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1000 tulosta hakusanalla Richard Merichard Twebaze
Original Letters Of His Excellency Sir Richard Fanshaw
Richard Fanshawe
KESSINGER PUBLISHING, LLC
2009
pokkari
The Works Of The Late Richard Brinsley Sheridan (1821)
Richard Brinsley Sheridan
KESSINGER PUBLISHING, LLC
2009
pokkari
The Works Of Richard Brinsley Sheridan V2
Richard Brinsley Sheridan
KESSINGER PUBLISHING, LLC
2009
pokkari
Letters Of Richard Radcliffe And John James Of Queen's College, Oxford, 1755-83 (1888)
Richard Radcliffe; John James
KESSINGER PUBLISHING, LLC
2009
nidottu
English Puritans of the Stuart era were divided by a number of questions. The greatest of these asked what constitutes salvation and restoration from sin. All agreed that it was by grace through faith. But few could agree on how to define sin, grace, and faith. Richard Sibbes consciously followed Augustine, Martin Luther, and John Calvin in defining sin as self-love and grace as God's redemptive love in Christ. His theology centered on the love of God expressed through Christ and offered by the Spirit; and faith as a response to that love. This produced a winsome and transforming theology of union with Christ and communion with God. In this he was a counterweight to the spread of moralistic Puritan theologies in his day.
The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views.
Richard Bancroft and Elizabethan Anti-Puritanism
Patrick Collinson
Cambridge University Press
2013
sidottu
This major new study is an exploration of the Elizabethan Puritan movement through the eyes of its most determined and relentless opponent, Richard Bancroft, later Archbishop of Canterbury. It analyses his obsession with the perceived threat to the stability of the church and state presented by the advocates of radical presbyterian reform. The book forensically examines Bancroft's polemical tracts and archive of documents and letters, casting important new light on religious politics and culture. Focussing on the ways in which anti-Puritanism interacted with Puritanism, it also illuminates the process by which religious identities were forged in the early modern era. The final book of Patrick Collinson, the pre-eminent historian of sixteenth-century England, this is the culmination of a lifetime of seminal work on the English Reformation and its ramifications.
The US-European relationship remains the closest and most important alliance in the world. Since 1945, successive American presidents each put their own touches on transatlantic relations, but the literature has reached only into the presidency of Lyndon Johnson (1963–9). This first study of transatlantic relations during the era of Richard Nixon shows a complex, turbulent period during which the postwar period came to an end, and the modern era came to be on both sides of the Atlantic in terms of political, economic, and military relations.
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Originally published in 1937, this book contains a biography of Richard Porson, the classical scholar who developed Porson's Law and whose handwriting formed the basis of the Porson typeface. Clarke details Porson's life and includes samples of Porson's handwriting and personal letters. This book will be of value to anyone with an interest in Porson's life and work.
The US-European relationship remains the closest and most important alliance in the world. Since 1945, successive American presidents each put their own touches on transatlantic relations, but the literature has reached only into the presidency of Lyndon Johnson (1963–9). This first study of transatlantic relations during the era of Richard Nixon shows a complex, turbulent period during which the postwar period came to an end, and the modern era came to be on both sides of the Atlantic in terms of political, economic, and military relations.
Richard Bancroft and Elizabethan Anti-Puritanism
Patrick Collinson
Cambridge University Press
2016
pokkari
This major new study is an exploration of the Elizabethan Puritan movement through the eyes of its most determined and relentless opponent, Richard Bancroft, later Archbishop of Canterbury. It analyses his obsession with the perceived threat to the stability of the church and state presented by the advocates of radical presbyterian reform. The book forensically examines Bancroft's polemical tracts and archive of documents and letters, casting important new light on religious politics and culture. Focussing on the ways in which anti-Puritanism interacted with Puritanism, it also illuminates the process by which religious identities were forged in the early modern era. The final book of Patrick Collinson, the pre-eminent historian of sixteenth-century England, this is the culmination of a lifetime of seminal work on the English Reformation and its ramifications.
Originally published in 1941, this monograph by historian Anthony Steel assesses the character and policies of Richard II, who reigned in a time of tremendous literary and artistic change which was also underpinned by great political and religious uncertainty. Steel puts the monarch in his context as a medieval ruler during an era when the structures of the medieval period were beginning to fracture, particularly the strict hierarchy which separated peasant from lord. With an introduction by distinguished historian G. M. Trevelyan, this book will be of value to anyone with an interest in medieval history.
The celebrated classicist Richard Bentley (1662–1742) was elected Master of Trinity College, Cambridge in 1700. He corresponded with many respected thinkers and scholars, based in Paris, Naples, Berlin, Amsterdam, Rotterdam, Copenhagen, Hamburg and elsewhere around the world. These two volumes of his correspondence, first published in 1842 and now reissued, provide fascinating insights into Bentley's thought and the intellectual world he inhabited. Volume 1 contains letters, mostly in Latin, written and received between 1689 and 1712. They appear in chronological order, and shed light on relationships between scholars of different generations and nationalities, and often opposing religious, moral, political, and literary opinions. Exceptionally noteworthy in this volume is Bentley's correspondence with Archbishop Wake and the Earl of Oxford, as well as four letters from Sir Isaac Newton.
The celebrated classicist Richard Bentley (1662–1742) was elected Master of Trinity College, Cambridge in 1700. He corresponded with many respected thinkers and scholars, based in Paris, Naples, Berlin, Amsterdam, Rotterdam, Copenhagen, Hamburg and elsewhere around the world. These two volumes of his correspondence, first published in 1842 and now reissued, provide fascinating insights into Bentley's thought and the intellectual world he inhabited. Volume 2 contains letters, mostly in Latin, written and received by Bentley between 1712 and 1740, two years before his death at the age of 81. They appear in chronological order, and shed light on relationships between scholars of different generations and nationalities, and often opposing religious, moral, political, and literary opinions. Exceptionally noteworthy in this volume is Bentley's correspondence relating to his controversial tenure as Master of Trinity College.
Francis Hueffer (1843–1889) was music critic for The Times from 1878 to 1889 and was also secretary of the Wagner Society founded in 1873. This 1874 book, much of it originally published in the Fortnightly Review, considers Wagner's role in the musical developments of the nineteenth century that followed the watershed of Beethoven's ninth symphony. It is one of the first works in English to explore the nature of Wagner's genius, and builds on an essay published by the author in The Academy about Wagner's own pamphlet on Beethoven. Hueffer's analysis of the formation of Wagner's artistic values and musical philosophy as embodied in his writings and music dramas is complemented by discussion of the songs of Schubert, Schumann and Liszt. The appendix provides an account of the performance of Beethoven's ninth which Wagner conducted at Bayreuth in 1872, and the laying of the foundation stone of the Festspielhaus.
Francis Hueffer (1845-89) was born and studied music in Germany, but moved to London in 1869 to pursue a career as a critic and writer on music. He edited the series 'The Great Musicians' for Novello and Co., was music critic of The Times, wrote libretti for some now-forgotten operas, and was an early advocate and interpreter to the British of Wagner. Between his Richard Wagner and the Music of the Future (1874) and his translation of the correspondence of Wagner and Liszt (1888), he wrote Wagner in his own 'Great Musicians' series in 1881 (two years before the composer's death). The book surveys Wagner's life and his musical writings, and a separate chapter is devoted to each of the operas (except Parsifal, which was not performed until 1882). This is a fascinating contemporary assessment of the standard-bearer of the 'music of the future'.