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Crochet Monsters

Crochet Monsters

Megan Lapp

STACKPOLE BOOKS
2024
pokkari
With 37 Monster body options, plus myriad variations for limbs, mouths and teeth, horns, antennae, tails, scales, and so much more, you will never make the same Monster twice. Choose from wide open mouths with fangs to adorable Monsters with bunny ears and a cat tail to Monsters with hair poufs and scales. Make one-eyed spiders or three-eyed aliens, dragons with scales or little friends that don’t match any known monster to date. There is nearly no limit to the variations you can combine! All Monsters use worsted weight and/or sport weight yarn and a size G-6 (4 mm) hook. Patterns are appropriate for beginner through advanced crocheters. If a stitch is new to you, just turn to the Glossary for detailed instructions on how to work it. Photos are included for each pattern piece and any complex stitches so you can be sure you are on the right track as you work. Choosing your next Monster’s look is half the fun. Get family and friends involved in picking options for their own Monster and share the creativity! Get excited for these Monsters to skitter, galumph, stomp, and roll right off your hook!
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Crochet Snails and Mushroom Sprites

Crochet Snails and Mushroom Sprites

Megan Lapp

STACKPOLE BOOKS
2025
nidottu
Jump into this crochet cottagecore collection full of snail steeds and mushroom riders! Mushroom Sprites and Snails are a delightful pairing, offering endless possibilities for crafting magical creatures. With Mushroom Sprites available in various sizes, limb options, and cap styles, and Snails in small, medium, and giant sizes with round or pointed shells, this book provides everything you need to create a whimsical duo. As a bonus, you'll find instructions for leashes, reins, and saddles that allow the Mushroom Sprites to take their Snails on adventures through meadows and forests. Patterns are accessible for all skill levels, with simpler mushroom shapes for beginners and intricate spiraling shells and colorwork for more advanced crafters. All patterns include detailed photos so you can easily follow the instructions to create enchanting amigurumi. Use the included photo galleries and planning sheets to design your unique creatures and track your progress, and refer to the Glossary of Terms and Stitches for helpful guidance along the way. You'll soon be enjoying the company of a whole fairy ring of Mushroom Sprites and their Snail companions!
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Stir It Up

Stir It Up

Megan J. Elias

University of Pennsylvania Press
2010
pokkari
For Americans who came of age in the mid-twentieth century, home economics conjures memories of burnt toast and sewing disasters. But as historian Megan Elias shows in Stir It Up, home economics began as an idealistic reform movement in higher education in the early 1900s. Leaders of this movement sought to discover and disseminate the best methods for performing domestic work while creating new professional options for women that were based on elements of home life. Home and family were treated as subjects for scientific analysis; students wore lab coats while baking bread and performed rigorous tests on the palatability of their work. The Federal Bureau of Home Economics supplied a grateful audience with informational bulletins as Americans seemed to accept the idea that home could be a site for social change. A major shift occurred in the 1950s, when new ideas about women's roles seemed to divert home economics into more traditional channels, and "home ec" became identified with the era's conformist culture. Even as home economists were redefining family dynamics and influencing government policies, such as school lunch programs, their field was becoming an object of scorn, especially to the feminists of the 1960s. Stir It Up explains what the successes and failures of home economists can tell us about American culture. The book concludes with an examination of contemporary attitudes toward domesticity, putting the phenomena of Martha Stewart, Rachael Ray, Ty Pennington, and the "Mommy Wars" into historical context.
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Pan American Women

Pan American Women

Megan Threlkeld

University of Pennsylvania Press
2020
pokkari
In the years following World War I, women activists in the United States and Europe saw themselves as leaders of a globalizing movement to promote women's rights and international peace. In hopes of advancing alliances, U.S. internationalists such as Jane Addams, Carrie Chapman Catt, and Doris Stevens reached across the border to their colleagues in Mexico, including educator Margarita Robles de Mendoza and feminist Hermila Galindo. They established new organizations, sponsored conferences, and rallied for peaceful relations between the two countries. But diplomatic tensions and the ongoing Mexican Revolution complicated their efforts. In Pan American Women, Megan Threlkeld chronicles the clash of political ideologies between U.S. and Mexican women during an era of war and revolution. Promoting a "human internationalism" (in the words of Addams), U.S. women overestimated the universal acceptance of their ideas. They considered nationalism an ethos to be overcome, while the revolutionary spirit of Mexico inspired female citizens there to embrace ideas and reforms that focused on their homeland. Although U.S. women gradually became less imperialistic in their outlook and more sophisticated in their organizational efforts, they could not overcome the deep divide between their own vision of international cooperation and Mexican women's nationalist aspirations. Pan American Women exposes the tensions of imperialism, revolutionary nationalism, and internationalism that challenged women's efforts to build an inter-American movement for peace and equality, in the process demonstrating the importance of viewing women's political history through a wider geographic lens.
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Pan American Women

Pan American Women

Megan Threlkeld

University of Pennsylvania Press
2014
sidottu
In the years following World War I, women activists in the United States and Europe saw themselves as leaders of a globalizing movement to promote women's rights and international peace. In hopes of advancing alliances, U.S. internationalists such as Jane Addams, Carrie Chapman Catt, and Doris Stevens reached across the border to their colleagues in Mexico, including educator Margarita Robles de Mendoza and feminist Hermila Galindo. They established new organizations, sponsored conferences, and rallied for peaceful relations between the two countries. But diplomatic tensions and the ongoing Mexican Revolution complicated their efforts. In Pan American Women, Megan Threlkeld chronicles the clash of political ideologies between U.S. and Mexican women during an era of war and revolution. Promoting a "human internationalism" (in the words of Addams), U.S. women overestimated the universal acceptance of their ideas. They considered nationalism an ethos to be overcome, while the revolutionary spirit of Mexico inspired female citizens there to embrace ideas and reforms that focused on their homeland. Although U.S. women gradually became less imperialistic in their outlook and more sophisticated in their organizational efforts, they could not overcome the deep divide between their own vision of international cooperation and Mexican women's nationalist aspirations. Pan American Women exposes the tensions of imperialism, revolutionary nationalism, and internationalism that challenged women's efforts to build an inter-American movement for peace and equality, in the process demonstrating the importance of viewing women's political history through a wider geographic lens.
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Food on the Page

Food on the Page

Megan J. Elias

University of Pennsylvania Press
2017
sidottu
What is American food? From barbecue to Jell-O molds to burrito bowls, its history spans a vast patchwork of traditions, crazes, and quirks. A close look at these foods and the recipes behind them unearths a vivid map of American foodways: how Americans thought about food, how they described it, and what foods were in and out of style at different times. In Food on the Page, the first comprehensive history of American cookbooks, Megan J. Elias chronicles cookbook publishing from the early 1800s to the present day. Following food writing through trends such as the Southern nostalgia that emerged in the late nineteenth century, the Francophilia of the 1940s, countercultural cooking in the 1970s, and today's cult of locally sourced ingredients, she reveals that what we read about food influences us just as much as what we taste. Examining a wealth of fascinating archival material-and rediscovering several all-American culinary delicacies and oddities in the process-Elias explores the role words play in the creation of taste on both a personal and a national level. From Fannie Farmer to The Joy of Cooking to food blogs, she argues, American cookbook writers have commented on national cuisine while tempting their readers to the table. By taking cookbooks seriously as a genre and by tracing their genealogy, Food on the Page explains where contemporary assumptions about American food came from and where they might lead.
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The Poet and the Antiquaries

The Poet and the Antiquaries

Megan L. Cook

University of Pennsylvania Press
2019
sidottu
Between 1532 and 1602, the works of Geoffrey Chaucer were published in no less than six folio editions. These were, in fact, the largest books of poetry produced in sixteenth-century England, and they significantly shaped the perceptions of Chaucer that would hold sway for centuries to come. But it is the stories behind these editions that are the focus of Megan L. Cook's interest in The Poet and the Antiquaries. She explores how antiquarians-historians, lexicographers, religious polemicists, and other readers with a professional, but not necessarily literary, interest in the English past-played an indispensable role in making Chaucer a figure of lasting literary and cultural importance. After establishing the antiquarian involvement in the publication of the folio editions, Cook offers a series of case studies that discuss Chaucer and his works in relation to specific sixteenth-century discourses about the past. She turns to early accounts of Chaucer's biography to show how important they were in constructing the poet as a figure whose life and works could be known, understood, and valued by later readers. She considers the claims made about Chaucer's religious views, especially the assertions that he was a proto-Protestant, and the effects they had on shaping his canon. Looking at early modern views on Chaucerian language, she illustrates how complicated the relations between past and present forms of English were thought to be. Finally, she demonstrates the ways in which antiquarian readers applied knowledge from other areas of scholarship to their reading of Middle English texts. Linking Chaucer's exceptional standing in the poetic canon with his role as a symbol of linguistic and national identity, The Poet and the Antiquaries demonstrates how and why Chaucer became not only the first English author to become a subject of historical inquiry but also a crucial figure for conceptualizing the medieval in early modern England.
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Making the Miscellany

Making the Miscellany

Megan Heffernan

University of Pennsylvania Press
2021
sidottu
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled-and obscured-the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.
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Citizens of the World

Citizens of the World

Megan Threlkeld

UNIVERSITY OF PENNSYLVANIA PRESS
2022
sidottu
Between 1900 and 1950, many internationalist U.S. women referred to themselves as "citizens of the world." This book argues that the phrase was not simply a rhetorical flourish; it represented a demand to participate in shaping the global polity and an expression of women's obligation to work for peace and equality. The nine women profiled here invoked world citizenship as they promoted world government-a permanent machinery to end war, whether in the form of the League of Nations, the United Nations, or a full-fledged world federation. These women agreed neither on the best form for such a government nor on the best means to achieve it, and they had different definitions of peace and different levels of commitment to genuine equality. But they all saw themselves as part of a global effort to end war that required their participation in the international body politic. Excluded from full national citizenship, they saw in the world polity opportunities for engagement and equality as well as for peace. Claiming world citizenship empowered them on the world stage. It gave them a language with which to advocate for international cooperation. Citizens of the World not only provides a more complete understanding of the kind of world these women envisioned and the ways in which they claimed membership in the global community. It also draws attention to the ways in which they were excluded from international institution-building and to the critiques many of them leveled at those institutions. Women's arguments for world government and their practices of world citizenship represented an alternative reaction to the crises of the first half of the twentieth century, one predicated on cooperation and equality rather than competition and force.
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Memory and Power at L'Hermitage Plantation

Memory and Power at L'Hermitage Plantation

Megan M. Bailey

University Press of Florida
2024
sidottu
In this book, Megan Bailey uses archaeological data and historical records to document the treatment of enslaved people at L’Hermitage Plantation in Maryland from 1794 to 1827. Bailey uses the concept of the “nervous landscape”-a space where power is not absolute and where resistance is possible-to show how the Vincendière family’s fear of losing control of their workforce drove their brutality.Bailey shows how the Vincendières’ strategies to maintain their power were inscribed in the plantation’s landscapes through the design of the enslaved peoples’ village, which maximized surveillance and control while suppressing individuality. Despite the family’s behavior, enslaved people found ways to exercise agency, including through use of yard space, forming relationships with local residents, and running away. Considering fear and anxiety as a fundamental element of the colonial experience, Bailey argues that emotion should be considered in archaeological analyses of the past.Today, L’Hermitage Plantation is a part of the Monocacy National Battlefield operated by the National Park Service. Bailey discusses the public interpretation of the site and how excavations of the plantation highlighted a more complicated narrative than the prevailing story of Civil War conflict and heroism. Memory and Power at L’Hermitage Plantation uses archaeology to connect the Vincendières to the present-day landscape in a complex, layered narrative of precarity and control.
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Memory and Power at L'Hermitage Plantation

Memory and Power at L'Hermitage Plantation

Megan M. Bailey

University Press of Florida
2024
pokkari
In this book, Megan Bailey uses archaeological data and historical records to document the treatment of enslaved people at L’Hermitage Plantation in Maryland from 1794 to 1827. Bailey uses the concept of the “nervous landscape”-a space where power is not absolute and where resistance is possible-to show how the Vincendière family’s fear of losing control of their workforce drove their brutality.Bailey shows how the Vincendières’ strategies to maintain their power were inscribed in the plantation’s landscapes through the design of the enslaved peoples’ village, which maximized surveillance and control while suppressing individuality. Despite the family’s behavior, enslaved people found ways to exercise agency, including through use of yard space, forming relationships with local residents, and running away. Considering fear and anxiety as a fundamental element of the colonial experience, Bailey argues that emotion should be considered in archaeological analyses of the past.Today, L’Hermitage Plantation is a part of the Monocacy National Battlefield operated by the National Park Service. Bailey discusses the public interpretation of the site and how excavations of the plantation highlighted a more complicated narrative than the prevailing story of Civil War conflict and heroism. Memory and Power at L’Hermitage Plantation uses archaeology to connect the Vincendières to the present-day landscape in a complex, layered narrative of precarity and control.
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Abject Relations

Abject Relations

Megan Warin

Rutgers University Press
2009
sidottu
Abject Relations presents an alternative approach to anorexia, long considered the epitome of a Western obsession with individualism, beauty, self-control, and autonomy. Through detailed ethnographic investigations, Megan Warin looks at the heart of what it means to live with anorexia on a daily basis. Participants describe difficulties with social relatedness, not being at home in their body, and feeling disgusting and worthless. For them, anorexia becomes a seductive and empowering practice that cleanses bodies of shame and guilt, becomes a friend and support, and allows them to forge new social relations.Unraveling anorexia's complex relationships and contradictions, Warin provides a new theoretical perspective rooted in a socio-cultural context of bodies and gender. Abject Relations departs from conventional psychotherapy approaches and offers a different "logic," one that involves the shifting forces of power, disgust, and desire and provides new ways of thinking that may have implications for future treatment regimes.
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Abject Relations

Abject Relations

Megan Warin

Rutgers University Press
2009
nidottu
Abject Relations presents an alternative approach to anorexia, long considered the epitome of a Western obsession with individualism, beauty, self-control, and autonomy. Through detailed ethnographic investigations, Megan Warin looks at the heart of what it means to live with anorexia on a daily basis. Participants describe difficulties with social relatedness, not being at home in their body, and feeling disgusting and worthless. For them, anorexia becomes a seductive and empowering practice that cleanses bodies of shame and guilt, becomes a friend and support, and allows them to forge new social relations.Unraveling anorexia's complex relationships and contradictions, Warin provides a new theoretical perspective rooted in a socio-cultural context of bodies and gender. Abject Relations departs from conventional psychotherapy approaches and offers a different "logic," one that involves the shifting forces of power, disgust, and desire and provides new ways of thinking that may have implications for future treatment regimes.
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Divergent Paths to College

Divergent Paths to College

Megan M Holland

Rutgers University Press
2019
nidottu
In Divergent Paths to College, Megan M. Holland examines how high schools structure different pathways that lead students to very different college destinations based on race and class. She finds that racial and class inequalities are reproduced through unequal access to key sources of information, even among students in the same school and even in schools with well-established college-going cultures. As the college application process becomes increasingly complex and high-stakes, social capital, or relationships with people who can provide information as well as support and guidance, becomes much more critical. Although much has been written about the college-bound experience, we know less about the role that social capital plays, and specifically how high schools can serve as organizational brokers of social ties. The relationships that high schools cultivate between students and higher education institutions by inviting college admissions officers into their schools to market to students, is a particularly critical, yet unexplored source of college information.
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Divergent Paths to College

Divergent Paths to College

Megan M Holland

Rutgers University Press
2019
sidottu
In Divergent Paths to College, Megan M. Holland examines how high schools structure different pathways that lead students to very different college destinations based on race and class. She finds that racial and class inequalities are reproduced through unequal access to key sources of information, even among students in the same school and even in schools with well-established college-going cultures. As the college application process becomes increasingly complex and high-stakes, social capital, or relationships with people who can provide information as well as support and guidance, becomes much more critical. Although much has been written about the college-bound experience, we know less about the role that social capital plays, and specifically how high schools can serve as organizational brokers of social ties. The relationships that high schools cultivate between students and higher education institutions by inviting college admissions officers into their schools to market to students, is a particularly critical, yet unexplored source of college information.
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Mapping Hispaniola

Mapping Hispaniola

Megan J. Myers

University of Virginia Press
2019
sidottu
Because of their respective histories of colonization and independence, the Spanish-speaking Dominican Republic has developed into the largest economy of the Caribbean, while Haiti, occupying the western side of their shared island of Hispaniola, has become one of the poorest countries in the Americas. While some scholars have pointed to such disparities as definitive of the island’s literature, Megan Jeanette Myers challenges this reduction by considering how certain literary texts confront the dominant and, at times, exaggerated anti-Haitian Dominican ideology.Myers examines the antagonistic portrayal of the two nations—from the anti-Haitian rhetoric of the intellectual elites of Dominican dictator Rafael Trujillo’s rule to the writings of Julia Alvarez, Junot Díaz, and others of the Haitian diaspora—endeavoring to reposition Haiti on the literary map of the Dominican Republic and beyond. Focusing on representations of the Haitian-Dominican dynamic that veer from the dominant history, Mapping Hispaniola disrupts the "magnification" and repetition of a Dominican anti-Haitian narrative.
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Mapping Hispaniola

Mapping Hispaniola

Megan J. Myers

University of Virginia Press
2019
pokkari
Because of their respective histories of colonization and independence, the Spanish-speaking Dominican Republic has developed into the largest economy of the Caribbean, while Haiti, occupying the western side of their shared island of Hispaniola, has become one of the poorest countries in the Americas. While some scholars have pointed to such disparities as definitive of the island’s literature, Megan Jeanette Myers challenges this reduction by considering how certain literary texts confront the dominant and, at times, exaggerated anti-Haitian Dominican ideology.Myers examines the antagonistic portrayal of the two nations—from the anti-Haitian rhetoric of the intellectual elites of Dominican dictator Rafael Trujillo’s rule to the writings of Julia Alvarez, Junot Díaz, and others of the Haitian diaspora—endeavoring to reposition Haiti on the literary map of the Dominican Republic and beyond. Focusing on representations of the Haitian-Dominican dynamic that veer from the dominant history, Mapping Hispaniola disrupts the "magnification" and repetition of a Dominican anti-Haitian narrative.
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Seeming Human

Seeming Human

Megan Ward

Ohio State University Press
2018
sidottu
Seeming Human: Artificial Intelligence and Victorian Realist Character offers a new theory of realist character through character's unexpected afterlife: the intelligent machine. The book contends that mid-twentieth-century versions of artificial intelligence (AI) offer a theory of verisimilitude omitted by traditional histories of character, which often focus on the development of interiority and the shift from "flat" to "round" characters in the Victorian era. Instead, by reading character through AI, Megan Ward's Seeming Human argues that routinization, predictability, automation, and even flatness are all features of realist characters. Early artificial intelligence movements such as cybernetics, information theory, and the Turing test define ways of seeming-rather than being-human. Using these theories of verisimilitude to read Victorian novelists such as Elizabeth Gaskell, Margaret Oliphant, Anthony Trollope, Thomas Hardy, and Henry James, Seeming Human argues that mechanicity has been perceived as anti-realist because it is the element that we least want to identify as human. Because AI produces human-like intelligence, it makes clear that we must actually turn to machines in order to understand what makes realist characters seem so human.
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Ecologies of Harm

Ecologies of Harm

Megan Eatman

Ohio State University Press
2020
sidottu
Ecologies of Harm: Rhetorics of Violence in the United States examines violent spectacles and their quotidian manifestations in order to better understand violence's cultural work and persistence. Starting with the supposition that violence is communicative andmeant to "send a message"--be it to deter, to scare, or to threaten--Megan Eatman goes one step further to argue that violence needs to be understood on a deeper level: as direct, structural, cultural, and constitutive across modes, a formulation that requires rethinking its rhetorical aims as less about conscious persuasion and more about the gradual shaping of public identity. While Eatman looks to examples of violent spectacles to make her case (lynching, capital punishment, and torture in the War on Terror), it is in her analysis of more mundane responses to these forms of violence (congressional debates, court documents, visual art, and memorial performance) where the key to her argument lies--as she shows how circulating violence in these ways produces violent rhetorical ecologies that facilitate some modes of being while foreclosing others. Through this ecological approach, Ecologies of Harm offers a new understanding of the debates surrounding legacies of violence, examines how rhetoric and violence function together, and explores implications of their entanglement for antiviolence work.
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