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1000 tulosta hakusanalla Fritz Stephan Neumann

Fritz John

Fritz John

Springer-Verlag New York Inc.
2012
nidottu
The mathematical works of Fritz John whose deep and original ideas have had a great influence on the development of various fields in mathema­ tical analysis are made available with these volumes. His works are certainly well known to the experts, but knowledge of his contributions may not have spread as widely as it should have. For example, the concept of functions of bounded mean oscillations plays a central role in harmonic analysis today, but it is perhaps less known that this class of functions was introduced by John as early as 1961, motivated by his work in elasticity theory. With the publication of this collection, a wider circle of mathematicians will become familiar with, and appreciate, the fertile ideas of Fritz John. The organization of these two volumes was undertaken in consultation with the author. It was decided not to present the papers in chronological order, but rather to subdivide them into ten sections representing different mathematical topics to which John has contributed. Commentaries made by experts in the fields are appended to each section. Since the division into sec­ tions could, of course, not be made sharply, there are several overlaps. For instance, the comments of Louis Nirenberg refer to Elasticity Theory VI, Geometric Inequalities VIII, and Functions of Bounded Mean Oscillations IX. To help the reader, cross-references and remarks by the author will be found at the end of each section.
Fritz Bennewitz in India

Fritz Bennewitz in India

Joerg Esleben

University of Toronto Press
2016
sidottu
This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz’ own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz’ thinking about intercultural work in India. This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz’s former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.
Fritz FomBie Have No Fear

Fritz FomBie Have No Fear

T. E. Antonino

Createspace Independent Publishing Platform
2015
nidottu
Fannie's a fourth grader with a problem. She's afraid of so many things that she keeps a list of fears on her bedroom door. She's scared of the dentist. She's scared when her parents leave for the weekend and she has to deal with mean babysitter Buz, and she's terrified of telling cute Frank Oliver how she feels about him. But more than anything, she's scared of Stink Warts the Horrible. Stink Warts is the monster who might live under Fannie's bed. She feeds him leftovers at night in case he exists. One horrible week, Fannie learns the school is having a sock hop. If she doesn't talk to Frank now, nasty Priscilla Nettles will. To make matters worse, Fannie's parents are taking a trip, which means Buz will bully her all weekend. Scared, Fannie accidently calls upon the great powers of the universe, which send Fritz Fombie. This young zombie helps Fannie confront her worst fears-starting with his pet, a monster named Stink Warts. A lighthearted tale of facing your fears, Fritz FomBie Have No Fear mixes suspense and humor to keep eight- to thirteen-year-olds laughing and on the edge of their seats.