Book synopsis: Gil Christopher is the story of a man in his mid to late seventies who is dealing with the challenges of aging. Gil has always been thought of as young at heart by family and friends but now life has gotten difficult. What was once easy is now hard. As he struggles to "stay relevant,", he dreams of a trip to Europe where he can write like authors he admires did when they were in their 20s and 30s. Despite for travel and adventure, he heads to Paris.Autobiography: Born in Endicott, New York, Rod Lee settled in Massachusetts with his family in 1985. He has worked in newspapers his entire career and is now concentrating his efforts on writing creative fiction.
Notion Press proudly brings to you timeless classics from ancient texts to popular modern classics. This carefully chosen collection of books is a celebration of literature, our tribute to the pioneers, the legends and the giants of the literary world. Apart from being the voice of indie writers, we also want to introduce every reader to read all kinds of literature. In this series, you will find a wide range of books-from popular classics like the works of Shakespeare and Charlotte Bront to rare gems by the likes of Edith Wharton and James Fenimore Cooper.
Short excerpt: Of old there was a land which was so much a woodland that a minstrel thereof said it that a squirrel might go from end to end and all about from tree to tree and never touch the earth: therefore was that land called Oakenrealm.
Sir Christopher Wren (1632–1723) is now mostly remembered as a genius of architecture – but he was also an accomplished polymath, who only came to architecture quite late in life. Most famous as the mastermind behind the rebuilding of St Paul’s Cathedral and more than fifty parish churches after the Great Fire of London, among his countless other projects Wren also designed the Royal Hospital at Chelsea, the Royal Naval Hospital at Greenwich, and much of Hampton Court Palace. Replete with colourful images of his buildings, this concise biography tells the story of a man whose creations are still popular tourist attractions to this day, but also casts light on Wren’s credentials as an intellectual and a founding member of the Royal Society.
(BH Piano). Explore the rich musical landscape of Asia with 14 preludes based on native themes from China, India, Japan, Korea, Mongolia, Thailand and more. Ideal for intermediate to advanced-level keyboard players, with historical information and maps for each piece. Includes CD of full performances.
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged. We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies. By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged. We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies. By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
Ann Christopher RA is a non-figurative sculptor who works primarily in cast bronze, stainless steel, silver and fabricated Corten steel; her output comprises both large and small sculptures and site-specific commissions. Christopher's elegant and understated works reveal connections with a vast spectrum of sources from across the globe, such as rock formations in Israel, fossils from the Cretaceous chalks of Hertfordshire, prehistoric standing stones in Avebury and early Aegean figurines. The marks Christopher makes on her works are suggestive both of natural processes, such as weathering, and the forms and tools of mechanised industry. Christopher has been exhibiting sculpture for over 45 years. During that period she has won many awards and prizes, including the Silver Medal for Sculpture of Outstanding Merit by the Royal Society of British Sculptors and the Otto Beit Medal of Sculpture of Outstanding Merit. She is a fellow of the Royal Society of British Sculptors and was elected a Royal Academician in 1989. She lives and works near Bath.
This story began a hundred years ago when a child became the inspiration for his famous father, A. A. Milne, who created one of the best known children's characters in recent history. His parents wanted a girl and to begin with treated him as one. They were initially quite distant from him and his upbringing was left to a loyal and loving nanny. Unfortunately, this left Christopher Robin Milne terminally shy and lacking in self-confidence. Unable to escape from the shadow of his fictional self, he became an object of continued interest from a non-understanding public. His salvation started with being sent away to Stowe School, going to Cambridge and joining the Army in the Second World War as a sapper. After an unhappy and directionless time immediately post-war in London, he eventually married and, very successfully, ran a bookshop in the South West for twenty-one years. His life was dominated by a love of the countryside, learned at his parents' country home, Cotchford Farm in Hartfield, East Sussex, and much later in Devon. How he turned his life round, against the odds, is the subject of this biography.
Set in the Middle Ages but written in the early twentieth century, Eca de Queiros's novella, Saint Christopher, is a powerful indictment of those who profess the value of morality but who do not practice it. The narrative is just as relevant today--when issues of religion, hypocrisy, and social justice are more urgent than ever--as it was when it first appeared in 1912. Written as though it were the product of a dialogue between Jesus and Proudhon (whose theories animate much of the narrative), Saint Christopher challenges today's ethically motivated reader to do what the narrative's protagonist does, that is, take up the cause of the wretched and abused of this earth.
Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries and written communication with family and colleagues. A record of photographer Michael Christopher Brown’s (born 1978) life both inside and outside Libya during that year, the work is about a young man going to war for the first time and his experience of that age-old desire to get as close as possible to a conflict in order to discover something about war and something about himself: perhaps a certain definition of life and death.
MK and Colleen get reacquainted while working at different stores in a bankrupt mall. Way back, the women went to Catholic school together and collaborated on racy letters to a soldier in Vietnam who thought they were much older than seventh graders — a ruse that typifies later shenanigans, usually brought on by red-headed Colleen, a self-proclaimed 'Celtic Warrior'. After ditching Colleen's car to collect the insurance, they drive from one unexpected event to the next in Big Blue, MK's Buick clunker with a St. Christopher statue glued to the dash. The glow-in-the-dark icon guides them past the farm debris, mine ruins, and fracking waste of the northern brow of Appalachia. Yet their world is not a dystopia. Rather, MK and Colleen show why, amid all the desperation, there is still a community of hope, filled with people looking for their neighbours and with survivors who offer joy, laughter and good will.
Christopher was born into this world with difficulties caused by cerebral palsy. Raising Christopher hasn't been easy for Auralee, the single mother of Christopher and his younger sister, Grace.Share in Christopher's journey through his miraculous 33 years of life and witness the angel take Christopher's hand to guide him along the way.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Through the January twilight a sail-boat steered its course by the light of a fire which blazed high in the throat of the chimney at St. Gabriel's Manor. Within the hall, circled by the light from the fire, a Danish hound stretched its lazy length on the floor, and, pillowing his head against the dog's body, lay a boy eight or nine years old. He was a plain laddie, with a freckled nose, a wide mouth, and round apple cheeks over which flaxen curls tumbled in confusion. His big eyes, the redeeming feature of the face, were just now fixed upon the shadows cast by the motion of his joined hands on the wall. At length the lips parted over a row of baby teeth with a gap in the centre, through which the little tongue showed blood-red, as the boy laughed long and loud. "Thee, Knut " he lisped, with that occasional slip of the letter s which was a lingering trick of babyhood and cost him much shame, "is not that broad-shouldered shadow like Couthin Giles? And the tall one, -why, 'tis the very image of Father Mohl And the short one ith Couthin Mary. Look how she bows as she goes before the father And what a fine cowl I have made of my kerchief "
