Two compelling and thought-provoking plays from one of the twentieth century's most significant writers. Anna Christie Eugene O’Neill’s epic Pulitzer Prize-winning play about love and forgiveness charts one woman’s longing to forget the dark secrets of her past and hope for salvation. Exiled from her home by the Old Devil Sea to the inland plains, Anna Christie’s life changed for ever at just five years of age. Fifteen years later, she is reunited with the father who sent her away, and sets sail in search of a new beginning. Anna Christie was first staged at the Vanderbilt Theater, New York, in November 1921. Its first London production was at the Strand Theatre in April 1923. The Emperor Jones An expressionistic chronicle of a black dictator's flight from his oppressed subjects. Brutus Jones rules his island's citizens from his opulent palace with tyrannical ease – until the day that they all disappear. They have retreated to the hills, following their former native leader Lem, and plan to revolt. It is time for the Emperor to make good his escape. The Emperor Jones was first performed at the Playwrights' Theater, New York, in November 1920. Its UK premiere was at the Ambassadors' Theatre, London, in September 1925. This edition includes a full introduction, biographical sketch and chronology.
An explosive, gripping and disturbing play about the phenomenon of False Memory Syndrome. Anna Weiss is a hypnotherapist, specialising in revealing 'lost' memories. Under her care, twenty-year-old Lynn has begun to 'remember' a long history of sexual abuse by her father. When Lynn confronts her father, David, he protests his innocence vehemently – so are Lynn's memories real or are they dark auto-suggestions? Mike Cullen's play Anna Weiss was first performed at the Traverse Theatre, Edinburgh, in 1997, winning the Edinburgh Festival Critics' Award. It was revived at the Whitehall Theatre in the West End in 1999.
The central theme of this book is concerned with the controversies on technique between Anna Freud and Melanie Klein in the 1920s and 1930s, and with a clear differentiation between child analysis proper and analytical child psychotherapy. Alex Holder takes into account the historic background in which child psychoanalysis developed, especially World War II and the Nazi regime in Germany. The author also looks at the way child psychoanalysis developed in specific institutions, such as the Hampstead Child Therapy Course in London, and in specific areas, such as the spread of child analysis in the US. The concluding chapter is on the importance of knowledge of child analysis among psychoanalysts working with adults. The differences in the theories of the two "greats" in child analysis, Anna Freud and Melanie Klein, are examined one by one, including such concepts as the role of transference, the Oedipus complex and the superego.
Anna Karenina is the story of a woman who ab andons her empty existence as a society wife and embarks on a doomed love affair with the passionate but emotionally ban krupt Vronsky. It is widely acknowledged as the greatest nov el in any language '
A biography that reveals the author's complex relationship with Darwin, her love of poetry and the natural landscape, and the personality, challenges and aspirations of an intelligent, passionate and independent woman writer of the early Romantic period.
Anna Brownwell Jameson (1794-1869) was a central figure in the London world of letters and art in the early Victorian period, and an important feminist writer. Her friends included such figures as Harriet Martineau, Lady Byron, Robert Browning and Elizabeth Barrett Browning. This study considers her life and works, using a different Jameson work as the central focus of each chapter. The author considers the particular non-fiction discourse in which the work is written, as well as such issues as gender and colonialism. Arranged chronologically, the book also charts the growth and development of a determined feminism in the vital years of the early Victorian period, and compares Jameson to her contemporaries.
This superb introduction to the work of the famous Russian poet Anna Akhmatova (1886-1966) begins with an account of her life in pre-revolutionary St. Petersburg and Stalinist Russia, and focuses principally on her poetry. Incorporating all recent scholarship, the author traces the way in which Akhmatova's work reflects the tumultuous times in which she lived, and her emergence as the spokeswoman of her generation, to provide a long overdue account of her entire career.
This superb introduction to the work of the famous Russian poet Anna Akhmatova (1886-1966) begins with an account of her life in pre-revolutionary St. Petersburg and Stalinist Russia, and focuses principally on her poetry. Incorporating all recent scholarship, the author traces the way in which Akhmatova's work reflects the tumultuous times in which she lived, and her emergence as the spokeswoman of her generation, to provide a long overdue account of her entire career.
Anna fetches water from the spring every day, but she can't carry it on her head like her older brothers and sisters can. In this charming and poetic family story set in Jamaica, Commonwealth Prize-winning author Olive Senior shows young readers the power of determination, as Anna achieves her goal and overcomes her fear.
This catalogue accompanies the first major exhibition in the UK dedicated to Anna Ancher (1859 – 1935), considered to be one the most innovative artists in Danish art history. Bringing together recently discovered paintings from Anna Ancher’s home, alongside an extensive body of work made throughout the artist’s long career, the exhibition will feature more than 40 of her paintings, including the artist’s most famous masterpieces on special loan from Art Museums of Skagen. A central figure of the Skagen artist colony, based at the northernmost point of Jutland, Ancher is widely considered to be the most significant female painter in Danish art history. She is widely celebrated in her homeland yet remains relatively unknown to British audiences. Ancher was an influential figure of the Scandinavian ‘Modern Breakthrough’ movement that sought to capture real life, demonstrated in her intimate, observational works, which documented everyday experiences in the fishing town of Skagen. Influenced by her travels to Paris, as well as French Impressionism, the artist produced vivid interiors and evocative landscape scenes in which light becomes the central figure. The exhibition will demonstrate Ancher’s bold approach to colour and radical interpretation of everyday scenes as a truly pioneering modern painter.
I have had the temerity to undertake a book about Anna Pavlova for two reasons. The first is that in the whole course of her theatrical life I was her closest associate. As her husband I had her unbounded confidence, managed all her affairs - theatrical and private - carried on all her correspondence, received those who came to see her (Pavlova herself could only very rarely receive anyone), was present at and assisted her in all her interviews for the press -and she was obliged to grant interviews to press representatives all over the world - spent with her her hours of leisure, made the necessary plans for new tours and discussed with her details of our vast and complicated enterprise. I stood nearer to her than anybody, and I knew and understood her thoughts and aspirations, her disappointments and chagrins better than anyone else.In addition to my personal nearness to Pavlova, I met the thousands of people in all the corners of the earth who came to voice their enthusiasm and love. Through talking with them and receiving letters from them, during Pavlova's life as well as after her death, I am in a position to judge better than any other to what a remarkable degree she shone forth a beacon of beauty and love. All human testimony from whatever sources only goes to confirm my judgment of her exceptional personality.The second and chief reason for the appearance of this book is the wish of Anna Pavlova herself. Many and many a time in the course of her life she told me that I ought to write a book about her, as nobody knew her so well as I did. This was of course impossible while she was alive, but now it is my duty. I shall be happy beyond measure if I succeed in this book in giving an image of Pavlova full of that spiritual beauty, for which as a woman and as an artist she was so beloved. And I do not think this will be difficult, for in order to render unto her that which is justly hers, one has only to speak the truth. VICTOR DANDR
The curse on the Löwensköld family comes to fruition in unexpected ways in this final volume of the Löwensköld cycle. Anna Svard is also very much a novel of women's struggle toward finding fulfillment. The Löwensköld Ring resonates with 'beggars cannot be choosers' in relation to what a poor woman can expect in life, while Charlotte Löwensköld moves toward women having some choices. In Anna Svärd the eponymous protagonist takes full and impressive control of her own life and destiny. The question of motherhood and the fates of the children with whom the characters engage is another theme. The reader goes on to follow Charlotte, Karl-Artur, Thea and their families, familiar from the previous volume, through this compact novel as it moves relentlessly toward a chilling denoument. Selma Lagerlöf (1858-1940) quickly established herself as a major author of novels and short stories, and her work has been translated into close to 50 languages. Most of the translations into English were made soon after the publication of the original Swedish texts and have long been out of date. 'Lagerlöf in English' provides English-language readers with high-quality new translations of a selection of the Nobel Laureate's most important texts.
Nigella Lawson described Anna Del Conte's book Portrait of Pasta as 'The book that actually changed the way the English thought about Italian cooking... and the instrumental force in leading us from the land of spag bol, macaroni cheese and tinned ravioli'. Now Anna Del Conte has fully updated and revised that book, introducing many new recipes, to create Anna Del Conte On Pasta. This is a delicious collection of 120 recipes, many of which can be cooked within minutes. The book starts with a fascinating historical account of pasta, then guides you through how to cook pasta, and explores the different types of pasta. The recipes, which come from every region of Italy, are divided into easy to navigate chapters on meat, dairy, vegetables, soups, stuffed and baked pastas. This is a classic Italian cookbook, and will quickly prove essential in your kitchen. Her accolades include the prestigious Duchessa Maria Luigia di Parma prize for Gastronomy of Italy, in 1987; the Premio Nazionale di Cultura Gastronomica Verdicchio d'Oro prize for her contribution to the dissemination of knowledge concerning authentic Italian cooking, in 1994 and In 2010, she was awarded the honour of Ufficiale dell'Ordine al Merito della Repubblica Italiana, in recognition of the importance of her work in keeping alive Italy's good image in the UK.
In this publication, British artist Anna Freeman Bentley presents a series of new paintings and works on paper documenting her journey into the exclusive realm of private members clubs. Having started out in her home city of London, her research took her to California, and in particular to some of the most desirable clubs of Los Angeles, where through friends, professional networks and a number of courteous emails, doors were temporarily opened to her. In places where photography is often strictly forbidden, Freeman Bentley was authorized to document some of the many luxurious lounges, well-stocked bars, and high-end restaurants that are second homes to the members who pay considerable fees to use them. Whether celebrities, self-made business people or those born into lavish lifestyles, members clubs are synonymous with wealth and success, where people can relax, socialize or do deals in a smart and protected environment free from fans, paparazzi or the general public. It is a world of affluence and glamour tailor-made for the jet-set, a meeting place where artists and art collectors fly in and drink cocktails, where high-net worth individuals and media moguls hang out with the great and the good from Hollywood or the music industry, and where social media stars can switch their phones to flight mode for a while and chat freely with friends. Freeman Bentley uses the photographs she takes of these interior and exterior spaces out of hours as the starting point for unpeopled drawings, collages and painted sketches, transforming her studies of members clubs into complex paintings that hover between reality and invention.Freeman Bentley is known for her paintings of architecture and interiors, not only exploring the physical attributes of the built environment, but also raising questions about how and why they are used, and how this is reflected in the ambiance and dynamics of a given space. At a time of heightened awareness of wealth inequality, through her painterly works Freeman Bentley gives us a glimpse inside the spaces of the social milieu of the financially successful, the movers and shakers, the leaders and trend setters, inviting us to respond as viewers in whatever ways we choose. For some, it may be a matter of curiosity or of desire and aspiration; for others the very idea of members clubs might be elitist or snobbish. Yet for others it might be an occasional treat, or simply an everyday occurrence, the norm. With her characteristic combination of matter-of-fact observation, critical reflection, and atmospheric perception, Freeman Bentley presents us with a body of work that is as enigmatic as it is intriguing, asking us not only about issues of individuality and communality, private and public life, exclusivity and inclusivity, but also about how we each fit into such dialectics, and what this says about our inner and outer lives.'Exclusive' has been co-published by Pinatubo Press, Inc., and Anomie Publishing, and released to coincide with an exhibition of the same name at the Ahmanson Gallery, Irvine, California, in spring 2018. This hardback publication showcases images of approximately twenty paintings and as many works on paper, alongside a foreword from collector and patron Roberta Ahmanson, an introduction by the exhibition curator John Silvis, and a specially commissioned essay from critic Jane Neal.Anna Freeman Bentley (b.1982) is an artist based in London. She studied painting at Chelsea College of Art and Design before graduating with an MA from the Royal College of Art in 2010. She has had solo exhibitions at venues including Wolfson College, Oxford (2017), Husk Project Space, London (2015), Workshop Gallery, Venice (2012), and Galerie Kollaborativ, Berlin (2007). Selected group exhibitions include ‘London Now’ at Space K, Seoul, South Korea (2017), ‘Der Kuhle Glanz’ at 68projects, Berlin (2017), the East London Painting Prize (2015 and 2014), the Prague Biennale 5 (2011), and Bloomberg New Contemporaries (2009). Freeman Bentley has been the recipient of numerous awards and residencies, including Breathing SPACE Residency, London (2015-16), the ERDF New Creative Markets Programme, London (2013-14); Artist in Restaurant at Pied à Terre, London (2012); The Florence Trust Artists Residency, London (2010-11) and The Chelsea Arts Club Trust Award, London (2009).
