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1000 tulosta hakusanalla Edith Hamilton
Her looks attracted Cecil Beaton and the principal painters of the day. Among her friends were Aldous Huxley, T.S. Eliot, and Gertrude Stein. She rebuffed Wyndham Lewis and ardently loved the temperamental Russian painter, Pavel Tchelitchew. The 1930s she spent in penury, writing fiction, biography and verse. Only when Yeats hailed her as 'a major poet' did her work reach a wider audience, whereupon Edith Sitwell set off to conquer New York and Hollywood. Winner of the Duff Cooper Prize and James Tait Black Memorial Prize for Biography, this is the definitive portrait of a spontaneous, gallant, yet tragically insecure woman. 'The excellence of Mrs Glendinning's book is that it remains wise and balanced while never sacrificing critical edge... It's hard to imagine a life of Edith Sitwell that could surpass it.' John Carey, Sunday Times
Celebrated children's author Edith Nesbit (The Railway Children, Five Children & It) retreats to her attic writing room during one of her husband's tiresome parties with her housekeeper and an unexpected, handsome party guest. As midnight swiftly approaches, Edith gives a reading of her work. Not one of her cherished children's tales, but her terrifying early horror stories.
Three kids - Kenny, his sister Edith, and their friend Benji - are all but abandoned on a farm in remotest Middle America. With little adult supervision, they feed and care for each other, making up the rules as they go. But when Kenny's and Benji's relationship becomes more than friendship, and Edith shoots something she really shouldn't shoot, the formerly indifferent outside world comes barging in whether they want it to or not.
NPR BEST BOOK OF THE YEAR The witty and entrancing story of a young woman trapped in a ramshackle English playhouse--and the mysterious figure who threatens the theater's very survival The year is 1901. England's beloved queen has died, and her aging son has finally taken the throne. In the eastern city of Norwich, bright and inquisitive young Edith Holler spends her days among the boisterous denizens of the Holler Theatre, warned by her domineering father that the playhouse will literally tumble down if she should ever leave its confines. Fascinated by tales of the city she knows only from afar, she decides to write a play of her own: a stage adaptation of the legend of Mawther Meg, a monstrous figure said to have used the blood of countless children to make the local delicacy known as Beetle Spread. But when her father suddenly announces his engagement to a peculiar, imposing woman named Margaret Unthank, heir to the actual Beetle Spread fortune, Edith scrambles to protect her father, the theatre, and her play--the one thing that's truly hers--from the newcomer's sinister designs. Teeming with unforgettable characters and illuminated by the author's trademark fantastical illustrations, Edith Holler is a surprisingly modern fable of one young woman's struggle to escape her family's control--and to reveal inconvenient truths about the way children are used.
One might not expect a woman of Edith Wharton's literary stature to be a believer of ghost stories, much less be frightened by them, but as she admits in her postscript to this spine-tingling collection, ...till I was twenty-seven or -eight, I could not sleep in the room with a book containing a ghost story. Once her fear was overcome, however, she took to writing tales of the supernatural for publication in the magazines of the day. These eleven finely wrought pieces showcase her mastery of the traditional New England ghost story and her fascination with spirits, hauntings, and other supernatural phenomena. Called flawlessly eerie by Ms. magazine, this collection includes Pomegranate Seed, The Eyes, All Souls', The Looking Glass, and The Triumph of Night.
Few first ladies have enjoyed a better reputation among historians than Edith Kermit Roosevelt. Aristocratic and sophisticated, tasteful and discreet, she managed the White House with a sure hand. Her admirers say that she never slipped in carrying out her duties as hostess, mother, and adviser to her husband. Lewis Gould's path-breaking study, however, presents a more complex and interesting figure than the somewhat secularized saint Edith Roosevelt has become in the literature on first ladies. While many who knew her found her inspiring and gracious, family members also recalled a more astringent and sometimes nasty personality. Gould looks beneath the surface of her life to examine the intricate legacy of her tenure from 1901 to 1909.The narrative in this book thus uncovers much new about Edith Roosevelt. Far from being averse to activism, Edith Roosevelt served as a celebrity sponsor at a New York musical benefit and also intervened in a high-profile custody dispute. Gould traces her role in the failed marriage of a United States senator, her efforts to secure the ambassador from Great Britain that she wanted, and the growing tension between her and Helen Taft in 1908-1909. Her commitment to bringing classical music artists to the White House, along with other popular performers, receives the fullest attention to date.Gould also casts a skeptical eye over the area where Edith Roosevelt's standing has been strongest, her role as a mother. He looks at how she and her husband performed as parents and dissents from the accustomed judgment that all was well with the way the Roosevelt offspring developed. Most important of all, Gould reveals the first lady's deep animus toward African Americans and their place in American society. She believed ""that any mixture of races is an unmitigated evil."" The impact of her bigotry on Theodore Roosevelt's racial policies must now be an element in any future discussion of that sensitive subject.On balance, Gould finds that Edith Roosevelt played an important and creative part in how the institution of the first lady developed during the twentieth century. His sprightly retelling of her White House years will likely provoke controversy and debate. All those interested in how the role of the presidential wife has evolved will find in this stimulating book a major contribution to the literature on a fascinating president. It also brings to life a first lady whose legacy must now be seen in a more nuanced and challenging light.
Piaf's life is almost as famous as her work: from her birth (in the Parisian streets, her mother shielded by two gendarmes) to her death (when her husband allegedly drove her corpse from the hospital where she died to her flat, lest her fans think that she had abandoned Paris) it was a rags-to-riches tale like no other. Discovered singing in the street by the nightclub owner who gave her the stage name Piaf ('sparrow') she rose to become a national heroine. Friends with Charlie Chaplin, Eisenhower, Cocteau, Maurice Chevalier and Marlene Dietrich, she was also at various times chief suspect for the murder of her mentor, an alcoholic and a drug addict. But she always seemed to embody - and still does - something of the spirit of Paris. When she died in 1963, 40,000 people descended on Pere Lachaise cemetary for her funeral and many more around the world remain devotees of her music.
Professor Beer’s study provides an introduction to the whole range of Edith Wharton’s work in the novel, short story, novella, travel writing, criticism and autobiography. The opening chapter provides an overview of recent scholarship in Wharton studies including an appraisal of biographical texts, and subsequent chapters treat recurrent themes and ideas in her fiction and non-fiction, and the American and European context of her work. The major novels, as well as those less well-known, are discussed as are: contemporary reception of her work, American responses to her expatriation, her friendships with the leading artists of her day, and the influence of the First World War on her work.
Edith Nesbit is one of the greatest children's writers of the century. Her readers loved to think of her as a reassuringly aunt-like figure. This biography reveals her as a demanding and adventurous woman who broke all society's rules in her search for love. It also explores the relationship between her life and her fiction.
Edith Wharton lived and wrote during a time of change and turmoil in America. She was among the group of American intellectual ex-patriots who fled to Paris in the early 1900s. Throughout her fiction, most of which is set in New York City in the early 1900s, her characters deal with many of the issues of the day including social classes and status, wealth and power, women's rights, progressivism, contraception and abortion, child labor, and education, worker's rights, and many others. Edith Wharton's Old New York Society is a comparative analysis of Wharton's Progressive era fiction.
All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897-1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career. Never before has the account of Hollywood's most influential designer been so thoroughly revealed,because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.
The definitive history of Hollywood's most legendary costume designer, featuring an insightful biography and previously unseen sketches, ephemera, and photos behind the scenes of hundreds of iconic films.All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of cinema classics of the last century had one thing in common: Edith Head (1897-1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career, and changed the fashion world forever with her timeless creations that continue to resonate and inspire present-day designers, fashion followers, and film-lovers.This one-of-a-kind survey of her life and work reveals the woman behind the famous dark glasses and brings together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the-scenes photos, and ephemera. Stunningly illustrated with more than 350 images and packed with information, this is both the most comprehensive work on Edith Head ever published and a lavish history of Hollywood in the twentieth century.