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Erich Engelbrecht Introspektive Bilder / Introspective Images

Erich Engelbrecht Introspektive Bilder / Introspective Images

Edition Axel Menges
2019
sidottu
Text in English and German. Erich Engelbrecht (19282011) called his pictures "introspective". He remarked on this: "The introspective image inspects the arena of the soul, the field of operation of archetypes, which constitute the fundamental pattern of our behaviour." We are indebted to C.G. Jung for providing especially deep insights into the nature of archetypes. According to him, they constitute, in their totality, the collective human unconsciousness, and determine our actions. These archetypesbecome visible only in symbolic images. For Werner Haftmann such images are the works of symbol-forming artists of all times. The works of Erich Engelbrecht, whether graphics, oil pictures, gobelins, or wooden and steel figures, appear planimetric and abstract. In his steel figures, for instance, the third dimension exists only in the thickness of the steel plates. This makes his artworks akin to folk tales. In his book The European Folktale, Max Lüthi describes the style of the folk tale as "planimetric and abstract", with projecting all happenings on the level of plot. When the sister cuts her little finger off and uses it to open the door to the glass castle to free herimprisoned brothers in the folk tale The Seven Ravens, no blood flows and we hear no cry of pain.Both the folk tale and the "introspective image" tell a story and use primal images in order to do it. This mode of action of creating a coherence of meaning through a narrative of archetypalimages such as forest, cavern, or sea that rests upon primal human experience is described by C. G. Jung as an "archetypal programme ", a primal behaviour pattern that all human beings follow,regardless of race, culture, or epoch. With the introspective image, as with the folk tale, the creative process must be intuitive and meditative, an immersion in the unconscious. Erich Engelbrecht had no plan or idea for an artwork, merely an empty sheet of paper or canvas in front of him; he made himself receptive, waited, and allowed himself to be guided by the images, a process that he experienced very much as an ordeal and even as a threat to his existence. He did, however, have a sense for when his process of searching was at an end, albeit without understanding the meaning of a picture created in this way. His wife Waltraud Engelbrecht would then try to "read" these images and to derive a coherence of meaning from correspondences of form and colour.
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Erich Engelbrecht Château des Fougis, Parc de sculptures

Erich Engelbrecht Château des Fougis, Parc de sculptures

Edition Axel Menges
2018
nidottu
In their sculptural works, artists have always broken out of the workshop or studio and into open-air spaces. After all, the place where sculptures are best able to show their three-dimensionalquality is in an open space not enclosed by walls and ceiling, in which all flows of power and movement can have free rein. However, because public spaces offer only very limited possibilitiesfor sculpture development, sculpture parks have been developed almost everywhere in the world where invited artists can work without restrictive conditions. During his search for a place in France where he could present his large sculptures, Erich Engelbrecht discovered in 2000 the open, meadow-like land, with the château tucked into a piece of forest behind it. This open space, picturesquely framed by groups of trees, was precisely what he had imagined. And the fact that a château was waiting for its new owner at the end of this tract of land made this discovery a stroke of luck rarely experienced by anyone in general, and almost never by artists in particular. His monumental sculptures that dominate the landscape have given Erich Engelbrecht a place in the history of modern sculpture. His method of drawing images plastically in the space, and of using these drawings transformed into solid bodies to occupy whole landscapes, is unparalleled. The enigma balanced between representationality and the abstract, the multiplicity of meaning, which invites freely poetic titles, is essential to the unique charm of Erich Engelbrecht's visual work. In the park of Château des Fougis, 29 of these artworks, at once plainly revealing and mystifying, communicate with each other in such a relaxed way that visitors are prompted to think and to enjoy. One strolls through a garden of poetic artworks, through a park of beautiful riddles and silent secrets. There has been nothing comparable to this in Europe since the Mannerist gardens, conceived by poets andequipped with creatures of the imagination by inspired sculptors.
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Erich Wulffen - Zwischen Kunst und Verbrechen

Erich Wulffen - Zwischen Kunst und Verbrechen

Erich Wulffen

Regenbrecht Verlag
2015
pokkari
Erich Wulffen (1862-1936) z hlt zu den Wegbereitern des modernen Strafvollzugs, aber auch zu den V tern der deutschen Kriminalpsychologie. Dar ber hinaus schrieb er zehn Romane, zwei Lustspiele und einen Gedichtband. J rgen Seul und Albrecht G tz von Olenhusen legen mit dem Titel Erich Wulfen - Zwischen Kunst und Verbrechen. Kriminalpsychologische Aufs tze und Essays eine Anthologie seiner wichtigsten und besten Aufs tze vor, darunter auch Texte mit kriminologischen Betrachtungen ber Leben und Werke ber hmter Pers nlichkeiten, etwa Goethe, Schiller, Wagner, Karl May, Gerhard Hauptmann und Sigmund Freud. Einige der hier versammelten Aufs tze werden nun erstmals ver ffentlicht.
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