Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
Are they needed? To be sure. The Darwinian industry, industrious though it is, has failed to provide texts of more than a handful of Darwin's books. If you want to know what Darwin said about barnacles (still an essential reference to cirripedists, apart from any historical importance) you are forced to search shelves, or wait while someone does it for you; some have been in print for a century; various reprints have appeared and since vanished." —Eric Korn, Times Literary Supplement Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions often associated with the "feminine." Yet some of his most important heroines are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister?but why? Why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developements in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickens?particularly Bleak House, Little Dorrit, and Great Expectations?both uphold emotional needs and at the same time represent the limits of his view of women and that of his time.
How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions often associated with the "feminine." Yet some of his most important heroines are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister?but why? Why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developements in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickens?particularly Bleak House, Little Dorrit, and Great Expectations?both uphold emotional needs and at the same time represent the limits of his view of women and that of his time.
Charles Knight: Educator, Publisher, Writer is the first modern book-length study of this important nineteenth-century educational reformer, author, and publisher. Though he made significant contributions during his lifetime to the cause of popular education, providing inexpensive but quality reading material for the newly literate working classes, Knight has been largely ignored by scholars. This neglect, the author suggests, may be related to Knight's association with the controversial Society for the Diffusion of Useful Knowledge and to the use scholars make of Knight's Penny Magazine and his two volumes on political economy to support their arguments on theories of social control and other issues. The author argues that Knight's reputation has suffered as a result. She reexamines the evidence to offer fresh assessments of Knight's life and work that illuminate his genuine achievements. She concludes with an evaluation of Knight's role as an innovative publisher who used the latest techniques to provide the emerging mass readership with unique combinations of text and image in his many 'pictorial' books and periodicals.
The most comprehensive resource on this major American artistCharles Biederman (b. 1906) has been active in the avant-garde for three-quarters of a century. From his early experiments with cubism and surrealism to the brightly colored aluminum sculptures he constructed through the 1990s, he has pioneered art forms, styles, and theories. This book presents a comprehensive, up-to-date overview of the career of this influential artist, and features full-color illustrations of dozens of Biederman’s paintings, drawings, and signature three-dimensional aluminum constructions.A native Midwesterner, Biederman participated actively in the art communities of Chicago, New York, and Paris during the 1920s and 1930s, interacting with Joan Miró, Wassily Kandinsky, Fernand Léger, Jean Arp, and Pablo Picasso. His expressionist figures evolved into works of geometric abstraction, and beginning in the early 1940s he rejected the international art centers to focus on his primary influence, Paul Cézanne, and the symbiosis of art and nature. Biederman immersed himself in the landscape of the American Midwest and developed his theory of Structurism: the abstract translation of nature into pure visual elements of color, plane, and form.Distributed for the Frederick R. Weisman Art Museum
Riley propelled entomology from a collector's parlor hobby of the nineteenth century to the serious study of insects in the Modern Age. This definitive biography is the first full account of a fascinating American scientist whose leadership created the modern science of entomology that recognizes both the essential role of insects in natural systems and their challenge to the agricultural food supply that sustains humankind. Charles Valentine Riley: Founder of Modern Entomology tells the story of how Riley (1843–1895), a young British immigrant to America—with classical schooling, only a smattering of natural history knowledge, and with talent in art and writing but no formal training in science—came to play a key role in the reorientation of entomology from the collection and arrangement of specimens to a scientific approach to insect evolution, diversity, ecology, and applied management of insect pests. Drawing on Riley's personal diaries, family records, correspondence, and publications, the authors trace Riley's career as farm laborer, Chicago journalist, Missouri State Entomologist, chief federal entomologist, founder of the National Insect Collection, and initiator of the professional organization that became the Entomological Society of America. Also examined in detail are his spectacular campaigns against the Rocky Mountain Locust that stalled western migration in the 1870s, the Grape Phylloxera that threatened French vineyards in the 1870s and 80s, the Cotton Worm that devastated southern cotton fields after the Civil War, and the Cottony Cushion Scale that threatened the California citrus industry in the 1880s. The latter was defeated through importation of the Vedalia Beetle from Australia, the spectacular first example of biological control of an invasive insect pest by its introduced natural enemy. A striking figure in appearance and deed, Riley combined scientific, literary, artistic, and managerial skills that enabled him to influence every aspect of entomology. A correspondent of Darwin and one of his most vocal American advocates, he discovered the famous example of mimicry of the Monarch butterfly by the Viceroy, and described the intricate coevolution of yucca moths and yuccas, a complex system that fascinates evolutionary scientists to this day. Whether applying evolutionary theory to pest control, promoting an American silk industry, developing improved spray technologies, or promoting applied entomology in state and federal government and to the public, Riley was the central figure in the formative years of the entomology profession. In addition to showcasing his own renderings of the insects he investigated, this comprehensive account provides fresh insight into the personal and public life of an ingenious, colorful, and controversial scientist, who aimed to discover, understand, and outsmart the insects.
Interest in Charles Sanders Peirce (1839-1914) is today worldwide. Ernest Nagel of Columbia University wrote in 1959 that "there is a fair consensus among historians of ideas that Charles Sanders Peirce remains the most original, versatile, and comprehensive philosophical mind this country has yet produced." The breadth of topics discussed in the present volume suggests that this is as true today as it was in 1959. Papers concerning Peirce's philosophy of science were given at the Harvard Congress by representatives from Italy, France, Sweden, Finland, Korea, India, Denmark, Greece, Brazil, Belgium, Spain, Germany, and the United States. The Charles S. Peirce Sesquicentennial International Congress opened at Harvard University on September 5, 1989, and concluded on the 10th--Peirce's birthday. The Congress was host to approximately 450 scholars from 26 different nations. The present volume is a compilation of selected papers presented at that Congress. The philosophy of science and its logic are themes in the work of Charles Peirce that have been of greatest interest to scholars. Peirce was himself a physical scientist. He worked as an assistant at the Harvard Astronomical Observatory from 1869 to 1872 and made a series of astronomical observations there from 1872 to 1875. Solon I. Bailey says of these observations, "The first attempt at the Harvard Observatory to determine the form of the Milky Way, or the galactic system, was made by Charles S. Peirce....The investigation was of a pioneer nature, founded on scant data." Peirce also made major contributions in fields as diverse as mathematical logic and psychology. C. I. Lewis has remarked that "the head and font of mathematical logic are found in the calculus of propositional functions as developed by Peirce and Schroeder." Peirce subsequently invented, almost from whole cloth, semiotics - the science of the meaning of signs. Ogden and Richards, the British critics, say that "by far the most elaborate and determined attempt to give an account of signs and their meanings is that of the American logician C. S. Peirce, from whom William James took the idea and the term Pragmatism, and whose Algebra of Dyadic Relations was developed by Schroeder."
An extensive study of the life and works of Charles Dassoucy, 17th-century French poet, novelist, and musician. Analyzes Dassoucy's place in baroque literature and, in particular, his role in the free-thought movement in France. Presents selected prose passages from his autobiographical Adventures, modernized and annotated. A useful supplement for courses in French literature and French history.
Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives—particularly their underlying assumptions about race.The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality.The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
Charles Maurras, founder of the Action Francaise, was a highly influential thinker in fin-de-siecle literary and political scenes, but has fallen out of favor among current academics due to his radical right-wing ideology. This study seeks to understand that ideology in terms of his aestheticization of politics, a driving principle behind Maurras, the person, the critic, and the storyteller. Originally formulated in the early 1890s, Maurras's classicising aesthetics aims to reintegrate the ethical and the political back into an organic whole, as represented by the classical and neo-classical traditions, and informs both his racist and nationalist discourses."
Charles Plisnier, Victor Serge et Constant Malva sont trois ecrivains belges de langue francaise. Desireux de contribuer au changement d'un monde bouleverse par le premier conflit mondial, ils devinrent des membres actifs du Parti communiste. Accuses de trotskysme et expulses du Parti en 1927, ils decouvrirent dans le temoignage litteraire la seule catharsis a leur desillusion politique. Cet ouvrage donne d'abord un apercu du contexte social, politique et culturel de l'entre-deux-guerres ainsi qu'une analyse des relations unissant auteurs belges et francais, avant de passer a l'etude du role joue par l'ideologie communiste dans l'oeuvre de Charles Plisnier, Victor Serge et Constant Malva.
The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War. But he also produced a large body of what might best be called his "Northern" writings, and those works, taken together, describe the intriguing ways in which America was reshaping itself at the turn of the last century. The Northern Stories of Charles W. Chesnutt collects for the first time eighteen Chesnutt stories—several of them first appearing in Northern magazines or newspapers—that portray life in the North in the period between the Civil War and World War I. Living in Ohio from 1883 until his death in 1932, Chesnutt witnessed and wrote about the social, cultural, and racial upheavals taking place in the North during a crucial period of American history. His Northern stories thus reflect his vision of a newly reconstituted America, one recommitted to the ideals of freedom and economic opportunity inherent in our national heritage. The stories, compiled and edited with critical introductions to each by Professor Charles Duncan, offer a new Chesnutt, one fascinated by the evolution of America into an urban, multiracial, economically driven democracy. The Northern Stories of Charles W. Chesnutt presents richly imagined characters, both black and white, working to make better lives for themselves in the turbulent and stimulating universe of the turn-of-the-century North. Indeed, Chesnutt stands virtually alone as the first African American chronicler of Northern culture, anticipating such figures as James Weldon Johnson, Langston Hughes, Ralph Ellison, James Baldwin, and Toni Morrison. This critical edition of The Northern Stories of Charles W. Chesnutt is a significant addition to the body of African American literature.
The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War. But he also produced a large body of what might best be called his "Northern" writings, and those works, taken together, describe the intriguing ways in which America was reshaping itself at the turn of the last century. The Northern Stories of Charles W. Chesnutt collects for the first time eighteen Chesnutt stories—several of them first appearing in Northern magazines or newspapers—that portray life in the North in the period between the Civil War and World War I. Living in Ohio from 1883 until his death in 1932, Chesnutt witnessed and wrote about the social, cultural, and racial upheavals taking place in the North during a crucial period of American history. His Northern stories thus reflect his vision of a newly reconstituted America, one recommitted to the ideals of freedom and economic opportunity inherent in our national heritage. The stories, compiled and edited with critical introductions to each by Professor Charles Duncan, offer a new Chesnutt, one fascinated by the evolution of America into an urban, multiracial, economically driven democracy. The Northern Stories of Charles W. Chesnutt presents richly imagined characters, both black and white, working to make better lives for themselves in the turbulent and stimulating universe of the turn-of-the-century North. Indeed, Chesnutt stands virtually alone as the first African American chronicler of Northern culture, anticipating such figures as James Weldon Johnson, Langston Hughes, Ralph Ellison, James Baldwin, and Toni Morrison. This critical edition of The Northern Stories of Charles W. Chesnutt is a significant addition to the body of African American literature.
Born on the eve of the Civil War, Charles W. Chesnutt grew up in Fayetteville, North Carolina, a county seat of four or five thousand people, a once-bustling commercial center slipping into postwar decline. Poor, black, and determined to outstrip his modest beginnings and forlorn surroundings, Chesnutt kept a detailed record of his thoughts, observations, and activities from his sixteenth through his twenty-fourth year (1874-1882). These journals, printed here for the first time, are remarkable for their intimate account of a gifted young black man's dawning sense of himself as a writer in the nineteenth century. Though he achieved literary success in his time, Chesnutt has only recently been rediscovered and his contribution to American literature given its due. The only known private diary from a nineteenth-century African American author, these pages offer a fascinating glimpse into Chesnutt's everyday experience as he struggled to win the goods of education in the world of the post-Civil War South. An extraordinary portrait of the self-made man beset by the urgencies and difficulties of self-improvement in a racially discriminatory society, Chesnutt's journals unfold a richly detailed local history of postwar North Carolina. They also show with great force how the world of the postwar South obstructed--and, unexpectedly, assisted--a black man of driving intellectual ambitions.
This book is an attempt to understand a significant part of the complex thought of Charles Sanders Peirce, especially in those areas which interested him most: scientific method and related philosophical questions. It is organized primarily from Peirce's own writings, taking chronological settings into account where appropriate, and pointing out the close connections of several major themes in Peirce's work which show the rich diversity of his thought and its systematic unity. Following an introductory sketch of Peirce the thinking and writer is a study of the spirit and phases of scientific inquiry, and a consideration of its relevance to certain outstanding philosophical views which Peirce held. This double approach is necessary because his views on scientific method are interlaces with a profound and elaborate philosophy of the cosmos. Peirce's thought is unusually close-knit, and his difficulty as a writer lies in his inability to achieve a partial focus without bringing into view numerous connections and relations with the whole picture of reality. Peirce received some of the esteem he deserves when the publication of his Collected Papers began more than thirty-five years ago. Some reviewers and critics, however, have attempted to fit Peirce into their own molds in justification of a particular position; others have disinterestedly sought to present him in completely detached fashion. Here, the author has attempted to understand Peirce as Peirce intended himself to be understood, and has presented what he believes Perice's philosophy of scientific method to be. He singles out for praise Peirce's Greek insistence on the primacy of theoretical knowledge and his almost Teilhardian synthesis of evolutionary themes. Primarily philosophical, this volume analyzes Peirce's thought using a theory of knowledge and metaphysics rather than formal logic.
