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Eugene Morel

Eugene Morel

Gaetan Benoit

Library Juice Press
2008
pokkari
Eug ne Morel (1869-1934) was a French Librarian who, along the lines of such eminent public library pioneers as Edward Edwards and Melvil Dewey, made a remarkable contribution towards the development of public librarianship in France. Morel was genuinely interested in all facets of librarianship and played a dominant role in molding the development of most of them. His writings on the profession made a fitting testimony to the life's work of a very active library pioneer. His relationship with the British and American Library Associations helped to bring closer the French professional association to both of them. Morel had an "avant-garde" view on the automation of libraries and was the first to encourage the employment of women in French libraries. This book is the first biography of Eugene Morel to appear in the English language.
Eugene Von Bruenchenhein: King of Lesser Lands
"Von Bruenchenhein belongs among the great American outsider artists." -Roberta Smith, The New York Times King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910–83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin. His large and unusual body of work was not discovered until after he died. In 1939, at the age of 29, Von Bruenchenhein met Evelyn Kalka. She became his wife and muse. Evelyn, who was nicknamed “Marie,” served as his model and the subject of thousands of erotic photo-portraits, which he shot and printed himself. For these images, which emulated girlie-magazine pinups with an offbeat air, Von Bruenchenhein designed and created his own background sets and costumes for Marie. Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked. Von Bruenchenhein’s abstract explosions of vibrant color evoke the forms of strange plants or fantasy creatures and architectural structures. Later, Von Bruenchenhein used clay to produce home-fired crowns and vases, and also created mysterious sculptures resembling towers or thrones with chicken and turkey bones. During his lifetime, only his closest family members and friends knew anything about his artistic pursuits. In 1983, after the artist’s death, one of his friends called the attention of the Milwaukee Art Museum to Von Bruenchenhein’s extraordinary oeuvre. On the occasion of a 2010 survey of his work at the American Folk Art Museum in New York, Roberta Smith wrote in The New York Times: “Von Bruenchenhein belongs among the great American outsider artists whose work came to light or resurfaced in the last three decades of the 20th century.” Smith placed Von Bruenchenhein’s unusual art in the company of that of Henry Darger, Martin Ramírez, Bill Traylor, James Castle and Morton Bartlett.
Eugene Richards: The Day I Was Born
A diaristic photographic portrait of the memory-laden Mississippi Delta of Arkansas Fifty years ago, New York–based photographer Eugene Richards (born 1944) worked as a VISTA Volunteer and then as a reporter in the Arkansas Delta. Even after the newspaper he helped found closed its doors, Richards kept revisiting the region. In early 2019 he returned to the small town of Earle, Arkansas, where, on a September night in 1970, peaceful protesters were attacked by a crowd of white men and women brandishing sticks and firing guns. Crossing the tracks from what had been the Black side of the town into the white side of the town, Richards happened upon an old appliance store. On the shadowy and cracked walls of the building were painted the faces of Jesus, Malcolm X, H. Rap Brown, Angela Davis, Dr. Martin Luther King and John Brown—the faces of revolution, reconciliation, change. In the months that followed, the old store became for Richards a kind of portal, a doorway into the region’s volatile history and into the lives of those who lived, struggled, raised families, grew old and died there. The Day I Was Born interweaves full-bleed images of Earle with deeply personal narratives in the words of people who live there.
Eugene Richards: In This Brief Life
A half-century of social documentary from the acclaimed American photographer, with previously unseen works In this deeply personal book, Eugene Richards (born 1944) excavated a collection of more than 50 years of mostly unseen photographs—from his earliest pictures of sharecropper life in the Arkansas Delta to the present. In the midst of a fraught political climate—pandemic, rise in gun violence, polarized politics and the devastation in Beirut—Richards found himself meditating on what it means to make socially conscious documentary photography today. Upon his son’s suggestion, he began to post his photographs on social media, sifting through dusty binders of contact sheets—photographs taken for a community newspaper, on assignment for magazines, as a volunteer for human rights organizations, when wandering alone and at home with his family—and scanning the negatives. In This Brief Life compiles these works, along with personal commentary and extensive captions by the photographer.
Eugene Richards: Do I Know You?
A veteran documentarian using images, personal texts and interviews to delve into the lives of Americans After meeting people during his travels, the American documentary photographer Eugene Richards (born 1944) learns what he can about their lives, then photographs them as they are, without direction or artifice. As to why people allow him into their lives, some may sense that by speaking with him, they might better understand the things that they’ve experienced: their losses, hopes, fears, disappointments, joys. Being photographed can be a means of being lifted out of the shadows, acknowledged as existing, as alive. Do I Know You? is a compendium of 24 photographic and textual stories that speak of the diversity of America, of survival, the shadows cast by slavery, crime, imprisonment, blind hatred, incomprehensible loss, the longing for love and what it means to be beautiful. Richards has published 20 books of photography, including the recent Remembrance Garden, a deeply personal look at Brooklyn’s Green-Wood Cemetery.
Eugene Fishing & Wishing: The Reasoning of a Creative Mouse
Every hobby is not appropriate for every type of character. Eugene, the mouse, must discover interesting lessons about this activity.Other books by this author: Eugene and His Go-Kart Machine: A Tale of a Creative MouseEugene at the Christmas Ball with Christine: The Decisions of a Creative MouseEugene Meets Bojean: The Acceptance of a Creative Mouse
Eugene the Mouse at the Big Farmhouse: The Contentment of a Creative Mouse
Eugene, the mouse, likes to drive his go-kart. On a recent ride, he makes an interesting discovery and then must make an important decision.Other books by this author: Eugene at the Christmas Ball with Christine: The Decisions of a Creative MouseEugene Meets Bojean: The Acceptance of a Creative MouseEugene and His Go-Kart Machine: A Tale of a Creative MouseEugene's Mistake at the Garden Gate: The Resolve of a Creative MouseEugene Fishing and Wishing: The Reasoning of a Creative Mouse
Eugene Field

Eugene Field

Slason Thompson

Blurb
2025
pokkari
"In the loving "Memory" which his brother Roswell contributed to the "Sabine Edition" of Eugene Field's "Little Book of Western Verse," he says: "Comradeship was the indispensable factor in my brother's life. It was strong in his youth: it grew to be an imperative necessity in later life. In the theory that it is sometimes good to be alone he had little or no faith." From the time of Eugene's coming to Chicago until my marriage, in 1887, I was his closest comrade and almost constant companion. At the Daily News office, for a time, we shared the same room and then the adjoining rooms of which I have spoken."
Eugene Pickering (Esprios Classics)
Henry James OM (1843-1916) was an Anglo-American novelist. He was one of the most important literary people of the late 19th century. James was the son of Henry James Senior, a clergyman, and the brother of William James, the psychologist and philosopher. He grew up mostly in the United States but spent the majority of his life in England. He became a British citizen in 1915. His sister, Alice James, was also a writer. In his novels, he wrote from the viewpoint of one of the characters. Some literary critics compared this to impressionist painting. In his own literary criticism, James insisted that writers be allowed the greatest possible freedom in how they looked at the world.
Eugene Berman

Eugene Berman

Eugene 1899- Berman

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Eugene Berman

Eugene Berman

Eugene 1899- Berman

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Eugene Clyde Brooks: Educator and Public Servant

Eugene Clyde Brooks: Educator and Public Servant

Willard B. (Willard Ba Gatewood

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.