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1000 tulosta hakusanalla Lin Gang

Lin Fengmian

Lin Fengmian

Peter Lang AG
2007
nidottu
Lin Fengmian, der als "Vorkampfer" und "Wegbereiter" der chinesischen modernen Kunst genannt wird, studierte in den 20er Jahren des 20. Jahrhunderts in Europa und strebte lebenslang nach "Harmonisierung der Kunst in Ost und West". Die Autorin beschreibt und analysiert das Leben und die Werke dieses expressionistischen Malers, die fast das ganze turbulente und vielfach bittere 20. Jahrhundert spiegeln. In den differenzierten Bildbeschreibungen, -analysen und in den Interpretationen sind eine Fulle von Informationen enthalten. Durch die Vergleiche mit zahlreichen Werken westlicher und chinesischer Kunst, von buddhistischer Kunst bis zur Kunst der europaischen Avantgarde, lasst sich die Kunst und Kultur des langen chinesischen 20. Jahrhunderts verstehen.
Lin-Manuel Miranda’s «Hamilton»: Silenced Women’s Voices and Founding Mothers of Color
Chill and swaggering colorbent Founding Fathers have been blowing away Hamilton audiences since 2015. And there is no doubt that Lin-Manuel Miranda created an artistic monumental vessel of empowerment for people of Color whose stories have been left out. Yet, when we dig deeper into the historical evidence that Hamilton is based on, we come across a treasure trove of questions regarding the women in the musical. Was Angelica really a feminist? What is Theodosia’s connection to the duel? Did Eliza know about her husband’s affair with Maria? Were Alexander and Angelica in love? And why is Sally voiceless as the one character who is based on a person of Color? These questions are explored using a Critical Race Theory intersectional lens as well as feminist and anti-racist scholarship.
Lin Carter's Simrana Cycle

Lin Carter's Simrana Cycle

Linwood V Carter

Celaeno Press
2018
pokkari
Lin Carter, enthralled by the "Dreamland" tales of Lord Dunsany and others, contributed to the growing genre with a series of his own stories, dubbed "The Simrana Tales." Some of them were published in a variety of small-press magazines and other publications, but they were never collected into a book, and many tales have never been published at all. Until now.As Carter himself commented in his afterword to Lord Dunsany's Beyond the Fields We Know, "The most Dunsanian of my fiction is the Simrana series ... the name was coined many years ago and lay in my notebooks awaiting the right kind of story to occur to me." A complete collection of his Simrana tales could hardly be called complete without including the stories that inspired him to write them in the first place: Lord Dunsany's masterpieces of fantasy. Here at last is the complete Simrana Cycle, accompanied by outstanding stories in the genre including Dunsany's own "The Sword of Welleran" and others; Henry Kuttner's 1937 Weird Tales gem "The Jest of Droom-avista," and new stories by leading authors in the field: Gary Myers, Darrell Schweitzer, Adrian Cole, Charles Garofalo, and Glynn Barrass, as well as six ink drawings by Roy G. Krenkel, originally done for the publication of Carter's "The Gods of Neol Shendis."
Lin Carter's Simrana Cycle

Lin Carter's Simrana Cycle

Linwood V Carter

Celaeno Press
2018
sidottu
Lin Carter, enthralled by the "Dreamland" tales of Lord Dunsany and others, contributed to the growing genre with a series of his own stories, dubbed "The Simrana Tales." Some of them were published in a variety of small-press magazines and other publications, but they were never collected into a book, and many tales have never been published at all. Until now.As Carter himself commented in his afterword to Lord Dunsany's Beyond the Fields We Know, "The most Dunsanian of my fiction is the Simrana series ... the name was coined many years ago and lay in my notebooks awaiting the right kind of story to occur to me." A complete collection of his Simrana tales could hardly be called complete without including the stories that inspired him to write them in the first place: Lord Dunsany's masterpieces of fantasy. Here at last is the complete Simrana Cycle, accompanied by outstanding stories in the genre including Dunsany's own "The Sword of Welleran" and others; Henry Kuttner's 1937 Weird Tales gem "The Jest of Droom-avista," and new stories by leading authors in the field: Gary Myers, Darrell Schweitzer, Adrian Cole, Charles Garofalo, and Glynn Barrass, as well as six ink drawings by Roy G. Krenkel, originally done for the publication of Carter's "The Gods of Neol Shendis."