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Bridget and Joan's Diary

Bridget and Joan's Diary

Bridget Golightly; Joan Hardcastle

Oneworld Publications
2015
nidottu
Meet Bridget and Joan: Thelma and Louise on mobility scooters, reluctant residents of the Second Best Magnolia Retirement Home, and lifelong friends joined at the artificial hip. It's been a wild year for the two rebellious wrinkletons: sherry and shoplifting, Sanatogen and sexting, and a mysterious toy boy who threatens their lifelong friendship and possibly even more -
Bridget Jonesâ??s Baby

Bridget Jonesâ??s Baby

Helen Fielding

Vintage Publishing
2017
pokkari
And now itâ??s all enacting itself in my stomach. In this gloriously funny, touching story of baby-deadline panic, maternal bliss, and social, professional, technological, culinary and childbirth chaos, Bridget Jones â?? global phenomenon and the worldâ??s favourite Singleton â?? is back with a bump.
Bridget Christie's Utopia: Series 1

Bridget Christie's Utopia: Series 1

Bridget Christie

BBC Physical Audio
2018
cd
A brand new comedy series from award-winning stand-up comedian Bridget Christie.As Bridget Christie struggles to come to terms with current world events - Kim Jong-un, the melting polar ice caps, the Brexit negotiations and Nick Knowles singing a cover of The Beatles "Here Comes The Sun" - she embarks on a comic quest for her Utopia: a way of living that will make her less anxious and enable her to have her first happy wee since the Brexit vote in 2016.Bridget explores politically disengaging, spirituality, moving to the country and being super rich, to see if any of that will make her happier. Will not reading the papers, abstaining from all social media and not watching rolling news reports bring a smile to Bridget's face? Could yoga, Hinduism or becoming a nun be the answer to all her problems? What about living on a rural commune? Or auditioning for a lucrative TK Maxx commercial?Or will life still be completely rubbish? Recorded in front of a live studio audience at the BBC Radio Theatre.
Bridget Christie Minds the Gap: The Complete Series 1 and 2
The complete first and second series of Bridget Christie’s award-winning series about modern feminismComedian Bridget Christie noticed that misogyny, like shiny leggings, has made an unexpected comeback. But did it ever really go away? Bridget asks why feminism became a dirty word, and whether the modern British woman needs it. From a smell in a well-known bookshop to a pen designed especially for women, she looks at some of the more ridiculous things associated with being a woman. She ponders women's relationship with their bodies via a lap dance, TOWIE and a fish called Michael, asks who has the best sexism in the world, and discusses why twitter is a sexist's natural habitat. She explains what happens when you wear an 'End FGM' badge on a popular TV show, and tries to find a feminist icon who doesn't want to replace the word 'feminism' with 'bootylicious'.The series’ token man Fred MacAulay helps her remember some of the key incidents which brought her to an epiphany and a call to arms.Series 1 of Mind the Gap won the Rose D’Or International Broadcasting Award for Best Radio Comedy 2014 and the Chortle Award for Best Radio Series 2014. Series 2 won the Chortle Award for Best Radio Programme 2015.
Bridget Vanderpuff and the Baked Escape

Bridget Vanderpuff and the Baked Escape

Martin Stewart

BLOOMSBURY PUBLISHING PLC
2023
nidottu
The first in a new madcap, hilarious series about Bridget Vanderpuff, whipsmart inventor and amateur sleuth with a taste for adventure. It's a recipe for fun with mystery, villainy, cake and sprinkles of silliness, heart and hope.Bridget Baxter is the very last orphan at the Orphanage for Errant Childs, left at the mercy of the awful Miss Acrid and her foul-smelling fish sandwiches. Miss Acrid's mission is to make Bridget's life a misery. But Bridget is more than a match for her.When kindly Mr Vanderpuff arrives at the Orphanage in search of a child to care for, Bridget thinks her luck has finally turned. Mr Vanderpuff is the village baker, and his shop is a world of wonders. But they soon discover that Bridget is absolutely terrible at baking. When Miss Acrid returns for the ultimate revenge, Bridget must open the Locked and Secret Door, navigate Miss Acrid's spiderweb of booby traps and use her unique baking skills to save herself – and Mr Vanderpuff – from certain disaster.Join Bridget as she dons her chef whites and gets the kwassongs at the ready... Baking isn't such a piece of cake.
Bridget Vanderpuff and the Ghost Train

Bridget Vanderpuff and the Ghost Train

Martin Stewart

BLOOMSBURY PUBLISHING PLC
2023
nidottu
When a ghost train is seen rattling into Belle-on-Sea, Bridget Vanderpuff must use her incredible powers of invention and detection to solve the mystery on her second spooky adventure…Belle-on-Sea is getting ready for the Night of the Hungry Ghosts, the spookiest time of the year. Mr Vanderpuff's bake will be the centrepiece of the whole parade, but he needs a new creation and he’s totally stumped. To make matters worse, salty old seadog, Captain Lufty, and his Hat Rat, Barry, have warned that something is coming to Belle-on-Sea. Something terrible…When a ghost train is seen rattling into town, and people start to go missing – first the librarian, then the Mayor – Bridget and Tom begin tracking the train’s tracks, delighted to be in the thick of another mystery.Then the unthinkable happens: the ghost train takes Mr Vanderpuff! Someone – or something – is out to destroy Belle-on-Sea. But they’ve forgotten one important detail… This is Bridget’s town.Bridget must save the missing people from their perilous prisons, rescue the parade, and come up with an idea for Mr Vanderpuff’s Hungry Ghosts bake, before it’s too late.
Bridget Vanderpuff and the Great Airship Robbery

Bridget Vanderpuff and the Great Airship Robbery

Martin Stewart

BLOOMSBURY PUBLISHING PLC
2024
nidottu
Bridget Vanderpuff sets sail for Paris on another action-packed adventure, cracking codes in the museums and the secret bakers' network.Someone has stolen Mr Vanderpuff’s golden whisk!If Bridget and her new friend Stacy don’t find it by midnight, the world’s best baker will never mix again.And – as the girls chase a chain of impossible puzzles through the secrets and shadows of Paris – Tom and Pascal find skulduggery afoot in Belle-on-Sea...Can Bridget and her friends crack the case and save the bake shop in time?
Bridget Vanderpuff and the Monster Mountain Mystery

Bridget Vanderpuff and the Monster Mountain Mystery

Martin Stewart

BLOOMSBURY PUBLISHING PLC
2024
nidottu
Bridget Vanderpuff is the Best Worst Baker in the World. A recipe for fun with villainy, cake and sprinkles of silliness, heart and hope.Bridget and Tom travel to Butterälp to stay with Vivienne Velvete – the world’s finest chocolatier. But a horrifying monster is terrorising the villagers and the chocolate festival has been shut down. What's more, Le Choc - the world's most perfect bar of chocolate, kept in an alarmed, triple-locked room – has been chomped! Bridget and Tom must trace a track of confuddling clues and unravel their most fiendish plot yet.
Bridget's War

Bridget's War

Shirley Mann

ZAFFRE
2023
nidottu
The RNA shortlisted inspiring tale of the strength of women during war, for fans of Molly Green and Vicki Beeby. The Isle of Man, 1942Manx born and bred, Bridget Harrison loves the island and knows every inch of it like the back of her hand. But that doesn't mean she wants to be there now, as World War II rages around the world.A newly-trained police officer, living in the vibrant and bustling city of London, she thought she had it all. A budding career, celebrity status as one of only a few female officers, and a busy social life. Then World War II strengthened its grip and she found herself posted back to the island - a stark contrast to the exciting streets of the capital.But, tasked with managing Rushen Camp, a women's internment camp where Jews have to rub shoulders with Nazi Germans, she unearths a cauldron of resentment and fear that brings a dangerous war right to the shores of the Island. Bridget realises the barbed wire around the camp is keeping in secrets that will test her training to the limit and what seems like a simple arrest leads her down a path that puts her and the Island's security at risk. And then there are the two brothers- one she's adored since childhood who's become a war hero and the other a brave lifeboatman and farmer.Bridget finds she is torn between being the adult she wants to be and the tomboy from her childhood, who roamed the cliffs without boundaries.Don't miss Lily's War, Bobby's War and Hannah's War, available now. And pre-order Maggie's War, coming 2025.
Bridget Riley: New Paintings and Gouaches
This volume focuses on Bridget Riley's energetic ‘curvilinear’ works from a 2006 exhibition by Bridget Riley. The paintings incorporate complex layers of flowing forms that interlock and move with one another, reflecting the artist's exploration of curves to create paintings of great energy and movement. Using a patch of colour that is similar to a brush mark, Riley’s forms interrupt and threaten to break out from the picture plane, overhanging the frame to jostle and animate the visual field. Refining and developing this form in recent paintings, the artist's work offers an incredible melding of form and colour. Featuring over 20 full-colour illustrations, this publication includes an in-depth essay by Paul Moorhouse examining the changes within Riley’s work throughout her multi-decade career.
Bridget Riley: Circles Colour Structure
Bringing together over 20 gouache studies by the celebrated British Op artist Bridget Riley, this exhibition catalogue reveals something of Riley’s process. Originally published to accompany an exhibition at Karsten Schubert, London, the studies explore the results of Riley setting circles of colours – such as turquoise, cerise and ochre – at different distances. The images are accompanied by an interview with the artist by Robert Kudielka from 1972, just following the creation of these works. In the discussion, Riley touches upon the role of her studies and the effects of her colour choices on light and movement in the picture plane.
Bridget Riley: Paintings and Gouaches 1979–80 & 2011
First published to accompany a 2011 exhibition, this catalogue features three new paintings that bring Bridget Riley's exploration of the circle from the wall to the canvas, and from black and white to colour. By placing Riley’s new paintings in relation to her early gouaches, this publication highlights new directions taken by the famous British artist. Through the layering of circles of yellow and orange in her exploration of interplaying colours, Riley asks the viewer's eye to continuously adjust as the shapes grow, compress and dance across the canvas. Full-colour illustrations are accompanied by a conversation between Riley and Robert Kudielka from 1978, in which the artist discusses her move away from the blacks, greys and whites of her 1960s works and towards the use of the curve ‘as a rhythmic vehicle for colour’.
Bridget Riley

Bridget Riley

Ridinghouse
2013
sidottu
Filled with Bridget Riley's mesmerising stripe paintings, this catalogue conveys the artist's unique development in using stripes to animate the entire visual field. Published in conjunction with the Bridget Riley: The Stripe Paintings 1961-2012 exhibition at Galerie Max Hetzler, Berlin, key paintings and studies of Riley's stripe works are collected for the first time. This well-illustrated title demonstrates how Riley regularly returned to this seemingly simple pictorial device to achieve complex, surprising results. The volume includes full-colour illustrations alongside important texts by John Elderfield and Paul Moorhouse - in both English and German - which situate these exhilarating works within the artist's oeuvre and a broader art historical context.
Bridget Riley

Bridget Riley

Ridinghouse
2014
nidottu
This volume documents a group of gouache studies by Bridget Riley from 1969 to 1972 that reflects a major reconfiguration of Riley’s style. The shapes formed in these gouaches are arranged from a limited selection of colours – namely violet, green and pink – to explore the visual relationship between 'contrast and harmony’. Accompanying full colour illustrations, a conversation between the artist and Robert Kudielka from 1972 posits the works within the context of Bridget Riley’s oeuvre.
Bridget Riley: Studies 1984–95

Bridget Riley: Studies 1984–95

Natalia Naish; Alexandra Tommasini

Ridinghouse
2015
nidottu
During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a ‘harmony of contrasts’ that animates the entire visual field. Tracking a transitional period in Riley’s career, the works on paper in this volume – studies produced between 1984 and 1995 – shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley’s archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period.
Bridget Riley

Bridget Riley

Robert Kudielka

Ridinghouse
2015
sidottu
Marking the first major survey of Bridget Riley's use of the curve motif, this volume explores how the artist has often returned to this theme over a fifty-year time span. Coinciding with the artist's exhibition at De La Warr Pavilion, Bexhill On Sea (summer 2015), this publication features studies and paintings from throughout Riley's career.
Bridget Riley: Learning from Seurat
In 1959, Bridget Riley’s copy of Georges Seurat’s Bridge at Courbevoie (1886–87) offered the artist a new understanding of colour and tone, which led her to produce her first major works of pure abstraction during the early 1960s. In 2015–16, an exhibition at the Courtauld Gallery, London, presented seven of Riley’s paintings and this key Pointillist work by Seurat from the museum's collection. Brought together for the first time, the exhibition demonstrated the two artists’ shared preoccupation with perception by looking at pivotal points throughout Riley’s career. Alongside full-colour illustrations, this publication features two essays written by Riley that offer the artist’s insights on Seurat’s importance to her own practice. An interview with the artist by Éric de Chassey, complemented by an introductory text by Karen Serres and Barnaby Wright, make this an important resource for art historians and general readers alike.
Bridget Riley

Bridget Riley

Paul Moorhouse

Ridinghouse
2016
nidottu
During the early 1960s, Riley’s black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February–25 June 2016) that chronicles the period of change which took place before, during and after Riley’s representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 1967–85 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley’s ensuing career.
Bridget Riley: Paintings 1963–2015
Spanning over 50 years of Bridget Riley’s career, this volume explores the dialogue between black-and-white and colour in the artist’s work. Riley gained critical attention internationally for her black-and-white paintings during the mid-1960s, using elementary shapes to engage the eye by creating flux and rhythm within the pictorial field. Throughout the succeeding decades, she has continued her investigation into perception through related bodies of work in rich colour. This volume accompanied a focused display at the Scottish National Gallery of Modern Art, Edinburgh (2016–17), that tracks Riley’s work up to her recent reintroduction of a monochromatic palette. It includes essays by Éric de Chassey and Frances Spalding as well as a historic interview with the artist by Robert Kudielka, which together contextualise Riley’s early developments and demonstrate how her latest black-and-white paintings progress directly out of a rigorous engagement with colour.