Brooke dreams of a wish granted by the magical Tree of Patience, but to earn it, she must sit still and stay calm for an entire day. As she waits, a playful squirrel and a bright butterfly come to play, testing her resolve. Can Brooke remain patient, knowing her wish depends on it?
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.
This is the first full-length study of the fiction of Christine Brooke-Rose, one of the most innovative and yet critically neglected of contemporary British writers. Setting her work firmly in the context of English and French writing and literary and feminist theory, Sarah Birch examines the full range of Brooke-Rose's fiction: the early realist novels published between 1957-1961; the strongly anti-realist period beginning with Out (1964), when Brooke-Rose's work was seen to be heavily influenced by French experimental fiction; and the third phase of her development which began with Xorandor (1986) and which marks a questioning return to the traditional techniques of the novel. Sarah Brich asks why a novelist who has been so highly praised by critics is nevertheless excluded from the contemporary canon, and argues that Brooke-Rose's position on the borders of European and British cultures raises key questions concenring the notion of a `national' tradition and of literary post-modernism. For Birch, Brooke-Rose's work is best understood as a poetic and playful questioning of categories in general, be they discursive or cultural. Drawing on a detailed knowledge of literary theory, this is a major study of an important but critically neglected novelist and a perceptive analysis of the position of contemporary experimental writers.
The poetry of Rupert Brooke remains memorable for its charming lyrical quality and the way in which his sonnets perfectly recapture the mood of England at the start of World War I. This volume reprints his complete oeuvre, from the early lyric poems to those written shortly before his death: "The Old Vicarage, Grantchester," "Tiare Tahiti," "The Great Lover," "The Dead," "The Soldier," and many others.
