Kirjojen hintavertailu. Mukana 11 717 486 kirjaa ja 12 kauppaa.
Kirja.info

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Susan Isabelle

Endangered and Threatened Wildlife and Plants - 12-Month Finding on Petition to List Susan's Purse-making Caddisfly as Threatened (US Fish and Wildlif

Endangered and Threatened Wildlife and Plants - 12-Month Finding on Petition to List Susan's Purse-making Caddisfly as Threatened (US Fish and Wildlif

The Law Library

Createspace Independent Publishing Platform
2018
nidottu
Endangered and Threatened Wildlife and Plants - 12-Month Finding on Petition to List Susan's Purse-making Caddisfly as Threatened (US Fish and Wildlife Service Regulation) (FWS) (2018 Edition) The Law Library presents the complete text of the Endangered and Threatened Wildlife and Plants - 12-Month Finding on Petition to List Susan's Purse-making Caddisfly as Threatened (US Fish and Wildlife Service Regulation) (FWS) (2018 Edition). Updated as of May 29, 2018 We, the U.S. Fish and Wildlife Service (Service), announce a 12-month finding on a petition to list Susan's purse-making caddisfly (Ochrotrichia susanae) as endangered and to designate critical habitat under the Endangered Species Act of 1973, as amended. After review of all available scientific and commercial information, we find that listing Susan's purse-making caddisfly is not warranted at this time. However, we ask the public to submit to us any new information that becomes available concerning the threats to the Susan's purse-making caddisfly or its habitat at any time. This book contains: - The complete text of the Endangered and Threatened Wildlife and Plants - 12-Month Finding on Petition to List Susan's Purse-making Caddisfly as Threatened (US Fish and Wildlife Service Regulation) (FWS) (2018 Edition) - A table of contents with the page number of each section
Vertaile hintoja
Unfinished Austen: Interpreting "Catharine", "Lady Susan", "The Watsons" and "Sanditon"

Unfinished Austen: Interpreting "Catharine", "Lady Susan", "The Watsons" and "Sanditon"

Joanne Wilkes

ANTHEM PRESS
2023
sidottu
Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.
Vertaile hintoja
An Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic

An Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic

Rebecca Pohl

Macat International Limited
2018
nidottu
The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar
Vertaile hintoja
An Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic

An Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic

Rebecca Pohl

Macat International Limited
2018
sidottu
The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar
Vertaile hintoja
Miss Priscilla Hunter, and, My Daughter Susan

Miss Priscilla Hunter, and, My Daughter Susan

Sagwan Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vertaile hintoja
Sanditon, The Watsons, and Lady Susan

Sanditon, The Watsons, and Lady Susan

Jane Austen

Digireads.com
2018
pokkari
Collected together here are three of Jane Austen's posthumously published works; "Sanditon," "The Watsons," and "Lady Susan." These fragmentary tales show Austen experimenting with different literary styles and parodying the popular novels of her day. In "Sanditon," Austen uses the premise of an idyllic and modern seaside town to examine its inhabitants and their various social circles with her trademark sharp social observations and wit. "The Watsons" is the story of Mr. Watson, a widowed clergyman, and his two sons and four daughters. The heroine of the tale is the spirited daughter Emma, who finds her marriage prospects lessened by both her poverty and, ironically, her sense of refinement. "Lady Susan," the most complete of the three, is an epistolary novel which focuses on the story of its title character, a beautiful, but petty and unscrupulous woman. Lady Susan engages in constant flirtations and manipulations while she searches for rich husbands for herself and her young daughter. Also included here is a cancelled chapter of "Persuasion" and the short essay "Plan of a Novel" in which Austen sets out her capacity as a novelist and what makes up the ideal novel. This edition is printed on premium acid-free paper.
Vertaile hintoja
Queechy, 1852. By Susan Warner Pen name, Elizabeth Wetherell (Volume 1): Susan Bogert Warner, Pen name, Elizabeth Wetherell

Queechy, 1852. By Susan Warner Pen name, Elizabeth Wetherell (Volume 1): Susan Bogert Warner, Pen name, Elizabeth Wetherell

Elizabeth Wetherell

Createspace Independent Publishing Platform
2016
nidottu
Susan Bogert Warner (July 11, 1819 - March 17, 1885), was an American evangelical writer of religious fiction, children's fiction, and theological works.Pen name, Elizabeth Wetherell.Born in New York City, she wrote, under the name of "Elizabeth Wetherell", thirty novels, many of which went into multiple editions. However, her first novel, The Wide, Wide World (1850), was the most popular. It was translated into several other languages, including French, German, and Dutch. Other than Uncle Tom's Cabin, it was perhaps the most widely circulated story of American authorship. Other works include Queechy (1852), The Law and the Testimony, (1853), The Hills of the Shatemuc, (1856), The Old Helmet (1863), and Melbourne House (1864). In the nineteenth century, critics admired the depictions of rural American life in her early novels. American reviewers also praised Warner's Christian and moral teachings, while London reviewers tended not to favor her didacticism. Early twentieth-century critics classified Warner's work as "sentimental" and thus lacking in literary value. In the later twentieth century, feminist critics rediscovered The Wide, Wide World, discussing it as a quintessential domestic novel and focusing on analyzing its portrayal of gender dynamics. Some of her works were written jointly with her younger sister Anna Bartlett Warner, who sometimes wrote under the pseudonym "Amy Lothrop". The Warner sisters also wrote famous children's Christian songs. Susan wrote "Jesus Bids Us Shine" while Anna was author of the first verse of the well-known children's song "Jesus Loves Me", which she wrote at Susan's request. Both sisters became devout Christians in the late 1830s. After their conversion, they became confirmed members of the Mercer Street Presbyterian church, although in later life, Warner became drawn into Methodist circles. The sisters also held Bible studies for the West Point cadets. When they were on military duty, the cadets would sing "Jesus Loves Me." The popularity of the song was so great that upon Warner's death, she was buried in the West Point Cemetery. Warner could trace her lineage back to the Puritans on both sides. Her father was Henry Warner, a New York City lawyer originally from New England, and her mother was Anna Bartlett, from a wealthy, fashionable family in New York's Hudson Square. When Warner was a young child, her mother died, and her father's sister Fanny came to live with the Warners. Although Henry Warner had been a successful lawyer, he lost most of his fortune in the Panic of 1837 and in subsequent lawsuits and poor investments. The family had to leave their mansion at St. Mark's Place in New York and move to an old Revolutionary War-era farmhouse on Constitution Island, near West Point, NY. In 1849, seeing little change in their family's financial situation, Susan and Anna started writing to earn income. Susan Warner died in Highland Falls, New York and is buried in the West Point Cemetery.
Vertaile hintoja
Queechy, 1852. By Susan Bogert Warner Pen name, Elizabeth Wetherell. (Volume 2): Susan Bogert Warner Pen name, Elizabeth Wetherell.(World's Classics)

Queechy, 1852. By Susan Bogert Warner Pen name, Elizabeth Wetherell. (Volume 2): Susan Bogert Warner Pen name, Elizabeth Wetherell.(World's Classics)

Elizabeth Wetherell

Createspace Independent Publishing Platform
2016
nidottu
Susan Bogert Warner (July 11, 1819 - March 17, 1885), was an American evangelical writer of religious fiction, children's fiction, and theological works.Pen name, Elizabeth Wetherell. Born in New York City, she wrote, under the name of "Elizabeth Wetherell", thirty novels, many of which went into multiple editions. However, her first novel, The Wide, Wide World (1850), was the most popular. It was translated into several other languages, including French, German, and Dutch. Other than Uncle Tom's Cabin, it was perhaps the most widely circulated story of American authorship. Other works include Queechy (1852), The Law and the Testimony, (1853), The Hills of the Shatemuc, (1856), The Old Helmet (1863), and Melbourne House (1864). In the nineteenth century, critics admired the depictions of rural American life in her early novels. American reviewers also praised Warner's Christian and moral teachings, while London reviewers tended not to favor her didacticism. Early twentieth-century critics classified Warner's work as "sentimental" and thus lacking in literary value. In the later twentieth century, feminist critics rediscovered The Wide, Wide World, discussing it as a quintessential domestic novel and focusing on analyzing its portrayal of gender dynamics. Some of her works were written jointly with her younger sister Anna Bartlett Warner, who sometimes wrote under the pseudonym "Amy Lothrop". The Warner sisters also wrote famous children's Christian songs. Susan wrote "Jesus Bids Us Shine" while Anna was author of the first verse of the well-known children's song "Jesus Loves Me", which she wrote at Susan's request. Both sisters became devout Christians in the late 1830s. After their conversion, they became confirmed members of the Mercer Street Presbyterian church, although in later life, Warner became drawn into Methodist circles. The sisters also held Bible studies for the West Point cadets. When they were on military duty, the cadets would sing "Jesus Loves Me." The popularity of the song was so great that upon Warner's death, she was buried in the West Point Cemetery. Warner could trace her lineage back to the Puritans on both sides. Her father was Henry Warner, a New York City lawyer originally from New England, and her mother was Anna Bartlett, from a wealthy, fashionable family in New York's Hudson Square. When Warner was a young child, her mother died, and her father's sister Fanny came to live with the Warners. Although Henry Warner had been a successful lawyer, he lost most of his fortune in the Panic of 1837 and in subsequent lawsuits and poor investments. The family had to leave their mansion at St. Mark's Place in New York and move to an old Revolutionary War-era farmhouse on Constitution Island, near West Point, NY. In 1849, seeing little change in their family's financial situation, Susan and Anna started writing to earn income. Susan Warner died in Highland Falls, New York and is buried in the West Point Cemetery.
Vertaile hintoja
Who Is Queen? 4: Alexis Pauline Gumbs, Susan Howe

Who Is Queen? 4: Alexis Pauline Gumbs, Susan Howe

DABA
2022
sidottu
Poets and writers Susan Howe and Alexis Pauline Gumbs read each other’s work and discuss reading and being read as an act of intimacy Published on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings. Alexis Pauline Gumbs (born 1982) is the author of several books, most recently Undrowned: Black Feminist Lessons from Marine Mammals (2020), and the cofounder of the Mobile Homecoming Trust, an "intergenerational experiential living library of Black LBGTQ brilliance." Susan Howe’s (born 1937) most recent poetry collection was Concordance, published in 2020 along with a reissue of Spontaneous Particulars (2014), a prose meditation on her research in rare book collections. Her selected essays, collected in The Quarry, were published in 2015, and a poetry collection, Debths (2017), won Canada’s Griffin Award for Poetry in 2018.
Vertaile hintoja
1...47484950