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1000 tulosta hakusanalla Martha Hodes
" Blending] cool lyricism and fiery emotion, alternately prickly and welcoming, funny and stern, Gellhorn is one of the most extraordinary women of our era."--Chicago Sun-Times Spanning more than 40 years and settings that range from Depression-era America to the smartest London dinner parties to the highlands of East Africa, the novellas of Martha Gellhorn display the same qualities that have made her one of the most famous journalists of the twentieth century: an indelible sense of place, prose of breathtaking swiftness and precision, and an unerring fix on the hidden motives of her characters. Above all, Martha Gellhorn explores the ways men and women live privately--and often passionately--amid the rush of history. "Reading Martha Gellhorn for the first time is a staggering experience. She is not a travel writer or a journalist or a novelist: she is all of these, and one of the most eloquent witnesses of the twentieth century."--Bill Buford, Granta "Martha Gellhorn is one of our very best writers. To the swift and vibrant medium of the novella], she brings a richness of experience, a tenderness and depth of feeling."--The Atlantic "Peerless and hilarious . . . Martha Gellhorn is a wittily astringent writer."--Vogue
Martha's Vineyard Outdoors: Fishing, Hunting and Avoiding Divorce on a Small Island
Nelson Sigelman
Tashmoo Publishing
2017
nidottu
Martha's Vineyard is a well known summer vacation spot. In this collection of columns, former Martha's Vineyard Times editor Nelson Sigelman describes an island preoccupation, less notorious than tourism but more obsessive, rooted in fishing, hunting and waterfowling traditions that shaped the island's character well before a mechanical shark named Bruce and presidents Bill Clinton and Barack Obama attracted slavish media attention to a 100-square mile speck off the coast of Massachusetts.Martha's Vineyard Outdoors casts a wide net. "The pleasures of Nelson Sigelman's distinctive voice held this non-fishing, non-hunting, feminist, tree-hugging pinko spellbound from the first column to the very last," said Island resident and Pulitzer Prize winning author Geraldine Brooks.The setting is Martha's Vineyard but the stories are rooted in the humor and love of the outdoors found in small communities across the country.
Martha Gellhorn: the War Writer in the Field and in the Text
Kate McLoughlin
Manchester University Press
2007
sidottu
Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan’s wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism.Often overlooked in accounts of war literature is the writer’s precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn’s daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn’s rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier’s magazine. McLoughlin goes on to examine Gellhorn’s increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in.
Who was Martha Bernays, the Hamburg-born woman who, after a long and turbulent engagement and against the opposition of her mother, married the Viennese doctor Sigmund Freud and lived at his side for more than fifty years as wife and mother of six? How did she feel, coming from a traditional Jewish family but living in a household with no religious background? How did she cope with the challenge of being married to the man whose work revolutionized our ways of thinking about human sexuality? In this, the first biography of Martha Freud, Katja Behling portrays this remarkable woman, whose loyalty and steadfastness contributed in no small measure to the extraordinary success of psychoanalysis as it went from strength to strength and spread from Vienna to the four corners of the earth.
A stunning celebration of the 100th anniversary of the world renowned Martha Graham Dance Company. Produced by award-winning and internationally acclaimed dance photography team Ken Browar and Deborah Ory//NYC Dance Project, this gorgeous coffee table book (produced to the same specs and qualities of The Art of Movement) offers exclusive access the current company, as well as pieces of archival material.Founded in 1926 by Martha Graham, The Martha Graham Dance Company is the oldest dance company in the United States and remains one of the world's most distinguished and highly acclaimed. Graham's original works drew from a variety of influences, notably Greek mythology, the American frontier, and traditional Native American ceremonies, and were characterized by her trademark technique of "contraction and release." She is also renowned for her ongoing collaboration with several of her contemporary creative visionaries, including sculptor Isamu Noguchi, actor and director John Houseman, composer Aaron Copland, and fashion designers Halston, Donna Karen, and Calvin Klein.Martha Graham Dance Company 100 Years is a monumental photographic tribute to Graham's profound creative heritage. Featuring a joyous selection of twenty-four of Graham's most memorable works, Browar and Ory capture the beauty and the precision of dancers who make up today's company and who carry the mantle of Graham's legacy. Each featured dance is prefaced by a piece of archival imagery as well as a description of the dance and notes on costume design, set design, and accompanying music. An in-depth feature on Noguchi's set design as well as an introduction by Martha Graham Dance Company artistic director Janet Eilber round out the program.
A rare glimpse into the outstanding private homes and gardens of Martha's Vineyard, this classic work is expanded with new pictures and commentary. Every kind of Vineyard home, from Edgartown mansions to Gay Head beach cottages, and every kind of garden, from perennial border to wildflower meadow is featured here. On the Vineyard, the natural world and the man-made exist side by side, as the Island's houses and gardens blend harmoniously into the landscape. It is that harmony, and the balance between old houses and new, that give the Vineyard much of its unique style. This world is captured in an illuminating text by long-time Vineyard resident Polly Burroughs and hundreds of stunning, full-color photographs by Lisl Dennis. Together they reveal the rich diversity and myriad charms of the houses and gardens of Martha's Vineyard.
A photographic tour of Martha’s Vineyard and all its attractions. Martha’s Vineyard, the idyllic island off the coast of Cape Cod, is captured in picturesque photographs of its common vistas and extraordinary scenery. The journey starts with an aerial tour around the coast of the island; then takes to the road and heads “up island” from Tisbury. You will pass through the towns of West Tisbury, Chilmark, and Aquinnah and visit a range of attractions including the cliffs of clay and the Gay Head Lighthouse. From the south shore, you will head east to the old whaling town of Edgartown where you will see the architectural styles of previous generations, up-scale restaurants, art galleries, and the nearby Cape Poge Wildlife Refuge. Then, heading back to where you started this tour, you will explore the vibrant, lively community of Oak Bluffs, home to the Martha’s Vineyard Camp Meeting Association, which now has more than 350 gingerbread cottages. This book is a wonderful remembrance for all who have visited Martha’s Vineyard.
Explore Martha Vineyard's beloved cobbled streets, lighthouses, harbors, beaches, and more through over 80 striking full-page images and short photo descriptions, capturing all of the island's charm. Enjoy the idyllic island of Martha’s Vineyard with this treasury of over 80 images captured at some of the most unforgettable locations. South of Cape Cod and west of Nantucket, Martha's Vineyard offers year-round charm, and these photos allow you to visit every corner. From the town of Vineyard Haven, head “up island” to travel through West Tisbury, Chilmark, and Aquinnah with its farms and rolling hillsides. Tour Edgartown with its impressive stateliness and distinctive architecture. Then enjoy the lively town of Oak Bluffs with its carousel and Campground. Included too are the harbors with their fish docks, the beloved Black Dog Tavern, the quaint gingerbread cottages, and the red clay cliffs where Gay Head Light still signals mariners. Here is the essence of Martha's Vineyard, in all its year-round beauty.
One-of-a-kind, black-and-white silver gelatin print images of seascapes of Martha's Vineyard, including waves, dunes, and marshes, by internationally known photographer Michael Kahn. In over 60 handmade, black-and-white photographs, renowned film photographer Michael Kahn renders Martha’s Vineyard beachscapes in exquisite detail. Produced in his darkroom, these masterful, curated images depict the diversity and intense beauty of this enchanting island. Scenes of Edgartown, South Beach, Zack's Cliffs, and other locations are interspersed with inspirational quotes and poetry. The warm, tritone-printed images represent the artist's 22 years of work using a 1950s camera to capture the area's sculpted beaches on traditional film, and producing the images as luminous silver gelatin prints.
Martha Grimes Walks Into a Pub
McFarland Co Inc
2010
pokkari
Since the 1979 discovery of her work in a slush pile at Little, Brown, Martha Grimes has gone on to publish more than 30 books, win international acclaim (and a Nero Wolfe Award) for her detective series, and develop a following of readers whose loyalty translates to repeated stays on the best-sellers lists. This collection of 10 critical essays provides an in-depth analysis of Grimes' oeuvre, principally the Richard Jury, Emma Graham, and Andi Oliver series. The essays address Grimes' themes of parental abandonment, loneliness, obsession, greed, mistaken and dual identity, the resilience of children, stunted romantic relationships and animal cruelty. Particular attention is paid to her engaging characters, strong sense of place and the comedy, which feature so strongly in her novels.
On stage from her childhood, Martha Raye (1916-1994) proudly embraced the role of the clown, her gift for slapstick comedy enhanced by a fine singing voice. She became a star with her first feature film, Rhythm on the Range (1936), as the zany, loudmouthed girl looking for love--or chasing it as it ran away. She won popular and critical acclaim with The Martha Raye Show (1954-1956) before it was abruptly cancelled, partly because of her chaotic personal life. Drawing on new interviews with her colleagues, this retrospective covers the life and career of an enduringly funny lady who influenced a generation of women comedians. Her reign as a top NBC star of the 1950s is covered, along with her appearances on popular variety shows, her roles in fondly remembered series like The Bugaloos, McMillan and Alice, and her film career that teamed her with the likes of Jack Benny, Charlie Chaplin and Doris Day.
Perhaps one of the most misunderstood and misrepresented characters of the New Testament is Martha. Often painted in the colors of reproach, Martha seems to be the poster child for how not to be a follower of Jesus. From the mind of Diana Wallis Taylor comes this touching, well-researched portrayal of Martha of Bethany, sister of Mary and Lazarus. Through Taylor's lush descriptions and inspired combination of imagined and recorded dialogue, Martha's world--her trials, triumphs, and loves--vibrantly comes to life. Follow Martha as she is jilted by her betrothed, falls in love with a Roman soldier, grieves the death of her father, cares for her siblings, and serves her Lord with dignity and grace. Readers will never read the biblical story of Martha the same way again.
"Martha Maxwell, Rocky Mountain Naturalist": "Highly enjoyable ...Maxwell, called a 'modern Diana' in the popular press of her day, devoted her life to taxidermy, which she thought of 'as a fine art, subservient to science.' A childhood love of animals developed into a hobby and then, to her daughter's and husband's distress, a consuming, but never lucrative, profession...[A] lively biography." ("Journal of American History"). "Martha Maxwell was a most unusual pioneer, fully conscious of the feminist implications of her life and work...Anyone interested in western woman's history should not miss this book." ("Western Historical Quarterly"). "Maxwell displayed not only a reforming zeal but also ambition and ability. But she paid a price for expressing an independent spirit. Her marriage dissolved and her relationship with her daughter was far from harmonious...Martha Maxwell was more than just a field naturalist...As Benson aptly describes, she expanded the horizon of opportunities for those who followed her." ("Rocky Mountain News"). "A fascinating human interest story as well as a rich historical account of the times." ("Western American Literature"). NP Maxine Benson has served as a university teacher, state historian of the Colorado Historical Society, and publications director at the Kansas Historical Society. She is the author or editor of several books including "One Thousand One Colorado Place Names."
The Garden Diary of Martha Turnbull, Mistress of Rosedown Plantation
Martha Turnbull; William Seale
Louisiana State University Press
2012
sidottu
Recovered in the mid-1990s from the attic of a Turnbull family descendant, Martha Turnbull's garden diary offers the most extensive surviving first-hand account of nineteenth-century plantation life and gardening in the Deep South. Landscape architecture professor and preservationist Suzanne Turner spent fifteen years transcribing and annotating the original manuscript, making it accessible to twenty-first-century gardening enthusiasts. The resulting dialogue between Turnbull's diary entries and Turner's illuminating notes demonstrates the pivotal role that kitchen and pleasure gardens held in the lives of planter families. In addition, the diary documents the relationship between the mistress and the enslaved whose labor made her vast gardens possible. Turner's exquisite interpretation reveals not only an energetic gardener but also a well-read one, eager to experiment with the newest gardening trends. Illustrated with engravings from period books, journals, and nursery catalogs, Turner's annotations provide the reader with a deeper understanding of American horticultural history.The diary, spanning the years 1836 through 1894, reveals the portrait of a courageous and resilient woman. After the tragic loss of her two sons and husband prior to the Civil War, Martha assumed full responsibility for her family and the plantation. She endured living under siege during the war and persevered during Reconstruction by growing and selling food as a truck farmer. By working daily in her ornamental garden and faithfully maintaining her diary for nearly sixty years, she found the solace and peace to look forward to the future.
Martha Brae's Two Histories
The University of North Carolina Press
2002
nidottu
Based on historical research and more than 30 years of anthropological fieldwork, this wide-ranging study underlines the importance of Caribbean cultures for anthropology, which has generally marginalized Europe's oldest colonial sphere. Located at the gateway to the New World in the plantation heartlands of the Americas, the settlement of Martha Brae, Jamaica, has witnessed the unfolding of two distinct yet interrelated histories. Exploring the significance of Martha Brae as a European Caribbean slaving port in the 18th century, Jean Besson simultaneously uncovers the neglected tale of Martha Brae's gradual appropriation by ex-slaves and its transformation into an African-Caribbean free village, bringing the story right up to the beginning of the 21st century. Central to this transformation is the system of ""family land"", which interrelates with kinship, community, economy, cosmology, gender, oral tradition and state law. Besson shows that this customary land tenure is not a passive legacy for either Africa or Europe, as conventional theories contend, but a dynamic creole institution created by Caribbean people in response to European-American land monopoly and cultural dominance. This perspective advances debates on African-American cultural history and the anthropological study of culture.
The focus is on Martha’s Vineyard but the information, fishing tips, and stories about Island characters—Bob “Hawkeye” Jacobs jumping off Memorial Wharf to unsnag an albie he hooked—will sound familiar to anyone who has spent time in a community of fishermen. This informative and fun read answers the questions asked in local tackle shops, including the best spots to catch a striped bass on a fly rod—Lobsterville Beach—and rigging tackle for blues, fluke, black sea bass, false albacore, and bonito. Spin fishing, bottom fishing, and fly fishing are all covered. This book follows the island fishing seasons: rods appear on island trucks in April, a sign that schoolies have arrived, and they do not begin to disappear until the venerable Bass and Bluefish Derby, five weeks of single-minded pursuit of fish, ends in October. And there are tips on looking and talking the part . . . “handy phrases include any reference to a falling or rising tide and a rock, any rock, as long as you refer to it with a sense of authority so that the other person is unwilling to ask which rock for fear of seeming like a novice.” Martha’s Vineyard Fish Tales is a “how to” book that flows with the character and personality of a fishing-obsessed island off the coast of Massachusetts.
Marian Horosko brings together new and previously published interviews of Martha Graham's ""family"" of dancers, teachers, choreographers and actors and interweaves them with provocative biographical material about the life and influence of the creator of classic modern dance. Spanning the past 75 years, the interviews testify to the remarkable legacy that inspired the careers of many in the dance world, among them dancers from the contemporary generation who inherited her technique, but never saw her perform. The interviews of teachers, all former Graham students, reflect their passion for maintaining Graham's few fixed principles and her emotional integrity. Some of the foremost actors of Graham's time (she died in 1991) describe their stormy encounters with her in the process of her attempts to teach them that ""movement doesn't lie"". Although not a textbook - no textbook describing the exercises exists at the time of publication - this book offers a syllabus of Graham's work. Drawn from a private film of a class for her advanced and professional company members in the 1960s, it includes comments from Graham and testifies to her use of imagery in teaching. Photographs that capture the dancers' physical configuration document the development of Graham's choreographic legacy, which expanded and changed as she created each new work, more than 200 in all. These images, along with the interviews and commentary, plot the evolution of Graham's methodology and vocabulary of movement, on which classical modern dance continues to rely.
The Papers of Martha Washington is the first scholarly edition of Martha Washington’s correspondence, spanning her entire life, from her youth as a wealthy but largely unknown Virginia plantation mistress through her ascent to becoming an American icon. Her family letters make up most of the volume, bringing to light Martha Washington’s personality in her own words. As she rose to fame, she began to correspond with such significant figures in American history as Mercy Otis Warren, Abigail Adams, Elizabeth Willing Powel, and the Marquis de Lafayette. Her correspondence paints a picture of social life during the Revolutionary War and the early republic. The dozens of people who sent condolence letters after her husband’s death are a who’s who of key Federalist figures at the turn of the nineteenth century. For periods from which few materials survive, the editors have selected financial papers and third-party documents that bridge the gaps in the correspondence. Although Martha burned all but four of the letters between her and George Washington, the remaining documents tell a fascinating story about the early United States from a unique female perspective. This volume offers readers a more three-dimensional, accurate portrait of Martha Washington and enhances our understanding of women’s contributions to early American history. Aside from correspondence, the Papers of Martha Washington also includes directories of key people and places, timelines, maps, editorial essays, a calendar of financial documents, and appendices documenting everything from the inventory of the contents of Mount Vernon to the division of dower slaves, serving as an invaluable historical tool and a readable introduction to the life of America’s first First Lady.