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1000 tulosta hakusanalla Victoria Ferrante

D'Eastman à Victoria

D'Eastman à Victoria

Claudette R Ewens

Tellwell Talent
2024
pokkari
Je suis n e Magog, en 1940 une petite ville dans les Cantons de l'Est du Qu bec avec un baluchon sur mon paule. D'Eastman Montr al en passant par Toronto, je l'ai d pos en n Victoria en 2023. Mon long parcours est parfois triste, parfois dr le mais jamais ennuyant.
V&A Introduces: Queen Victoria
This vibrant mini-hardback celebrates the reign of one of Britain's most iconic rulers. Filled with beautiful illustrations, early photographs and details from throughout her reign. She guided Great Britain through a period of immense change and invention. This book explores the lasting legacy Victoria and her devoted husband, Prince Albert, had on the world.The latest in the popular V&A Introduces series which celebrates icons of the art and design world.
The Young Victoria

The Young Victoria

Deirdre Murphy

Yale University Press
2019
sidottu
A vivid portrait of Queen Victoria’s childhood, offering new insights into one of the most celebrated, but often misunderstood, monarchs in British history, 200 years after her birth This beautiful, extensively researched volume investigates the birth and early life of one of the most familiar British monarchs, Queen Victoria (1819–1901). A wealth of material, including many unexamined sources and unpublished images, sheds new light on Victoria’s youth. Included here are portraits of the queen as princess, childhood diaries and sketchbooks, clothing, jewelery, and correspondence. Deirdre Murphy paints a vivid picture of Victoria’s early years. Among her most surprising conclusions is the idea that the queen’s personal mythology of a childhood characterized by sadness and isolation is less accurate than is generally thought. Victoria’s personal relationships are brought brilliantly to life, from her affectionate but increasingly suffocating bond with her mother, the Duchess of Kent, to the controlling influence of Sir John Conroy, a man she came to despise, and her courtship with Prince Albert. Lesser-known figures are also explored, including Victoria’s first schoolmaster the Reverend George Davys, her governess Louise Lehzen, and her half-sister Feodora. This fascinating cast of characters enhances our image of Victoria, who emerges as both willful and submissive, fickle and affectionate, and with the explosive temper of her Hanoverian ancestors. Published in association with Historic Royal PalacesExhibition Schedule:Kensington Palace (May 24—December 2019)
The Improbable Victoria Woodhull

The Improbable Victoria Woodhull

Eden Collinsworth

RANDOM HOUSE USA INC
2025
sidottu
From the acclaimed author of What the Ermine Saw and Behaving Badly, a portrait of Victoria Woodhull, a celebrated and maligned 19th-century businesswoman and activist, and a leader in the fight for women's suffrage and labor reforms. In 1894, a remarkably self-possessed American woman, with no formal education to speak of, stood before a British court seeking damages for libel from the trustees of the British Museum. It was yet another stop along the unpredictable route that was Victoria Woodhull's life. Born dirt-poor in an obscure Ohio settlement, Woodhull was the daughter of an illiterate mother entranced by the fad of Mesmerism--a therapeutic pseudoscience--and a swindler father whose cons exploited his two daughters. It was through her mother, though, that Woodhull familiarized herself with the supernatural realm, earning a degree of fame as a clairvoyant and her first taste of financial success. Woodhull's life would continue to turn on its axis and then turn again. Despite a deeply troubled first marriage at the age of fourteen, countless attempts by the press to discredit her, and a wrongful jail sentence, Woodhull thrived through sheer determination and the strength of her bond with her sister Tennie. She co-founded a successful stock brokerage on Wall Street, launched a newspaper, and became the first woman to run for president. Hers was a rags-to-riches story that saw her cross paths with Karl Marx, Henry Ward Beecher, and Frederick Douglass. In an era when women's rights were circumscribed, and the idea of leaving a marriage was taboo, she broke the rules to carve out a path of her own. Vividly written and exhaustively researched, Collinsworth tells the story of a woman truly ahead of her time--a radical visionary who made defying mores a habit and brought to the fore societal and political issues still being addressed today. Neither a saint nor a villain, Woodhull emerges as an iconic, complex woman: an entrepreneur; lover of freedom; and a fiercely loyal family member whose political activism and suffragist legacy will cement her in history.
Who Was Queen Victoria?

Who Was Queen Victoria?

Jim Gigliotti

Grosset and Dunlap
2014
pokkari
Her reign of 63 years and seven months is known as the Victorian Era, a period of industrial, cultural, scientific, and political change that was marked by a great expansion of the British Empire. But Victoria was raised under close supervision and near isolation until she became Queen of the United Kingdom at the young age of 18. She married her first cousin, Albert, and had nine children who married into families across Europe. By the time she had earned the nickname "The Grandmother of Europe" and the title "Empress of India" it was indeed true that the sun never set on the British Empire.
Jewels & Jewellery (Victoria and Albert Museum)

Jewels & Jewellery (Victoria and Albert Museum)

Clare Phillips

Thames Hudson Ltd
2019
nidottu
Jewels and Jewellery surveys splendid early medieval pieces and superb examples of Renaissance, Arts and Crafts, Art Nouveau and 21st-century jewellery. Exquisitely detailed photography reveals both rare and precious stones as well as the elaborate techniques of the jeweller’s craft such as chasing, enamelling and cameo. Claire Phillips considers the history of Western jewellery in three parts, first exploring the materials used by jewellers, then turning to the development of styles in jewellery from the Middle Ages to today, before exploring the ways in which jewellery has been hallmarked, distributed and worn over recent centuries. The book concludes with a glossary, bibliography and list of key designers. Showcasing pieces by Cartier, Tiffany and Liberty, this beautiful volume is the ultimate guide to the history of Western jewellery.
William Morris’s Flowers (Victoria and Albert Museum)
A passionate advocate of craftsmanship over mass-production, William Morris (1834– 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris’s flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight
William Morris (Victoria and Albert Museum)
William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.With 668 illustrations in colour A Crafts Council Best Craft Book of the Year
Christopher Dresser: Design Pioneer (Victoria and Albert Museum)
Christopher Dresser (1834–1904) is one of the most influential British designers of all time and he is widely regarded as Britain’s first independent industrial designer. His works still look remarkably modern more than a century later. Like his contemporary William Morris, Dresser advocated for an ‘honesty of materials’, but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Dresser’s fascination with the arts of Japan and his advocacy of Owen Jones’s principle that ornament should be geometrical in form resulted in a range of designs that look surprisingly minimal for their time. Affordable, well-designed, functional and commercially successful, the objects that Dresser designed – wallpapers, textiles, carpets, ceramics, furniture and, most famously, metalwork – were industrially produced by manufacturers across the UK, the US and continental Europe. This compact, beautifully produced book on the work of Christopher Dresser begins with a brief introduction to his life and work before presenting 75 of his most important pieces, each accompanied by a narrative-style caption. It will appeal to anyone interested in modern design.With 117 illustrations in colour
Wedgwood: Craft & Design (Victoria and Albert Museum)

Wedgwood: Craft & Design (Victoria and Albert Museum)

Catrin Jones; Tristram Hunt

THAMES HUDSON LTD
2023
sidottu
A beautifully designed gift book devoted to the work of the renowned ceramics firm Wedgwood. Looking back at key moments in Wedgwood’s design history, this book celebrates the visual power and great design encapsulated by Wedgwood from its founding in 1759 to the present day. The name ‘Wedgwood’ has come to stand for something far beyond its illustrious and energetic founder: uniting art and industry; introducing design and artistic collaborations; the iconic blue and white of Wedgwood jasper. This book tells that story through the lens of design, reflecting the continuing role that Wedgwood and its designers, artists and employees played in setting trends, responding to the market and producing high-quality, desirable ceramics for a broad range of consumers, yet tied to the traditions established by Josiah Wedgwood in the eighteenth century. It presents highlights from the V&A Wedgwood Collection, reflecting the unique proposition of Wedgwood’s business: by operating in both the ‘ornamental’ and ‘useful’ markets, Wedgwood was able to bring innovative ceramic design to large areas of a captive market. These ceramics and their stories demonstrate the artistic heritage, craft and innovation that have become synonymous with the Wedgwood name.
Colour Mania (Victoria and Albert Museum)

Colour Mania (Victoria and Albert Museum)

Catlin Langford

THAMES HUDSON LTD
2022
sidottu
Exquisite yet too fragile to exhibit, one of the world’s greatest collections of autochromes – a pioneering colour photography process – is presented to a wide audience for the first time. Offering unprecedented access to the V&A’s collection of autochromes – one of the greatest collections of early colour photography in the world – Colour Mania presents this pioneering photographic process in its full, vibrant, wondrous and painterly beauty and provides a breath-taking view of the early 20th century in colour. Autochromes are so fragile and light sensitive that they cannot be displayed in public – this book presents the only chance to see the V&A’s internationally significant collection. Invented by the Lumière brothers – also pioneers of cinema – the autochrome was the first widely available colour photography process. Upon its commercial release in 1907, it was eagerly embraced by Pictorialist photographers and advocated by its leading member Alfred Stieglitz, who predicted ‘soon the world will be color-mad’. Photographed with great care for this book, the V&A’s abundant collection of autochromes is brought to the public for the very first time. Organized thematically and with in-depth sections focusing on the photographers who engaged with the process, Colour Mania is built upon the latest scholarship and research by Catlin Langford and includes insights into how these extraordinary photographs are being preserved for future generations. An opportunity to travel in time and understand a tour de force in photographic technology, Colour Mania will delight anyone who desires to experience the past in colour.
Edward Bawden’s England (Victoria and Albert Museum)
A beautiful and informative gift book devoted to Edward Bawden's representations of England. Edward Bawden (1903-1989) was a printmaker, painter, illustrator and designer. He studied and later taught at the Royal College of art, served as a war artist in WW2 and worked extensively as a commercial artist for companies including London Transport, Fortnum and Mason, Shell-Mex, the Folio Society and Chatto and Windus. Aside from the years he spent in France, the Middle East and North Africa while serving as a war artist, and later visits to Canada and Ireland, Bawden rarely travelled far from home, but found inspiration in the fields and farms of his native Essex, at the seaside, and in classic London scenes: Kew Gardens, the Royal Parks, the Tower of London and St Paul’s Cathedral, and the iron-and-glass monuments to Victorian engineering such as Liverpool Street station and the markets in Spitalfields and Smithfield. This book celebrates England as represented by Bawden in 85 works held in the V&A’s collection, including prints, posters, drawings, paintings, murals and advertising material. The illustrations include such early pieces as his poster Map of the British Empire for an exhibition in 1924; his mural English Garden Delights, designed for the Orient Line Navigation Company in 1946; illustrations for books including Good Food, The Gardener’s Diary and Life in an English Village; advertising work for London Transport, Shell and Fortnum & Mason; the poster Lifeguards, created to mark the coronation of Queen Elizabeth II in 1953; and a varied selection of linocuts and watercolours. As this book demonstrates, it was England, with its quiet landscapes, its pleasures and pastimes, its history and ceremonies, its traditions and recreations, that was the source of Bawden's finest and most engaging work.
Studio Ceramics (Victoria and Albert Museum)

Studio Ceramics (Victoria and Albert Museum)

Alun Graves; Tanya Harrod

THAMES HUDSON LTD
2023
sidottu
A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and with culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary art practice. The pioneering methods and rethinking of form in the work of exponents such as Bernard Leach, Michael Cardew, Lucie Rie, Hans Coper and Alan Caiger-Smith – whose reference points were drawn from East Asia, Africa, the ancient Mediterranean and the Middle East as much as from their own heritage – continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator at the Victoria and Albert Museum, London, provides all lovers of ceramics – collectors, practitioners, historians and those interested in modern and contemporary art and crafts – with the historical context, documenting the medium’s shift into an expressive, and sometimes interventionist, art form. An extensive visual catalogue, Studio Ceramics is the primary reference for 20th-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A.
Chinese Dress in Detail (Victoria and Albert Museum)
A head-to-toe exploration of Chinese dress through sumptuous, detailed photography of some of the most fascinating historic and contemporary pieces in the V&A’s outstanding collection. Chinese Dress in Detail reveals the beauty and variety of Chinese dress for women, men and children, both historically and geographically, showcasing the intricacy of decorative embroidery and rich use of materials and weaving and dyeing techniques. The reader is granted a unique opportunity to examine historical clothing that is often too fragile to display, from quivering hair ornaments, stunning silk jackets and coats, festive robes and pleated skirts, to pieces embellished with rare materials such as peacock-feather threads or created through unique craft skills, as well as handpicked contemporary designs. A general introduction provides an essential overview of the history of Chinese dress, plotting key developments in style, design and mode of dress, and the traditional importance of clothing as social signifier, followed by eight thematic chapters that examine Chinese dress in exquisite detail from head to toe. Each garment is accompanied by a short text and detail photography; front-and-back line drawings are provided for key items. An extraordinary exploration of the splendour and complexity of Chinese garments and accessories, Chinese Dress in Detail will delight all followers of fashion, costume and textiles.
The Artist's Sketchbook (Victoria and Albert Museum)
The first in an exciting and inspirational new V&A sketchbook series that explores the sketching processes and techniques of artists from the 16th century to the present day. Artists have been using sketchbooks for many hundreds of years, particularly as part of the preparatory process that leads to the creation of great works. Selected by curators from the extensive sketchbook collection of the Victoria and Albert Museum, and organized chronologically by artist, The Artist’s Sketchbook introduces around eighty profiles from different eras and movements, including John Constable, Beatrix Potter, Paul Nash, and Julie Verhoeven. Each profile includes a short text on the artist and their use of the sketchbook. The book brims with exquisite examples of drawings from life and the imagination, material experimentation and the planning of greater works. With rich, detailed photography, the sketchbooks are shown to be very much works of art in themselves, with open-book shots and selected covers reproduced as well as single pages. The book also highlights less well-known names as well as unrecognized artists, mostly women, for whom sketchbooks provided a creative outlet. While working within the limits of the V&A collection, the selection includes sketchbooks from beyond Britain and Europe by drawing on expertise from across the museum. Just as artists do, some inevitably blur the line between art, design, and fashion. With an introduction by Jenny Gaschke, Senior Curator of Paintings and Drawings at the V&A, the book highlights the importance of sketching and the sketchbook throughout the history of art. Although not a practical guide to sketching techniques, it will nevertheless inspire the reader and appeal to anyone interested in the process of making art, and to those for whom sketching is a critical part of their own artistic practice.
Calling the Shots (Victoria and Albert Museum)

Calling the Shots (Victoria and Albert Museum)

Zorian Clayton; Lydia Caston; Hana Kaluznick

THAMES HUDSON LTD
2024
sidottu
An accessible, inspirational and engaging introductory survey of LGBTIQ+ photography, as told through the collection of the Victoria and Albert Museum, London. Drawing on one of the oldest and largest photography collections in the world, this book offers an unprecedented view of photographic history through a queer lens. It includes a broad range of global LGBTIQ+ representation from the mid-19th century to now, presenting images from pioneering LGBTIQ+ photographers and subjects alongside work documenting activism and hard-won legal battles, over a century of performance and nightlife and diverse queer communities, collectives and subcultures. Following an introductory essay by Zorian Clayton, images are presented in six thematic chapters: Icons, Staged, Body, Liberty, Making a Scene and Beyond the Frame. Each chapter opens with a short introductory essay, followed by an extended plate section. Expanded captions highlight key images, and ‘artist in focus’ inserts draw on the work of selected photographers to illuminate particularly rich moments in LGBTIQ+ history. Bold proclamations of queer identity and community sit alongside personal explorations of self; documentation of struggle, joy and everyday life is considered side-by-side with performances and photographic fictions that continue to challenge the bounds of gender and sexuality. This vital, accessible volume offers an exciting, expansive appraisal of photography's role in expressing, documenting and celebrating queer life. It will be essential for all with an interest in the history of photography, but especially those with an interest in LGBTIQ+ history.
Digital Art (Victoria and Albert Museum)
A new history of digital art from the 1960s to the present day, with decade-by-decade essays exploring evolving digital art practices, alongside interviews with artists, gallerists, museum curators and collectors. This is the global story of digital art from its earliest beginnings to the innovative work of today, encompassing wide-ranging, experimental practices, from computer-generated works on paper created by mathematicians, scientists, engineers, programmers and artists in the 1960s to interactive installations, virtual reality, net art and videogames. A collaborative, dynamic approach still characterizes the practice of today’s digital artists, who employ technology as a tool while examining its social, ethical and political impact. Digital Art: 1960s–Now delves into ideas of artificial intelligence, computer animation, simulation and cybernetics through the historic works of pioneering artists such as Analívia Cordeiro, Manfred Mohr, Vera Molnar and Frieder Nake, alongside renowned contemporary practitioners including Danielle Brathwaite-Shirley, Ibiye Camp, Sarah Friend, Trevor Paglen and Anna Ridler. Decade-by-decade essays by leading authorities explore changing digital art practices. Interviews and discussions with prominent artists, gallerists, museum curators and collectors at the forefront of the discipline offer further insights in this absorbing illustrated study of the evolution of digital art and its future possibilities.
William Morris: Pattern & Design (Victoria and Albert Museum)
A beautiful visual reference of William Morris’s extensive range of textile and wallpaper designs, drawn from the collection of the Victoria and Albert Museum, London. William Morris (1834–1896) was a pioneer of the Arts and Crafts Movement and one of the most influential designers of all time. This extensively illustrated sourcebook brings together nearly 400 of William Morris’s ingenious textile and wallpaper patterns, arranged decade by decade, while offering a fascinating overview of Morris’s work and a compelling glimpse into his life. Featured are famous designs such as Trellis (1862), Honeysuckle (1876) and Strawberry Thief (1883), alongside lesser-known patterns by Morris and Morris & Co. designers including May Morris, Kate Faulkner and John Henry Dearle. This invaluable visual reference will inspire and inform designers, illustrators and Morris aficionados everywhere, as well as anyone interested in visual and material culture.