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1000 tulosta hakusanalla Carlo Gozzi

Carlo Acutis God's Computer Genius: God's Computer Genius
Set to become the first millennial saint, Blessed Carlo Acutis was a vibrant, faith-filled Italian teenager who loved technology and the Eucharist. This kid-friendly biography is the perfect introduction to Carlo's fascinating and moving story for children ages 8-11, with an engaging narrative, colorful illustrations and design, and fun and educational sidebars.
Carlo Scarpa

Carlo Scarpa

Rizzoli International Publications
2007
sidottu
Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.
Carlo and Fabio Ingrassia

Carlo and Fabio Ingrassia

Carlo Ingrassia; Fabio Ingrassia

The Everyday Press
2016
nidottu
Carlo and Fabio Ingrassia (b. 1985 in Catania, Sicily) work with matter, time, biology, and philosophy. The peculiarity of the identical twins is to work simultaneously on the same precise and scientific body of work, because one is left-handed and the other, right-handed. This natural disposition illustrated most prominently in pastels created on the same paper support, allows each to contribute his own characteristic structure of sign and form in a jointly authored work. Drawing becomes sculpture and back again, in an art that investigates the nature of authorship, and identity, and the material basis for a conceptual practice. Contributors: Jonathan Monk, Valentina Bruschi, Claudio Crescentini, David Freedberg, Cornelia Lauf
Carlo Borromeo and the Sacred Image in Sixteenth-Century Italy

Carlo Borromeo and the Sacred Image in Sixteenth-Century Italy

Grace M. Harpster

Cambridge University Press
2026
sidottu
Scholars have long acknowledged that reforms after the Catholic Council of Trent (1545–63) represent a watershed in art history, yet they have failed to agree on whether, and how, they had any effect on art. In this study, Grace Harpster offers new insights on the impact of Catholic reform on early modern art. Exploring the social roles of images in late sixteenth-century Italy, she demonstrates that the pressures of Catholic reform increased, rather than limited, the authority of the image. Harpster approaches the topic through a focus on the zealous, peripatetic reformer Carlo Borromeo (1538–84), who implemented new ways to police and pray to sacred images after Trent. His actions demonstrate that Catholic reformers endorsed the image as a powerful object, truthteller, and miracle-worker. The diverse corpus of images on his itinerary, moreover, reveals the critical role of the sacred image in a formative religious and art historical moment.