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1000 tulosta hakusanalla Freeman John F.

Granta 116

Granta 116

John Freeman

Granta Magazine
2011
nidottu
Ten years later, where are we looking? How do we see things differently? From Ground Zero to Kampala to London to Mumbai, the echoes are still heard, the impact is still felt. The way we interact, the way we travel, our relationship to media and technology, and the very way we regard the world we live in have all been irrevocably changed. Granta 116 will examine the consequences of the attacks that occurred on 11 September 2001 from a global perspective. Rather than recounting where we were when it happened and what we saw, this issue will look at how our lives and viewpoints have been altered since that day. Declan Walsh reports from the tribal areas of northwest Pakistan: breeding ground for Al Qaeda and target of U.S. drone strikes. Elliott Woods travels across the US, talking to recruits, noncombatants and veterans and taking the pulse of a nation a decade at war. Pico Iyer considers what air travel is like in the post-9/11 security state; Nicole Krauss writes a melancholy, impressionistic portrait of family, war, life and death in Paris.Adam Johnson and Nuruddin Farah provide extracts from forthcoming novels: in Johnson's, the 'third mate' on a North Korean fishing trawler listens in on mysterious radio transmissions; in Farah's, a father pleads with a Somali warlord for help finding his runaway son. Showcasing some of the most insightful essayists, fiction writers, poets and visual artists working today, Ten Years Later will explore the complexity of how we regard an event that forever shifted our conceptions of fear, anger and hope.
Granta 117

Granta 117

John Freeman

Granta Magazine
2011
nidottu
All forms of horror - whether they begin in fright or disgust - involve an extraordinary confrontation. A surprise. In essays, reporting and short fiction, this issue of Granta will reveal the many ways we can be startled into horror.
Granta 118

Granta 118

John Freeman

Granta Magazine
2012
nidottu
Be it a wrong turn, a bad relationship, a debilitating illness or a war, every action creates a reaction, every move is followed by another move. How do we get out of what we've gotten ourselves into? Granta 118 zooms in close on the phenomenon of the exit strategy. In a new story, Alice Munro writes of an elderly woman whose attempts to care for her husband are undermined by her own deteriorating thought processes; Claire Messud searches for her father's past in Beirut, Lebanon as he lays dying in a hospital in the US; and Aleksandar Hemon remembers the importance of smuggling his family's dog out of war-torn Sarajevo. Exit Strategies also features new writing by John Barth, Gish Jen, Ann Beattie, and newcomer Chinelo Okparanta - examining how we get ourselves out and the repercussions that follow. Hindsight is 20/20, but it's what we do moving forward that defines us and - in the best of all worlds - redeems us.
Granta 119

Granta 119

John Freeman

Granta Magazine
2012
nidottu
In 2012, Britain is a nation in flux, managing difficult socioeconomic realities, contending with new political alliances and negotiating shifting demographics. Yet it is a country that is still perceived as being bound by tradition and class structures. With new fiction, memoir, poetry, photography and art, Granta's Britain explores landscape, identities and stories of the British Isles. In 'Silt', Robert Macfarlane writes of the beauty and danger of a stretch of coastline in Essex. Nobel laureate Mario Vargas Llosa tells the story of Irish revolutionary nationalist Roger Casement, executed at Pentonville Prison in 1916. Memoirs by Gary Younge, Andrea Stuart and Nikolai Khalezin and Natalia Kaliada focus on the upheavals and migrations that brought them and their families to (and from) Britain.Rachel Seiffert, Ross Raisin, Cynan Jones and Jim Crace provide extracts of their new novels: Seiffert describes Glasgow and Northern Ireland in the 1990s; Raisin paints a portrait of a young footballer struggling with his identity; Jones follows a boy on a strange, dangerous outing with his father; Crace shows how the lives of English farmers changed during the Enclosures in the late 1700s and early 1800s. The issue includes original short fiction by Adam Foulds, Mark Haddon, Tania James and Jon McGregor as well as poems by Simon Armitage, Jamie McKendrick, Don Paterson and Robin Robertson. It also introduces a new voice, Sam Byers, with an extract from his darkly comic debut novel, Idiopathy.
Granta 120

Granta 120

John Freeman

Granta Magazine
2012
nidottu
A writer chronicles the surrender of her body to MS; a woman running a substance-abuse clinic faces challenges from clients, donors and her own past; two brothers fix up a house - but can't quite fix the aging parents who will live in it. From the chalky horse-pills of faceless pharmaceutical conglomerates to the hot toddy that was Grandmother's remedy for bruised knees, broken hearts and everything besides - here are stories about the ways we face our ailments and the ways we seek to cure ourselves.
Granta 121

Granta 121

John Freeman

Granta Magazine
2012
nidottu
Since Granta's inaugural list of the Best of Young British Novelists in 1983 - featuring Salman Rushdie, Ian McEwan, Kazuo Ishiguro, Martin Amis and Julian Barnes - the Best of Young issues have been some of the magazine's most influential. In 2010, Granta looked beyond the English-speaking world with Best of Young Spanish-Language Novelists. Now, with its first-ever issue fully translated in partnership with Granta em Portugues, the magazine continues its work of celebrating emerging talent from around the world.
Granta 122

Granta 122

John Freeman

Granta Magazine
2013
nidottu
In a world of the future, people exist in a perpetual state of rehearsing evacuations, and one man's rehearsal involves leaving his parents behind. A firespotter knows all too well that where there's smoke, there's fire - but fails to spot the blaze that consumes half her family. Then there's the Custer impersonator who takes his role in a re-enactment too literally, and too far. And the massage therapist struggling to help a veteran whose biggest regret is tattooed across his back. With award-winning reportage, memoir, fiction and photography, Granta has illuminated the most complex issues of modern life through the refractory light of literature. Feel the sting of betrayal via new writing by Ben Marcus, Janine di Giovanni, Samantha Harvey, Colin Robinson, Jennifer Vanderbes, Callan Wink, John Burnside, Andre Aciman and more.
Granta 123

Granta 123

John Freeman

Granta Magazine
2013
nidottu
Barker, Barnes, Hollinghurst, Ishiguro, Mitchell, Rushdie, Smith, Tremain, Winterson ...Long before they were household names, they were Granta Best of Young British Novelists. With each Young Novelist list - in 1983, 1993, and 2003 - came new ways of witnessing the world, introductions to unforgettable characters and mysterious and addictive voices. In 2013, thirty years after the first collection, the magazine asked once again: which writers are setting the bar for a new decade in British literature?
Granta 124

Granta 124

John Freeman

Granta Magazine
2013
nidottu
Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone underworld beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake. In this issue - which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov and non-fiction by David Searcy, Teju Cole and Hector Abad - Granta presents a panoramic view of our shared landscape and investigates our motivations for exploring it. '
Granta 125

Granta 125

John Freeman

Granta Magazine
2013
nidottu
How long is the shadow of a battle, an explosion, a revolution? What stories arise in the wake of devastation? This issue explores the complicated aftermath and legacy of conflict. Lindsey Hilsum returns to Rwanda two decades after witnessing the beginning of genocide. Patrick French writes of a great-uncle whose heroism in World War I left behind a 'saturating cult of remembrance'. From air-raid drills in Paul Auster's America to a calf with a broken foot in Herta Muller's Rumania, this is how we live after the war. With new writing by Aminatta Forna, Romesh Gunesekera, A.L. Kennedy, Hari Kunzru, Yiyun Li, Thomas McGuane, poetry by Jean-Paul de Dadelsen, Ange Mlinko and Rowan Ricardo Phillips and photography by Dave Heath and Justin Jin.
Blood, Sweat & Theory

Blood, Sweat & Theory

John Freeman

Libri Publishing
2010
nidottu
As a major contribution to the field of postgraduate activity in drama, theater, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications. A vital theory-based guide to such study, topics include locating practice-based research within historical, aesthetic, and educational settings; challenging received ideas of dramatic practice as thesis; distinguishing research from reflection and feelings from findings; and pushing practice-based research into new areas of critical inquiry. The reference includes extensively written case studies of projects from Hala Al-Yamani, Annette Arlander, Robert Germay, Helka-Maria Kinnunen, Felix Nobis, Allan Owens, Helen Paris, Yoni Prior, and Leena Rouhiainen.
The Penguin Book Of The Modern American Short Story
A selection of the best and most representative contemporary American short fiction from 1970 to 2020, including such authors as Ursula K. LeGuin, Toni Cade Bambara, Jhumpa Lahiri, Sandra Cisneros, and Ted Chiang, hand-selected by celebrated editor and anthologist John FreemanIn the past fifty years, the American short story has changed dramatically. New voices, forms, and mixtures of styles have brought this unique genre a thrilling burst of energy. The Penguin Book of the Modern American Short Story celebrates this avalanche of talent. This rich anthology begins in 1970 and brings together a half century of powerful American short stories from all genres, including--for the first time in a collection of this scale--science fiction, horror, and fantasy, placing writers such as Ursula K. Le Guin, Ken Liu, and Stephen King next to some beloved greats of the literary form: Raymond Carver, Grace Paley, Chimamanda Ngozi Adichie, and Denis Johnson. Culling widely, John Freeman, the former editor of Granta and now editor of his own literary annual, brings forward some astonishing work to be regarded in a new light. Often overlooked tales by Dorothy Allison, Percival Everett, and Charles Johnson will recast the shape and texture of today's enlarging atmosphere of literary dialogue. Stories by Lauren Groff and Ted Chiang raise the specter of engagement in ecocidal times. Short tales by Tobias Wolff, George Saunders, and Lydia Davis rub shoulders with near novellas by Susan Sontag and Andrew Holleran. This book will be a treasure trove for readers, writers, and teachers alike.
Schools of Hellas

Schools of Hellas

Kenneth John Freeman

Lector House Llp
2024
nidottu
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Schools Of Hellas: An Essay On The Practice And Theory Of Ancient Greek Education From 600 To 300 B.C. Edited By M. J. Rendall With A Preface By A. W. Verrall This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a fresh and newly reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.