu
Ovid's epic masterpiece, the "Metamorphoses", with its fiercely irreverent tone and its resolute defiance of the boundaries of genre, stands boldly apart both from the other poetry of its age and from the epic tradition that preceded it. A generation earlier, a high culture of poets and patrons had flourished, giving rise to the great works of Vergil, Horace, Propertius, and Tibullus. But, in this compelling new reading of the "Metamorphoses" in its social and political context, Patricia Johnson demonstrates that Ovid was writing in an artistic atmosphere succumbing to a stranglehold of implicit censorship that culminated in his exile from Rome in 8 A.D.Johnson shows that, in the poem, danger permeates acts of artistic creation. In Ovid's portrayals of mythic figures - from Arachne and Minerva to Orpheus in the Underworld - artists who please their audience triumph; the defiant and subversive are destroyed. She reveals that in the poem, as in late Augustan Rome, the overriding criterion for artistic success was not aesthetic beauty but satisfying the expectations and desires of powerful audiences. She convincingly demonstrates just how unprecedented the Metamorphoses was in the epic tradition.
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Ovid before Exile

Ovid before Exile

Patricia J. Johnson

University of Wisconsin Press
2010
nidottu
Provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus’s reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression.
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Death Stalks Door County

Death Stalks Door County

Patricia Skalka

University of Wisconsin Press
2014
sidottu
Six deaths mar the holiday mood as summer vacationers enjoy Wisconsin’s beautiful Door County peninsula. Murders, or bizarre accidents? Newly hired park ranger Dave Cubiak, a former Chicago homicide detective, assumes the worst but refuses to get involved. Grief-stricken and guilt-ridden over the loss of his wife and daughter, he’s had enough of death.Forced to confront the past, the morose Cubiak moves beyond his own heartache and starts investigating, even as a popular festival draws more people into possible danger. In a desperate search for clues, Cubiak uncovers a tangled web of greed, betrayal, bitter rivalries, and lost love beneath the peninsula’s travel-brochure veneer. Befriended by several locals but unsure whom to trust or to suspect of murder, the one-time cop tracks a clever killer.In a setting of stunning natural beauty and picturesque waterfront villages, Death Stalks Door County introduces a new detective series, The Dave Cubiak Door County Mysteries.
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Death Stalks Door County

Death Stalks Door County

Patricia Skalka

University of Wisconsin Press
2016
nidottu
Six deaths mar the holiday mood as summer vacationers enjoy Wisconsin’s beautiful Door County peninsula. Murders, or bizarre accidents? Newly hired park ranger Dave Cubiak, a former Chicago homicide detective, assumes the worst but refuses to get involved. Grief-stricken and guilt-ridden over the loss of his wife and daughter, he’s had enough of death.Forced to confront the past, the morose Cubiak moves beyond his own heartache and starts investigating, even as a popular festival draws more people into possible danger. In a desperate search for clues, Cubiak uncovers a tangled web of greed, betrayal, bitter rivalries, and lost love beneath the peninsula’s travel-brochure veneer. Befriended by several locals but unsure whom to trust or to suspect of murder, the one-time cop tracks a clever killer.
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Death at Gills Rock

Death at Gills Rock

Patricia Skalka

Terrace Books
2015
sidottu
After tracking a clever killer in Death Stalks Door County>, park ranger and former Chicago homicide detective Dave Cubiak is elected Door County sheriff. His newest challenge arrives as spring brings not new life but tragic death to the isolated fishing village of Gills Rock. Three prominent World War II veterans who are about to be honored for their military heroics die from carbon monoxide poisoning during a weekly card game. Blame falls to a faulty heater but Cubiak puzzles over details. When one of the widows receives a message claiming the men “got what they deserved,” he realizes that there may be more to the deaths than a simple accident. Investigating, Cubiak discovers that the men’s veneer of success and respectability hides a trail of lies and betrayal that stems from a single, desperate act of treachery and eventually spreads a web of deceit across the peninsula. In a dark, moody tale that spans more than half a century, Cubiak encounters a host of suspects with motives for murder. Amid broken dreams, corruption, and loss, he sorts out the truth. Death at Gills Rock is the second book in Patricia Skalka’s Dave Cubiak Door County Mystery series.
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Death at Gills Rock

Death at Gills Rock

Patricia Skalka

University of Wisconsin Press
2017
nidottu
Dave Cubiak is back!After tracking a clever killer in Death Stalks Door County, park ranger and former Chicago homicide detective Dave Cubiak is elected Door County sheriff. His newest challenge arrives as spring brings not new life but tragic death to the isolated fishing village of Gills Rock. Three prominent World War II veterans, about to be honored for their military heroics, die from carbon monoxide poisoning during a weekly card game.Blame falls to a faulty heater but Cubiak puzzles over details. When one of the widows receives a message claiming the men ""got what they deserved,"" he realizes that there may be more to the deaths than a simple accident.Investigating, Cubiak discovers that the men's veneer of success and respectability hides an intricate web of lies, betrayal, and treachery.In a dark, moody tale that spans more than half a century and hopscotches across the peninsula, Cubiak encounters a host of suspects with motives for murder. Amid broken dreams, corruption, and loss, he sorts out the truth.Death at Gills Rock is the second book in the Dave Cubiak Door County Mystery series.
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Death in Cold Water

Death in Cold Water

Patricia Skalka

University of Wisconsin Press
2016
sidottu
On a bracing autumn day in Door County, a prominent philanthropist disappears. Is the elderly Gerald Sneider—known as “Mr. Packer” for his legendary support of Green Bay football—suffering from dementia, or just avoiding his greedy son? Is there a connection to threats against the National Football League?As tourists flood the peninsula for the fall colors, Sheriff Dave Cubiak’s search for Sneider is stymied by the FBI. When human bones wash up on the Lake Michigan shore, the sheriff has more than a missing man to worry about. With the media demanding answers and two puzzles to solve, Cubiak must follow his instincts down a trail of half-remembered rumors and local history to discover the shocking truth.
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