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1000 tulosta hakusanalla Humor Heals Us

Humor

Humor

Maximilian Schmidt

Hofenberg
2019
pokkari
Maximilian Schmidt: Humor. Lustige Geschichten Erstdruck: Reutlingen, Ensslin und Laiblin, 1899. Inhaltsverzeichnis: Humor. Der vergangene Auditor. Ein Geschwisterkind. Die Feldherrnhalle. Das fatale B ndel. Am Vermittlungsamt. Lazarus Sauerteig. Der Wohlt ter wider Willen. Lustige Haft. Der Regimentskadett. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2019. Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: M nchen, Feldhernnhalle, Theatinerkirche mit Wachtparade, um 1900. Gesetzt aus der Minion Pro, 11 pt.
Humor

Humor

Maximilian Schmidt

Hofenberg
2019
sidottu
Maximilian Schmidt: Humor. Lustige Geschichten Erstdruck: Reutlingen, Ensslin und Laiblin, 1899. Inhaltsverzeichnis: Humor. Der vergangene Auditor. Ein Geschwisterkind. Die Feldherrnhalle. Das fatale B ndel. Am Vermittlungsamt. Lazarus Sauerteig. Der Wohlt ter wider Willen. Lustige Haft. Der Regimentskadett. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2019. Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: M nchen, Feldhernnhalle, Theatinerkirche mit Wachtparade, um 1900. Gesetzt aus der Minion Pro, 11 pt.
Humor

Humor

Dagfinn Nordbø

Solum Bokvennen
2020
sidottu
Aldri før har norsk humor blitt presentert så grundig! I denne boken har Dagfinn Nordbø intervjuet og samlet tekster av de beste komikerne og tekstforfatterne fra TV, radio og standupscenen. Du finner du også humorteori og massevis av interne bransjetips og -triks for alle som vil jobbe med revy, standup og annen humor, som tekstforfatter, utøver eller regissør. Fjorten komikere forteller om deres vei til suksess, og gir faglige råd til alle som ønsker å bedrive humor, enten som amatør eller profesjonell. Denne boken er en kjærlighetserklæring til humorfaget - fra en som kjenner det fra innsiden. «Innsiktsfull, grundig, morsom og velskrevet - en kjærlighetserklæring til humorfaget.» Lene Kongsvik Johansen
Humor

Humor

Stefan Kjerkegaard

AARHUS UNIVERSITY PRESS
2017
nidottu
Humor er ingenting i sig selv, men en snylter af vAerste skuffe. - Maske endda lidt af et skuffejern? - Det sagde hun ogsa i gar ... Nej, spog til side: Humor er meget mere end platheder, der kan aflede enhver samtale. Humor sAetter et perspektiv pa livet, os selv og hinanden, hvis pointe isAer selvhojtidelige magthavere ikke fatter: Vi er alle latterlige. Det mener Stefan Kjerkegaard, serios sprogspiller ved Aarhus Universitet, og han er ikke engang sAerlig sjov. Det er hans onkel til gengAeld. Han er lige til at grine ad.
Humor

Humor

Jarno Hietalahti

Appell Förlag
2025
nidottu
I alla tider och i alla kulturer har det skrattats, men alltid utifrån tidens villkor. Jarno Hietalahti djupdyker i humorns djupaste frågor. Ingår i serien Värt att veta. Ges ut i samarbete med Svenska litteratursällskapet i Finland.
Humor

Humor

Jarno Hietalahti

Svenska litteratursällskapet i Finland
2025
nidottu
Humor är ett bekant fenomen för gemene man och vi är alla var experter på vår egen humor. När något skojigt händer noteras det genast och folk brister ut i skratt. Men ibland skrattar vi åt helt olika saker och en osäkerhet infinner sig. Är det något fel på min humor eller ligger felet hos de andra? Hur ska vi egentligen tänka kring humor?Jarno Hietalahti dyker ner i humorns djupaste filosofiska frågor och visar att humor är en väsentlig del av det mänskliga. I alla kulturer under alla tider har det skrattats, men alltid utifrån den tidens villkor. Också mänsklighetens historia har färgats av humoristiska aspekter och det är upp till oss själva vilken betydelse vi ger skrattet i våra liv och vad vi använder humorn till.
Humor Me

Humor Me

Ian Frazier

ECCO Press
2011
nidottu
"Humor Me" is a literary cavalcade of contemporary American funnymen - and funnywomen - of the page. Selected by the renowned humorist Ian Frazier and featuring more than fifty pieces of the greatest comic writing of our time, the book includes such masters of the form as Roy Blount, Jr., Bruce Jay Friedman, Veronica Geng, Jack Handey, Garrison Keillor, Steve Martin, and Calvin Trillin, as well as work by newer comic stars like Andy Borowitz, Larry Doyle, Simon Rich, George Saunders, and David Sedaris. The pieces were published in the past thirty years in such popular magazines as "The New Yorker", "McSweeney's", "The Atlantic", "National Lampoon", and "Outside". But the book also includes a handful of older comic masterpieces that nobody in need of a laugh should ever be without, among them classics by Bret Harte, Elizabeth Bishop, Donald Barthelme, and Mark Twain.
Humor, Empathy, and Community in Twentieth-Century American Poetry
Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers. For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject. As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies--whether to overturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries. Poets who practice such constructive humor promote a more democratic approach to laughter. Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures. When poets use humor to promote empathy, they suggest that poetry's ethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W. H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T. S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets. It charts a developing poetics of laughter in the twentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform.
Humor: A Reader for Writers

Humor: A Reader for Writers

Kathleen Volk Miller; Marion Wrenn

Oxford University Press
2014
nidottu
Read. Write. Oxford. From Jerry Seinfeld's legendary standup to Kristen Wiig's sidesplitting impersonations, Humor: A Reader for Writers explores the key patterns and features within numerous comedic sources in order to show how jokes work. This survey looks at comedy in a variety of genres including popular media, academic essays, personal narratives, fiction, and poetry. Developed for the freshman composition course, Humor: A Reader for Writers includes an interdisciplinary mix of public, academic, and cultural reading selections, providing students with the rhetorical knowledge and compositional skills required to participate effectively in discussions about humor. Humor: A Reader for Writers is part of a series of brief single-topic readers from Oxford University Press designed for today's college writing courses. Each reader in this series approaches a topic of contemporary conversation from multiple perspectives.
Humor and Violence

Humor and Violence

Z. S. Strother

Indiana University Press
2016
pokkari
Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime–rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, it reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power.
Humor and Power in Algeria, 1920 to 2021

Humor and Power in Algeria, 1920 to 2021

Elizabeth M. Perego

INDIANA UNIVERSITY PRESS
2023
sidottu
In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), Humor and Power in Algeria, 1920 to 2021 demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts. Humor and Power in Algeria, 1920 to 2021 reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict.
Humor and Power in Algeria, 1920 to 2021

Humor and Power in Algeria, 1920 to 2021

Elizabeth M. Perego

INDIANA UNIVERSITY PRESS
2023
pokkari
In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), Humor and Power in Algeria, 1920 to 2021 demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts. Humor and Power in Algeria, 1920 to 2021 reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict.
Humor and Wellness in Clinical Intervention
Presenting a cutting-edge theory for using humor in psychotherapy, counseling, and clinical intervention, this volume brings together a group of outstanding experts in the field of clinical intervention. Each chapter shows how humor can play a vital role in the promotion of wellness in general and in mental health wealthness in particular. It provides specific theoretical perspectives aimed at helping readers develop both their awareness of humor as a clinical tool and dexterity in using humor to facilitate productive change during the therapeutic process.This book will be of interest to students and professionals in all areas of the helping and healing professions. In addition to the psychotherapeutic disciplines, it also has applications in human relations and communication-training fields.
Humor in America

Humor in America

Lawrence Mintz

Greenwood Press
1988
sidottu
This comprehensive survey of sources and scholarship should prove invaluable to anyone organizing a course in American humor, and to graduate students or advanced undergraduates as well. There are excellent summaries of respected histories of the field and such serious, well-planned chapters as `The Comics,' `Humor in Periodicals,' `Standup Comedy,' `Women's Humor,' `Racial and Ethnic Humor,' and `Political Humor.' . . . Well-written and clearly presented, this volume will greatly assist those making their way in this fascinating interdisciplinary area. Choice Focusing on a multitude of genres, this unusual collection stresses the overall importance of humor as an index to popular thought. Primarily descriptive rather than theoretical, each chapter is organized to provide an overview of a specific genre of expression or a significant topic in modern humor. Subjects range from literature, the comic strip, film, broadcast humor, the magazine, and standup comedy, to racial and ethnic humor, women's humor, and political humor. Each genre or topic is traced historically and analyzed with respect to those characteristics that make it unique. A bibliographical essay and checklist is provided for each chapter to facilitate further study.
Humor of the Old Southwest

Humor of the Old Southwest

Nancy S. Griffith

Greenwood Press
1989
sidottu
During the early part of the nineteenth century, the Southwestern frontier moved from North Carolina, South Carolina, and Georgia, through Alabama, Tennessee, and Mississippi, to Missouri, Arkansas and Louisiana. Using a variety of styles and subjects, humorists in the frontier states of the Southwest wrote tall tales and humorous stories that made use of dialect and emphasized cruelty, violence, and depravity, in rebellion against the sentimental morality of conventional literature. Such tales flourished from 1835 through 1861 and helped buffer the pioneers during their everyday hardships. The humorists' stories, though exaggerated, were often rooted in the real characters and incidents of the frontier and as such serve as a social history of the period. Many of these stories were originally published in local newspapers and reprinted in William T. Porter's Spirit of the Times. Although the popularity of this type of humor died out with the beginning of the Civil War, its influences can be seen in the works of Mark Twain, William Faulkner, Flannery O'Connor, and Thomas Wolfe.The bibliography lists works about Southwest humor in general and by and about nine major humorists including David Crockett, Joseph Glover Baldwin, George Washington Harris, Johnson Jones Hooper, Henry Clay Lewis, Augustus Baldwin Longstreeet, Charles Fenton Mercer Noland, William Tappan Thompson, and Thomas Bangs Thorpe. These two main sections are supplemented by author and general subject indices. As the first book-length bibliography in this field, Humor of the Old Southwest will make a useful tool in academic libraries and will find a place in collections of folklore, American literature, and humor.
Humor in Twentieth-Century British Literature

Humor in Twentieth-Century British Literature

Don L. F. Nilsen

Greenwood Press
2000
sidottu
British writers of the 20th century have used humor in various ways throughout their works. Some writers, such as George Bernard Shaw and W. Somerset Maughm, were known for their comedies of manners. Others, like Sir Arthur Conan Doyle, Agatha Christie, and Alfred Hitchcock, wrote mystery novels infused with humorous elements. Political humor permeated the works of Sir Winston Churchill and George Orwell, while writers such as J.R.R. Tolkien and C.S. Lewis combined humor with religion and myth. Many of the trends that began in the nineteenth century were continued into the twentieth, though these trends were shaped by the social conditions of the period. This reference surveys humor in British literature of the 20th century. Included are authors who were active during the 20th century, ranging from Sir Arthur Wing Pinero (1855-1934) through Douglas (Noel) Adams (1952-). Each of these authors is profiled individually, with entries analyzing humor in their works and providing extensive bibliographical information. The first chapter covers includes authors born between 1855 and 1869, while each of the following chapters includes authors born during a particular decade. Within each chapter, the entries are arranged chronologically, so that the reader may trace the evolution of British literary humor over time. An index additionally allows the user to locate individual authors alphabetically.