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Like a Tree

Like a Tree

Jean Shinoda Bolen; Terry Tempest Williams

Mango Media
2021
pokkari
A Powerful and Poetic Call to Ecofeminism & Environmental Activism“In this book Jean Bolen expresses the essence of our deep connection to and inseparability from trees.” —Alice WalkerWinner 2020 Indie Book Award for Nature/Environment#1 New Release in Forestry, Forests & RainforestsThis masterful work by internationally known author and speaker Jean Shinoda Bolen provides an insightful look into the fusion of ecological issues and global gender politics.Of trees and women. This book on the importance of trees grew out of Bolen’s experience mourning the loss of a Monterey pine that was cut down in her neighborhood. That, combined with her practice of walking among tall trees, led to her deep connection with trees and an understanding of their many complexities. From their anatomy and physiology, to trees as archetypal and sacred symbols, Bolen expertly explores the dynamics of ecological activism spiritual activism and sacred feminism. And, she invites us to join the movement to save trees.Stories of those making a difference. While there is still much work to be done to address environmental problems, there are many stories of individuals and organizations rising up to make a change and help save our planet. The words and stories that Bolen weaves throughout this book are both inspirational and down-to-earth, calling us to realize what is happening to not only our trees, but our people. By writing about both the work of organizations like Greenpeace and the UN Commission on the Status of Women, Bolen highlights her passions and shares her unique vision for the world.In Like a Tree learn more about:The dynamic nature of trees-from their anatomy to their role as an archetypal symbolPressing social issues such as deforestation, global warming, and overpopulationWhat it means to be a “tree person”If you enjoyed books like The Hidden Life of Trees, Wise Trees, Around the World in 80 Trees, or Braiding Sweetgrass, then you’ll love Like a Tree: How Trees, Women, and Tree People Can Save the Planet.
Like a Captive Bird

Like a Captive Bird

Lunette Warren

Michigan Publishing Services
2023
nidottu
The full extent of Plutarch’s moral educational program remains largely understudied, at least in those aspects pertaining to women and the gendered other. As a result, scholarship on his views on women have differed significantly in their conclusions, with some scholars suggesting that he is overwhelmingly positive towards women and marriage and perhaps even a “precursor to feminism,” and others arguing that he was rather negative on the issue. Like a Captive Bird: Gender and Virtue in Plutarch is an examination of these educational methods employed in Plutarch’s work to regulate the expression of gender identity in women and men. In six chapters, author Lunette Warren analyzes Plutarch’s ideas about women and gender in Moralia and Lives. The book examines the divergences between real and ideal, the aims and methods of moral philosophy and psychagogic practice as they relate to identity formation, and Plutarch’s theoretical philosophy and metaphysics. Warren argues that gender is a flexible mode of being that expresses a relation between body and soul, and that gender and virtue are inextricably entwined. Plutarch’s expression of gender is also an expression of a moral condition that signifies relationships of power, Warren claims, especially power relationships between the husband and wife. Uncovered in these texts is evidence of a redistribution of power, which allows some women to dominate other women and, in rare cases, men too. Like a Captive Bird offers a unique and fresh interpretation of Plutarch’s metaphysics which centers gender as one of the organizational principles of nature. It is aimed at scholars of Plutarch, ancient philosophy, and ancient gender studies, especially those who are interested in feminist studies of antiquity.
Like Wildfire

Like Wildfire

University of South Carolina Press
2020
sidottu
The sit-ins of the American civil rights movement were extraordinary acts of dissent in an age marked by protest. By sitting in at "whites only" lunch counters, libraries, beaches, swimming pools, skating rinks, and churches, young African Americans and their allies put their lives on the line, fully aware that their actions would almost inevitably incite hateful, violent responses from entrenched and increasingly desperate white segregationists. And yet they did so in great numbers: most estimates suggest that in 1960 alone more than seventy thousand young people participated in sit-ins across the American South and more than three thousand were arrested. The simplicity and purity of the act of sitting in, coupled with the dignity and grace exhibited by participants, lent to the sit-in movement's sanctity and peaceful power. In Like Wildfire, editors Sean Patrick O'Rourke and Lesli K. Pace seek to clarify and analyze the power of civil rights sit-ins as rhetorical acts--persuasive campaigns designed to alter perceptions of apartheid social structures and to change the attitudes, laws, and policies that supported those structures. These cohesive essays from leading scholars offer a new appraisal of the origins, growth, and legacy of the sit-ins, which has gone largely ignored in scholarly literature. The authors examine different forms of sitting-in and the evolution of the rhetorical dynamics of sit-in protests, detailing the organizational strategies they employed and connecting them to later protests. By focusing on the persuasive power of demanding space, the contributors articulate the ways in which the protestors' battle for basic civil rights shaped social practices, laws, and the national dialogue. O'Rourke and Pace maintain that the legacies of the civil rights sit-ins have been many, complicated, and at times undervalued.
Like Bismuth When I Enter

Like Bismuth When I Enter

Carlos Lara

Nightboat Books
2020
pokkari
In Like Bismuth When I Enter, Carlos Lara engages in the purely creative aspect of language—its synthesis of dream and waking world. In these vibrant, hallucinatory poems, inspired by the element bismuth and its iridescent, surrealist structure, Lara attempts to produce a collective surge of new imagery, new mind states, and structural undoings. Like Bismuth When I Enter captures that moment when the universe strikes one with the unmistakable reminder of mystery via the quotidian and the elemental.
like a solid to a shadow

like a solid to a shadow

Janice Lobo Sapiago

Nightboat Books
2022
pokkari
A reissue of the Santa Clara County poet laureate's lauded second book that deals with translation, grief, and reflection of lineage and identity. like a solid to a shadow is a documentary poetry collection about grieving, fatherlessness, and the limitations of language. Sapigao finds her deceased father’s love ‘letters’ to her mother: cassette tapes recorded in Illokano, a language of which she has imperfect knowledge. The book moves through Sapigao’s process of translating and transcribing the tapes; playing with, learning, and unlearning the Ilokano and English languages. This book then launches from the tapes to ask “what can we really know?” when it comes to family lineages and personal histories. Through family trees, photos, and mapping, Sapigao articulates, distorts, and heals her knowledge of the man who is her deceased father.
Like a Lotus

Like a Lotus

Veronica Trunzo

austin macauley publishers llc
2021
sidottu
Veronica seemed to have what so many strive for: a good home, a wonderful fianc , a well-paying job. But none of that gave her the purpose and joy she longed for. So in 2013, she began a journey of self discovery, adventure, and freedom. Running a guesthouse in dusty and blissful Cambodia; climbing to mountain peaks in Indonesia and Nepal; even getting lost in the depths of Chinese countryside, she learned that the path you choose to follow doesn't have to be the one laid out in front of you.
Like Whitewashed Tombs

Like Whitewashed Tombs

Ryan Sayles

Down Out Books
2022
pokkari
In the city of Rigid Creek, ugly things have come to blot out the light. Corporal Joshua Marks struggles with his place life. A veteran officer and respected leader, he's reached the end of his tenure. Widowed, months from retirement, called to the priesthood. His partner, Officer Bale Hammond, a once respected hotshot who has slowly left a trail of errors and questionable actions. Burned-out, unsatisfied, tortured. As autumn settles along the city, a man robs a liquor store for some quick cash but winds up leaving two dead bodies. The murderer escapes the police, only to be squeezed by both his dealer and his loan shark for more. Always more. Tensions escalate as both Corporal Marks and Officer Hammond reach impasses in every aspect of their lives as well as their partnership. All the liquor store robber sees is an ever-increasing amount to his debt. A fantastic storm on Halloween. Violation and carnage. Extreme failures. Corporal Marks looks at his world crashing around him, wanting to save his friend and partner from his self-induced downward spiral. Wanting to show him the light cannot be blotted out, even when they're in full dark. Officer Hammond wants to fix his broken life, but only has broken tools to use. Wants to stop feeling like a corpse with a pulse only because even death isn't through with him yet. They all want redemption, but violence keeps getting in the way.
Like-Minded Individuals

Like-Minded Individuals

Beau Johnson

Down Out Books
2025
pokkari
Bishop Rider may be dead but the mission lives on. Jeramiah Abrum, the son of the man who murdered Bishop Rider's mother and sister, picking up the mantle of the man who would not stop and running with it in ways Bishop Rider never could. Involving bigger moves, bolder plays, and if he's lucky, an army who comes to understand that saving people or stopping them, the choice has never been clearer. In Like-Minded Individuals, the endgame begins. Come see how they make them burn. Critical Acclaim for Like-Minded Individuals: "Like-Minded Individuals is a cleaver to a gangrenous thigh, purification through pain. Johnson hurtles the reader into a burning lake of Old Testament vengeance, a vivid and visceral mediation on justice, an ethical dilemma coated in blood and gasoline." -Meagan Lucas, Anthony-nominated author of Here in the Dark "Once again, Beau has delivered the goods, violent, brutal and emotive goods. Heartfelt yet hurtful and not without lessons. Some heroes are monsters, and sometimes they're precisely what we need." -John Boden, author of Snarl and Jedi Summer "With a new man at the helm, the mission of Bishop Rider continues. But as Abrum's resources and boldness grows, he find himself more vulnerable than ever. An episodic novel every bit as brutal as its predecessors, a splatterpunk take on crime fiction." -Elford Alley, author of Apartment 239 "Violent, gripping, and relentless, Johnson proves yet again he doesn't simply push the envelope of crime fiction, he sends it past Mach Ten. Like-Minded Individuals is the perfect fix for all Bishop Rider addicts. As the song says, 'If you want blood, you got it.'" -Mike McHone, award-winning author "Bishop Rider's legacy is alive and deeply unwell in the charnel house that is Like-Minded Individuals. Beau Johnson expands both his mythology and his repertoire of grisly retribution as the next generation takes control." -Scott Von Doviak, author of Lowdown Road "There are two authors I automatically pre-order: Tana French and Beau Johnson. You do not want to miss Like-Minded Individuals. Beau turns vengeance into a ballet. One of the best books you will read this year." -Eryk Pruitt, author of Blood Red Summer "Like-Minded Individuals is a blistering addition to the Bishop Rider mythos. Johnson has a dark gift, and his tales of retribution offer more than entertainment as his characters pursue their own versions of justice and morality in a broken world. I'm a big fan." -Laura McHugh, award-winning author of What's Done in Darkness "Bloody. Wonderful." -Stephen Mack Jones, author of the August Snow thriller series
Like Snowmen

Like Snowmen

Patricia Bouton-Masoni

Rosedog Books
2019
nidottu
A father and his young son are on a walk after a snowfall. They stop to view a lone snowman in a front yard - life-size with coal eyes, a carrot nose, a scarf and hat. "When you think of it," Silvio, the father says, his mood serious, "we're all like snowmen. We, the human race, disappear into the ground just like they do. So what does it matter what I do - anyone - in that case? And why should I tell you at your young age? Because something is important." He makes a snowball and throws it ahead of them. "While here, we've got to follow what we believe in. It's an obligation to ourselves, figlio mio. An obligation to the ones we love." The hat droops too far over the snowman's face. Silvio walks over and adjusts it. Looking up at the sky, he says, "Sun's coming out. He'll melt soon." They walk on and, while holding his son's hand, he gives it two quick squeezes.When Silvio Simonetti makes the decision to quit the New York Mafia he knows his days are numbered. He is shot while at a restaurant in the Bronx and, by mistake, his wife is also shot. Gaetano, their son, who is seven, is a witness to their deaths. Now in his forties, in a seaside town in Italy as a trusted member of the Mafia, Gaetano is working out plans with the Sicilian Mafia to successfully distribute heroin through the northern parts of that country. In reality, he is an informer for the FBI. Gaetano stays at a pension owned by Gemma, her husband, Ugo, and her family. The impact of their deaths is a cause of drama and change in the lives of the characters. Gemma and Gaetano have a love that questions a future. The death of Silvio by the Mafia results in a formidable consequence for the Mafia. About the AuthorPatricia Bouton-Masoni lives in the Washington D.C. area with her Italian-born husband. They visit their three children in New Mexico and New Hampshire. She is the author of two other works of fiction and a memoir. She has finished another novel yet to be published.
Like Ravens in Winter

Like Ravens in Winter

Brenda Stanley

Black Opal Books
2019
pokkari
When network news producer, Elle McCord, is assigned to Iraq at the beginning of the Gulf War, she feels her career is beginning to take off. But when her mother informs her that her elderly and ill aunt is about to give away the family farm to a mysterious stranger, Elle takes a detour to try and stop the man who is at the heart of it all.
Like Love: Essays and Conversations

Like Love: Essays and Conversations

Maggie Nelson

GRAYWOLF PRESS
2024
sidottu
A career-spanning collection of inspiring, revelrous essays about art and artistsLike Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide--from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker--but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.
Like Love: Essays and Conversations

Like Love: Essays and Conversations

Maggie Nelson

GRAYWOLF PRESS
2025
nidottu
A career-spanning collection of inspiring, revelrous essays about art and artistsLike Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide--from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker--but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.
Like a Drop of Ink in a Downpour

Like a Drop of Ink in a Downpour

Yelena Lembersky

Academic Studies Press
2022
pokkari
Like a Drop of Ink in a Downpour: in Soviet Russia is a memoir that traces the lives of a girl, Al?na, her mother and her grandmother, and their quest to preserve the legacy of Al?na's late grandfather, a prominent artist who depicted the Holocaust. For years his canvases are locked away in their apartment with no hope of being exhibited because of art policies of the state. When the family decides to emigrate the unexpected happens: Al?na's father refuses to let her go, her grandmother leaves alone with the paintings, and her mother is accused of a fabricated crime and incarcerated. She serves her sentence at the notorious Kresti prison, Sablino labor camp, and as an exile with compulsory labor in Gorky. The wonder of childhood and motherhood persists amid their battles, and three generations of women call on their resilience to find their way back to one another. Narrated in the voices of the girl and her mother, their shifting perspectives creates a vivid view of women and girls in Leningrad of the '70s and '80s.