A young otter, kidnapped in his infancy and raised as a warrior-thief by a band of vermin, leaves the tribe and goes off to seek adventures of his own.
"To call Sue Mengers a 'character' is an understatement, unless the word is written in all-caps, followed by an exclamation point and modified by an expletive. And based on Brian Kellow's assessment in his thoroughly researched Can I Go Now? even that description may be playing down her personality a bit." --Jen Chaney, The Washington Post - A NY Times Culture Bestseller - An Entertainment Weekly Best Pop Culture Book of 2015 - A Booklist Top Ten Arts Book of 2015 - A lively and colorful biography of Hollywood's first superagent--one of the most outrageous showbiz characters of the 1960s and 1970s whose clients included Barbra Streisand, Ryan O'Neal, Faye Dunaway, Michael Caine, and Candice Bergen Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers. Irrepressible and loaded with chutzpah, she became a driving force of Creative Management Associates (which later became ICM) handling the era's preeminent stars. A true original with a gift for making the biggest stars in Hollywood listen to hard truths about their careers and personal lives, Mengers became a force to be reckoned with. Her salesmanship never stopped. In 1979, she was on a plane that was commandeered by a hijacker, who wanted Charlton Heston to deliver a message on television. Mengers was incensed, wondering why the hijacker wanted Heston, when she could get him Barbra Streisand. Acclaimed biographer Brian Kellow spins an irresistible tale, exhaustively researched and filled with anecdotes about and interviews more than two hundred show-business luminaries. A riveting biography of a powerful woman that charts show business as it evolved from New York City in the 1950s through Hollywood in the early 1980s, Can I Go Now? will mesmerize anyone who loves cinema's most fruitful period. From the Hardcover edition.
"Kellow's chronology is dishy and seamless; he understands the dynamics of the theater world and makes you feel the exhilaration of an evolving hit and the frustrations inherent in working with a performer like Merman."--The New York Times Book Review " Kellow] has painted a vivid portrait of a Broadway diva who shone brighter and sang louder than anyone else."--The Washington Post BookWorld More than twenty years after her death, Ethel Merman continues to set the standard for American musical theater. The stories about the supremely talented, famously strong-willed, fearsomely blunt, and terrifyingly exacting woman are stuff of legend. But who was Ethel Agnes Zimmermann, really? Brian Kellow's definitive biography of the great Merman is superb, and the first account to examine both the artist and the woman with as much critical rigor as empathy. Through dozens of interviews with her colleagues, friends, and family members, Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) traces the arc of her life and her thirty-year singing career to reveal many surprising facts about Broadway's biggest star.
"A smart and eminently readable examination of the life and career of one of the twentieth century's most influential movie critics."--Los Angeles Times "Engrossing and thoroughly researched."--Entertainment Weekly - A New York Times Book Review Notable Book of 2011 - The first major biography of the most influential, powerful, and controversial film critic of the twentieth centuryPauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life--from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Brian Kateman coined the term "Reducetarian"--a person who is deliberately reducing his or her consumption of meat--and a global movement was born. In this book, Kateman, the founder of the Reducetarian Foundation, presents more than 70 original essays from influential thinkers on how the simple act of cutting 10% or more of the meat from one's diet can transform the life of the reader, animals, and the planet. This book features contributions from such luminaries as Seth Godin, Joel Fuhrman, Victoria Moran, Jeffrey Sachs, Bill McKibben, Naomi Oreskes, Peter Singer, and others. With over 40 vegan, vegetarian, and "less meat" recipes from bestselling cookbook author Pat Crocker, as well as tons of practical tips for reducing the meat in your diet (for example, skip eating meat with dinner if you ate it with lunch; replace your favorite egg omelet with a tofu scramble; choose a veggie burrito instead of a beef burrito; declare a meatless day of the week), The Reducetarian Solution is a life--not to mention planet --saving book.
"A novel wise in the complexities of adolescence and the human heart." --The Washington Post Longing to escape the rundown commune outside of Ithaca, New York where she lives with her organic-farmer mother, assorted half-siblings, and a cow named Marilyn, the precociously well-read Saskia White, twelve, imagines herself as the noble contemporary of Odysseus, Marco Polo, and Horatio Hornblower. But Saskia's elaborate fantasies are soon upstaged by her real-life, long-lost father, who leads Saskia and her best friend Jane on a camping trip that turns into an epic adventure of love, sex, and lies. Saskia is as unforgettable as her own heroes, a young girl whose story resonates with a rare and joyous sense of life and discovery.
Training for manhood in 1886, Chiricahua Apache Runs With Horses becomes one of the last surviving resistors to the U.S. Army, and after enduring many harsh tests, he is unable to accept his father's plan to surrender. Simultaneous.
This gripping historical novel set during the final years of the Indian Wars explores army life in the American West as it details one boy's struggle to become a man.
Nora, a writer in search of inspiration, phones her ex-lover Isaac, a photographer who is about to turn in his camera, re-igniting their romance and re-invigorating their creativity.
Adam Weller is a moderately successful novelist, past his prime, but squiring around a much younger woman and still longing for greater fame and glory. His former wife, Eleanor, is unhappily playing the role of the overweight, discarded woman. Their daughter Maud has just begun a frankly sexual affair that unexpectedly becomes life-changing. Into each of these lives the past intrudes in a way that will test them to their core. With perfect pitch and a rare empathy, Brian Morton is equally adept at portraying the life of the mind and how it plays out in the world, brilliantly tracing the border between honor and violation. Here Morton tells his strongest story yet--a story about love, friendship, literary treachery, and what each of us owes to the past.
Leonard Schiller is a novelist in his seventies, a second-string but respectable talent who produced only a small handful of books. Heather Wolfe is an attractive graduate student in her twenties. She read Schiller's novels when she was growing up and they changed her life. When the ambitious Heather decides to write her master's thesis about Schiller's work and sets out to meet him--convinced she can bring Schiller back into the literary world's spotlight--the unexpected consequences of their meeting alter everything in Schiller's ordered life. What follows is a quasi-romantic friendship and intellectual engagement that investigates the meaning of art, fame, and personal connection. "Nothing less than a triumph" (The New York Times Book Review), Starting Out in the Evening is Brian Morton's most widely acclaimed novel to date.
"NOTE; NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT- OVERSTOCK SALE -- Significantly reduced list price" This pamphlet provides details on the role of the U.S. Army in the critical three-year period following the conclusion of Operation Anaconda in March 2002. It details the story of American and international forces working to solidify the initial invasion s crippling of al-Qaeda and removal of the Taliban. It recounts the story of the quest to build a new, democratic Afghan government capable of maintaining internal security and tending to the needs of the Afghan people. It tells the tale of theU.S. Army s search for a proper balance between counterterrorism andcounterinsurgency operations as the enemy rebuilt his forces from safehavens in Pakistan. Finally, it chronicles the Army s efforts to maintainan effective presence in Afghanistan while juggling the challenges ofan indigenous population historically opposed to foreign forces andthe decreased resources available after the start of the Iraq war in 2003. Operation Enduring Free dom, March 2002 April 2005, was writtenby historians Dr. Brian F. Neumann, Dr. Lisa Mundey, and Dr. JonMikolashek in the Histories Division of the Center of Military History. We hope that you enjoy and profit from this dramatic but often overlookedstory of our Army in action in the Global War on Terrorism. Itis the second in the Center s series of campaign brochures on the U.S.Army in Afghanistan. Related items: On Point II: Transition to the New Campaign: The United States Army in Operation Iraqi Freedom, May 2003-January 2005 is available here: https: //bookstore.gpo.gov/products/sku/008-000-00989-9 Operational Culture for the Warfighter: Principles and Applications is availalbe here: https: //bookstore.gpo.gov/products/sku/008-000-01021-8 Applications in Operational Culture: Perspectives From the Field is available here: https: //bookstore.gpo.gov/products/sku/008-000-01054-4 Iraq & Persian Gulf Wars resources collection can be found here: https: //bookstore.gpo.gov/catalog/us-military-history/battles-wars/iraq-..."
An Introduction to the Philosophy of Religion provides a critical examination of the fundamental questions posed by religious belief: What does it mean to believe in God? Can God's existence be proven? Is there life after death? Brian Davies considers these questions and many others, sometimes offering provocative answers of his own, but more often giving students room to form their own conclusions. In addition to exploring the views of several classic philosophers of religion--including Anselm, Aquinas, Descartes, Leibniz, Hume, and Kant--Davies surveys a variety of contemporary thinkers. Revised and updated to cover the latest developments in the field, the new edition of this influential textbook provides an ideal introduction for all students of the philosophy of religion.
Since the election of President Donald Trump, the Twenty-Fifth Amendment to the Constitution-covering presidential incapacity-has been a frequent topic of public discussion. Meanwhile, Section 4 has become a mainstay in television dramas, which usually represents it inaccurately. The country needs this complicated but essential topic explained.Unable: The Law, Politics, and Limits of Section 4 of the Twenty-Fifth Amendment is designed to educate and inform the public about Section 4 in an evenhanded and accessible way. This book is not about President Trump; it offers no opinions on his fitness for office. By the end of the book, though, it will be clear how Section 4 applies to him, as well as to any other president.
Although the jury is often referred to as one of the bulwarks of the American justice system, it regularly comes under attack. Recent changes to trial procedures, such as reducing jury size, allowing non-unanimous verdicts, and rewriting jury instructions in plain English, were designed to promote greater efficiency and adherence to the law. Other changes, such as capping damages and replacing jurors with judges as arbiters in complex trials, seem designed to restrict the role of laypeople in trial outcomes. Whether these innovations are implemented to facilitate the administration of justice or due to the belief that juries have excessive power and make irrational decisions, they raise a host of questions about their effects on juries' judgments and about justice. Policymakers sometimes make incorrect assumptions about jury behavior, with the result that some reform efforts have had surprising and unintended consequences. The Jury Under Fire reviews a number of controversial beliefs about juries as well as the implications of these views for jury reform. It reviews up-to-date research on both criminal and civil juries that uses a variety of research methodologies: simulations, archival analyses, field studies, and juror interviews. Each chapter focuses on a mistaken assumption or myth about jurors or juries, critiques these myths, and then uses social science research findings to suggest appropriate reforms. Chapters discuss the experience of serving as a juror; jury selection and jury size; and the impact of evidence from eyewitnesses, experts, confessions, and juvenile offenders. The book also covers the process of deciding damages and punishment and the role of emotions in jurors' decision making, and it compares jurors' and judges' decisions. Finally, it reviews a broad range of efforts to reform the jury, including the most promising reforms that have a solid backing in research. Featuring highly visible trials to illustrate key points, The Jury Under Fire will interest researchers in psychology and the law, practicing attorneys, and policymakers, as well as students and trainees in these areas.
The Wallflower Avant-Garde argues for the importance of a strain of modernist formalism based in ekphrasis, the literary imitation of the visual arts. Often associated with a conservative aesthetic of wholeness, permanence, and autonomy, ekphrastic writing also involves excess, failure, and mimesis, conjuring an aesthetic sense of closure and unity out of impossible imitations. This choreography of imitation and autonomy resonates with many of the foundational insights of queer theory: the way it situates identity as an effect of performativity, artifice, and mimesis. Unlike many queer theorists, however, this book insists that we value both the imitations and the aspirations that guide them, underlining not only the illusoriness of identity but also its allure. This more capacious formalism allows aspects of modernists aesthetic that have seemed regressive or repressive to be read as generative forms of stasis, quiet, reserve, shyness, and so on.
The Philosophy of Quantitative Methods focuses on the conceptual foundations of research methods within the behavioral sciences. In particular, it undertakes a close philosophical examination of a variety of quantitative research methods that are prominent in (or relevant for) the conduct of research in these fields. By doing so, the deep structure of these methods is examined in order to overcome the non-critical approaches typically found in the existing literature today. In this book, Brian D. Haig focuses on the more well-known research methods such as exploratory data analysis, statistical significant testing, Bayesian confirmation theory and statistics, meta-analysis, and exploratory factor analysis. These methods are then examined with a philosophy consistent of scientific realism. In addition, each chapter provides a helpful Further Reading section in order to better assist the reader in extending their own thinking and research methods specific to their needs.
Philosophy and the Human Condition: An Anthology brings together a rich collection of historically arranged readings on the crucial philosophical problems related to the human condition and human nature. Its contents are drawn from a wide range of sources, including the traditional works of Western philosophers from Plato to the present day; relevant extracts from religious texts; and contributions by women, traditions outside of the western philosophical canon, and other disciplines. Each reading selection is accompanied by an introduction. An extended introduction to philosophy at the beginning of the text addresses each of six principal issues that will be prominent in the reading selections drawn from the history of philosophy--the relation of mind and body; personal immortality; freedom of the will; the question of whether humans are naturally benevolent or naturally brutal; the nature and possibility of human happiness; and philosophical issues relating to race and gender--making the text an ideal all-in-one resource for introductory courses in philosophy.
When considering the structures that drive the global diffusion of human rights norms, Brian Greenhill argues that we need to look beyond institutions that are explicitly committed to human rights and instead focus on the dense web of international government organizations (IGOs)-some big, some small; some focused on human rights; some not-that has arisen in the last two generations. While most of these organizations have no direct connection to human rights issues, their participation in broader IGO networks has important implications for the human rights practices of their member states. Featuring a rigorous empirical analysis, Transmitting Rights shows that countries tend to adopt similar human rights practices to those of their IGO partners, whether for better or worse. Greenhill argues that IGOs constitute a tightly-woven fabric of ties between states and that this network provides an important channel through which states can influence the behavior of others. Indeed, his analysis suggests that a policy of isolating "rogue" states is probably self-defeating given that this will reduce their exposure to some of the more positive IGO-based influences on their human rights. Greenhill's analysis of the role of IGOs in rights diffusion will not only increase our understanding of the international politics of human rights; it will also reshape how we think about the role of international institutions in world politics.
When considering the structures that drive the global diffusion of human rights norms, Brian Greenhill argues that we need to look beyond institutions that are explicitly committed to human rights and instead focus on the dense web of international government organizations (IGOs)-some big, some small; some focused on human rights; some not-that has arisen in the last two generations. While most of these organizations have no direct connection to human rights issues, their participation in broader IGO networks has important implications for the human rights practices of their member states. Featuring a rigorous empirical analysis, Transmitting Rights shows that countries tend to adopt similar human rights practices to those of their IGO partners, whether for better or worse. Greenhill argues that IGOs constitute a tightly-woven fabric of ties between states and that this network provides an important channel through which states can influence the behavior of others. Indeed, his analysis suggests that a policy of isolating "rogue" states is probably self-defeating given that this will reduce their exposure to some of the more positive IGO-based influences on their human rights. Greenhill's analysis of the role of IGOs in rights diffusion will not only increase our understanding of the international politics of human rights; it will also reshape how we think about the role of international institutions in world politics.