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1000 tulosta hakusanalla Alison Boyle

Alison's Fishing Birds

Alison's Fishing Birds

Roderick Haig-Brown

Caitlin Press
2017
sidottu
Beautifully illustrated children's story about Canadian wildlife by famed Canadian conservationist and Governor General Award-winning author, Roderick Haig-Brown. First published as a limited edition in 1980 by Colophon Books, ALISON'S FISHING BIRDS by BC's acclaimed author and conservationist Roderick Haig-Brown is the story of a young girl's encounter with some of BC's most intriguing river birds. Alison's favourite bird, the Dipper, lives along the river by her house. She spends many hours watching the "fierce and splendid" bird as it fishes for dinner, "bob, bob, bobbing" as it skitters and dives below the surface, always emerging with a tiny fish. Farther up the river bank, Alison catches a glimpse of the Belted Kingfisher hovering above the water, just waiting patiently for the perfect moment to "drop like a stone, headfirst in the water" only to emerge a few seconds later with a tiny wiggling silver fish in its beak. Alison encounters many other birds on her adventures and, true to Haig-Brown's other stories, every bird, whether it is the Osprey, the Heron, or the Merganser, all have a lesson to share about their life and the natural world around them. For almost a century, Haig-Brown has been teaching children and adults alike to explore, learn, and respect our forests, oceans, and rivers. As one of Haig-Brown's lesser-known stories, ALISON'S FISHING BIRDS is a gem that is long overdue on the shelves of popular children's fiction. ALISON'S FISHING BIRDS is richly illustrated by acclaimed and talented artist Sheryl McDougald, and includes a preface by Valerie Haig-Brown.
Alison og mysteriet om den forsvundne dreng
Alison går på en skole for særligt kloge børn, selvom hun ikke føler sig som noget særligt. En dag sker der noget mystisk med den nye dreng i klassen og med det klassebillede, de lige har fået taget. Samtidig har Alison fået fat i noget, der måske kan være nøglen til at løse mysteriet.Alison og hendes to bedste venner må nu i gang med at opklare, hvad der er sket, og forsøge at redde deres klassekammerat, inden det er for sent ...
Alison Lurie

Alison Lurie

Judith Newman

BRILL
2000
nidottu
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988). In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the ‘International Theme’ and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form. Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
I, Alison

I, Alison

French Alison; Groocock Veronica

PAN MACMILLAN
1991
pokkari
This is the autobiography of Alison French who overcame her disability in order to enjoy an active life. Alison was born with athetoid cerebral palsy - a condition which keeps her body in constant motion and affects her co-ordination and speech. This book describes Alison's struggle to overcome her disability and confound all the sceptics by achieving her ambition to become a qualified youth worker. Alison is now married to a Welsh rugby-playing curate. Alison French has been the subject of BBC TV's Forty Minutes programme on two separate occassions, has appeared on the Wogan show and has featured in a number of magazine and newspaper articles.
James Alison and a Girardian Theology

James Alison and a Girardian Theology

John P. Edwards

T. T.Clark Ltd
2020
sidottu
Opening with a Foreword by James Alison, this volume is the first in-depth treatment of Alison’s theological method. John P. Edwards shows that Alison’s theological project outstrips René Girard’s application of mimetic theory to theology. He concludes that an explicitly Christian theological perspective is necessary for providing a fully coherent account of Girard’s notions of "conversion" and "mimetic desire". This volume grounds Alison’s theological method in his understanding of the ongoing interaction between conversion and theological reflection, which is informed by his use of mimetic theory. While Alison describes this method as “theology in the order of the discovery”, the author refers to it as an “inductive theology”. The volume closes by demonstrating that such a theology bears fruit in a renewed understanding of the value of Christian doctrines and, particularly, the doctrine of revelation.