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1000 tulosta hakusanalla Claud Field

Claude Paysan: roman

Claude Paysan: roman

Ernest Choquette

Createspace Independent Publishing Platform
2016
nidottu
Et, vite le fils Claude et sa vieille m re Julienne avaient tendu l'oreille, jet aux fen tres un regard tonn et inquiet. Cet aboiement, ils le reconnaissaient. Puis toujours, hou... hou... hou... Ils taient alors sortis tout effar s et dans leur anxi t ils avaient bient t aper u, au rebord en pente d'un sillon, Gardien, leur chien, hurlant toujours, avec en face de lui quelque chose tass comme une masse quelconque dans les chaumes frais fauch s. Et devant ce quelque chose, un appel de d tresse du fils, un sanglot suffoquant de la m re, s' taient tout de suite unis aux aboiements du chien... Ce quelque chose c' tait le p re Claude Drioux lui-m me, inconscient, l'oeil sans vie, abattu comme par une massue au milieu des pis jaunes des bl s - sa faux encore son c t . Des alentours, les voisins, occ
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Claus el grande y Claus el pequeño

Claus el grande y Claus el pequeño

Hans Christian Andersen

Createspace Independent Publishing Platform
2017
nidottu
Viv an en un pueblo dos hombres que se llamaban igual: Claus el Grande que ten a cuatro caballos, y Claus el Peque o, due o de uno solo. Durante toda la semana, Claus el Peque o ten a que arar para el Grande, y prestarle su nico caballo; luego Claus el Grande prestaba al otro sus cuatro caballos, pero s lo una vez a la semana: el domingo. Ese d a, Claus el Peque o se mostraba orgulloso arando con los cinco caballos y en cuanto pasaba la gente, gritaba Arre mis cinco caballos .Esto no gustaba a Claus el Grande, que enfadado agarr un mazo y dio un golpe en la cabeza al caballo de Claus el Chico, y lo mat .El pobre Claus, ech ndose a llorar, despellej el animal muerto, puso la piel a secar al viento, la meti en un saco, que se carg a la espalda, y emprendi el camino de la ciudad para ver si la vend a. Se hizo tarde y tuvo que pasar la noche fuera. Al d a siguiente volvi al pueblo cargado de dinero y fue a verle Claus el Grande.
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Claude Gueux

Claude Gueux

Hugo Victor

Createspace Independent Publishing Platform
2017
nidottu
"Claude Gueux" was a short story written by Victor Hugo in 1834. It is considered an early example of "true crime" fiction, and contains Hugo's early thoughts on societal injustice which thirty years later he would flesh out in his novel Les Mis rables. Charles Carlier, merchant, and editor of the Revue de Paris considered the work to be of such great educational value that he arranged for copies to be sent to all the deputies in France.
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Cloud of Witnesses

Cloud of Witnesses

Gordon Pratt Baker

CSS Publishing Company
1994
pokkari
His name was Jesus, and his cause was humanity. It was a cause Jesus did not have to meet alone. There was a cloud of witnesses to bear him out. (from the Introduction) Gordon Pratt Baker offers "cameos of 10 who testified" in his sermon collection. "My purpose in writing is, first, to lift up the concept that the individual, whatever his or her station in life or aptitude, plays no small part in the fulfillment of the Lord's will in the world," writes Baker. He adds that this collection came together out of a long-standing interest in these biblical personalities as individuals in whom we can see our potential selves. In the process of sharpening such an insight it will become increasingly evident that, given the chance, faith will overcome frailty. Personalities in A Cloud Of Witnesses include: Woman of Samaria Mary of Bethany Peter Nicodemus John the Baptist Salome and four others Gordon Pratt Baker, Glenn Burnie, Maryland, is an ordained Untied Methodist minister with 42 years in active service. For 16 of those years he was editor of evangelistic material used by churches of several denominations. This is his third CSS book.
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Cloud 9

Cloud 9

Caryl Churchill

THEATRE COMMUNICATIONS GROUP
1995
nidottu
"Sharp comedy and a serious purpose are splendidly combined in Cloud 9, Caryl Churchill's provocative and amusing study of sexual politics... It unlocks the imagination, liberates the mind, and leaves you weak with laughter." -Time Out "Audacious and savagely funny. Mesmerizing." -Washington Post Cloud 9 is about relationships - between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979, then was revived for a two-year run in New York City (1981). It has since been staged all over the world. Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.
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Cloud-Based Solutions for Healthcare IT

Cloud-Based Solutions for Healthcare IT

Science Publishers,U.S.
2011
sidottu
Offering an introduction to Cloud-based healthcare IT system, this timely book equips healthcare providers with the background necessary to evaluate and deploy Cloud-based solutions to today’s compliance and efficiency issues. Divided into three sections, it first discusses Cloud Service technologies and business models as well as the pros and cons of Cloud Services as compared to traditional in-house IT solutions. The second reviews applications in healthcare and a review of HIPAA and HITECH provisions. Finally, the book addresses the process of adopting Cloud solutions, including vendor evaluation, migration strategies, and managing transition risks. It concludes with a look at related topics and real-world case studies.
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Claude Debussy As I Knew Him and Other Writings of Arthur Hartmann

Claude Debussy As I Knew Him and Other Writings of Arthur Hartmann

University of Rochester Press
2010
pokkari
A record of a ten-year personal friendship, with letters, and insights on other contemporaries. Arthur Hartmann (1881-1956), a celebrated violinist who performed over a thousand recitals throughout Europe and the United States, met Claude Debussy in 1908, after he had transcribed 'Il pleure dans mon coeur' for violin and piano. Their relationship developed into friendship, and in February 1914 Debussy accompanied Hartmann in a performance of three of Hartmann's transcriptions of Debussy's works. The two friends saw each other for the last time on thecomposer's birthday, 22 August 1914, shortly before Hartmann and his family fled Europe to escape the Great War. With the publication of Hartmann's memoir Claude Debussy As I Knew Him, along with the twenty-twoknown letters from Claude Debussy and the thirty-nine letters from Emma Debussy to Hartmann and his wife, the richness and importance of their relationship can be appreciated for the first time. The memoir covers the years 1908-1918. Debussy's letters to Hartmann span the years 1908-1916, and Emma (Mme) Debussy's letters span the years 1910-1932. Also included are the facsimile of Debussy's Minstrels manuscript transcription for violin and piano, three previously unpublished letters from Debussy to Pierre Louÿs, and and correspondence between Hartmann and Béla Bartók, Nina Grieg, Alexandre Guilmant, Charles Martin Loeffler, Marian MacDowell, Hans Richter, and Anton Webern, along with Hartmann's memoirs on Loeffler, Ysaÿe, Joachim and Grieg. Samuel Hsu is a pianist and professor of music at Philadelphia Biblical University. Sidney Grolnic, now retired, was a librarian in the music department of the Free Library of Philadelphia, where he served as curator of the Hartmann Collection. Mark Peters is associate professor of music at Trinity Christian College.
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Claude Vivier

Claude Vivier

Bob Gilmore

University of Rochester Press
2014
sidottu
In 1983, French-Canadian composer Claude Vivier was murdered in Paris at the age of thirty-four. Based on unrestricted access to Vivier's personal archives, this book is the first to tell his story. Claude Vivier's haunting and expressive music has captivated audiences around the world. But the French-Canadian composer is remembered also because of the dramatic circumstances of his death: he was found murdered in his Paris apartment at the age of thirty-four. Given unrestricted access to Vivier's archives and interviews with Vivier's family, teachers, friends, and colleagues, musicologist and biographer Bob Gilmore tells here the full story of Vivier's fascinating life, from his abandonment as a child in a Montreal orphanage to his posthumous acclaim as one of the leading composers of his generation. Expelled from a religious school at seventeen for "lack of maturity," Vivier gave up his ambition to join the priesthood to study composition. Between 1976 and 1983 Vivier wrote the works on which his reputation rests, including Lonely Child, Bouchara, and the operas Kopernikus and Marco Polo. He was also an outspoken presence in the Montreal arts world and gay scene. Vivier left Quebec for Paris in 1982 to work on a new opera, the composition of which was interrupted by his murder. On his desk wasthe manuscript of his last work, uncannily entitled "Do You Believe in the Immortality of the Soul." Vivier's is a tragic but life-affirming story, intimately connected to his passionate music. Bob Gilmore was a notedmusicologist and performer who taught at Brunel University in London. He wrote or edited five previous books, including Harry Partch: A Biography.
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Claude Debussy

Claude Debussy

François Lesure

University of Rochester Press
2019
sidottu
English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy. François Lesure's "critical biography" of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer's life and career as well as of the artistic milieu in whichhe worked. This encyclopedic volume draws extensively on Debussy's complete correspondence (at that time unpublished), a painstaking tracking of contemporary reviews and comments in the press, and an examination of other primary documents-including private diaries-that had not been available to previous biographers. As such, Lesure's book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer's death in 1918. The present English translation and revised edition, by Debussy authority Marie Rolf, augments Lesure's numerous notes with several thousand new ones by Rolf, providing more precise information oncrucial and sometimes contentious points. It also reflects Debussy scholarship that has appeared since 2003, updating Lesure's seminal work. Rolf's translation-the first ever-will make Lesure's findings accessible to scholars, musicians, and music lovers in English-speaking lands and around the world. FRANÇOIS LESURE (1923-2001) was the Director of the Music division of the Bibliothèque nationale de France, Professor of Musicology at the Université libre de Bruxelles, and Chair of Musicology at the École pratique des Hautes Études. MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a memberof the editorial board for the Ouvres complètes de Claude Debussy.
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Nightcharmer and Other Tales of Claude Seignolle

Nightcharmer and Other Tales of Claude Seignolle

Claude Seignolle; Lawrence Durrell

Texas A M University Press
2000
nidottu
These eight tales of mystery and the supernatural feature sorcerers, the Grim Reaper in a horse-drawn coach, a beguiling bird of death, a long-dead saint turned devil, and a whole retinue of creatures of the night. Claude Seignolle, distinguished French ethnographer and folklorist and author of more than twenty-three volumes of short stories and novels, is a master of the "rustic" tale, which depicts folklore and popular traditions of the French countryside. He incarnates Satan as an entity sharing human traits, an evil spirit who identifies himself with human suffering. Seignolle's Gothic stories are not meant merely to terrorize, however; they are intended to revive an oral tradition in danger of becoming extinct. These vignettes, selected and translated into English by Eric H. Deudon, are charged with poetry and mystery; as Lawrence Durrell notes in his foreword, they are strong, truthful, and intense. Seignolle brings to life the wealth of popular legend; by intertwining the boundaries of the real and the supernatural, he reveals that the least conspicuous or most ordinary objects of everyday life can possess unexpected and formidable dimensions. Claude Seignolle's fiction works have been translated into eight languages and adapted for both theater and cinema. These stories will delight anyone who enjoys Gothic tales and the enchanted territory of the fantastic.
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Cloud of Ink

Cloud of Ink

L. S. Klatt

University of Iowa Press
2011
nidottu
On the surface, L. S. Klatt's poems are airy and humorous--with their tales of chickens wandering the highways of Ohio and Winnebago trailers rolling up to heaven and whales bumping like watermelons in a bathtub--but just under the surface they turn disconcertingly serious as they celebrate the fluent word. Under the heat of inquiry, under the pressure of metaphor, the poems in Cloud of Ink liquefy, bend, and serpentine as they seek sometimes a new and sometimes an ancient destination. They present the reader with existential questions as they side-wind into the barbaric; the pear is figured as a 'wild boar' and the octopus is 'gutted,' yet primal energies cut a pathway to the mystical and the transcendent. The poetic cosmos Klatt creates is loquacious and beautiful, strange and affirmative, but never transparent. Amid 'a maelstrom of inklings,' the writer--and the audience--must puzzle out the meaning of the syllabary.
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