After a stunt lands heiress and comedian Alia Henry in lock-up, she finds herself under house-arrest in a crumbling mansion owned by Whitehall International, a company she discovers controls much of her 'free-range' life. Detoxing and device-free, she must write her contracted novel or face dire consequences.But she is not alone on the once-magnificent estate. Phillip, Whitehall's unquestioning aide-de-camp, intrigues and infuriates her in equal measure and wandering the house at night, she meets Braith, eccentric writer-in-residence and mixer of marvelous cocktails.Each day she struggles to write but at night, under the light of an increasingly implausible full moon, Alia delights in exotic drinks and dazzling conversation with the mysterious Braith.Not usually one for asking questions, she wonders is Braith a ghost...?Or is she?Funny, smart, and full of heart, Alia Henry discovers what happens when you look up from your screen long enough to see the people in front of you.
Over a century ago, a depraved killer skillfully moved through the dark and filthy slums of London's East End. Despite the increasingly watchful eyes of investigators, the serial murderer--known as "Jack the Ripper" from a signature on a piece of correspondence that has been attributed to him--was never certainly identified. R. Michael Gordon provides a comprehensive look at the crimes and the case evidence, and then discusses the life of the man he believes was the actual killer, detailing the reasons why this person may have been driven to kill. Beginning with an overview of the terror created in the East End of 1888, the book describes the five major periods of the Ripper's deadly career: early life and schooling; a step-by-step view of the murders, including the Thames Torso Murders that authorities attempted to cover up; the Ripper's American connection; a return to London where his final victims were subjected to poison; and the capture and execution of the probable--but never proven--Ripper. To most people who worked closely on the Ripper and poisoning cases, justice was finally served.
The most enigmatic of the associates of Lincoln assassin John Wilkes Booth, Confederate soldier Lewis Thornton Powell, using the alias Lewis Paine, was a key player in the postwar attempt to undermine the Federal government. On the night Lincoln was shot, 20-year-old Powell burst into the house of William Seward and attempted to assassinate the secretary of state. Captured shortly after the assassination, Powell stood trial for his crime and was hanged three months later. Powell and his role in the conspiracy has been the subject of debate for many years. Who was this man? This biography attempts to unveil his true character.
Eunice Lipton was a fledging art historian when she first became intrigued by Victorine Meurent, the nineteenth-century model who appeared in Edouard Manet's most famous paintings, only to vanish from history in a haze of degrading hearsay. But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death—or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent—and about Lipton herself.
Here for the first time is the complete life story of the controversial lawman Frank Canton, born Joe Horner, who, after conviction and imprisonment for armed robbery, escaped to change his name and transform himself into an ambitious, hard-working peace officer pursuing felons all over the western frontier for almost half a century.Canton was active in widely separate sections of the country--Texas, Wyoming, Oklahoma, and Alaska--during the last quarter of the nineteenth century and the first quarter of the twentieth. Western historian Robert K. DeArment has tracked down the facts of the mysterious Canton's early life and misdeeds in Texas; his participation in the Johnson Country War as an agent of the Wyoming Stock Growers Association; his pursuit of the Daltons, Bill Doolin, and other outlaws in Oklahoma Territory; his experiences as a peace officer and gold prospector in Alaska; his career as a bounty hunter; and his ultimate success as adjutant general of the new state of Oklahoma.
When these words were written everybody had read or heard of Simon Suggs, the shifty man whose antics had been recorded in many a gusty tale of Alabama frontier life which had drawn laughter and applause from newspaper readers throughout the United States. And everybody, at least in Alabama in the 1850s, knew something about his creator, Johnson Jones Hooper...The immortal Suggs, his alter ego, has kept his name alive and renewed its luster, in a biography that deserves almost unqualified praise.
From 1861 to 1903 humorist Charles Henry Smith, writing as Bill Arp, a sly Georgia back-woodsman, was the South’s most widely read newspaper columnist. Knowing the immense popularity of Smith’s writings historian have suggested that southerners saw him as a voice for their concerns. While the idea that Bill Arp spoke for his region is sound, the intent of the writings has been misconstrued over time, argues David Parker. In Alias Bill Arp, Parker shows that Smith was not a contented observer of the post-Reconstruction New South as is widely inferred from his most widely read work—his syndicated weekly column in the Atlanta Constitution that he began writing in 1878. Considering the full range of Smith’s work, Parker says, shows him to be one of the South’s harshest critics. After a brief survey of Smith’s life, Parker surveys the Bull Arp writings, highlighting their major topics, and explaining what they meant to readers of that era.
Traces the true story of three Aboriginal sisters whose mother was determined to keep her children when officials wanted to remove them following the death of their father. Winmar's play is a celebration of the dogged tenacity of their mother, the matriarch Alice Davis, and how she strived against incredible odds to keep her family together.
A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Realisme and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing or car parts, all remain as wonderfully idiosyncratic and culturally resonant today as when they were first made. Well-known in Poland, where her work has been highly influential since early in her career, Szapocznikow's compelling oeuvre is ripe for art-historical reexamination. Alina Szapocznikow: Sculpture Undone, 1955-1972 offers a comprehensive overview of this important artist's work at a moment when international interest is blossoming. Richly illustrated with over 150 color plates, the catalogue features essays that touch on key aspects of her practice and historical reception, as well as an extensive annotated chronology that provides an in-depth exploration of the intersection of her life and art. Working in one of the most rich and complex periods of the twentieth century, Szapocznikow responded to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged. Alina Szapocznikow was born in Poland in 1926, and gained critical attention there for her early sculpture of the 1950s. She re-settled permanently in France in 1963, where her continued exploration of new materials such as polyester and polyurethane brought her into dialogue with the contemporary art scene of her time. She continued to push the boundaries of sculptural form and subject matter up until her premature death in 1973.
Re-Discover the most influential voice of our lifetimeBob Dylan is still singing the songs which for decades have made him the most preeminent voices of our time. In this revised and much expanded edition of Stephen Scobie's landmark study of Dylan's work, the author covers all the stages of a remarkable career: from his incandescent impact on the mid-1960s, when Dylan revolutionized folk and popular music, to his later reinvention of himself as a traveling performer. Dylan work is intensely relevant and rewarding. Rediscover Dylan with Stephen Scobie's outstanding portrait of this Noble Laureate.The 1991 edition of Alias Bob Dylan was hailed as a definitive study. The present volume is greatly revised, expanded and updated.
This short study assumes that Edward de Vere the 17th earl of Oxford was the main originating author of the plays and poetry attributed to William Shakespeare, using this name as his alias, or pseudonym. Why he felt it necessary to do so, and the efforts made by his family to maintain the alias after his death, form the basis of the study.
